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Writing (3 more)
No character development
Too many inconsistencies
Too many chapters
Errin Stowell's new novel series starts with Covet Not which is about a middle-aged lawyer named Sam Sparks - - - who is referred to as Sparks nearly the entire story - - - whose fiancee goes missing and he then becomes the prime suspect. Before everything happens though, readers see that Sparks spends his time trying to defend the elderly from home foreclosures as a small-time lawyer.
If this sounds like a synopsis for a John Grisham novel, you wouldn't be far off because Stowell has the potential to be the next one. This is only the first novel I've read by Stowell, but the one thing I noticed mostly in this story was the amount of inconsistencies and amateur writing mistakes; with better editing and consistency, his books could very well hit mainstream.
Also, Covet Not had so many chapters, so much so that scenes were chopped in half and made into entirely new chapters. The book ended up having 48 chapters within 158 pages. This amount could have easily been shortened and helped with the flow of the story if Stowell had just continued onwards with scenes rather then cutting them short or just skipping parts completely.
The novel starts with a man called Skinny who is enjoying his growing infamy on the dark web (he records himself murdering women then uploads it for his audience to enjoy). Here is how Stowell describes Skinny's thought process:
" Skinny took a black ski mask from the duffel bag and put it on before carrying the bag into the camera's frame and placing it near the woman. He began unpacking other items from the bag. It was slow work, deliberately slow for the camera. Skinny intended to have a before and after view for each tool. It was important to show the proper use of tools. The viewers always appreciated that. "
When we switch over to Sparks, we find him after a long day of work, speaking with a journalist named Gina, his fiancee, who is telling him one of her co-workers stole her story, but no one has heard from her in two days. Yet, they both agree that she's probably holed up with one of the producers, and instead, get into a small argument about Sparks never supporting Gina - - - a constant habit of arguing is almost every interaction between the two throughout the entire novel.
Soon after, Sparks introduces us to his uncle Jimmy, who is being housed at a retirement home: " The old man was seated in a wheelchair; his left leg had been amputated just below the knee a few years before, the result of allowing an ingrown toenail to fester to gangrene. Jimmy's barrel chest and solid upper body contrasted with his wasting legs. "
As Sparks continues to visit his uncle in the retirement home, he keeps running into a cute nurse named Darlene, who quickly sets her sights on him. She goes so far out of her way to get Sparks and Gina to separate that she sends him nude photos of herself from a burner phone. Fortunately, Sparks has bigger fish to fry when he hears over his car radio that Gina's co-worker was now being treated as a missing person case, causing Sparks to quickly jump to the conclusion that Gina possibly was responsible for it.
However, Stowell throws in an expected curveball by making our villain, Skinny, work at the retirement home. When he comes in to take care of a patient while Sparks is present, it's too easy to guess that this patient was going to end up dead soon. Sparks, expectedly, has a bad feeling about this male nurse, but dismisses it and believes that the patient died by natural causes. Life goes on.
Stowell's novel, with a great plot, was just too focused on ending the story, that after page 50, it seemed as if Stowell didn't care what happened to these characters, just as long as he finished the book. At one point, readers are told that Sparks doesn't drink alcohol, but it's never explained why he doesn't which would have given a bite of character development; another scene, Sparks finds a phone, but doesn't want to give it to police, instead he states that he has a 'friend' in the police department who can go through it as a favor, but this 'friend' is completely forgotten, as if Sparks never mentioned him, and the former is left dumbfounded as to how to get into the phone.
There's a story here and characters that could be more well-rounded, but I honestly found myself not caring the least bit about any of the characters' well-being, especially Sparks - - - someone who comes off as inept, someone who has to be told what to do in order for anything to get done - - - he's like a lost child running blindly throughout the book. The story needs to be longer with more emphasis given to mundane scenes that will allow readers to chew on a piece of Sparks' daily life because, by the end of the book, we needed a full picture of every major character, not a Jackson Pollock.
If this sounds like a synopsis for a John Grisham novel, you wouldn't be far off because Stowell has the potential to be the next one. This is only the first novel I've read by Stowell, but the one thing I noticed mostly in this story was the amount of inconsistencies and amateur writing mistakes; with better editing and consistency, his books could very well hit mainstream.
Also, Covet Not had so many chapters, so much so that scenes were chopped in half and made into entirely new chapters. The book ended up having 48 chapters within 158 pages. This amount could have easily been shortened and helped with the flow of the story if Stowell had just continued onwards with scenes rather then cutting them short or just skipping parts completely.
