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David McK (3207 KP) rated The Winter King in Books
Sep 4, 2020
The first of Bernard Cornwell's so-called Warlord trilogy novels, which are a retelling/reimagining of the King Arthur Legend.
These are also novels that - despite being the author's own personal favourites of the (many) novels he has written - I have struggled with, never really getting into them or feeling any connection with the story or character in the same way as I do towards Uhtred of Bebbanburg, or to Richard Sharpe.
I don't know whether that's because these are so different than I was originally expecting (the magic and mysticism of the tales, here, are more to do with superstition and ignorance), or whether because it may be fairer to call these a tale of Derfel, who narrates the story in later life in a monastery and how - here- he first came to the service of Arthur, the King that never was.
Maybe also because of the Dark Ages setting, which - obviously, since so little is known of that period (hence the name Dark Ages!) - means that Cornwell can't really bring history to life like he does in most of his other works?
These are also novels that - despite being the author's own personal favourites of the (many) novels he has written - I have struggled with, never really getting into them or feeling any connection with the story or character in the same way as I do towards Uhtred of Bebbanburg, or to Richard Sharpe.
I don't know whether that's because these are so different than I was originally expecting (the magic and mysticism of the tales, here, are more to do with superstition and ignorance), or whether because it may be fairer to call these a tale of Derfel, who narrates the story in later life in a monastery and how - here- he first came to the service of Arthur, the King that never was.
Maybe also because of the Dark Ages setting, which - obviously, since so little is known of that period (hence the name Dark Ages!) - means that Cornwell can't really bring history to life like he does in most of his other works?
Jennifer Roup (9 KP) rated The Wife Between Us in Books
Dec 27, 2017
#GritLit Domestic Thriller Must Read
The premise of this book is captivating.
At first I think it's clear: A man left his wife for his assistant and the ex-wife is left devastated. The new bride is carried away in the new lavish lifestyle her husband-to-be is creating for her and she barely notices the subtle clues that someone is stalking her, watching her every move.
Nellie is cute, bubbly and everything that Vanessa used to be. The ex wife, Vanessa, is a recovering alcoholic living with her aunt, wondering how Richard could leave her. So she sets up on a mission to find out what Nellie has that she doesn't and to find a way to seek revenge.
If the book would have wrapped up after the first major twist in the middle of the book, I would have been impressed but the hits and twists just kept coming so it was impossible to put down.
I think the twists and turns, plus the creepy narration from an unreliable character who is clearly losing her mind were all great. I was really hooked at first. But by the end, there was just too much going on.
It's fast-paced, creepy and so vivid that you may start to think you're even being stalked too...
It's very much like The Couple Next Door, My Husband's Wife and Lie to Me and and similar thrillers. Twisted, interesting and really great characters but just a little too drag towards the end. Still recommend it though!
At first I think it's clear: A man left his wife for his assistant and the ex-wife is left devastated. The new bride is carried away in the new lavish lifestyle her husband-to-be is creating for her and she barely notices the subtle clues that someone is stalking her, watching her every move.
Nellie is cute, bubbly and everything that Vanessa used to be. The ex wife, Vanessa, is a recovering alcoholic living with her aunt, wondering how Richard could leave her. So she sets up on a mission to find out what Nellie has that she doesn't and to find a way to seek revenge.
If the book would have wrapped up after the first major twist in the middle of the book, I would have been impressed but the hits and twists just kept coming so it was impossible to put down.
I think the twists and turns, plus the creepy narration from an unreliable character who is clearly losing her mind were all great. I was really hooked at first. But by the end, there was just too much going on.
It's fast-paced, creepy and so vivid that you may start to think you're even being stalked too...
It's very much like The Couple Next Door, My Husband's Wife and Lie to Me and and similar thrillers. Twisted, interesting and really great characters but just a little too drag towards the end. Still recommend it though!
Andy K (10821 KP) rated Days of Heaven (1978) in Movies
Jul 7, 2019
Gorgeous sprawling vistas
While I am still a Terrence Malick novice, I truly appreciate the small amount of his films I have seen. Having recently watched The Tree of Life which I found amazing I thought I would look up a few more to see what I was missing.
In or around 1916 middle America, an expansive wheat farm is worked for harvesting by hoards of day laborers. The landowner takes a fancy to one of his prettiest workers and asks her to stay on along with her brother and little sister. Little does the man know the other man is indeed her beau instead of her brother. A love triangle develops after she marries the rich man that slowly builds in tension until the poor couple's relationship is uncovered.
