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The Perks of Being a Wallflower (2012)
The Perks of Being a Wallflower (2012)
2012 | Drama
Logan Lerman, Ezra Miller and Emma Watson (1 more)
Paul Rudd
Stephen Chbosky is a Genius.
A very sweet, coming of age film with a bitter twist at the end.

Logan Lerman is a very believable actor and from the beginning I am on his side, to do well, to succeed in love and life. I would have loved to be Charlie's friend.

Emma Watson in my opinion, is perfection personified. She plays Sam very well.

Paul Rudd plays Mr Anderson - and he is a shining star in this already amazing cast, downplayed and lovable.
  
The Perks of Being a Wallflower (2012)
The Perks of Being a Wallflower (2012)
2012 | Drama
Cast (0 more)
Charlie played by Logan Lerman is a wallflower, your atypical socially awkward teen watching life pass him by from the sidelines. That is until he starts a new year of school when he meets Sam played by Emma Watson and Patrick (Ezra Miller) two very free spirited older students and their friends. They help Charlie discover love, friendship and music, encourage him to be the writer he can be, and give him life. But then it's time for them to move on for college, and the thoughts that Charlie has been keeping inside about his aunt threaten to spill over and take away his newfound confidence
  
The Perks of Being a Wallflower (2012)
The Perks of Being a Wallflower (2012)
2012 | Drama
I firmly believe that this is one of the best movies on the face of the planet. Anyone who knows me and knows my reviews knows how much it bothers me when film adaptations are so bad or so off or they just lose everything the book had. The exact opposite happens here. I think what makes this movie so good and so well put together is that it's still Stephen's story. He wrote the book, then the screenplay, then he directed it so it was his entire vision coming to life on screen and it worked. I think if anyone else would've directed or wrote the script, it wouldn't have translated so well.

Additionally, this cast is phenomenal. Logan Lerman, Emma Watson, Ezra Miller, Nina Dobrev, Mae Whitman, Kate Walsh, Paul Rudd, it just works. There are some parts from the book that didn't make it to the screen and that definitely bummed me out - I wish we could've seen Bill and Charlie's relationship more because it was really important in the book and it provided a lot for Charlie in terms of safety and comfort. I also wish some of the lines were verbatim. When Sam gets mad at Charlie after truth or dare, in the book she says, "what the fuck is wrong with you?" while in the movie she says, "what the hell is wrong with you?" I know that it's not a huge difference but I think that would've landed so much better. Also when Charlie defends Patrick. In the book, he says, "If you ever do this again, I'll tell everyone and I'll tell everyone for real. If you come after him again, I'll blind you." or something along those lines and I think that would've been great, especially with how low and solid Logan gave the line in the film. Just small things like that, I wish would've made it to screen.

Regardless, this film and this story are incredible and worth watching at least once for everyone. The same goes for the book. A must-read.
  
40x40

Heathere' (25 KP) rated Busted Jukebox Volume 2 by Shovels & Rope in Music

Mar 17, 2018 (Updated Mar 17, 2018)  
Busted Jukebox Volume 2 by Shovels & Rope
Busted Jukebox Volume 2 by Shovels & Rope
2017 | Alternative, Folk, Indie
9
7.5 (2 Ratings)
Album Rating
*Surprising choice of cover songs *They make each song unique *You might discover an artist or band you weren't aware of (0 more)
You might miss the vocals of husband and wife Michael Trent and Cary Ann Hearst but they do sing (0 more)
Shovels & Rope-Cover Songs
I don't usually like cover songs. I feel that if you are going to do a cover of someone's song, you should make it 'your own'. I love that Shovels & Rope made each track unique and had so many great singers help them out.

