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Neon's Nerd Nexus (360 KP) rated Jumanji: The Next Level (2019) in Movies
Dec 9, 2019
Half baked
jumanji next level is like an uninteresting game cutscene thats also unskippable its dull, frustrating, overlong and makes you wish you were doing something else. I actualy quite enjoyed the first instalment I it had some genuinely good ideas, great set pieces and some really fun action so i find it sad to say the sequel is not worth your time at all. Starting in the real world here lies its fist problem: not only are all the teens really boring and generic characters they are all also played by people that just cant act which absolutely kills any attachment to the characters and makes them seem more like one dimensional npcs in a cheap videogame. This would all be fine if the film jumped quickly into the game and the action but instead we get stuck with them for so long that i was begining to get restless way before we even begin to enter the jumanji. Once we do enter the game things do pick up but not by much as what we get is essentially a long drawn out re-skin of the first movie stuffed full of repetative humour and references. Its also contains some of the worst shot/lazy action scenes i have seen this year with not only poor cgi that offers no sense of weight but also no sense of thrill or excitement either. Long unnecessary scenes also plague the film too adding nothing to the story or character development and some jokes even go on for way to long even though they muster no laughs at all. Theres definitely some fun in watching the rock, kevin heart, jack black and karen gilinham act like thier in movie real world counterparts as they do a really impressive job of imitating the teen characters better than the teen actors do them selves. Another huge problem comes from each game character having only three lives as this immediately removes all threat/peril from the movie and again kills all tension too. If i had to sum up this sequel i would say its a movie made for people that talk through movies and i garantee if you go and see it at the cinema i bet thats what people will do because it lacks anything to keep even casual movie goers engaged and focused. More like disappointing dlc that you paid for upfront than 'next level' this movie really isnt worth your time. If you own the previous movies id stay home in the warm and watch them instead save yourself an over two hour slog of bad jokes and poor action.
Lilyn G - Sci-Fi & Scary (91 KP) rated Gregory and the Grimbockle in Books
Feb 11, 2018
Such a fun, imaginative read!
Gregory and the Grimbockle was one of the funniest and cute books that I’ve read with my child in a long time. It was so imaginative and fantastical. We loved the adorable illustrations, but were very glad that the Grimbockle was never illustrated going into or out of his temporary home. The sheer grossness of how that happened was so at odds with the cuteness of everything else, but it worked really well together strangely.
Melanie Schubert has enormous talent that Abigail Kraft complemented perfectly. This story of a boy who doesn’t quite fit in, who is teased and sometimes bullied, and is from a home that is neither loving nor abusive will resonate with a lot of younger readers, I believe. His situation isn’t one of extremes and as a result he’s more easy to relate to. The adventures that he goes on with the Grimbockle are pure fiction, but the truth he learns along the way about the large impact that small gestures can have means is not. As a parent, that truth – that our actions have much more an impact that we might think – is one that I enjoyed having a chance to talk about with my child through the lens of Gregory and the Grimbockle.
The only thing we didn’t like about Gregory and the Grimbockle was the way it ended. It just felt like it ended too abruptly. The transition from childhood to “okay, he’s growing up now” happened so quickly that we had to re-read to make sure we hadn’t accidentally missed a few pages. While I can see why the author did it the way she did, by the time closed the book, we were both already mourning the exiting of the Bockles from our world.
Gregory and the Grimbockle is a book that any parent should delight in picking up to read with their children. It’s an easy read, a short one, and it helps reinforce an important lesson. You’ll be missing out if you don’t give it a try.
This review appeared first at Sci-Fi & Scary.
Melanie Schubert has enormous talent that Abigail Kraft complemented perfectly. This story of a boy who doesn’t quite fit in, who is teased and sometimes bullied, and is from a home that is neither loving nor abusive will resonate with a lot of younger readers, I believe. His situation isn’t one of extremes and as a result he’s more easy to relate to. The adventures that he goes on with the Grimbockle are pure fiction, but the truth he learns along the way about the large impact that small gestures can have means is not. As a parent, that truth – that our actions have much more an impact that we might think – is one that I enjoyed having a chance to talk about with my child through the lens of Gregory and the Grimbockle.
The only thing we didn’t like about Gregory and the Grimbockle was the way it ended. It just felt like it ended too abruptly. The transition from childhood to “okay, he’s growing up now” happened so quickly that we had to re-read to make sure we hadn’t accidentally missed a few pages. While I can see why the author did it the way she did, by the time closed the book, we were both already mourning the exiting of the Bockles from our world.