The novel starts with a man called Skinny who is enjoying his growing infamy on the dark web (he records himself murdering women then uploads it for his audience to enjoy). Here is how Stowell describes Skinny's thought process:
" Skinny took a black ski mask from the duffel bag and put it on before carrying the bag into the camera's frame and placing it near the woman. He began unpacking other items from the bag. It was slow work, deliberately slow for the camera. Skinny intended to have a before and after view for each tool. It was important to show the proper use of tools. The viewers always appreciated that. "
When we switch over to Sparks, we find him after a long day of work, speaking with a journalist named Gina, his fiancee, who is telling him one of her co-workers stole her story, but no one has heard from her in two days. Yet, they both agree that she's probably holed up with one of the producers, and instead, get into a small argument about Sparks never supporting Gina - - - a constant habit of arguing is almost every interaction between the two throughout the entire novel.
Soon after, Sparks introduces us to his uncle Jimmy, who is being housed at a retirement home: " The old man was seated in a wheelchair; his left leg had been amputated just below the knee a few years before, the result of allowing an ingrown toenail to fester to gangrene. Jimmy's barrel chest and solid upper body contrasted with his wasting legs. "
As Sparks continues to visit his uncle in the retirement home, he keeps running into a cute nurse named Darlene, who quickly sets her sights on him. She goes so far out of her way to get Sparks and Gina to separate that she sends him nude photos of herself from a burner phone. Fortunately, Sparks has bigger fish to fry when he hears over his car radio that Gina's co-worker was now being treated as a missing person case, causing Sparks to quickly jump to the conclusion that Gina possibly was responsible for it.
However, Stowell throws in an expected curveball by making our villain, Skinny, work at the retirement home. When he comes in to take care of a patient while Sparks is present, it's too easy to guess that this patient was going to end up dead soon. Sparks, expectedly, has a bad feeling about this male nurse, but dismisses it and believes that the patient died by natural causes. Life goes on.
Stowell's novel, with a great plot, was just too focused on ending the story, that after page 50, it seemed as if Stowell didn't care what happened to these characters, just as long as he finished the book. At one point, readers are told that Sparks doesn't drink alcohol, but it's never explained why he doesn't which would have given a bite of character development; another scene, Sparks finds a phone, but doesn't want to give it to police, instead he states that he has a 'friend' in the police department who can go through it as a favor, but this 'friend' is completely forgotten, as if Sparks never mentioned him, and the former is left dumbfounded as to how to get into the phone.
There's a story here and characters that could be more well-rounded, but I honestly found myself not caring the least bit about any of the characters' well-being, especially Sparks - - - someone who comes off as inept, someone who has to be told what to do in order for anything to get done - - - he's like a lost child running blindly throughout the book. The story needs to be longer with more emphasis given to mundane scenes that will allow readers to chew on a piece of Sparks' daily life because, by the end of the book, we needed a full picture of every major character, not a Jackson Pollock.
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Phillip McSween (751 KP) rated Hell or High Water (2016) in Movies
Mar 11, 2019
Classic
Two brothers rob banks in west Texas to pay off overdue loans before their family home is foreclosed on.
Acting: 10
Beginning: 10
Characters: 10
From the first scene in the beginning with Tanner (Ben Foster) and Toby (Chris Pine), I knew I was going to like the two brothers. One’s a loose cannon while the other is more level-headed and calculated. They argue like typical brothers because they are so different and their interactions remind you of typical sibling hate/love. As a viewer, their personalities worked so well for me because you realize both were needed throughout the movie. Sometimes you needed cool, other times crazy was definitely needed to get the two out of a rough scrape.
I also enjoyed Jeff Bridges character playing the role of Sheriff Marcus, the area’s dedicated peacemaker. He speaks with a quick drawl straight out of an Eastwood western. He is overly truthful to a hilarious extent. He is on his way to retirement and feels like catching Tanner and Toby could be his last bit of peace.
Cinematography/Visuals: 9
Conflict: 7
While there truly are some impactful intense moments that help drive the narrative, Hell Or High Water is more drama than it is an action film. You do get a fair share of bank robberies, car chases, and shootouts. It just would have been nice if they had showed a bit more of that. Some of the parts that dragged on a bit would have served well with a bit more conflict.
