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Neon's Nerd Nexus (360 KP) rated The Lion King (2019) in Movies
Jul 19, 2019 (Updated Jul 19, 2019)
If this is where the monarchy is headed Count me out!
Lion king 2019 is by far the worst of the Disney live action remakes & while newcomers/children will certainly love it many of the people that hold the original close to their hearts will leave wishing they had just stayed home with the far superior predecessor instead. Aladdin & The Lion King are two of the greatest animated feature films of all time & as I experienced them both in cinema on release they are very special to me. Now i loved the Aladdin remake & im not one for comparing these to the animated features but while I was watching this all i could think about was how much better the original is. While it looks absolutely gorgeous (until anything starts to move) the animation at times is so unnatural especially when animals are walking slowly that its constantly distracting & kills the illusion of these creatures being real. Voice work is bland/mediocre & delivered with almost no enthusiasm at all like the cast were more concerned with sounding different to the original than giving the characters charm & personality. Voices also dont feel connected to the characters like your watching a nature documentary thats been dubbed over. While Aladdin did its own thing & changed up the movie Lion King is practically & infuriatingly a scene for scene remake which would be ok if it had the charm, colour, grand scale, imagination, excitement, thrill, humour & emotional impact of the original but it doesnt. Songs are butchered/dull with seemingly no energy or spectacle to them at all feeling significantly toned down/grounded rather than fun & toe tapping (they have also ruined 'Be Prepared'). So whats new? theres new humour & yup you guessed it its really bad with awkward timing & dragged out jokes that just fall flat. I wanted so bad to love this movie but not even a scense of nostalgia kicked in either because the film is just soulless, unenthusiastic, boring, bland, lacking in excitement & magic. Kids will no doubt love it but for me its this years biggest let down. If it were a silent film with an epic score over the top it might of at least been unique/watchable & helped be bearable but as it is I just cant recomend seeing it. A big fat cash grab.
Phillip McSween (751 KP) rated The Kid Brother (1927) in Movies
Jul 25, 2019
Great Conflict, Great Story
When a huge town fund goes missing, Harold (Harold Lloyd) sees a grand opportunity to prove himself to his family while winning the heart of a girl he likes. When the movie first started, I had no idea what to expect as it was my very first silent film. Once I got settled in and used to the concept, I was thoroughly impressed.
Acting: 10
Beginning: 6
If the movie continued on like it started, I would have hated it. For such a short run time, The Kid Brother didn’t exactly come out of the gates swinging. It’s like an old car: Gotta warm up first. Once it gets going…
Characters: 10
So what if all the other characters were one-dimensional? The movie revolves completely around Harold and Harold delivers. You’ve gotta respect the kid as he’s just trying to live up to his family name. His father has never thought much of him and his brothers are always roughing him up and, for once, Harold is hoping to come out on top. Not only does he deal with a number of moral dilemmas, but you can’t help but fall in love with the dude’s craft and cunning. Harold will make you laugh and cheer by the end of it.
Cinematography/Visuals: 10
Conflict: 10
This movie has one of the coolest action scenes that I’ve seen in an earlier film. It involves a big fight on an abandoned ship. Between that, a cool chariot-style race, and Harold constantly trying to avoid awkward scrapes there is plenty of conflict to go around.
Entertainment Value: 10
Memorability: 10
Pace: 10
Slow start but quickly picks up steam. It’s a short ride, but the directors made sure they used up every ounce of time available. I appreciated that all the scenes really were necessary and they never overstayed their welcome.
Plot: 10
The story is succinct and very well-written. There weren’t any cheats as each plot point moved seamlessly to the next. Great character-development is weaved in as well. All the ingredients for a great story.
Resolution: 10
Overall: 96
If it weren’t for a weaker beginning, The Kid Brother would rank right up there with the all-time best. It had me looking forward to a deeper dive into the silent film world.
Acting: 10
Beginning: 6
If the movie continued on like it started, I would have hated it. For such a short run time, The Kid Brother didn’t exactly come out of the gates swinging. It’s like an old car: Gotta warm up first. Once it gets going…
Characters: 10
So what if all the other characters were one-dimensional? The movie revolves completely around Harold and Harold delivers. You’ve gotta respect the kid as he’s just trying to live up to his family name. His father has never thought much of him and his brothers are always roughing him up and, for once, Harold is hoping to come out on top. Not only does he deal with a number of moral dilemmas, but you can’t help but fall in love with the dude’s craft and cunning. Harold will make you laugh and cheer by the end of it.
