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The Widow's House
The Widow's House
Carol Goodman | 2017 | Fiction & Poetry, Thriller
8
6.7 (3 Ratings)
Book Rating
Jess and Clare Martin met at Bailey College, in the Hudson River valley, but have been living in New York for years. Jess wrote a successful first novel not long after graduation, but that money has long been spent. He's been working on his second book for ages; it's long overdue, and he needs a new muse. So the two decide to move back to the Hudson River area, where Jess can focus on the book without distractions. They take on duties as caretakers at Riven House, the home of their former college professor, Monty. They can live in a nearby cottage in exchange for helping the elderly Monty with chores. But the setup has its own issues: it's Monty, after all, who wrote a review of Jess' first book that torments him to this day. And as they settle in, Clare begins to hear a baby crying at night and see shadowy figures around the pond of Monty's property. As she investigates local history, she thinks what she sees may be tied to the house's tormented past. The locals say the place is haunted and destroys everyone who stays there. Are Clare and Jess next?

You know how sometimes you start a novel and immediately know, from the first page, that you'll enjoy it? THE WIDOW'S HOUSE was that way for me. It sucked me in immediately and kept me interested throughout; I read it in about 24 hours. The book is filled with complicated characters, starting with Clare. You start to realize she's the ultimate unreliable narrator, but are never able to tell exactly how much. She appears unhappy with her selfish author husband and her marriage. She had a rough childhood--growing up in the Hudson Valley not far from Monty's estate, which has clearly affected the way she sees the world. The entire story is told from her point of view, and we're stuck with all events being filtered through her lens. It's genius really, and it is a refreshing change from so many novels lately that change narrators and time periods. You find yourself working and guessing with Clare as she unravels local history and the events unfolding at Riven House.

The novel is certainly told in the Gothic tradition. I first fell for Goodman via her excellent novel, [b:The Lake of Dead Languages|120274|The Lake of Dead Languages|Carol Goodman|http://images.gr-assets.com/books/1320554718s/120274.jpg|3159707], and this book reminded me of that one in some ways. Unlike some Gothic novels, you do not have to suspend much disbelief as the creepy events unfold around Clare and Jess. There are parts of this book that are incredibly spooky, and it's quite well-done. I loved that I was frantically flipping the pages, constantly second guessing everything and wondering what was happening. There are some great twists that shock you, even as you're still trying to figure things out in you're head (much like Clare). This novel will leave you guessing. It's crazy and confusing, but fascinating and incredibly hard to put down. It's completely enjoyable and stays with you after you've finished it, going over various plot points. Highly recommend.

I received a copy of this novel from the publisher and Edelweiss (thank you!) in return for an unbiased review; it is available everywhere as of 03/07/2017.

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(This review can also be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).


I've been wanting to read this book for awhile. I love books with ghosts in them. I had high hopes for this book, but it just turned out to be an mediocre read.

Right away, the title of this book suggests that it's not going to be a scary book or one that takes itself too seriously. I do like the title, and I found it very interesting.

I like the cover. I think it suits a young adult book, and the cover fits with the setting of the book.

The world building was alright. I just felt that the ghosts were able to do too many things such as they were able to manipulate objects in the living world. They could move things, open doors, log on to Facebook, etc. It was the logging on to Facebook that really got to me. The ghosts even had their own Facebook pages! They could even write on others' Facebook profiles. I just think that because the ghosts were able to do too much, they would've been discovered in a real world setting.

The pacing was just alright. It wasn't too fast, and it wasn't too slow. It was just kind of there. I found myself not really in a rush to find out what would happen next.

I did enjoy the idea of the plot. I like how Kendra is able to see her dead best friend and then realizes she can actually see ghosts. I like how there was a mystery incorporated in the book. There was also romance going on with all the characters. However, I just felt as if there was too much going on with the plot. Perhaps this book would've been better without the romance especially the romance between Loic and Amber. I also felt as if the mystery about how Loic died wasn't that big of a mystery at all. I had correctly predicted the mystery surrounding Loic's death from the very beginning. There is a small plot twist towards the end, but it's not a major one. The author does leave the ending of this book open for the next book in the series, but I think this book could work well as a stand alone.