Genre: 8
A powerful story about family helping family. Time will tell, but I think it’s a story that will keep its power years from now. The storytelling and direction is just as strong as any of my all-time favorites. Hell Or High Water packs a potent punch.
Memorability: 8
Pace: 10
Plot: 10
The bank robbery genre has been done and redone, but not quite like this. From its setting to the backdrop of the plot, this movie paves its own way within a crowded and successful genre. It succeeds with memorable dialogue and making every single scene count towards a definitive end.
Resolution: 10
The final scene features a conversation between Marcus and Toby. It’s hands-down the most memorable scene in the entire film as you get to see how this chain of events has ultimately affected both characters. They have both gained and lost and both face ghosts that will haunt them for the rest of their lives. It’s a scene that stuck with me long after I watched it.
Overall: 92
Set against a sprawling, yet compacted west Texas, Hell Or High Water gives you everything you look for in a movie. Memorable scenes abound keeping the movie entertaining and fresh. If you haven’t seen it yet, it’s a classic.
Acting: 10
Beginning: 10
Characters: 10
From the first scene in the beginning with Tanner (Ben Foster) and Toby (Chris Pine), I knew I was going to like the two brothers. One’s a loose cannon while the other is more level-headed and calculated. They argue like typical brothers because they are so different and their interactions remind you of typical sibling hate/love. As a viewer, their personalities worked so well for me because you realize both were needed throughout the movie. Sometimes you needed cool, other times crazy was definitely needed to get the two out of a rough scrape.
I also enjoyed Jeff Bridges character playing the role of Sheriff Marcus, the area’s dedicated peacemaker. He speaks with a quick drawl straight out of an Eastwood western. He is overly truthful to a hilarious extent. He is on his way to retirement and feels like catching Tanner and Toby could be his last bit of peace.
Cinematography/Visuals: 9
Conflict: 7
While there truly are some impactful intense moments that help drive the narrative, Hell Or High Water is more drama than it is an action film. You do get a fair share of bank robberies, car chases, and shootouts. It just would have been nice if they had showed a bit more of that. Some of the parts that dragged on a bit would have served well with a bit more conflict.
Genre: 8
A powerful story about family helping family. Time will tell, but I think it’s a story that will keep its power years from now. The storytelling and direction is just as strong as any of my all-time favorites. Hell Or High Water packs a potent punch.
Memorability: 8
Pace: 10
Plot: 10
The bank robbery genre has been done and redone, but not quite like this. From its setting to the backdrop of the plot, this movie paves its own way within a crowded and successful genre. It succeeds with memorable dialogue and making every single scene count towards a definitive end.
Resolution: 10
The final scene features a conversation between Marcus and Toby. It’s hands-down the most memorable scene in the entire film as you get to see how this chain of events has ultimately affected both characters. They have both gained and lost and both face ghosts that will haunt them for the rest of their lives. It’s a scene that stuck with me long after I watched it.
Overall: 92
Set against a sprawling, yet compacted west Texas, Hell Or High Water gives you everything you look for in a movie. Memorable scenes abound keeping the movie entertaining and fresh. If you haven’t seen it yet, it’s a classic.
Heather Cranmer (2721 KP) rated Hysteria in Books
Jun 7, 2018
(This review can also be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.co.uk">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
I am a HUGE fan of Megan Miranda. I love the way she writes, and I love the plot of her stories. When I saw Hysteria by her, I knew I had to read this book! I must say that she didn't disappoint me.
Mallory killed her ex-boyfriend in self defense, so she claims, but she can't really remember what happened that night. Mallory's parents ship her off to a boarding school to get her away from everything that happened back at home. However, she can't help but feel that her ex-boyfriend's ghost has followed her. She can hear his heartbeat. She has the impression of a hand indented on her shoulder from where she's being grabbed by his ghost. Not long after Mallory arrives, another pupil is found dead in her room. Mallory claims she was sleeping and can't remember anything. Could she have possibly done it? Is Mallory a killer?
The title of this book called out to me. Hysteria is a brilliant title for this book, and it suits the story rather well.
How wicked does the cover to Hysteria look!?! The cover was another aspect that made me want to read this book. Whilst the cover doesn't really let you know too much about what's going on with the story, the design is still amazing!
I loved how the setting of this book mostly took place at some old boarding school surrounded by a forest. Yes, it is a bit cliched, but it worked well for this book.
The pacing was fantastic. There was never a dull moment in this book. I kept on reading without ever wanting to put this book down. It is very action packed and thrilling!