Tracks:
~Cleanup Hitter (feat. Brandi Carlile)
  -original artist: Bill Carson

~Joey (feat. Nicole Atkins)
  -original artist: Concrete Blonde

~Do You Love Me Now (feat. Rhett Miller)
  -original artist: The Breeders

~Blue Eyes Crying In The Rain (feat. John Moreland)
  -original artist: Willie Nelson

~Untitled 1 (feat. Matthew Logan Vasquez)
  -original artist: Sigur Rós

~The Air That I Breathe (feat. Indianola)
  -original artist: The Hollies

~I’m Your Man (feat. John Fullbright)
  -original artist: Leonard Cohen
~Death Or Glory (feat. Hayes Carll)
  -original artist: The Clash
~Epic (feat. Lera Lynn)
  -original artist: Faith No More
~You Never Can Tell
  -original artist: Chuck Berry

My favorite track is 'Blue Eyes Crying In The Rain'. I heard this song when I asked my Amazon Alexa to shuffle songs by Shovels & Rope. I put the song on repeat and purchased the album without hearing any of the other songs and I picked up Busted Jukebox Volume 1, as well. I'm a fan of Shovels & Rope and was surprised that I hadn't heard of these albums.


Blue Eyes Crying In The Rain, is a Willie Nelson song and this version, featuring John Moreland, is absolutely beautiful. My father, a Willie Nelson fan would have approved of this version. It's a song that makes it very hard to hold back the tears. If I'm being honest, I haven't been able to that, yet.


The most surprising track is Epic, a Faith No More song. It is so different from the original and I really like the different flow that Lera Lynn gave it. The song in it's cover form has given a slightly different meaning to the lyrics. The original was powerful and in your face while this version is powerful and haunting.


Other songs are originally by


I am so happy that I stumbled upon this and I can't wait to see what this amazing duo will bring us next!
  
Scouts Guide to the Zombie Apocalypse (2015)
Scouts Guide to the Zombie Apocalypse (2015)
2015 | Comedy, Horror
We film-goers really can’t get enough of zombies. The brain-munching, cannibalistic horrors used to be the stuff of nightmares. But as our tastes became more extreme, the flesh-eaters managed to slip into the mainstream with genre-bending films at the forefront of zombie resurgence.

Christopher B. Landon brings zombies back to the silver screen with horror comedy, Scouts Guide to the Zombie Apocalypse. Are we looking at a US version of Shaun of the Dead? Or something a little more dead behind the eyes?

Scouts Guide follows the tale of three teenage boys, having to battle not only their raging hormones, but a raging horde of zombies in a small town during the course of one evening. Starring rising star Tye Sheridan, Logan Miller and Joey Morgan as the aforementioned teens and the ever-likeable David Koechner as their scout leader, the trio must survive and defeat the creatures.

To create a successful zombie film, you need to know your monsters and this is where things start to unravel here. There are so many inconsistences that it’s difficult knowing where to begin. Instead of choosing a zombie-typing, like fast walkers from World War Z or traditional moaners like those from Shaun of the Dead, Scouts Guide uses both and the result simply doesn’t work.

Then there’s the plot. It’s so riddled with holes, cheap jumps and clichés that it’s almost impossible to fully immerse yourself in the experience. The makeup on the zombies is also terrifically poor, lacking in any sort of terror or real detail.

Thankfully, the acting from the lead three scouts is good with Sheridan in particular proving why he’s fast becoming one to watch, especially after being cast in next year’s X-Men: Apocalypse. The remainder of the characters are cardboard cut-outs with no backstory and no real gravitas when it comes to how the story will play out.

Nevertheless, there are some funny and genuinely clever moments dotted throughout Scouts Guide to the Zombie Apocalypse. A living-room chase choreographed to Dolly Parton’s 9 to 5 is a hilarious, albeit too short highlight in a film that needed more intriguing and unique sequences.

There’s also a nice, if unusually placed, homage to John Carpenter’s Halloween that whilst being particularly tasteful, is at odds with the film’s genre.

Overall, Scouts Guide to the Zombie Apocalypse is as beige as a blood-filled horror comedy can come. Despite a couple of clever scenes, some good acting and a reasonably fluid directing style, it’s a damp squib of a movie that never really gets into its groove.


https://moviemetropolis.net/2015/11/15/dead-behind-the-eyes-scouts-guide-to-the-zombie-apocalypse-review/
  
The Perks of Being a Wallflower (2012)
The Perks of Being a Wallflower (2012)
2012 | Drama
The Perks of Being a Wallflower is based upon the best selling novel written by Stephen Chbosky and published in 1999. The film is directed by the author himself who makes the entire film follow the epistolary style novel very well. The film brings to light the struggles of an awkward adolescent boy named Charlie (Logan Lerman, Percy Jackson & the Olympians) and his struggles with trying to cope with the recent death of his best friend who has committed suicide and the not so recent death of his beloved aunt. While coping with both deaths Charlie also has to try his hardest to get through his first day of high school.