I didn't really connect with any of the characters, but I did enjoy them. My favorite character was Amber. To me, she felt the most realistic. It was good to see the wide range of emotions she was feeling throughout the book. I enjoyed her zest for life (even if she was dead). I also liked Pierrot. He seemed like a sweet boy, and it was clear how much he loved his brother. As for Kendra, I didn't like the way she treated her mother. I found her to be a bit disrespectful and a bit spoiled. I also didn't really care for Loic. To me, he came across as very whiny and a little bit selfish. I get that he just died and wanted answers, but it's like he just wanted everything to happen all at once. He was a very impatient boy.

I felt that the dialogue fit in more with a middle grade book rather then a young adult book. The way the characters thought and spoke made them seem like they were around thirteen or fourteen as opposed to being around seventeen years old. I also felt the dialogue didn't fit in with a modern day story. I can understand Amber using words that people don't really say anymore being as she died in the 1980s (although she's been a ghost, so surely she would've picked up the modern day lingo), but even Kendra used odd words such as the word "crimmers" (or something to that effect) when she was shocked about something. There's not really any violence, but there is some swearing. There's also no sexual references besides kissing.

Overall, Getting a Life, Even If You're Dead by Beth Watson is just an alright read. It's not great, but it's definitely not a bad read by any means. I believe that if the ghosts were a bit more believable and the book was written in more of a young adult tone, it could've been much better. I probably will read the next book in the series simply because it will focus on Amber.

I'd recommend this book to those aged 13+ who are like the mystery genre but also like their books with a little bit of romance.


(I received a free paperback of this book from the author in exchange for a fair and honest review).
  
The Testament of Gideon Mack
The Testament of Gideon Mack
James Robertson | 2007 | Fiction & Poetry
9
9.5 (2 Ratings)
Book Rating
Complex, interesting characters (2 more)
Thought provoking
Extremely well written
A Preacher’s Son
Contains spoilers, click to show
Gideon Mack is a preachers son who doesn’t believe in God, but decides to become a minister anyway.
 His lack of belief can be easily explained by his narrow minded, strict, sad and unloving upbringing. The reason why he decides to become a minister anyway hints at his dark humour, which you see here and there throughout the book.

He marries a woman that he is not in love with, simply because he can’t have the woman he actually wants (that woman marries his best friend).

He comes across as a man who doesn’t actually know what he wants, will accept second best or will settle for what he thinks is ok...and then spend his life living in regret and unhappiness. Causing confusion and unhappiness to others in the process.

Where he didn’t believe in God at all...he does end up believing completely in the Devil. He falls into a treacherous river and is found 3 days later. He should be dead...but he isn’t. Depending on whether you believe in the supernatural or not, he was either fished out the first day by a smuggler or he was saved by the Devil and he bonded so well with the Devil he then spends a great deal of time and effort to be able to spend the rest of his life with him.

In order to leave with a clean slate he tells everyone what happened to him, including his sins...committing adultery with the very woman he is still in love with. He only confesses to this happening once, while helping him pack up his late wife’s clothes she takes pity on him and they sleep together. In actual fact, that summer they had a full blown affair as confirmed by the woman in question. Why lie? Perhaps he simply couldn’t see her as an adulterous woman as she is the epitome of perfection in his eyes, or it again displays his unique ability to lie to himself.

This book is a very detailed account of how a person can live a lie, how they can convince themselves completely into believing a lie, and then finally freeing themselves to believing what they genuinely believe is true...even though it could be complete codswallop. Who knows?
  
Onward (2020)
Onward (2020)
2020 | Adventure, Animation, Comedy
Fun...but..."lesser" PIxar
I am a big fan of the PIXAR films. I am a big fan of Chris Pratt and Tom Holland. I am a big fan of Fantasy films (wizards, elves, dwarves and so on...) So when I heard there was going to be a Pixar flick featuring the voice talents of Pratt and Holland about characters in a Fantasy world, I was excited to check it out.

I should have lowered my expectations.

Don't get me wrong, ONWARD is a good film. It is whimsical, fantastic and fun. It just could have been better.

Set in a time where Elves, Faeries, Unicorns and Wizards exist, but they exist as "regular" people, going to jobs, going to school, living their lives...ONWARD tells the tale of 2 brothers (Pratt and Holland) who go on a magical quest to bring back their dead father - at least for one night.