Gregory and the Grimbockle is a book that any parent should delight in picking up to read with their children. It’s an easy read, a short one, and it helps reinforce an important lesson. You’ll be missing out if you don’t give it a try.
This review appeared first at Sci-Fi & Scary.
Emma @ The Movies (1786 KP) rated Juliet, Naked (2018) in Movies
Sep 25, 2019
If there's one thing you can guarantee it's that Nick Hornby can write a good book that turns into a good movie. While they never usually hit my favourites list they're always consistent.
This year has seen the romcom take a step back to something more traditional, and I'm loving it. So many have been more about the comedy, but while this one is funny it's very much focused on the relationships.
The movie opens with Duncan's video that sets up part of the background really well and goes a long way to explaining his life's obsession. What follows is a really well implemented flow with the voice overs mixed in.
I went off and read some comments people had been writing about some of my thoughts on Juliet, Naked. It made me remember that a film like this is only ever as good as your own personal experience. It depicts mild obsession in such a realistic way. Watching Chris O'Dowd reactions to Annie and then later Tucker was really on point, and as his behaviour starts to really cause the split between him and Annie her reaction too was just right. In fact I felt the three of them were brilliant on screen throughout.
As a focus for the film, Annie is a wonderful character. Rose Byrne really brings an honesty out of her. You can feel her exacerbation with Duncan's behaviour, her nervousness around Tucker as well as her joy and sadness. That accompanied with the way Tucker changes around her is really beautiful to watch.
Overall there wasn't much to grumble about in this film... but... there's always a but! I didn't feel that the supporting cast were quite as essential. Annie's sister was a little over the top for me, and the diversion around Duncan's affair didn't really match up to the calibre of the rest of the film either.
What you should do
It's definitely one to watch, and remember to watching into the credits!
Movie thing you wish you could take home
I actually wouldn't mind taking home my own Tucker Crowe.
This year has seen the romcom take a step back to something more traditional, and I'm loving it. So many have been more about the comedy, but while this one is funny it's very much focused on the relationships.
The movie opens with Duncan's video that sets up part of the background really well and goes a long way to explaining his life's obsession. What follows is a really well implemented flow with the voice overs mixed in.
I went off and read some comments people had been writing about some of my thoughts on Juliet, Naked. It made me remember that a film like this is only ever as good as your own personal experience. It depicts mild obsession in such a realistic way. Watching Chris O'Dowd reactions to Annie and then later Tucker was really on point, and as his behaviour starts to really cause the split between him and Annie her reaction too was just right. In fact I felt the three of them were brilliant on screen throughout.
As a focus for the film, Annie is a wonderful character. Rose Byrne really brings an honesty out of her. You can feel her exacerbation with Duncan's behaviour, her nervousness around Tucker as well as her joy and sadness. That accompanied with the way Tucker changes around her is really beautiful to watch.
Overall there wasn't much to grumble about in this film... but... there's always a but! I didn't feel that the supporting cast were quite as essential. Annie's sister was a little over the top for me, and the diversion around Duncan's affair didn't really match up to the calibre of the rest of the film either.
What you should do
It's definitely one to watch, and remember to watching into the credits!
Movie thing you wish you could take home
I actually wouldn't mind taking home my own Tucker Crowe.
Suswatibasu (1701 KP) rated The God of Small Things in Books
Oct 10, 2017 (Updated Oct 11, 2017)
Brilliant way with words
This beautifully-written book tells the story of Estha and Rahel, a twin brother and sister who have been long separated due to a family tragedy about which we only learn the full truth near the end of the book, and who come back together at the age of 31 at the family home.
The book moves seamlessly between the summer that the twins were seven, when their lives changed for ever, and their present, as they strive to come to terms with the guilt of their past. Along with exploring the children's lives, Roy also develops in detail those family members and friends who have been most important to them - their frail violinist grandmother Mamachi (a battered wife turned domestic tyrant after her husband's death), their beautiful, frustrated mother Ammu, their overweight depressive uncle Chacko, and his English ex-wife Margaret and extrovert little daughter Sophie, the mysterious gardener Velutha, the local communist Mr Pillai and the twins' great aunt, 'Baby' (Navomi) Kochamma, the only one of the family to still be around when the twins reach the age of 31, and the most bitter and destructive in the entire doomed clan.