Charlie has a tough time making friends being shy and introverted. This definitely doesn’t help on his first day when the only friend he makes is his English teacher Mr. Anderson (Paul Rudd, I Love You Man). Though in his shop class he notices one very outgoing yet somewhat flamboyant senior Patrick (Ezra Miller) who ends up taking Charlie under his wing and inducts him into “the island of misfit toys”. Charlie becomes enamored with a pixie haired beauty named Sam (Emma Watson, Harry Potter) who is Patrick’s step-sister. She is involved with a college boy but soon finds that the path she is on will soon lead down a different direction, possibly with Charlie. Though Charlie is a freshman and has never been able to feel close to anybody, his new group of friends become somewhat of a family and together they are able to overcome the struggles that adolescents are faced with today.

This film is full of great actors with appearances by Joan Cusack, Tom Savini and Nina Dobrev (The Vampire Diaries) and many others. The film hit kind of close to home as I, and many others, I’m sure, can relate to some of the same issues that had to be faced. That is why this is such a great film. I suppose that is why the story was so moving to me. I almost had a small case of anxiety remembering my high school days as a “wallflower” or a “misfit”. While the story is a roller coaster of emotions it is very well paced and has an amazing soundtrack that follows the story. The film will bring a lot of different emotions to the surface and will tug at the heartstrings which all great films must do. I usually take notes during a film that I am reviewing and at certain times I noticed myself not writing anything as I was entirely enthralled with the film. The acting is great and portrays all the characters of the story very well. This was a great film for Emma Watson to grow as more of a dramatic actress as apposed to her role as Hermione Granger though at times you could hear her British accent come through. This film is a must see! PG-13,103mins long.
  
Terminator: Dark Fate (2019)
Terminator: Dark Fate (2019)
2019 | Action, Adventure, Sci-Fi
Natalie Reyes - a kick-ass non-white female hero (1 more)
Arnie's drapes
Linda Hamilton - acting didn't work for me (1 more)
Confusing storyline (as a continuation of T2)
Enjoyable Hokum
Natalia Reyes plays young Mexican Dani Ramos. Out of the blue she faces danger and tragedy when a ‘Rev 9’ Terminator (Gabriel Luna) zaps itself back in time to Mexico City to dispose of her. But, as in “Terminator 2: Judgement Day”, a protector is on hand. This time it’s in the ripped form of ‘enhanced’ human Grace (Mackenzie Davis). She’s there to protect Dani and maintain whatever key to the future that she holds.

Dani is assisted by Sarah Connor (Linda Hamilton), a vigilante Terminator-fighter wanted in all 50 US States for wanton destruction of property. But even this dynamic duo are no match for the unstoppable force of the Rev 9. So they must turn to an old nemesis from Sarah’s past for assistance.

James Cameron is heavily involved with this one. The decision was made to ‘reboot’ the series as if all the dodgy Terminator movies of the intervening years (after #2) had never happened. (That’s not to say that *I* necessarily found them all dodgy. I quite liked “Terminator 3: Rise of the Machines” for example, with it’s grim and downbeat ending).

Now I went into this flick understanding that premise. So a flashback scene in the first few minutes of the film left me mightily confused. How on earth did this link to the ‘thumbs up’ scene at the end of “Terminator 2”? #baffled.

But if you ignore this issue, the film settles into what I thought was a nice “Logan“-style modus operandi. There’s an exciting chase sequence along a Mexican highway, but it never overwhelmed the ongoing development of character and motive.