As for the dialogue, I felt it was fantastic. I imagined it to be exactly how older teens would speak. Be warned that there are a few swear words, but they aren't overly used just for the sake of swearing. The dialogue is smooth and never once feels forced.
The characters of this story were developed quite well. I loved how Mallory seemed very down to Earth, yet was always trying to get her memories back. She just felt very real. Reid was fantastic! I loved the way he wanted to protect Mallory. Colleen was my favourite character. I loved her free spirited attitude towards everything!
Overall, I thought this story was very well executed. There weren't really any major plot twists, I thought, but the story itself was really great!! This had me on the edge of my seat...well my bed as I was laying down reading it.
I'd recommend this book to everyone aged 15+ as it's such a good book!
I am a HUGE fan of Megan Miranda. I love the way she writes, and I love the plot of her stories. When I saw Hysteria by her, I knew I had to read this book! I must say that she didn't disappoint me.
Mallory killed her ex-boyfriend in self defense, so she claims, but she can't really remember what happened that night. Mallory's parents ship her off to a boarding school to get her away from everything that happened back at home. However, she can't help but feel that her ex-boyfriend's ghost has followed her. She can hear his heartbeat. She has the impression of a hand indented on her shoulder from where she's being grabbed by his ghost. Not long after Mallory arrives, another pupil is found dead in her room. Mallory claims she was sleeping and can't remember anything. Could she have possibly done it? Is Mallory a killer?
The title of this book called out to me. Hysteria is a brilliant title for this book, and it suits the story rather well.
How wicked does the cover to Hysteria look!?! The cover was another aspect that made me want to read this book. Whilst the cover doesn't really let you know too much about what's going on with the story, the design is still amazing!
I loved how the setting of this book mostly took place at some old boarding school surrounded by a forest. Yes, it is a bit cliched, but it worked well for this book.
The pacing was fantastic. There was never a dull moment in this book. I kept on reading without ever wanting to put this book down. It is very action packed and thrilling!
As for the dialogue, I felt it was fantastic. I imagined it to be exactly how older teens would speak. Be warned that there are a few swear words, but they aren't overly used just for the sake of swearing. The dialogue is smooth and never once feels forced.
The characters of this story were developed quite well. I loved how Mallory seemed very down to Earth, yet was always trying to get her memories back. She just felt very real. Reid was fantastic! I loved the way he wanted to protect Mallory. Colleen was my favourite character. I loved her free spirited attitude towards everything!
Overall, I thought this story was very well executed. There weren't really any major plot twists, I thought, but the story itself was really great!! This had me on the edge of my seat...well my bed as I was laying down reading it.
I'd recommend this book to everyone aged 15+ as it's such a good book!
Bong Mines Entertainment (15 KP) rated Focused - Single by Lilly Whyte in Music
Jun 17, 2019
Lilly Whyte is an Atlanta-based rapper-singer from Loris, South Carolina. Not too long ago, she released a motivational rap tune, entitled, “Focused”.
“I been working hard, I know its gonna take time. I can’t let down my guard, can’t let nobody take my shine, I need to just focus. Please just let me focus. I been down before and I ain’t never going back. I’m hungry for more so tell me where the money at. I’m just being honest. I’m gonna get it regardless.” – lyrics
‘Focused’ tells an encouraging tale of a determined young woman who is focused on getting what’s hers. But, as she gets closer to accomplishing her goals, there’s a guy in her life who’s trying to get close to her.
Even though she’s not looking for closure with him, she knows deep down she can’t afford to lose her concentration to distractions. Therefore, she chooses to stay motivated and refuses to let him come remotely close to disrupting her grind.
‘Focused’ contains a relatable storyline, harmonious rap vocals, and melodic instrumentation flavored with contemporary R&B and hip-hop elements.
“So excited about this record because it’s the first song I actually recorded all by myself. I literally wrote this song in my head as I was teaching myself how to engineer. FOCUSING on my craft and not letting anything stop me. FOCUSED is the product of me staying up all night in my little at-home-studio and not giving up. This song is very motivational which is why it’s one of my all-time favorites. I’ve always had a hard time focusing on what I’m supposed to be doing because I’m always so easily distracted. It can be really frustrating sometimes. I literally have to tell myself to just FOCUS, but this song is way more than that.” – Lilly Whyte
Lilly Whyte struggled with health and addiction issues, along with becoming a mother at a young age.
With a determination and drive inherent only to single mothers, she overcame her hardships by using music as an outlet for healing and growth.
