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Fred (860 KP) rated Tomb Raider (2018) in Movies
Jul 10, 2018
The acting is top notch (2 more)
Lots of action
Very loyal to the game series
The Story of Lara Croft is an interesting one
Watched this last night. As usual, I try not to see any reviews until I see it, so I'm not swayed by other's opinions. And so, not knowing if the movie was liked or disliked, I was able to watch it & make my own opinion.
I am a fan of the game series & love the new entries. I'm very glad they decided to follow the new games for this film & I found Lara's "origin" to be real interesting. I was not a fan of the Angelina Jolie movies. I found her too snooty & arrogant to like the character. But Alicia Vikander plays the characters perfectly. She plays a young Lara, who's tough, but has some vulnerability to her. She's an underdog we can root for, but she can hold her own too. A perfect balance.
Daniel Wu & Dominic West play their parts well. Although I would have liked to have seen Wu pull off some martial arts moves, like his character on "Into the Badlands", but I'm also glad they didn't fall for the stereotypical Asian.
But. a movie is only as good as it's main villain. And this movie has a great one. Played by Walton Goggins, who doesn't get the credit he deserves. This guy is great. He can make you love him & he can make you hate him too. I've never seen him in a bad role.
There's really not much to say about the story, as it's practically a live-action remake of the last 2 video games stories mashed together. You know what to expect, lots of action, lots of raiding of tombs. I kind of wish there would have been more puzzle solving in it. Some of the puzzles were solved without even showing them. Lara just solves them. I kind of wish I could have figured them out. But I guess I'm just used to playing the game & doing everything myself.
Anyway, the bottom line, it's a fun film, well worth watching.
I am a fan of the game series & love the new entries. I'm very glad they decided to follow the new games for this film & I found Lara's "origin" to be real interesting. I was not a fan of the Angelina Jolie movies. I found her too snooty & arrogant to like the character. But Alicia Vikander plays the characters perfectly. She plays a young Lara, who's tough, but has some vulnerability to her. She's an underdog we can root for, but she can hold her own too. A perfect balance.
Daniel Wu & Dominic West play their parts well. Although I would have liked to have seen Wu pull off some martial arts moves, like his character on "Into the Badlands", but I'm also glad they didn't fall for the stereotypical Asian.
But. a movie is only as good as it's main villain. And this movie has a great one. Played by Walton Goggins, who doesn't get the credit he deserves. This guy is great. He can make you love him & he can make you hate him too. I've never seen him in a bad role.
There's really not much to say about the story, as it's practically a live-action remake of the last 2 video games stories mashed together. You know what to expect, lots of action, lots of raiding of tombs. I kind of wish there would have been more puzzle solving in it. Some of the puzzles were solved without even showing them. Lara just solves them. I kind of wish I could have figured them out. But I guess I'm just used to playing the game & doing everything myself.
Anyway, the bottom line, it's a fun film, well worth watching.
Phillip McSween (751 KP) rated Terminator Salvation (2009) in Movies
Jul 5, 2020
The Visuals Keep Getting Better
In the fourth installment of the Terminator franchise, human savior John Connor leads the resistance against the threat of the machines who are trying to enslave and obliterate the earth.
Acting: 10
You can do worse than throwing Christian Bale and Sam Worthington into a movie. Both pack strong performances that are enough to carry this sci-fi movie through the duration. They bring an extra passion to the role, raw emotion you don’t otherwise see in the machines they are fighting against.
Beginning: 10
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
Action is consistent and rips through the screen with a number of gunfights and man-to-robot combat scenes. I will admit, I was confused at times at what was actually going on and who I should be rooting against/for, but it somehow didn’t deter the high-impact sci-fi goodness that unfolded throughout. These scenes kept the otherwise sinking movie afloat.
Entertainment Value: 8
Sure the action is good, I just wished they had focused that same energy on shoring up the storyline. If you haven’t seen any of the previous films you have no shot at understanding this. Even if you have, it took me awhile to truly figure out what was what. Definitely took a bit away from the entertainment factor for me.
Memorability: 7
There are quite a few cool moments that stick out in my head, but nothing that made the movie over-the-top amazing. If nothing else, I admire the movie’s effort to stand out, but when you look at other films in the genre like Edge of Tomorrow, you think, “They have a lot of work to do.” Good? Sure. Classic? Nope!