Cinematography/Visuals: 10
Conflict: 10
This movie has one of the coolest action scenes that I’ve seen in an earlier film. It involves a big fight on an abandoned ship. Between that, a cool chariot-style race, and Harold constantly trying to avoid awkward scrapes there is plenty of conflict to go around.
Entertainment Value: 10
Memorability: 10
Pace: 10
Slow start but quickly picks up steam. It’s a short ride, but the directors made sure they used up every ounce of time available. I appreciated that all the scenes really were necessary and they never overstayed their welcome.
Plot: 10
The story is succinct and very well-written. There weren’t any cheats as each plot point moved seamlessly to the next. Great character-development is weaved in as well. All the ingredients for a great story.
Resolution: 10
Overall: 96
If it weren’t for a weaker beginning, The Kid Brother would rank right up there with the all-time best. It had me looking forward to a deeper dive into the silent film world.
LeftSideCut (3776 KP) rated Blade (1998) in Movies
Jan 15, 2020
Blade is undeniably a product of it's time. It's the late 90s, everyone loves leather and shades, everyone loves Wesley Snipes, everyone loves dumb one liners, so the character of Blade is ripe for adaption.
But the importance of this gory action flick should absolutely not be understated. Not only was it the first proper big (ish) budget Marvel film, but it's pre dates Black Panther as the first superhero film with a black lead, and it pre dates The Punisher as the first R-rated Marvel blockbuster.
But in a pre X-Men world, comic book movies weren't a big deal at this point. I actually remember me and my friends sneakily renting and watching it (we were 10 at the time...) and none of them even knowing that Blade was even a comic book!
Here we are all these years later and the Blade trilogy is now remembered fondly (well, at least the first two are!)
Wesley Snipes is of course the star of this particular vehicle, and here, he is the most Wesley Snipes he's ever been. The cheesy one liners still come off well, and lend a nice comedic edge to the buckets of blood on display. The charm that he brings to the Blade character is the main reason why it's been hard to imagine anyone else in the role for so long (although I am here all day long for Mahershala Ali)
The other big character throughout the trilogy is Whistler, played by Kris Kristofferson, just generally being old, grumpy and badass, and is honestly the best character in the whole thing (here's hoping the MCU introduce a Whistler series on Disney+...)
Stephen Dorff plays Deacon Frost, the films villain, and he's really not much more than a generic superhero bad guy (the first of many).
The choreography and the fight scenes are pretty great, and the willingness to go hard R is what set Blade apart before comic book movies became a thing. It's sooooo bloody in parts, that it verges heavily into horror territory.
The CGI effects are utterly horrible by todays standards, but it's not used nearly enough to discredit the film too much.
Blade is a decent enough adaption of the cult Marvel series, and is a fun, gory blockbuster, but as mentioned, it's an important step in comic book cinema. Long live Blade!
But the importance of this gory action flick should absolutely not be understated. Not only was it the first proper big (ish) budget Marvel film, but it's pre dates Black Panther as the first superhero film with a black lead, and it pre dates The Punisher as the first R-rated Marvel blockbuster.
But in a pre X-Men world, comic book movies weren't a big deal at this point. I actually remember me and my friends sneakily renting and watching it (we were 10 at the time...) and none of them even knowing that Blade was even a comic book!
Here we are all these years later and the Blade trilogy is now remembered fondly (well, at least the first two are!)
Wesley Snipes is of course the star of this particular vehicle, and here, he is the most Wesley Snipes he's ever been. The cheesy one liners still come off well, and lend a nice comedic edge to the buckets of blood on display. The charm that he brings to the Blade character is the main reason why it's been hard to imagine anyone else in the role for so long (although I am here all day long for Mahershala Ali)
The other big character throughout the trilogy is Whistler, played by Kris Kristofferson, just generally being old, grumpy and badass, and is honestly the best character in the whole thing (here's hoping the MCU introduce a Whistler series on Disney+...)
Stephen Dorff plays Deacon Frost, the films villain, and he's really not much more than a generic superhero bad guy (the first of many).
The choreography and the fight scenes are pretty great, and the willingness to go hard R is what set Blade apart before comic book movies became a thing. It's sooooo bloody in parts, that it verges heavily into horror territory.
The CGI effects are utterly horrible by todays standards, but it's not used nearly enough to discredit the film too much.
Blade is a decent enough adaption of the cult Marvel series, and is a fun, gory blockbuster, but as mentioned, it's an important step in comic book cinema. Long live Blade!