She represents love, peace, and diversity, writing lyrics that are rich, fiery and full of meaning. Her stories cover themes such as empowerment, positivity, and self-acceptance.
Also, she’s an accomplished dancer, and her love for Lil Wayne’s music has garnered her the nickname, Lil Wheezy.
“I call out a certain someone for trying to come into my life and distract me. I have way too many trust issues from past experiences and I’m sure a few of you can relate. The beat was produced by DrellOnTheTrack and it has a guitar in the melody which is ironic as I also play the guitar. Hope you gain as much from this track as I did and don’t forget to STAY FOCUSED!” – Lilly Whyte
https://www.bongminesentertainment.com/lilly-whyte-focused/
“I been working hard, I know its gonna take time. I can’t let down my guard, can’t let nobody take my shine, I need to just focus. Please just let me focus. I been down before and I ain’t never going back. I’m hungry for more so tell me where the money at. I’m just being honest. I’m gonna get it regardless.” – lyrics
‘Focused’ tells an encouraging tale of a determined young woman who is focused on getting what’s hers. But, as she gets closer to accomplishing her goals, there’s a guy in her life who’s trying to get close to her.
Even though she’s not looking for closure with him, she knows deep down she can’t afford to lose her concentration to distractions. Therefore, she chooses to stay motivated and refuses to let him come remotely close to disrupting her grind.
‘Focused’ contains a relatable storyline, harmonious rap vocals, and melodic instrumentation flavored with contemporary R&B and hip-hop elements.
“So excited about this record because it’s the first song I actually recorded all by myself. I literally wrote this song in my head as I was teaching myself how to engineer. FOCUSING on my craft and not letting anything stop me. FOCUSED is the product of me staying up all night in my little at-home-studio and not giving up. This song is very motivational which is why it’s one of my all-time favorites. I’ve always had a hard time focusing on what I’m supposed to be doing because I’m always so easily distracted. It can be really frustrating sometimes. I literally have to tell myself to just FOCUS, but this song is way more than that.” – Lilly Whyte
Lilly Whyte struggled with health and addiction issues, along with becoming a mother at a young age.
With a determination and drive inherent only to single mothers, she overcame her hardships by using music as an outlet for healing and growth.
She represents love, peace, and diversity, writing lyrics that are rich, fiery and full of meaning. Her stories cover themes such as empowerment, positivity, and self-acceptance.
Also, she’s an accomplished dancer, and her love for Lil Wayne’s music has garnered her the nickname, Lil Wheezy.
“I call out a certain someone for trying to come into my life and distract me. I have way too many trust issues from past experiences and I’m sure a few of you can relate. The beat was produced by DrellOnTheTrack and it has a guitar in the melody which is ironic as I also play the guitar. Hope you gain as much from this track as I did and don’t forget to STAY FOCUSED!” – Lilly Whyte
https://www.bongminesentertainment.com/lilly-whyte-focused/
Kristy H (1252 KP) rated Burying the Honeysuckle Girls in Books
Jun 21, 2019
Althea Bell returns home after (another) stint in rehab to find her father further stricken by Alzheimer's and her older brother--who is running for political office--fully entrenched in the seat of power in the family. Wynn doesn't want Althea and her sketchy past to ruin his chances at political fame and fortune. Even worse, Althea is shocked when she learns that the women in her family have a history of mental illness, which seems to come on around age 30--and Althea is just a few weeks away from her own birthday. Althea's mother passed away at that age, and Althea is determined to discover what happened to her. But doing so will dredge up family secrets that it seems Wynn wants hidden--and he'll do anything to keep Althea from shaming the family name
This won't be a very long review, because I listened to this book on audiobook (technically the audio that comes with my Kindle Unlimited subscription), and I couldn't take any notes or do any highlighting as I listened, as I was in the car. But I do want to point out that this is the *first ever* audiobook that I've ever listened to from start to finish! I'm not very good with verbal listening--even in college lectures, I had to take copious notes to retain the information, and I could just never keep up with audiobooks: my brain always wandered off. But I was commuting a lot for work and gave this one a try. It stuck!