There is a great deal to admire in the book. Roy tells a lot about Indian customs without ever giving way to dry lectures, but there are a lot of unanswered questions left in the book. Nevertheless, this is a wonderful read by a superb author.
The book moves seamlessly between the summer that the twins were seven, when their lives changed for ever, and their present, as they strive to come to terms with the guilt of their past. Along with exploring the children's lives, Roy also develops in detail those family members and friends who have been most important to them - their frail violinist grandmother Mamachi (a battered wife turned domestic tyrant after her husband's death), their beautiful, frustrated mother Ammu, their overweight depressive uncle Chacko, and his English ex-wife Margaret and extrovert little daughter Sophie, the mysterious gardener Velutha, the local communist Mr Pillai and the twins' great aunt, 'Baby' (Navomi) Kochamma, the only one of the family to still be around when the twins reach the age of 31, and the most bitter and destructive in the entire doomed clan.
There is a great deal to admire in the book. Roy tells a lot about Indian customs without ever giving way to dry lectures, but there are a lot of unanswered questions left in the book. Nevertheless, this is a wonderful read by a superb author.
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FilmIntuition (33 KP) rated The High Season in Books
May 23, 2018
A Terrific Beach Read
(Note: I received an Advance Readers Copy of this book in exchange for an honest review.)
You can practically feel the sunlight pouring off the pages of The High Season, which, thanks to National Book Award Winner Judy Blundell's lyrical and painterly prose, is as picturesque as the summery Long Island beach house where the novel's action is set.
Told from the points-of-view of multiple characters, the instantly compelling book introduces us to the local residents and seasonal visitors of a beautiful beach community that's big enough to enjoy but small enough that secrets don't stay that way for long as its inhabitants soon find out.
Although it's made fiscal sense, renting their gorgeous home every summer in order to afford to live in it during the rest of the year has begun to wear on our main protagonist, museum director Ruthie Dutton and her fifteen-year-old daughter Jem.
Renovating a perfect beach house only to need to leave it during its peak season has been a leading cause of the breakdown of her marriage to Mike, with whom she's still on excellent terms, and even though the mature Jem puts up a good front, Ruthie hates the idea of uprooting her each summer.
And when her latest renter makes herself home a little too quickly – setting her sights on Mike, her friends, and possibly a permanent place in North Fork – Ruthie finds herself at war, especially after the renter's college aged stepson takes an interest in Jem, and nonprofit art world politics threaten her livelihood.
Breaking down the action on several fronts, we're also introduced to Ruthie's enigmatic young coworker Doe who's perfected the art of blending in anywhere and with anyone and it's in Doe's chapters that Blundell and the reader has the most fun as she gently satirizes the rich.
The first book the author has penned exclusively for adults, admittedly there are times when The High Season's older characters (especially Ruthie) act more immature than their younger counterparts do in incongruous scenes that hinders their relatability.
A gifted stylist, however, Blundell doesn't lose us for long. As high stakes subplots begin to collide, the book rebounds from a slightly muddled middle act – delivering a final hundred pages you'll fly right through just as fast as this entertaining read flies off shelves this summer.
You can practically feel the sunlight pouring off the pages of The High Season, which, thanks to National Book Award Winner Judy Blundell's lyrical and painterly prose, is as picturesque as the summery Long Island beach house where the novel's action is set.
Told from the points-of-view of multiple characters, the instantly compelling book introduces us to the local residents and seasonal visitors of a beautiful beach community that's big enough to enjoy but small enough that secrets don't stay that way for long as its inhabitants soon find out.
Although it's made fiscal sense, renting their gorgeous home every summer in order to afford to live in it during the rest of the year has begun to wear on our main protagonist, museum director Ruthie Dutton and her fifteen-year-old daughter Jem.
Renovating a perfect beach house only to need to leave it during its peak season has been a leading cause of the breakdown of her marriage to Mike, with whom she's still on excellent terms, and even though the mature Jem puts up a good front, Ruthie hates the idea of uprooting her each summer.
And when her latest renter makes herself home a little too quickly – setting her sights on Mike, her friends, and possibly a permanent place in North Fork – Ruthie finds herself at war, especially after the renter's college aged stepson takes an interest in Jem, and nonprofit art world politics threaten her livelihood.
Breaking down the action on several fronts, we're also introduced to Ruthie's enigmatic young coworker Doe who's perfected the art of blending in anywhere and with anyone and it's in Doe's chapters that Blundell and the reader has the most fun as she gently satirizes the rich.