Pace: 10
Plot: 6
Resolution: 1
Overall: 82
Terminator Salvation sees a lot of things happen…that seemingly mean nothing in the grand scheme of the movie. Things are pretty confusing early which makes it hard to fully buy into the movie. But the score is the score because it’s going to satisfy most of the sci-fi action junkies out there that live for these kind of movies. it won’t make history, but it’s one of those movies where you leave saying, “This’ll do.”
Acting: 10
You can do worse than throwing Christian Bale and Sam Worthington into a movie. Both pack strong performances that are enough to carry this sci-fi movie through the duration. They bring an extra passion to the role, raw emotion you don’t otherwise see in the machines they are fighting against.
Beginning: 10
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
Action is consistent and rips through the screen with a number of gunfights and man-to-robot combat scenes. I will admit, I was confused at times at what was actually going on and who I should be rooting against/for, but it somehow didn’t deter the high-impact sci-fi goodness that unfolded throughout. These scenes kept the otherwise sinking movie afloat.
Entertainment Value: 8
Sure the action is good, I just wished they had focused that same energy on shoring up the storyline. If you haven’t seen any of the previous films you have no shot at understanding this. Even if you have, it took me awhile to truly figure out what was what. Definitely took a bit away from the entertainment factor for me.
Memorability: 7
There are quite a few cool moments that stick out in my head, but nothing that made the movie over-the-top amazing. If nothing else, I admire the movie’s effort to stand out, but when you look at other films in the genre like Edge of Tomorrow, you think, “They have a lot of work to do.” Good? Sure. Classic? Nope!
Pace: 10
Plot: 6
Resolution: 1
Overall: 82
Terminator Salvation sees a lot of things happen…that seemingly mean nothing in the grand scheme of the movie. Things are pretty confusing early which makes it hard to fully buy into the movie. But the score is the score because it’s going to satisfy most of the sci-fi action junkies out there that live for these kind of movies. it won’t make history, but it’s one of those movies where you leave saying, “This’ll do.”
Matthew Krueger (10051 KP) rated The Predator (2018) in Movies
Feb 14, 2020
Halt and Catch Fire
The Predator- love the first one, hated the second one, liked the reboot/remake in 2010 and this one well could of been better. Let me explain the predator franchise is a intrest franchise, mixing togther horror, sci-fi, action and comedy all togther. Sometimes it works like in the oringal one and the 2010 verison, sometimes it doesnt like the sequel. So how does this one hold up. Well all i can say is that its a mix bag. Sometimes the comedy works and sometimes it doesnt. Mostly it doesnt. The sci-fi, action and horror work mostly, kind of, not really. This movie fails as a reboot and fails to live up to the oringal and the 2010 version.
The plot: From the outer reaches of space to the small-town streets of suburbia, the hunt comes home. The universe's most lethal hunters are stronger, smarter and deadlier than ever before, having genetically upgraded themselves with DNA from other species. When a boy accidentally triggers their return to Earth, only a ragtag crew of ex-soldiers and an evolutionary biologist can prevent the end of the human race.
Some of the cast is good like Boyd Holbrook, Jacob Tremblay and Oliva Munn. Some of the cast is just wasted like Thomas Jane, Jake Busey and Yvonne Strahovski. And than their is Keegan-Micheal Key who is both good and wasted at the same time.
All and all, this movie fails overall and should be skipped. But at the same time maybe watch it, if you like the predator franchise.
The plot: From the outer reaches of space to the small-town streets of suburbia, the hunt comes home. The universe's most lethal hunters are stronger, smarter and deadlier than ever before, having genetically upgraded themselves with DNA from other species. When a boy accidentally triggers their return to Earth, only a ragtag crew of ex-soldiers and an evolutionary biologist can prevent the end of the human race.
Some of the cast is good like Boyd Holbrook, Jacob Tremblay and Oliva Munn. Some of the cast is just wasted like Thomas Jane, Jake Busey and Yvonne Strahovski. And than their is Keegan-Micheal Key who is both good and wasted at the same time.
All and all, this movie fails overall and should be skipped. But at the same time maybe watch it, if you like the predator franchise.
Mushroom Wars 2
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8.0
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7.0
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The Shadow War
8.0
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Inglourious Basterds meets Stranger Things in this dark and thrilling tale of power, shadow, and...