Peril comes to the farm in the form of locusts which threaten the crops and a subsequent fire which could destroy the fields completely.
I have found when I watch a Malick film, an very important supporting character is the landscape, atmosphere and world of nature around their human counterparts. In this film, the majestic fields are supplemented with shots of animals in the fields, vast sky and cloud formations and even unseen plants fighting to break through the soil.
I think these elements add much to deepen the immersion of the audience into the story Malick is telling and helps you accept the world around them quickly.
Richard Gere, Brooke Adams and the handsome Sam Shepard (they all looked so young) were beautifully photographed and played their parts well as we believed their emotions completely.
A truly magnificent film!
In or around 1916 middle America, an expansive wheat farm is worked for harvesting by hoards of day laborers. The landowner takes a fancy to one of his prettiest workers and asks her to stay on along with her brother and little sister. Little does the man know the other man is indeed her beau instead of her brother. A love triangle develops after she marries the rich man that slowly builds in tension until the poor couple's relationship is uncovered.
Peril comes to the farm in the form of locusts which threaten the crops and a subsequent fire which could destroy the fields completely.
I have found when I watch a Malick film, an very important supporting character is the landscape, atmosphere and world of nature around their human counterparts. In this film, the majestic fields are supplemented with shots of animals in the fields, vast sky and cloud formations and even unseen plants fighting to break through the soil.
I think these elements add much to deepen the immersion of the audience into the story Malick is telling and helps you accept the world around them quickly.
Richard Gere, Brooke Adams and the handsome Sam Shepard (they all looked so young) were beautifully photographed and played their parts well as we believed their emotions completely.
A truly magnificent film!
Jonathan Donahue recommended The Little Prince in Books (curated)
Gareth von Kallenbach (971 KP) rated Poseidon (2006) in Movies
Aug 14, 2019
The summer movie season has arrived in grand style with the first thrill ride of the season In Poseidon, viewers are taking to the very edge and beyond in one of the better adventure films in recent memory.
Based on the 1972 original, the film once again follows a ship in peril and a group of survivors attempting to save themselves from certain doom. Onboard the Poseidon, the guests are a mixed bag of society, but fate is about to bring them all together when their transatlantic crossing hits a rather unexpected snag in the form of a massive tidal wave which capsizes the boat leaving the survivors to deal with an upside down ship and the constant threat of drowning.
Wasting little time on character backgrounds and motivations, the film gets right to the action as within 10 minutes, the action is underway, and rarely lets up over the roughly 99 minutes of the films run time.
After the disaster has hit and the survivors survey the carnage caused by the wave, Robert Ramsey (Kurt Russell), decides to ignore the advice of the ships captain and follow a maverick named Dylan (Josh Lucas), out of the ballroom in an effort not only to find his daughter, but a way out of the ship. Joining the duo are a young mother named Maggie (Jacinda Barrett), and her son, as well as business man Richard Nelson (Richard Dreyfuss). As the group ventures to find a way out, they do in time meet up with Roberts’s daughter and her finance as well as a few other survivors.
As the group is forced to work with one another for survival, conflicts arise as Dylan and Robert clash over the best course of action. It is learned that Robert was a former fireman who after a heroic act was able to become Mayor of New York, but for reasons unknown was not able to deal with his success which had caused his wife to leave him. Now Michael spends his days in luxury being an overprotective father to his daughter Jennifer (Emmy Rossum).
While much of Michael’s past is uncovered in a few lines tossed at him in a moment of anger, even less is known about Dylan. Prior to the accident, he revealed to Maggie that he takes money from people who like to get into arguments and play cards. Only Richard Nelsons character is given a bit more background as we learn that he is a Gay business man whose lover has left him for another in London, leaving Richard alone, and suicidal. The fact that Richard is preparing to jump overboard and is stopped only by the site of the closing wave allows his character to show some diversity as in the face of disaster, he finds new meaning and purpose.
The remainder of the film is packed with narrow escapes, danger, death, and the ever constant menace of the water which like an unrelenting killer is never far away from the group and stalks them without mercy at every turn.
While some of the situations are beyond reason, the film has some impressive sets and visuals, and Director Wolfgang Peterson keeps the pacing of the film fresh as it never stops long enough to loose its momentum.
The leads do the best they can with their stock characters, yet this is compensated for by the thrills of the film and the physicality of the rolls. Josh Lucas reportedly broke his arm while filming the movie underscoring just how much the actors put themselves into the film.
While Poseidon is not likely to be a cinematic classic, it is an enjoyable if flawed summer film that provides enough thrills to keep you entertained.