JT (287 KP) rated In Time (2011) in Movies
Mar 10, 2020
I wanted to like this, I really did, but it was a film that failed to go anywhere, and time just slipped away to the end credits. Justin Timberlake is a likeable character, and more favourable as an actor I would say, although he’s certainly got a decent voice as we all know – here, he was singing a bit flat.
He’s immersed in a world where time is literally money, where people are engineered to live one more year after twenty-five. Unless you’re part of the rich elite who enjoy an elongated life of decade after decade, living in another time zone across the city or you’re scrapping for your life in the slums begging for every last second.
The film has a unique plot, but it’s executed poorly, Timberlake’s character Will Salas is implicated in the death of a rich socialite with a lot of time on his hands, of which he gives to Will, then ends his life rather abruptly with nothing more than a ‘don’t waste my time’ scrawled on a window pane.
There may be more to this than meets the eye, but it’s never really delved into with any great conviction. So we’re left with Salas on the run from Raymond Leon (Murphy) a timekeeper with a past, of which is again never touched on too much. Salas has one more trick up his sleeve and takes hostage Sylvia Weis (Seyfried) the daughter of a wealthy businessman, and never was there more a wasted character.
The pair then turn into some kind of Bonnie and Clyde, or Robin Hood and Maid Marian, stealing time from the rich and giving to the poor.
This film was the perfect platform for some potentially futuristic action, but director Andrew Niccol is happy enough to choreograph a few abject car chases and a few punches thrown. Instead we’re left with the poor on screen romance of Salas and Weis which in all honesty is not in the least bit convincing, after a while you’ll be looking down at your own watch and the time ticking past.
Niccol has left a huge amount of questions unanswered, such as why was time replaced by money in the first place? Quite a big question in the grand scheme of things, maybe he just ran out of time?
He’s immersed in a world where time is literally money, where people are engineered to live one more year after twenty-five. Unless you’re part of the rich elite who enjoy an elongated life of decade after decade, living in another time zone across the city or you’re scrapping for your life in the slums begging for every last second.
The film has a unique plot, but it’s executed poorly, Timberlake’s character Will Salas is implicated in the death of a rich socialite with a lot of time on his hands, of which he gives to Will, then ends his life rather abruptly with nothing more than a ‘don’t waste my time’ scrawled on a window pane.
There may be more to this than meets the eye, but it’s never really delved into with any great conviction. So we’re left with Salas on the run from Raymond Leon (Murphy) a timekeeper with a past, of which is again never touched on too much. Salas has one more trick up his sleeve and takes hostage Sylvia Weis (Seyfried) the daughter of a wealthy businessman, and never was there more a wasted character.
The pair then turn into some kind of Bonnie and Clyde, or Robin Hood and Maid Marian, stealing time from the rich and giving to the poor.
This film was the perfect platform for some potentially futuristic action, but director Andrew Niccol is happy enough to choreograph a few abject car chases and a few punches thrown. Instead we’re left with the poor on screen romance of Salas and Weis which in all honesty is not in the least bit convincing, after a while you’ll be looking down at your own watch and the time ticking past.
Niccol has left a huge amount of questions unanswered, such as why was time replaced by money in the first place? Quite a big question in the grand scheme of things, maybe he just ran out of time?
LeftSideCut (3776 KP) rated Love, Death & Robots - Season 1 in TV
Apr 9, 2020
The beauty of Love, Death and Robots is it's format. An eclectic collection of animated short films, some genuinely brilliant, with a handful of duds, truly gives something for everyone.
There are 18 films on show here, all with something different to offer.
Firstly there were 3 that failed to really resonate with me - Sucker of Souls, When the Yoghurt Took Over, and Alternate Histories. I found these three either slightly boring, or silly for the sake of being silly. There were 2 that sort of floated in the middle - The Dump, and Blind Spot, not bad by any means (none of the shorts are truly bad) but just were sort of there.
Leaving a grand total of 13 shorts that I thought were really really great.
A handful of these realistic CGI entries - namely, Sonnie's Edge, Three Robots, Beyond the Aquila Rift, Shape Shifters (one of the highlights for me), Helping Hand (reminded me of Gravity, in a great way), Lucky 13, and The Secret War.
These lot are lengthier offerings, and boast some good looking CGI animation, bordering on photo realism at times. The run time gives an opportunity for some decent fleshed out stories.
The Secret War in particular is nothing short of breath taking, and may well be my top pick of the whole season.