This book felt a little slow in places, but now I'll never know if it was because it was an audiobook or what. I felt bad for Althea, who really seems to have received a bum rap: mother dies when she's a kid, a pretty awful brother, drug addiction, and more. She's a rather compelling narrator, and her family's backstory is interesting. The whole "I'm going to go crazy when I'm 30" thing seemed a little overblown and histrionic at times--seriously, you can't truly think the moment you turn 30, everything changes. But, I still found myself caught up in Althea's story, and I really loved hearing about her grandmother and her own struggles in the '30s. There were pieces of this book that were really touching and heartbreaking and the last half, especially, really got to me.
Overall, it was fun to explore an audiobook. It sure made my two-hour (each way) commute more palatable, and I found myself fascinated that one-person could do the voices of so many people. I found this story pretty compelling and liked the fact that it spanned several generations. The points it made about mental illness--especially the way women were treated in the past (and even now, really)--were very illuminating and well-done. 3.5 stars.
This won't be a very long review, because I listened to this book on audiobook (technically the audio that comes with my Kindle Unlimited subscription), and I couldn't take any notes or do any highlighting as I listened, as I was in the car. But I do want to point out that this is the *first ever* audiobook that I've ever listened to from start to finish! I'm not very good with verbal listening--even in college lectures, I had to take copious notes to retain the information, and I could just never keep up with audiobooks: my brain always wandered off. But I was commuting a lot for work and gave this one a try. It stuck!
This book felt a little slow in places, but now I'll never know if it was because it was an audiobook or what. I felt bad for Althea, who really seems to have received a bum rap: mother dies when she's a kid, a pretty awful brother, drug addiction, and more. She's a rather compelling narrator, and her family's backstory is interesting. The whole "I'm going to go crazy when I'm 30" thing seemed a little overblown and histrionic at times--seriously, you can't truly think the moment you turn 30, everything changes. But, I still found myself caught up in Althea's story, and I really loved hearing about her grandmother and her own struggles in the '30s. There were pieces of this book that were really touching and heartbreaking and the last half, especially, really got to me.
Overall, it was fun to explore an audiobook. It sure made my two-hour (each way) commute more palatable, and I found myself fascinated that one-person could do the voices of so many people. I found this story pretty compelling and liked the fact that it spanned several generations. The points it made about mental illness--especially the way women were treated in the past (and even now, really)--were very illuminating and well-done. 3.5 stars.
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theVman (16 KP) rated Twin Peaks - Season 3 in TV
May 22, 2017
The Cast (1 more)
The new mysterys
Lack of the familar Twin Peaks stuff (2 more)
The way the story unfolds
Very Slow
The first four episodes
Twin Peaks: The Return
*** Ive tried to write this as spoiler free as i can, you may find some in here but nothing that i think would ruin watching the show for you ***
I don’t think it will come to anyones surprise to say that the first four episodes of Twin Peaks return are strange. But maybe not in the way that we know and love.
I found these first four episodes difficult to enjoy not because they were bad, but because it was not what I was expecting at all. I wanted the key things that I love about Twin Peaks to be there, the returning characters, the iconic score by Angleo Badalamenti, the quirky weirdness grounded by soap opera like stories. I wanted the dark seriousness of murder, lust and money, beautifully intertwined with the ridiculousness of silent drape runners, saving the pine weasel and miss twin peaks contests.Unfortunately I found very little of any of what I wanted.
Yes Cooper is back or more accurately Kyle Maclachlan is back but has yet to act or sound anything like Special Agent Dale Cooper at all, the story calling for him to play a very lifeless rendition of his former glory. Other familiar faces have shown up along the way, but not very many and for not very long at all.
What we have is something very Lynchian, long drawn out scenes, especially in The Black Lodge that after extended moments of a droning humming score and lot of not a lot going on in slow motion followed by more not a lot going on but this time with a white horse or a talking lump of flesh on a leafless tree in the picture, it starts to feel like a lot of weird stuff just for sheer sake of being weird.
Fans of the previous seasons of Twin Peaks might be left wondering what is going on with the stories that were left open, is Leo still holding that rope in his mouth, what happened after the explosion in the bank vault, and what the hell has happened to Annie – well you wont find any of these answers here. Instead we are given a whole bunch of new characters, who’s stories we are still trying to figure out and how they are related to the events of Twin Peaks, which is a made into a bigger and more confusing mystery seeing as none of them actually take place in Twin Peaks at all. In fact, the most recognisable place in the first few hours is The Black Lodge, which features extensively in the first two episodes before “Cooper” bizarrely ends up in Las Vegas. Also knocking us out of our comfort zone and driving home the fact that this is not the same kind of Twin Peaks show we are used to, are the occasional F bombs being dropped and the coy sexiness that flowed through the show has been replaced with plain nudity.