Unfortunately, this didn’t last. Overall, the script lacked momentum, showing a general lack of narrative drive. This is the result, I suspect, of the familiar malaise of ‘team-input’. There are a total of SIX writers contributing to the story and/or screenplay. For example, an opportunity to take a poke at Trump’s Mexican wall isn’t taken; neither are scenes in the topically newsworthy detention centre. It’s as if the “better not: we’ll upset people” button was pressed in either the writing room or by the studio.

Trying to make up for this wallowing second reel, the movie – on boarding a military transport plane – goes to extremes of unbelievable action, both in the sky and below the water. That “Logan-esque” start seems a long way away now.

There’s another element of the movie that confused the hell out of me. The ‘Rev 9’ is able to jump out of it’s “skeleton” which could then pursue actions on its own. Given the Terminator gets FLATTENED – skeleton and all – during certain scenes of the film, this makes little sense unless the skeleton is made of the same ‘liquid metal’ as the body. In which case, why not just have liquid metal that can assume multiple different forms and attack the target from all sides? Perhaps that came in with the “Rev 10”!

But it’s not as bad as I’ve made it sound. This is in no way a terrible movie. As a ‘brain at the door’ piece of sci-fi hocum I really quite enjoyed it. The cast in particular is nicely of our time. There’s a Colombian (not Mexican), feisty and successful female lead in the form of the relatively unknown Reyes. And she has two strong female characters in support. Arnie Schwarzenegger has top billing, but his is really a supporting role.

Natalia Reyes I thought was particularly impressive. The girl has real screen presence, and I look forward to seeing what she does next.

Mackenzie Davis is also terrific as the kick-ass cyborg. I particularly liked the way she executed a neat plot device. Grace has a ‘war-machine’ design… she’s designed for incredible bursts of activity over short periods, but then becomes next to useless as her body crashes and needs ‘rebooting’.

I don’t want to be mean, but there’s probably a reason Linda Hamilton hasn’t been in more mainstream movies since T2. Her acting here is adequate at best and didn’t really cut it for me. The script has delivered her a number of humorous lines – including the iconic “I’ll be back’ – but none of them really land in the delivery.

Instead , it’s Arnie who has the best lines in the movie, delivered with dead-pan wit. His “cover” identity – and particularly his chosen profession – deliver some laugh out loud dialogue.

All in all, I found this a big step up on other Terminator films in the series. The director is Tim Miller, he of “Deadpool“. It’s not bloody Shakespeare, but I found it – warts and all – an enjoyable night out at the movies.

For the full graphical review, check out https://bob-the-movie-man.com/2019/11/10/one-manns-movies-film-review-terminator-dark-fate-2019/
  
Anatomy of Innocence: Testimonies of the Wrongfully Convicted
Anatomy of Innocence: Testimonies of the Wrongfully Convicted
Laura Caldwell | 2017 | Biography, Crime, History & Politics
8
9.0 (2 Ratings)
Book Rating
With movements like Black Lives Matter at the forefront of society right now, and multiple documentaries about wrongful convictions such as Steven Avery and The West Memphis Three out, there has never been a better time for this book to come out and be read. This topic is <i><b>so important.</i></b>

Reading about the lives of these poor, innocent human beings being treated like they’re dirt, like they’re less than dirt, is devastating. A number of these stories actually brought tears to my eyes. How this injustice goes on, I can’t fathom. In many of these stories we hear how there are alibis that prove the person wasn’t there to commit the crime, but they convict them anyway. There are confessions from other people to crimes, yet they will convict someone else. There is someone else’s DNA on a victim's body but they will commit someone whose DNA is not on the body. And possibly the worst one of them all, there are statements from VICTIMS that the person they have arrested is not the right person, yet they will still convict them. How can a legal system, that’s supposed to protect us and who we’re supposed to trust, let this happen? It makes my blood boil.

In this book, each person’s story is written by a prolific crime writer, so all of these accounts are really well written and they really bring out raw emotions in you because they’re so well presented and you can feel the exonerees pain.