The first book the author has penned exclusively for adults, admittedly there are times when The High Season's older characters (especially Ruthie) act more immature than their younger counterparts do in incongruous scenes that hinders their relatability.
A gifted stylist, however, Blundell doesn't lose us for long. As high stakes subplots begin to collide, the book rebounds from a slightly muddled middle act – delivering a final hundred pages you'll fly right through just as fast as this entertaining read flies off shelves this summer.
ClareR (5726 KP) rated The Long Long Afternoon in Books
Mar 2, 2021
The Long, Long Afternoon really gives a sense of time and place - and I loved that about this book. We’re steeped in the 1950’s suburban world of perfect housewives, dosed up on their happy pills, trapped in their blissful domestic lives, keeping a perfect home and looking their best at all times for their hardworking husbands. Meanwhile, they employ black maids for a pitiful wage, taking advantage of them and treating them appallingly.
Ruby Wright arrives to start her afternoons work at Joyce Hanley’s house, and instead finds her young daughter outside and a screaming toddler upstairs in her bedroom. When Ruby goes in to the kitchen, she is confronted with a room awash with blood and signs of a struggle.
When the police arrive, they arrest Ruby for murder. After all, she was the first person there - and she’s black.
Detective Mick Blanke takes on the case. It’s an interesting book, because not only is Mick solving the crime (with some considerable help from Ruby), he’s also showing the social divides in the USA at this time - rich and poor, black and white. He’s clearly not comfortable about the way that white people treat black people in Santa Monica, but he’s still not quite brave enough to call people out on their racism.
This is an engaging, quick read - or perhaps I read it quickly because I didn’t want to put it down. It’s a clever, unpredictable story. In all, it’s a book I’d recommend without hesitation!
Ruby Wright arrives to start her afternoons work at Joyce Hanley’s house, and instead finds her young daughter outside and a screaming toddler upstairs in her bedroom. When Ruby goes in to the kitchen, she is confronted with a room awash with blood and signs of a struggle.
When the police arrive, they arrest Ruby for murder. After all, she was the first person there - and she’s black.
Detective Mick Blanke takes on the case. It’s an interesting book, because not only is Mick solving the crime (with some considerable help from Ruby), he’s also showing the social divides in the USA at this time - rich and poor, black and white. He’s clearly not comfortable about the way that white people treat black people in Santa Monica, but he’s still not quite brave enough to call people out on their racism.
This is an engaging, quick read - or perhaps I read it quickly because I didn’t want to put it down. It’s a clever, unpredictable story. In all, it’s a book I’d recommend without hesitation!
Mark @ Carstairs Considers (2204 KP) rated Murder on Amsterdam Avenue in Books
Jul 7, 2021 (Updated Jul 7, 2021)
Poisoner on the Lose
Frank Malloy has moved into the house that he and Sarah Brandt will share after they get married, but they have to wait until restoration is done on the house to actually get married, and the workers are taking their sweet time about it. Meanwhile, Sarah accompanies her mother on a condolence call to the home of the Oakes family. Charles suddenly got sick and died a few days later. The Oakes have been friends with Sarah’s family for years, and so, on the visit, Charles’s father asks if Frank will investigate the death. He thinks that something is not right about it. It isn’t long before Frank confirms that Charles was poisoned. But who would poison him?
While these are historical mysteries, history doesn’t always come into play in these books. Here it does in a couple of different ways, and I enjoyed both of them. Fans of the series will be delighted with how the character’s lives are progressing. The mystery was a little slower than most, or maybe it just felt like it to me because I guessed some parts of the plot early on. Even so, I enjoyed some of the twists along the way to the satisfying climax. We get plenty of the supporting characters here, and I am enjoying how they are developing. The characters’ lives are transitioning still in this book, and long-time fans will be happy with how that progresses. This isn’t the strongest in the series, but it will still please fans.
While these are historical mysteries, history doesn’t always come into play in these books. Here it does in a couple of different ways, and I enjoyed both of them. Fans of the series will be delighted with how the character’s lives are progressing. The mystery was a little slower than most, or maybe it just felt like it to me because I guessed some parts of the plot early on. Even so, I enjoyed some of the twists along the way to the satisfying climax. We get plenty of the supporting characters here, and I am enjoying how they are developing. The characters’ lives are transitioning still in this book, and long-time fans will be happy with how that progresses. This isn’t the strongest in the series, but it will still please fans.