We have been given vision that is pure David Lynch. He produces some fantastical imagery and some unnerving editing that is like watching Eraserhead, Lost Highway and Fire Walk With Me all at the same time on the same screen. As a piece of art it has its place amongst Lynch fans, but as a piece of entertainment for prime time television, it missed the mark for me, and as a return to Twin Peaks, it should be ashamed of itself, as apart from 30 seconds or so in episode 4 where here the familiar twangs of the original score, I didn’t feel like there was any return to that great tv show from the early 90s. There is the odd nugget of new that will keep me watching, Naomi Watts and Matthew Lillard have joined the team in what promises to be entertaining roles, there is a glass box that is being kept in some kind of secret bunker under constant video monitoring that seems to have something to do with The Black Lodge, the log lady is getting message from her log again, a body that doesn’t belong to its head and we are still hanging out at the Bang Bang Bar with Bobby, Shelley and James even if it was for far too brief at time.
Overall: It didn’t deliver on its promise, or give me what I wanted, but there is still a lot more episodes to come. I cant think of another show that would get away with such a slow build or lack of deliverance than the new third season of Twin Peaks.
*** Ive tried to write this as spoiler free as i can, you may find some in here but nothing that i think would ruin watching the show for you ***
I don’t think it will come to anyones surprise to say that the first four episodes of Twin Peaks return are strange. But maybe not in the way that we know and love.
I found these first four episodes difficult to enjoy not because they were bad, but because it was not what I was expecting at all. I wanted the key things that I love about Twin Peaks to be there, the returning characters, the iconic score by Angleo Badalamenti, the quirky weirdness grounded by soap opera like stories. I wanted the dark seriousness of murder, lust and money, beautifully intertwined with the ridiculousness of silent drape runners, saving the pine weasel and miss twin peaks contests.Unfortunately I found very little of any of what I wanted.
Yes Cooper is back or more accurately Kyle Maclachlan is back but has yet to act or sound anything like Special Agent Dale Cooper at all, the story calling for him to play a very lifeless rendition of his former glory. Other familiar faces have shown up along the way, but not very many and for not very long at all.
What we have is something very Lynchian, long drawn out scenes, especially in The Black Lodge that after extended moments of a droning humming score and lot of not a lot going on in slow motion followed by more not a lot going on but this time with a white horse or a talking lump of flesh on a leafless tree in the picture, it starts to feel like a lot of weird stuff just for sheer sake of being weird.
Fans of the previous seasons of Twin Peaks might be left wondering what is going on with the stories that were left open, is Leo still holding that rope in his mouth, what happened after the explosion in the bank vault, and what the hell has happened to Annie – well you wont find any of these answers here. Instead we are given a whole bunch of new characters, who’s stories we are still trying to figure out and how they are related to the events of Twin Peaks, which is a made into a bigger and more confusing mystery seeing as none of them actually take place in Twin Peaks at all. In fact, the most recognisable place in the first few hours is The Black Lodge, which features extensively in the first two episodes before “Cooper” bizarrely ends up in Las Vegas. Also knocking us out of our comfort zone and driving home the fact that this is not the same kind of Twin Peaks show we are used to, are the occasional F bombs being dropped and the coy sexiness that flowed through the show has been replaced with plain nudity.
We have been given vision that is pure David Lynch. He produces some fantastical imagery and some unnerving editing that is like watching Eraserhead, Lost Highway and Fire Walk With Me all at the same time on the same screen. As a piece of art it has its place amongst Lynch fans, but as a piece of entertainment for prime time television, it missed the mark for me, and as a return to Twin Peaks, it should be ashamed of itself, as apart from 30 seconds or so in episode 4 where here the familiar twangs of the original score, I didn’t feel like there was any return to that great tv show from the early 90s. There is the odd nugget of new that will keep me watching, Naomi Watts and Matthew Lillard have joined the team in what promises to be entertaining roles, there is a glass box that is being kept in some kind of secret bunker under constant video monitoring that seems to have something to do with The Black Lodge, the log lady is getting message from her log again, a body that doesn’t belong to its head and we are still hanging out at the Bang Bang Bar with Bobby, Shelley and James even if it was for far too brief at time.
Overall: It didn’t deliver on its promise, or give me what I wanted, but there is still a lot more episodes to come. I cant think of another show that would get away with such a slow build or lack of deliverance than the new third season of Twin Peaks.