Elsewhere, we have more cartoony offerings - Suits, a loud animation that features farmers in mech suits fighting aliens. Zima Blue, a beautifully touching story of how a simple robot transcends existence itself - another highlight of the season. Fish Night, a short desert based drama bursting with colour. The animation of this one reminded me of A Scanner Darkly. Good Hunting, a collision of Ancient Chinese stories and a Bioshock style steampunk future. Hard to watch at times, but stunning also - easily would have been my top pick if The Secret War wasn't included.
Rounding it off we have The Witness, and animation that looks like a moving oil painting and reminded me of Mirror's Edge, and Ice Age, a fun short that's the only live action inclusion with CGI flourishes about a civilisation growing in a couple freezer.
It's an ambitious collection of shorts for sure, but like I said, there's something here for everyone. Even the ones that I liked the least are a 6/10 at worst. If you like sci-fi or animation in any shape or form, then check this series out.
There are 18 films on show here, all with something different to offer.
Firstly there were 3 that failed to really resonate with me - Sucker of Souls, When the Yoghurt Took Over, and Alternate Histories. I found these three either slightly boring, or silly for the sake of being silly. There were 2 that sort of floated in the middle - The Dump, and Blind Spot, not bad by any means (none of the shorts are truly bad) but just were sort of there.
Leaving a grand total of 13 shorts that I thought were really really great.
A handful of these realistic CGI entries - namely, Sonnie's Edge, Three Robots, Beyond the Aquila Rift, Shape Shifters (one of the highlights for me), Helping Hand (reminded me of Gravity, in a great way), Lucky 13, and The Secret War.
These lot are lengthier offerings, and boast some good looking CGI animation, bordering on photo realism at times. The run time gives an opportunity for some decent fleshed out stories.
The Secret War in particular is nothing short of breath taking, and may well be my top pick of the whole season.
Elsewhere, we have more cartoony offerings - Suits, a loud animation that features farmers in mech suits fighting aliens. Zima Blue, a beautifully touching story of how a simple robot transcends existence itself - another highlight of the season. Fish Night, a short desert based drama bursting with colour. The animation of this one reminded me of A Scanner Darkly. Good Hunting, a collision of Ancient Chinese stories and a Bioshock style steampunk future. Hard to watch at times, but stunning also - easily would have been my top pick if The Secret War wasn't included.
Rounding it off we have The Witness, and animation that looks like a moving oil painting and reminded me of Mirror's Edge, and Ice Age, a fun short that's the only live action inclusion with CGI flourishes about a civilisation growing in a couple freezer.
It's an ambitious collection of shorts for sure, but like I said, there's something here for everyone. Even the ones that I liked the least are a 6/10 at worst. If you like sci-fi or animation in any shape or form, then check this series out.
Lesemotivation: Tiramisu Rex in New York
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Leanne Crabtree (480 KP) rated Unearthing the Fae King (Bramble's Edge Academy, #1) in Books
Jan 6, 2021
I got this one, too, as a freebie from Amazon a week or two ago for the UF/PR A-Z Challenge on Goodreads.
This starts with Ryker trying to escape from fellow fae who are trying to force him into going to the Bramble Edge Academy to start his training. He's resisting after his mum tells him tales of abuse and strange treatments but he ends up being captured and starting at the academy. A week or so later Maurelle is also captured after her powers manifest but her mum is killed in the process. Neither of them are happy at the academy but neither put up much of a fight against the strict headmistress and they don't understand why. Then they decide to investigate.
This had a different description which drew me in. Humans are in charge and fae are classed as a lower form of being, forced to live in squalor and in the edges of big cities. The academies are run by the humans and fae who leave the schools are only too happy to work under them. It was a puzzle to me just why that was.
Unfortunately though, it was taking a long time to get where it was going. I think if the plot had sped up a little or had a little more excitement going for it, I would have been very into this. As I mentioned above, it did have a promising premise but it was failing to grab me. I got to a point where I didn't want to pick this up anymore.
As for the writing. Well, it felt a little stilted at times. They may be fae but what teen talks like they were doing in this? Their actions were more teenager like than their words most of the time. The sentences didn't always read the best, either:
"They turned down another street and she was surprised to see a number of Fae out and about still this late at night."
"The moment she noticed he blended with the shadows that ended and reality came back."
I'm sure some people will love this but I like a good bit of action in my paranormal books and there hadn't been any in those first 36%. I was a little disappointed.
This starts with Ryker trying to escape from fellow fae who are trying to force him into going to the Bramble Edge Academy to start his training. He's resisting after his mum tells him tales of abuse and strange treatments but he ends up being captured and starting at the academy. A week or so later Maurelle is also captured after her powers manifest but her mum is killed in the process. Neither of them are happy at the academy but neither put up much of a fight against the strict headmistress and they don't understand why. Then they decide to investigate.