Based on the 1972 original, the film once again follows a ship in peril and a group of survivors attempting to save themselves from certain doom. Onboard the Poseidon, the guests are a mixed bag of society, but fate is about to bring them all together when their transatlantic crossing hits a rather unexpected snag in the form of a massive tidal wave which capsizes the boat leaving the survivors to deal with an upside down ship and the constant threat of drowning.
Wasting little time on character backgrounds and motivations, the film gets right to the action as within 10 minutes, the action is underway, and rarely lets up over the roughly 99 minutes of the films run time.
After the disaster has hit and the survivors survey the carnage caused by the wave, Robert Ramsey (Kurt Russell), decides to ignore the advice of the ships captain and follow a maverick named Dylan (Josh Lucas), out of the ballroom in an effort not only to find his daughter, but a way out of the ship. Joining the duo are a young mother named Maggie (Jacinda Barrett), and her son, as well as business man Richard Nelson (Richard Dreyfuss). As the group ventures to find a way out, they do in time meet up with Roberts’s daughter and her finance as well as a few other survivors.
As the group is forced to work with one another for survival, conflicts arise as Dylan and Robert clash over the best course of action. It is learned that Robert was a former fireman who after a heroic act was able to become Mayor of New York, but for reasons unknown was not able to deal with his success which had caused his wife to leave him. Now Michael spends his days in luxury being an overprotective father to his daughter Jennifer (Emmy Rossum).
While much of Michael’s past is uncovered in a few lines tossed at him in a moment of anger, even less is known about Dylan. Prior to the accident, he revealed to Maggie that he takes money from people who like to get into arguments and play cards. Only Richard Nelsons character is given a bit more background as we learn that he is a Gay business man whose lover has left him for another in London, leaving Richard alone, and suicidal. The fact that Richard is preparing to jump overboard and is stopped only by the site of the closing wave allows his character to show some diversity as in the face of disaster, he finds new meaning and purpose.
The remainder of the film is packed with narrow escapes, danger, death, and the ever constant menace of the water which like an unrelenting killer is never far away from the group and stalks them without mercy at every turn.
While some of the situations are beyond reason, the film has some impressive sets and visuals, and Director Wolfgang Peterson keeps the pacing of the film fresh as it never stops long enough to loose its momentum.
The leads do the best they can with their stock characters, yet this is compensated for by the thrills of the film and the physicality of the rolls. Josh Lucas reportedly broke his arm while filming the movie underscoring just how much the actors put themselves into the film.
While Poseidon is not likely to be a cinematic classic, it is an enjoyable if flawed summer film that provides enough thrills to keep you entertained.
Lilyn G - Sci-Fi & Scary (91 KP) rated Gwendy's Button Box in Books
Jan 31, 2018
An interesting plot bunny, but a bland book.
So, one of the things that makes a lot of horror book lovers give me the stink-eye is the fact that I freely admit to the fact that I don't really like to read Stephen King's books. I'm a huge fan of his plots, but I have an attention span the length of a gnat, so when he goes off on his 'wanders', I go glaze-eyed and generally move on to something else.
But, I saw everyone talking about Gwendy's Button Box, and took note of the fact that it had been 'co-written' by Richard Chizmar. Given the fact that it was a novella, I decided to give it a try. (I got the audio version from the library.) And.. it was... okay? Yeah, okay is the right word.
The narrator did a fantastic job as Gwendy, and the concept of the Button Box was a great one. The character development of Gwendy is excellent. However, the actual story itself just left me scratching my head and wondering if I missed something. It was a good thought experiment, but coming from two horror writers, I was a little taken aback at the lack of actual, you know, horror.
But, I saw everyone talking about Gwendy's Button Box, and took note of the fact that it had been 'co-written' by Richard Chizmar. Given the fact that it was a novella, I decided to give it a try. (I got the audio version from the library.) And.. it was... okay? Yeah, okay is the right word.
The narrator did a fantastic job as Gwendy, and the concept of the Button Box was a great one. The character development of Gwendy is excellent. However, the actual story itself just left me scratching my head and wondering if I missed something. It was a good thought experiment, but coming from two horror writers, I was a little taken aback at the lack of actual, you know, horror.
ArecRain (8 KP) rated That Perfect Someone (Malory-Anderson Family, #10) in Books
Jan 18, 2018
I immediately fell in love with this novel from the very beginning. I couldn't explain why, it just had my attention from the start. It helped that is a Malory novel, which is among my favorite series so far. Maybe I loved this novel so much because it involved the Malorys without them being the main couple.