Many of these people spent over a decade, if not over <b>two decades</b> of their life trapped in the walls of dirty prisons for crimes they were innocent of, such as murder, child murder, rape and GBH. The brutality of the officers arresting these people makes me sick. <b>Literal</b> torture is used on innocent people, as young as 17, to coax a <b>false confession</b> out of them, all because they want to be able to arrest someone. What makes me sicker is that these officers and the higher powers who turn(ed) a blind eye to this kind of abuse are never charged or made to own up to their brutalities AND because of the idiocy of these *insert the worst possible swear word and insults here* policemen, real child sex offenders and heartless murderers are <b>NEVER CAUGHT.</b>

This book is hopeful, but it is also heart breaking and while I could go on forever talking about the hatred and rage that this book makes me feel, but I’m going to end it with this instead.

<b><blockquote>GLORIA KILLIAN

DAVID BATES

RAY TOWLER

MICHAEL EVANS

KEN WYNIEMKO

KIRK BLOODWORTH

AUDREY EDMUNDS

ALTON LOGAN

PETER REILLY

GINNY LEFEVER

BILL DILLON

JEFF DESKOVIC

ANTOINE DAY

JERRY MILLER

JUAN RIVERA</blockquote></b>

<b>You are brave and you are strong. Thank you for sharing your stories with us and shining a light on a subject so often ignored. I hope the world does nothing but right by you from here on in. You, over anyone, deserve it.</b>

I have been inspired. I am now going to look into the UK’s own Innocence Group and see what I can do to help those 10% who are wrongly convicted and being left to rot in prison.

<i>Thanks to Netgalley and W. W. Norton & Company for giving me the opportunity to read this book in exchange for an honest review.</i>
  
Scouts Guide to the Zombie Apocalypse (2015)
Scouts Guide to the Zombie Apocalypse (2015)
2015 | Comedy, Horror
Campfires, going to senior parties, and girls. That’s you would normally think about if you were a junior in high school still in scouts. Ben (Tye Sheridan), Carter (Logan Miller), and Augie (Joey Morgan) have been best friends for years since they first joined scouts. While Augie is getting his Condor Patch, the highest achievement a scout can get; Ben and Carter think it’s about time they leave scouts, since they are going into their junior year and don’t want to be seen as dorks. However after ditching Augie the two set out to find the secret senior party where Carter’s sister Kendall (Halston Sage) is at and Ben is all for it. However Ben begins to notice some abnormal things in town, like their scout master (David Koechner) not showing up for the campfire and the town being completely abandoned. The two make a pit stop and run into some trouble at a strip club, much to Carters delight due to the bouncer being mysteriously gone from the door. Unfortunately the two get a little more than a lap dance when they come face to face with the source of all the odd behavior, Zombies. Luckily they befriend Denise (Sarah Dumont) a cocktail waitress from the club and the three of them plus Augie set out on a mission to save Kendall before the government decides what to do to the zombie infested town.

From Christopher B. Landon comes Scout’s Guide to the Zombie Apocalypse. With Landon being most known for working on the Paranormal Activity franchise, this movie is a bit of a change from his usual work. Scout’s Guide to the Zombie Apocalypse is exactly what you would want from a comedy horror movie obviously targeting young adults. It has witty lines, zombies, and attractive leads. While the movie sometimes boarders the lines of too campy, I feel it balances well. While the whole concept of the film is silly, it is executed in a brilliant way and thankfully they don’t rely heavily on dick jokes.

I was fortunate enough to be able to go the Scout’s Guide to the Zombie Apocalypse Ultimate Fan Experience. They gave shirts to everyone who attended and the excitement could be felt while in the room with avid zombie film fanatics. However at the beginning of the film it showed a special piece of film just for the event, and it was awful. Ten minutes of Dillion Francis’s zombie cameo in a music video that never seemed to end. While some enjoyed it most of the audience sighed with relief when it was over. That has to be my only concern with the event, and thankfully it was for the fan experience and more than likely will not be in the actual film showings (General public you are saved). I would recommend this movie for people who enjoy campy horror films, since by all means this film is anything but serious. Also would not recommend of young children, there is some nudity.

I would give this film a 3.5/5 stars. While it was a fun film that kept me laughing for most of it; that fan experience clip definitely was a disaster. I would definitely watch the