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See What I Have Done
See What I Have Done
Sarah Schmidt | 2017 | Fiction & Poetry
8
6.6 (7 Ratings)
Book Rating
The infamous Lizzie Borden was the woman the public (but not a jury) believed murdered her father and stepmother with an axe. Since the science of forensics at the time was primitive at best, they found neither proof of Lizzie's guilt or any other suspects. That means we will never know the whole truth. Sarah Schmidt has her own ideas about Lizzie Borden, her family and the murders, all of which she put into her debut novel "See What I Have Done." Read my review of this fascinating book here. https://tcl-bookreviews.com/2017/06/10/the-clock-on-the-mantle-ticked-ticked/
  
See What I Have Done
See What I Have Done
Sarah Schmidt | 2017 | Fiction & Poetry
8
6.6 (7 Ratings)
Book Rating
This debut novel was a weird and gruesome read that kept me its prisoner until the bitter end. I was completely enthralled with the portrayal of Lizzie Borden. The author's writing style was truly a delight and I look forward to more of her works.
  
See What I Have Done
See What I Have Done
Sarah Schmidt | 2017 | Fiction & Poetry
6
6.6 (7 Ratings)
Book Rating
*I received a copy of this book from Netgalley and the Publisher Grove Atlantic in exchange for an honest review*

I do like reading Historical Fiction but even more so when the book is based on a true story. This is the story following the murders of Andrew and Abby Borden. They were found with their skulls smashed in by their daughter Lizzie. Lizzie and Emma Borden are spinsters and still live with their father, step-mother and Bridget the maid. They seemed to have a sheltered life and been well-kept by their father. This story delves in to the lives of the Bordens and what happened behind closed doors of this well-respected family.

<b>"Lizzie Borden took an axe, And gave her mother forty whacks; When she saw what she had done, She gave her father forty-one,"</b>

I am going to be truthful and say that this book was ok but nothing really blew me away. I don’t think that there was much added to this story than what you could actually read on Wikipedia. The story was repetitive, slow and didn’t always hold my attention. The problem with stories like these are you know how they are going to end you don’t have that thrill of finding out who done it. I liked the writing style of this book and the way she wrote Lizzie’s character.

The story is told from four perspectives, Lizzie, Emma, Bridget and Benjamin.It was through them that the story was told of the events leading up to the murders and afterwards. The character that stuck out the me was Lizzie, she was spoilt, childish, rude and clearly deluded. Benjamin was the only character that was added to put a bit of a spin on the story but really didn’t come to anything and a bit pointless.

How easy it was to get away with murder though in the 1800’s, there was no DNA testing, no blood spatter analysis or proper interrogations in those days, yet in there were times in the story when I wanted the police to grasp onto something and for them to start piecing it altogether. Lizzie’s statement of what happened was fragmented,not making sense and was taken as shock, whereas nowadays this would be deemed as suspicious behaviour and you would be arrested at the drop of a hat.

In conclusion I think this is a good debut novel by Sarah Schmidt but it didn’t really bring anything new to the table.

I rated this 3 out of 5 stars
  
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Jon Dieringer recommended Smithereens (1982) in Movies (curated)

 
Smithereens (1982)
Smithereens (1982)
1982 | International, Drama
8.0 (1 Ratings)
Movie Favorite

"No one’s been more encouraging of Screen Slate than Richard Hell, who saved its hide more than he realizes and promoted it with a missionary zeal. The first time we spoke we met at the late Café Orlin, the site of one of his most memorable scenes in the film, and then one of the last vestiges of the city that Smithereens portrays. I could have died. Smithereens was the first American indie to compete for the Palme d’Or, and it presages that whole wave we popularly associate with Jim Jarmusch, Spike Lee, and so on. I know life isn’t a competition, but this is the best of those debuts. And when you consider Susan Seidelman alongside Allison Anders, Sara Driver, Penelope Spheeris, Lizzie Borden, Kathleen Collins, and Joel DeMott, among so many others, women really slayed in the American indie ’80s."

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