It's a fun romp, but it's not a REALLY fun romp. And that's the issue with this film. It is all lower case - where the film could have been UPPER CASE (if you know what I mean). Holland and Pratt are good together, they are not GREAT together (like Tom Hanks and Tim Allen in TOY STORY or Billy Crystal and John Goodman in MONSTER'S INC.). Julia Louis-Dreyfuss is off-beat as their mother, but she isn't over-the-top WACKY as the mother. Octavio Spencer is "octane" as a former mythical creature that aids the boys - but she's not HIGH-OCTANE.

You get the drift.

I lay the fault of this on Director Dam Scanlon who's other Pixar Directorial effort, MONSTER'S UNIVERSITY suffered from a similar malaise. It was fun...not AWESOME FUN. The pacing of the film doesn't really help as there is no strong push to the goal in this film. I caught myself stirring in my seat as the film progressed...never a good sign.

Don't get me wrong, it is still a good film - the kids will like it. I just have come to expect more from PIXAR. I put Pixar films on 2 levels - GREAT Pixar films (the TOY STORY films, UP, WALL-E) and LESSER Pixar films (MONSTER'S UNIVERSITY, CARS 2, BRAVE).

I would put ONWARD in the LESSER category.

Letter Grade: B (even a "lesser" Pixar film is still above average)

7 stars (out of 10) and you can take that to the Bank (ofMarquis)
  
Kiss Me First
Kiss Me First
2018 | Animation, Drama, Thriller
good story line, interesting characters (0 more)
a bit slow (0 more)
Kiss me first is six part T.V. series form 2018 that is (loosely) based on a book of the same title by Lottie Moggach. Set in the near future the series follows Leila, a young woman living alone in the house she shared with her mother, who had recently died. Leila spends most of her time in the Virtual Reality world of Azana where she goes by the name Shadowfax. Whilst in Azana, Shadowfax meets another play known as Mania who introduces her to a group known as ‘Red Pill’. As Shadowfax begins to spend more time with red pill she starts to realise that events in the game are being mirrored in real life.
As we are introduced to the characters the first couple of episodes’ flip between the real world and the VR world of Azana but, as the series progresses the VR gives way to the real world, pulling you into the madness of the characters and making the games being played even more sinister.
Kiss me first is not a light hearted series and through the red pill members it tackles subjects like depression, suicide & euthanasia as well as the core theme of manipulation which also makes it quite a slow burn.
I said that Kiss Me First was based on a book of the same title and, after watching the series I went off and read the book and found it to be quite different but also the same, let me explain. The book has the main core characters but Red Pill is a chat room and there is no VR or other version of Azana. Shadowfax/Leila only meets/speaks to two of the group (Mania and Adrian) and one of those are dead for most of the novel. Most of the same subjects are still covered in the book but the book seems to have a bigger focus on suicide whereas the T.V. series spends more time on depression. The book also seems to be a search for purpose and the series a search for belonging and friendship and the changes made in the series seem to make the Leila/ Jonty relationship a bit forced and almost irrelevant. If you enjoyed the book the series is worth a shot but expect a lot of changes and a bit more of a techie element.
  
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Richard Hell recommended Kiss Me Deadly (2008) in Movies (curated)

 
Kiss Me Deadly (2008)
Kiss Me Deadly (2008)
2008 | Action, Drama, Mystery
(0 Ratings)
Movie Favorite

"Noir, of course, typically displays shadows, rain, urban darkness, blunt seediness, and the realization that since not just at the end but at the center of things are death and other hopeless mysteries, human striving is meaningless. There’s something soothing about realizing that all is futile. It’s liberating. Kiss Me Deadly might be the most cynical and fatalistic noir of them all. It happens to take place in sunny LA, but it’s certainly got the seediness too, including fantastic location shooting in long-gone slums. It’s one of those flicks that’s too good to be true. You’re stopped alone at a motel somewhere in the desert late at night, dead tired, but you can’t sleep, so you switch on the TV . . . and there’s a near-teenage Cloris Leachman running towards you, moaning and sobbing in the darkness, too blonde and naked to believe. But there she is. What a world. Ralph Meeker speeds up in a Jaguar! Nat King Cole warbles on the radio. Cloris is named after Christina Rossetti! It’s 1955. She’s a bitter feminist escapee from a mental asylum. And it just gets better, all the way till after the last second. Along with the action, corruption, sadism, and sex (when the blonde in her car, who happens to be behind Mike Hammer when he parks in a driveway, is immediately compelled to press herself against him and kiss him, framed with bulging taillights protruding from the fin of the forward auto, somehow it's sexier than the porniest pornography), the photography/mise-en-scène would make this movie immortal alone. It’s the kind of movie that makes me laugh at the notion of “art” photography. A few thousand frames from this one film would make a better life’s work in photography than any artist has yet created. Cindy Sherman has a right to a living like everyone else, but, Jesus . . . Nicholas Raymondo (“Very Smart. Very Bright. Very Sad.”) was “sad . . . for the way the world is,” but as Christina tells us: if you should forget me for a while And afterwards remember, do not grieve: For if the darkness and corruption leave A vestige of the thoughts that once I had, Better by far you should forget and smile It’s actually misquoted in the movie, but it’s still probably the nicest thing that’s happened to Christina Rossetti in a hundred years . . ."