First, I found the characters fascinating. They had me laughing, blushing, and rooting for them at every turn. I had no idea who Richard was, a little silly of me since Lindsey didn't exactly hide, so that made the plot that much more interesting when it was revealed who he was. I have a huge soft spot for romances about childhood friends ending up in love, so it's no surprise as to why I fell in love with t his book quickly.
I also enjoyed watching the protagonists' relationship grow. It was so frustrating to watch all the bitterness from the past get in the way especially since they were attracted to each other before they knew who the other was. The ending left me so pleased that I immediately wanted to reread it. I would have to if I didn't have so many other novels to read.
First, I found the characters fascinating. They had me laughing, blushing, and rooting for them at every turn. I had no idea who Richard was, a little silly of me since Lindsey didn't exactly hide, so that made the plot that much more interesting when it was revealed who he was. I have a huge soft spot for romances about childhood friends ending up in love, so it's no surprise as to why I fell in love with t his book quickly.
I also enjoyed watching the protagonists' relationship grow. It was so frustrating to watch all the bitterness from the past get in the way especially since they were attracted to each other before they knew who the other was. The ending left me so pleased that I immediately wanted to reread it. I would have to if I didn't have so many other novels to read.
Lee (2222 KP) rated Greed (2019) in Movies
Jan 29, 2020
On the Greek island of Mykonos, preparations are well underway for the lavish Gladiator themed 60th birthday party of multi-millionaire and 'king of the high-street', Sir Richard 'Greedy' McCreadie (Steve Coogan). A journalist turned biographer (David Mitchell) is on hand to document McCreadie's life story and some of his interviews with various acquaintances and family members combine with present day events to form a mockumentary style movie which gives us a closer look at how he went from ruthless young schoolboy to ruthless self-made millionaire.
It's 5 days until the party. Construction on a huge wooden Colosseum is progressing slowly, and a nearby caged lion is to be involved in a series of gladiator themed games for the event. Although, as McCreadies moody teenage son (Asa Butterworth) snarkily points out, it was actually tigers that featured in the movie Gladiator and not lions. Discussions are also taking place as to where the firework display will be and where Fatboy Slim and Coldplay will be performing, overseen by McCreadie himself, all fake tan and bright white teeth. His first wife (Isla Fisher) arrives with her new partner and everyone is under pressure to be ready in time.
We're taken right back to the beginning and Richards public school years. A rather unpleasant young Richard (Jamie Blackley) is back-chatting his teachers and playing cards with the other students for money. When his mother (Shirley Henderson) is called into the school, there is a heated exchange in the headmasters office and Richard ends up leaving the school. We then follow him out into the big wide world, wheeling and dealing in the fashion business, confident and persistent until he has managed to land himself a small shop and enough stock to start undercutting some of his nearby rivals. It's not long until Richard is heading out to Sri Lanka, meeting up with sweatshop managers in order to play them off against each other for the lowest possible price in order to secure himself a huge profit. As Richard grows up into the version played by Coogan, there continues to be a steady stream of different clothing shops, big ideas, dodgy deals and plenty of mishaps for him to tackle in what are some of the films funnier scenes.
Greed takes a real scatter-gun approach to plots and scenes, which for the most part don't really work. There is a completely pointless and dull subplot involving a reality TV show that's being filmed on and around the beach, with another concerning a group of Syrian refugees who have the cheek to be camped out on the beach where the party is due to take place. We zip back and forth in time, occasionally dipping into a hearing regarding Sir Richard's tax avoidance antics over the years and there's never really enough time, or enough of a decent script, to make any of it very interesting or funny. The character of McCreadie, who is clearly loosely based on Topshop CEO Philip Green, is basically just a variation of Alan Partridge, slightly different voice, some extra swearing and anger thrown in, only less funny. The movie even features Tim "Sidekick Simon" Key from the Partridge shows as an exasperated employee, trying to keep the building of the Colosseum on track with a diminishing workforce. There are plenty of celebrity cameos shoehorned in too and the whole thing is just very hit and miss. But mostly miss.
Greed concludes by showing us some pretty sobering facts and figures. We're informed that the 26 richest men in the world hold more wealth than that of the 3.6 billion poorest combined. We learn just how little the women in countries such as Sri Lanka and Bangladesh earn in return for their long days putting together high street clothes, while the biggest names in retail turnover millions in profits each year. And we hear about the plight of the Syrian refugees trying to make their way to Greece. The greed and injustice of it all really hits home, and it does so far more effectively here than during the the rest of the movie.