Phil Leader (619 KP) rated The Magicians' Guild (Black Magician Trilogy, #1) in Books
Nov 20, 2019
Trudi Canavan has been on my 'to read' list for a long time (far too long really). I finally found the time to read The Magicians' Guild - book one of the Black Magician trilogy.
The story revolves around Sonea, a girl living amongst the poor and near-poor of Imardin. The city is home to the titular guild, where the greatest magicians in the world learn and teach.
Those showing magical talent only come from the ruling classes. But Sonea has magical talent so the guild need to either break tradition and train her or block her powers as unless she is trained they will unleash themselves and kill her. The problem is that Sonea (along with the rest of the less privileged city dwellers) distrusts and fears the guild.
The book is in two parts - the first involves Sonea hiding from the guild and their attempts to find her. This is quite a clever strategy from a story telling point of view since the world and characters can be gradually introduced. We meet Sonea and her friends, and also the Thieves that control the slums. On the magicians' side we find some are sympathetic towards Sonea while others are outraged at the thought of training a slum girl - some for more personal reasons than others.
The second half involves Sonea's initial training at the guild. I do try not to give away major plot direction in these reviews, but I don't think it's much of a spoiler that she does end up in the guild, given the name of the book. In this part we find out more about magic and the guild, plus the plot that forms the core of this book moves forward and is resolved in a satisfactory - and dramatic - style.
Canavan's writing is focused firmly on character, although the world around them is fully realised, with the slums suitably dingy and grubby and the guild grand and opulent. The characters are allowed to develop through the pages. I found the start a little slow going, but I think that was mostly because the previous book I read was for more action based. There is also very little dramatic tension about Sonea ending up in the guild, but I don't think that is the purpose of the first half of the book anyway.
This story is clearly there to set up the characters for the trilogy as a whole - and as the plot progresses Sonea discovers some things that are clearly going to be important in her future. The way the ending is left is therefore very finely balanced between the resolution of the main plot and leaving the threads for the next book, and Canavan is spot on in delivering this.
Overall I really liked this book and will read the other installments as time allows without hesitation. If you are looking for some brutal anti-hero cutting a swathe of destruction through his enemies this is not the book for you. If you want some careful characterisation and a personality driven and human-scale plot, pick up this book. It is also refreshing to have a female main protagonist in the traditionally macho world of fantasy. Recommended.
The story revolves around Sonea, a girl living amongst the poor and near-poor of Imardin. The city is home to the titular guild, where the greatest magicians in the world learn and teach.
Those showing magical talent only come from the ruling classes. But Sonea has magical talent so the guild need to either break tradition and train her or block her powers as unless she is trained they will unleash themselves and kill her. The problem is that Sonea (along with the rest of the less privileged city dwellers) distrusts and fears the guild.
The book is in two parts - the first involves Sonea hiding from the guild and their attempts to find her. This is quite a clever strategy from a story telling point of view since the world and characters can be gradually introduced. We meet Sonea and her friends, and also the Thieves that control the slums. On the magicians' side we find some are sympathetic towards Sonea while others are outraged at the thought of training a slum girl - some for more personal reasons than others.
The second half involves Sonea's initial training at the guild. I do try not to give away major plot direction in these reviews, but I don't think it's much of a spoiler that she does end up in the guild, given the name of the book. In this part we find out more about magic and the guild, plus the plot that forms the core of this book moves forward and is resolved in a satisfactory - and dramatic - style.
Canavan's writing is focused firmly on character, although the world around them is fully realised, with the slums suitably dingy and grubby and the guild grand and opulent. The characters are allowed to develop through the pages. I found the start a little slow going, but I think that was mostly because the previous book I read was for more action based. There is also very little dramatic tension about Sonea ending up in the guild, but I don't think that is the purpose of the first half of the book anyway.
This story is clearly there to set up the characters for the trilogy as a whole - and as the plot progresses Sonea discovers some things that are clearly going to be important in her future. The way the ending is left is therefore very finely balanced between the resolution of the main plot and leaving the threads for the next book, and Canavan is spot on in delivering this.
Overall I really liked this book and will read the other installments as time allows without hesitation. If you are looking for some brutal anti-hero cutting a swathe of destruction through his enemies this is not the book for you. If you want some careful characterisation and a personality driven and human-scale plot, pick up this book. It is also refreshing to have a female main protagonist in the traditionally macho world of fantasy. Recommended.