Source
  
Killer Klowns from Outer Space (1988)
Killer Klowns from Outer Space (1988)
1988 | Comedy, Horror, Sci-Fi
Contains spoilers, click to show
A shooting star passes over a small American town, when a couple of teens go to investigate they find a big top circus tent that is not from this planet. When the occupants of the tent, a group of extra-terrestrial clowns (or Klowns if you will) start running amok and killing people it’s up to a group of young adults to stop them.
Killer Klowns from Outer Space is a goofy B movie from the late 1980’s that really doesn’t take itself too seriously. The effects are actually quite good for a film with such a low budget (Only $2 million) with the Klown costumes being just creepy enough not to come across as being too ridiculous, which takes some doing being as the Klowns are busy cocooning people in candy floss and shooting them with popcorn.
As with most B movies (and a lot of mainstream movies) the plot is quite simple, the Klowns have landed and are killing people and storing them as food and this goes in the films favour. If the plot was overly complicated, then it would not fit the feel of the effects.
Killer Klowns is one of those cult movies that has a few really good stand out scenes. My personal favourite being the encounter between the midget Klown and the biker gang. It also has memorable villains. Clowns as villains are quite common, but these are Klowns with alien technology and an interesting weakness. As the Klowns are alien they don’t speak English but this doesn’t mean they are mute, in fact they have a very creative way of bridging the language barrier and it is good see that the film doesn’t fall back on the old ‘communicator’ trope. It does fall back on other tropes though, we have the old isolated figure as the first victim, making it hard to prove that anyone has died, we have the young cop who is trying to make his way but coming into conflict with the older cop. The older cop doesn’t like the kids, he thinks they are just out to cause trouble. All this is ok though as it fits the low budget flow of the film and makes Killer Klowns feel as a cross between ‘Invasion of the body snatchers’ and ‘night of the living dead’.
  
The Vanishing of Margaret Small [Audiobook]
The Vanishing of Margaret Small [Audiobook]
Neil Alexander | 2022 | Mystery
10
10.0 (1 Ratings)
Book Rating
Oh my word! This is a debut novel for Mr Alexander and what a debut it is.

I absolutely love Margaret ... what a likeable and strong character she is despite what she experienced in her young life. She has every reason to dislike her fellow human beings but she is much better person than most ... she is kind, thoughtful and understanding.

The book is told in two timelines, the past and the present.

The present: Margaret is 75 and living independently with the support of her excellent support worker Wayne. Margaret loves Cilla Black and she likes nothing more than listening to Cilla's autobiography but when she starts receiving notes and gifts from someone who signs them with "C", Margaret thinks Cilla is back from the dead but it can't be so who is it? The notes revive memories from Margaret's past.

The past: Margaret's story starts at 7 years old when she is "vanished" into a long-stay institution called St Mary's where she lives for the majority of her life. I won't say she is 'cared for' as what she endured is not care in any way, shape or form but Margaret endures it with innocent acceptance of knowing it's not right but being powerless to do anything about it. There are scenes which broke my heart but others that also warmed it.

Both timelines are equally captivating and enthralling but the past had me in bits at times at the cruelties of how children and adults who are "different" were treated but through it all, was the voice of Margaret who I can only describe as being a beautiful person.

I listened to the audiobook and I can highly recommend it; the narrators are just brilliant particularly the voice of Margaret ... oh my, she was brought to life for me; it was like she was sitting right next to me telling me her story myself ... just brilliant.

Margaret is a fictional character however, her story is based on the experiences of 'real' people the author has met during his working life which makes this book even more powerful and I must thank Bonnier UK Audio, Embla Books and NetGalley for enabling me to listen to and share my thoughts of The Vanishing of Margaret Small.