It's 5 days until the party. Construction on a huge wooden Colosseum is progressing slowly, and a nearby caged lion is to be involved in a series of gladiator themed games for the event. Although, as McCreadies moody teenage son (Asa Butterworth) snarkily points out, it was actually tigers that featured in the movie Gladiator and not lions. Discussions are also taking place as to where the firework display will be and where Fatboy Slim and Coldplay will be performing, overseen by McCreadie himself, all fake tan and bright white teeth. His first wife (Isla Fisher) arrives with her new partner and everyone is under pressure to be ready in time.
We're taken right back to the beginning and Richards public school years. A rather unpleasant young Richard (Jamie Blackley) is back-chatting his teachers and playing cards with the other students for money. When his mother (Shirley Henderson) is called into the school, there is a heated exchange in the headmasters office and Richard ends up leaving the school. We then follow him out into the big wide world, wheeling and dealing in the fashion business, confident and persistent until he has managed to land himself a small shop and enough stock to start undercutting some of his nearby rivals. It's not long until Richard is heading out to Sri Lanka, meeting up with sweatshop managers in order to play them off against each other for the lowest possible price in order to secure himself a huge profit. As Richard grows up into the version played by Coogan, there continues to be a steady stream of different clothing shops, big ideas, dodgy deals and plenty of mishaps for him to tackle in what are some of the films funnier scenes.
Greed takes a real scatter-gun approach to plots and scenes, which for the most part don't really work. There is a completely pointless and dull subplot involving a reality TV show that's being filmed on and around the beach, with another concerning a group of Syrian refugees who have the cheek to be camped out on the beach where the party is due to take place. We zip back and forth in time, occasionally dipping into a hearing regarding Sir Richard's tax avoidance antics over the years and there's never really enough time, or enough of a decent script, to make any of it very interesting or funny. The character of McCreadie, who is clearly loosely based on Topshop CEO Philip Green, is basically just a variation of Alan Partridge, slightly different voice, some extra swearing and anger thrown in, only less funny. The movie even features Tim "Sidekick Simon" Key from the Partridge shows as an exasperated employee, trying to keep the building of the Colosseum on track with a diminishing workforce. There are plenty of celebrity cameos shoehorned in too and the whole thing is just very hit and miss. But mostly miss.
Greed concludes by showing us some pretty sobering facts and figures. We're informed that the 26 richest men in the world hold more wealth than that of the 3.6 billion poorest combined. We learn just how little the women in countries such as Sri Lanka and Bangladesh earn in return for their long days putting together high street clothes, while the biggest names in retail turnover millions in profits each year. And we hear about the plight of the Syrian refugees trying to make their way to Greece. The greed and injustice of it all really hits home, and it does so far more effectively here than during the the rest of the movie.
Kristy H (1252 KP) rated Little Girl Gone (An Afton Tangler Thriller #1) in Books
Feb 13, 2018
Afton Tangler is halfway up a cold, icy mountain ledge when the call comes in: a three-month old baby, Elizabeth Ann, has vanished, taken from her home in the middle of the night. The little girl's babysitter is in the hospital after being assaulted, and Elizabeth Ann's wealthy parents are frantic. Afton, a family liaison officer for the Minneapolis Police Department, must console the baby's parents, Susan and Richard Darden. Besides her ice climbing hobby, Afton is also an aspiring police officer, so when the lead detective on the case, Max, has her tag along, she does, trying to untangle the weird web of clues that accompanies this sad case. Who was the strange man, pretending to deliver a pizza, who attacked the babysitter? Is he connected to a woman at a doll show that interacted with Susan? Is Richard's recent job switch a factor? Will a ransom call come in? As Afton and Max race to find Elizabeth Ann, the web only thickens, and they become more frantic to find Elizabeth Ann before it's too late.
This was an interesting mystery novel. I won't lie: the writing is wooden and clunky to say the least. It's certainly not the smoothly written thriller of a say a Tana French or Mary Kubica, whose books I've recently read. Further, the plot is really preposterous at times, and it's crazy to watch Afton, who should really be sitting at a desk and chatting with families, out solving crimes, chasing bad guys, and scaling cliffs (seriously). That being said, you can't help develop but an affinity for Ms. Afton Tangler. She's amazingly good at untangling a mystery (a little too good at times), but she's also incredibly plucky and genuine. She's like a Melissa McCarthy character in "Spy" or "Bridesmaids" - she's so herself that you fall for her in spite of yourself.