This had a different description which drew me in. Humans are in charge and fae are classed as a lower form of being, forced to live in squalor and in the edges of big cities. The academies are run by the humans and fae who leave the schools are only too happy to work under them. It was a puzzle to me just why that was.
Unfortunately though, it was taking a long time to get where it was going. I think if the plot had sped up a little or had a little more excitement going for it, I would have been very into this. As I mentioned above, it did have a promising premise but it was failing to grab me. I got to a point where I didn't want to pick this up anymore.
As for the writing. Well, it felt a little stilted at times. They may be fae but what teen talks like they were doing in this? Their actions were more teenager like than their words most of the time. The sentences didn't always read the best, either:
"They turned down another street and she was surprised to see a number of Fae out and about still this late at night."
"The moment she noticed he blended with the shadows that ended and reality came back."
I'm sure some people will love this but I like a good bit of action in my paranormal books and there hadn't been any in those first 36%. I was a little disappointed.
Leanne Crabtree (480 KP) rated The Revealed in Books
Sep 6, 2019
4.5 stars
I received this ARC via Netgalley in exchange for an honest review.
I just love the cover of this! Dont you agree it just grabs the attention?
Im a big fan of dystopia stories and this sounded different, so I thought, Why not?
The USA has been mostly destroyed with only a few states remaining. Lily is the daughter of a politician running for President, along with another man, Roderick Westerfield, who Lilys family used to be close to. Roderick has a son, Kai, a year older than Lily and someone she used to be close to until the politics got in the way.
Lily has been marked to be taken by the Revealeda group of people with abilitiessince her 18th birthday and like every other 18 year old in the city is being kept at home until they reach their 19th and are safe from being taken. Truly believing theyll come for her despite all the precautions she just wants to live life to the fullest until then.
I really liked the concept. It was dystopia but had a very different take on it, it wasnt all deserted and every man for themselves or strict dictatorship, it was like now, only with billions less people populating the planet and with a need to bring the world back into some semblance of working order.
Now to the characters. Lily is our main character and we see her struggle to do what she wants while being a member of such an influential family and the effect her actions have on them. Then theres Kai. I wasnt sure about him to start with but he grew on me a lot. Then Rory, Lilys best friend, shes pretty awesome.
The story was pretty much continuous action, there was always something happeningwhich stops boredom from creeping inand it kept me reading, and wanting to read it when I was busy. It was politics and supernatural and romance. I cant really say much else without spoiling the plot but it was right up my street and I really enjoyed it!
If youre looking for something dystopian and a little different then you should try this. If youre looking for a new name to read, then this is a good story.
Id definitely recommend this book/series! Its a great start.
I received this ARC via Netgalley in exchange for an honest review.
I just love the cover of this! Dont you agree it just grabs the attention?
Im a big fan of dystopia stories and this sounded different, so I thought, Why not?
The USA has been mostly destroyed with only a few states remaining. Lily is the daughter of a politician running for President, along with another man, Roderick Westerfield, who Lilys family used to be close to. Roderick has a son, Kai, a year older than Lily and someone she used to be close to until the politics got in the way.
Lily has been marked to be taken by the Revealeda group of people with abilitiessince her 18th birthday and like every other 18 year old in the city is being kept at home until they reach their 19th and are safe from being taken. Truly believing theyll come for her despite all the precautions she just wants to live life to the fullest until then.
I really liked the concept. It was dystopia but had a very different take on it, it wasnt all deserted and every man for themselves or strict dictatorship, it was like now, only with billions less people populating the planet and with a need to bring the world back into some semblance of working order.
Now to the characters. Lily is our main character and we see her struggle to do what she wants while being a member of such an influential family and the effect her actions have on them. Then theres Kai. I wasnt sure about him to start with but he grew on me a lot. Then Rory, Lilys best friend, shes pretty awesome.
The story was pretty much continuous action, there was always something happeningwhich stops boredom from creeping inand it kept me reading, and wanting to read it when I was busy. It was politics and supernatural and romance. I cant really say much else without spoiling the plot but it was right up my street and I really enjoyed it!
If youre looking for something dystopian and a little different then you should try this. If youre looking for a new name to read, then this is a good story.
Id definitely recommend this book/series! Its a great start.
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*** Winner Macworld Best of Show 2013 *** *** Winner Macworld Best of Show 2012 and Mac Observer...