Ultimate Rugby Pro
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Kirk Bage (1775 KP) rated Alita: Battle Angel (2019) in Movies
Jan 22, 2021
Robert Rodriguez is not a good director. He isn’t an especially good writer or producer either. This is the guy responsible for four Spy Kids films, that start below average and downgrade exponentially into excruciatingly awful. What he is pretty good at is ideas, and seeing the potential of something visually arresting and exciting. That is what led to the success of Sin City, arguably his best effort to date, because he saw how the comic book creations of Frank Miller could become live action and he made it happen.
Alita: Battle Angel is a similar deal. This time Yukito Kishiro’s early 90s manga creation is the inspiration. With James Cameron as producer, and the considerable talents of Christoph Waltz, Jennifer Connelly and Mahershala Ali onboard, it would have been pretty hard for even Rodriguez to mess this up entirely. Although at times he does seem to try, mostly by doing too much and making certain sections too busy and too confusingly cross-genre, like he is frantically trying to colour within the lines whilst using every felt-tip in the pack. A habit that means every now and again something great happens, but you may have missed it in all the background noise.
Compare this film, that just falls short of qualifying for my Bad Movie Triple Bill list, to Spielberg’s superior yet similarly busy Ready Player One. Both involve high concept future realities that are very tech and AI driven. Both make extensive use of CGI and vivid colour palettes. Both are frenetic and demand an audience pays attention in order to fully appreciate the storyline. The difference is that one zig-zags back and forth in tone and momentum, and one is razor sharp in moving us from one idea to the next on a perfect learning curve towards a satisfying climax and conclusion. Guess which one is which? This is why Spielberg is Spielberg and Rodriguez is… a hack.
That said, Alita as a character and concept is charming, and you do therefore find yourself at least wanting to discover her story. The action scenes are also quite electric, and the visuals are often breath-taking. But the whole is less than the sum of the parts here, and we are left with something that can only really exist in the same box as dozens of admirable sci-fi B-movies aimed at teenagers, such as The Maze Runner, Mortal Engines and The City of Ember. It also continues to prove the point alongside Ghost in the Shell and Speed Racer that Anime / Manga into live action is a very tricky business.
There is definitely an audience out there for this movie, and I dare say at some point I will be tempted to give it another watch. What is definitely worth watching however, is how James Cameron uses this as a stepping stone to perfecting virtual humans on the big screen. I am sure everyone involved learned a lot in that respect, so all is far from lost.
Alita: Battle Angel is a similar deal. This time Yukito Kishiro’s early 90s manga creation is the inspiration. With James Cameron as producer, and the considerable talents of Christoph Waltz, Jennifer Connelly and Mahershala Ali onboard, it would have been pretty hard for even Rodriguez to mess this up entirely. Although at times he does seem to try, mostly by doing too much and making certain sections too busy and too confusingly cross-genre, like he is frantically trying to colour within the lines whilst using every felt-tip in the pack. A habit that means every now and again something great happens, but you may have missed it in all the background noise.
Compare this film, that just falls short of qualifying for my Bad Movie Triple Bill list, to Spielberg’s superior yet similarly busy Ready Player One. Both involve high concept future realities that are very tech and AI driven. Both make extensive use of CGI and vivid colour palettes. Both are frenetic and demand an audience pays attention in order to fully appreciate the storyline. The difference is that one zig-zags back and forth in tone and momentum, and one is razor sharp in moving us from one idea to the next on a perfect learning curve towards a satisfying climax and conclusion. Guess which one is which? This is why Spielberg is Spielberg and Rodriguez is… a hack.
That said, Alita as a character and concept is charming, and you do therefore find yourself at least wanting to discover her story. The action scenes are also quite electric, and the visuals are often breath-taking. But the whole is less than the sum of the parts here, and we are left with something that can only really exist in the same box as dozens of admirable sci-fi B-movies aimed at teenagers, such as The Maze Runner, Mortal Engines and The City of Ember. It also continues to prove the point alongside Ghost in the Shell and Speed Racer that Anime / Manga into live action is a very tricky business.
There is definitely an audience out there for this movie, and I dare say at some point I will be tempted to give it another watch. What is definitely worth watching however, is how James Cameron uses this as a stepping stone to perfecting virtual humans on the big screen. I am sure everyone involved learned a lot in that respect, so all is far from lost.