I also always find it impressive when authors can make a book suspenseful even when we know who "did it" from the beginning. [b:Little Girl Gone|27209410|Little Girl Gone|Gerry Schmitt|https://d.gr-assets.com/books/1463571368s/27209410.jpg|47250892] is told from the ever-popular multi-character POV, so we hear from Afton, but also Susan, and several characters related to the crime itself. So while we see the crime unfold and know exactly who took the Elizabeth Ann, Schmitt still does a good job of making the book exciting as Afton and Max attempt to find the little girl and reunite her with her parents. Because of that, plus Afton's tenacious character, I will still give this one 3 stars, despite some of the crazy plot holes and the occasional less than stellar writing.
I received a copy of this book from the publisher and Netgalley (thank you); it is available everywhere as of 07/05/2016.
<a href="http://justacatandabookatherside.blogspot.com/">My Blog</a> ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://twitter.com/justacatandbook">Twitter</a>;
This was an interesting mystery novel. I won't lie: the writing is wooden and clunky to say the least. It's certainly not the smoothly written thriller of a say a Tana French or Mary Kubica, whose books I've recently read. Further, the plot is really preposterous at times, and it's crazy to watch Afton, who should really be sitting at a desk and chatting with families, out solving crimes, chasing bad guys, and scaling cliffs (seriously). That being said, you can't help develop but an affinity for Ms. Afton Tangler. She's amazingly good at untangling a mystery (a little too good at times), but she's also incredibly plucky and genuine. She's like a Melissa McCarthy character in "Spy" or "Bridesmaids" - she's so herself that you fall for her in spite of yourself.
I also always find it impressive when authors can make a book suspenseful even when we know who "did it" from the beginning. [b:Little Girl Gone|27209410|Little Girl Gone|Gerry Schmitt|https://d.gr-assets.com/books/1463571368s/27209410.jpg|47250892] is told from the ever-popular multi-character POV, so we hear from Afton, but also Susan, and several characters related to the crime itself. So while we see the crime unfold and know exactly who took the Elizabeth Ann, Schmitt still does a good job of making the book exciting as Afton and Max attempt to find the little girl and reunite her with her parents. Because of that, plus Afton's tenacious character, I will still give this one 3 stars, despite some of the crazy plot holes and the occasional less than stellar writing.
I received a copy of this book from the publisher and Netgalley (thank you); it is available everywhere as of 07/05/2016.
<a href="http://justacatandabookatherside.blogspot.com/">My Blog</a> ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://twitter.com/justacatandbook">Twitter</a>;
Suswatibasu (1701 KP) rated Call Me by Your Name (2017) in Movies
Jan 7, 2018 (Updated Jan 7, 2018)
Slow first-half, heartbreaking in the second
For fans of Richard Linklater's Before Sunrise/Sunset series, Call Me By Your Name definitely has the same tone and visual style. Focusing on an unknown northern Italian landscape, the audience is taken on a journey in this coming of age film, in which 17-year-old Elio welcomes an American houseguest for the summer, and it is apparent that he begins to develop feelings for him.
From denial and hatred, to jealousy and love, Elio is portrayed as a clearly complex teenager in the sense that he is more withdrawn than his peers, infatuated with his music. But it is soon obvious why he feels like an outsider and misunderstood. On the other hand, Oliver, a charming and confident archaeologist, appears to be playing games at first only to reveal his mutual love in return. The last scene is heartbreaking when the reality dawns on them both.
The first half is definitely slow-paced, the build-up may have taken a little too long, because by the time the relationship develops, most of the film has passed. But in the meanwhile, we explore the sights and sounds of rural Italy, which is utterly glorious. The language and cultural exchange is exquisite and Elio's parents are to be hailed as truly inspiring. It is bittersweet, yet realistic.
From denial and hatred, to jealousy and love, Elio is portrayed as a clearly complex teenager in the sense that he is more withdrawn than his peers, infatuated with his music. But it is soon obvious why he feels like an outsider and misunderstood. On the other hand, Oliver, a charming and confident archaeologist, appears to be playing games at first only to reveal his mutual love in return. The last scene is heartbreaking when the reality dawns on them both.
The first half is definitely slow-paced, the build-up may have taken a little too long, because by the time the relationship develops, most of the film has passed. But in the meanwhile, we explore the sights and sounds of rural Italy, which is utterly glorious. The language and cultural exchange is exquisite and Elio's parents are to be hailed as truly inspiring. It is bittersweet, yet realistic.