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Heather Cranmer (2721 KP) rated A Nearly Normal Family in Books
May 14, 2019
Legal thrillers usually aren't my thing. In fact, I find them to be more a snooze fest than anything else. However, when I read the synopsis for A Nearly Normal Family by M.T. Edvardsson, I was intrigued. I just want to say that this book blew me away! It was that good!
The plot for A Nearly Normal Family is very intriguing indeed. Eighteen year old Stella becomes involved with an older man named Christopher. She's having the time of her life. When she learns more about her romantic interest, she's having a hard time believing the bad stuff is true. It's not long before Christopher is found murdered, and Stella is the main suspect. Told from the point of view from Stella's father, Stella, and Stella's mother, we learn what really happened that night, what led to all of this drama, and what happens afterwards. We also learn how far people will go to protect the ones they love. I found myself not wanting to guess what happened with this book. I wanted everything to be a complete surprise which it was. There are a few twists and turns throughout this novel which I did enjoy. I loved that this book tied up any loose ends by the end of the book, and nothing was left to speculation. I hate having to guess what happened after the main mystery has been solved, so I was thrilled when I had all my answers. I'm a stickler for closure!
The characters were all very well developed and fleshed out enough that they felt real. We are introduced to Adam, Stella's father, first. We see his relationship with his daughter, his wife, and with God since he's a pastor. He relies heavily on his faith to get him through things. He's an upstanding member of the community and very trustworthy. I found Adam to be the most interesting to read about. It was interesting to read about his response to his daughter being accused of murder. Next, we are introduced to Stella's point of view. Stella is accused of murdering her boyfriend, Christopher. She's eighteen and has a devil may care attitude when it comes to everything. Some points throughout the book, I felt she was innocent of the crime, but there were other times she seemed very guilty. I couldn't figure her out. It was interesting to read about what had happened throughout her young life to get to the predicament she was in. Finally, we learn the perspective from Ulrika, Stella's mother. I didn't think I would be able to connect with Ulrika right at first, but I found myself understanding her quickly. Ulrika is a criminal defense attorney, so it was interesting reading about her perspective on everything. I was happy that Ulrika didn't use legal jargon too often. Although we don't get to read things from her perspective, the character of Amina, Stella's best friend, was also intriguing. I loved reading about the girls' friendship throughout the years and how loyal they were to one another.
The pacing was spot on! Every time the story would change perspectives, I thought I'd get bored with the change of character, but I was sucked in right away same as before. I devoured page after page of A Nearly Normal Family. I couldn't wait to find out more and learn about motives and what would happen.
Trigger warnings include profanity, alcohol use, drug use, violence (not very graphic), rape (not very graphic, mentions of sex (not graphic), and murder.
Overall, A Nearly Normal Family is a very intriguing read that pulls you in from the very first page and doesn't let you go even after it ends. I would definitely recommend A Nearly Normal Family by M.T. Edvardsson to those aged 18+ who like to get lost in well written thrillers!
--
(A special thank you to the publisher for providing me with an ARC paperback of A Nearly Normal Family by M.T. Edvardsson in exchange for an honest and unbiased review.)
The plot for A Nearly Normal Family is very intriguing indeed. Eighteen year old Stella becomes involved with an older man named Christopher. She's having the time of her life. When she learns more about her romantic interest, she's having a hard time believing the bad stuff is true. It's not long before Christopher is found murdered, and Stella is the main suspect. Told from the point of view from Stella's father, Stella, and Stella's mother, we learn what really happened that night, what led to all of this drama, and what happens afterwards. We also learn how far people will go to protect the ones they love. I found myself not wanting to guess what happened with this book. I wanted everything to be a complete surprise which it was. There are a few twists and turns throughout this novel which I did enjoy. I loved that this book tied up any loose ends by the end of the book, and nothing was left to speculation. I hate having to guess what happened after the main mystery has been solved, so I was thrilled when I had all my answers. I'm a stickler for closure!
The characters were all very well developed and fleshed out enough that they felt real. We are introduced to Adam, Stella's father, first. We see his relationship with his daughter, his wife, and with God since he's a pastor. He relies heavily on his faith to get him through things. He's an upstanding member of the community and very trustworthy. I found Adam to be the most interesting to read about. It was interesting to read about his response to his daughter being accused of murder. Next, we are introduced to Stella's point of view. Stella is accused of murdering her boyfriend, Christopher. She's eighteen and has a devil may care attitude when it comes to everything. Some points throughout the book, I felt she was innocent of the crime, but there were other times she seemed very guilty. I couldn't figure her out. It was interesting to read about what had happened throughout her young life to get to the predicament she was in. Finally, we learn the perspective from Ulrika, Stella's mother. I didn't think I would be able to connect with Ulrika right at first, but I found myself understanding her quickly. Ulrika is a criminal defense attorney, so it was interesting reading about her perspective on everything. I was happy that Ulrika didn't use legal jargon too often. Although we don't get to read things from her perspective, the character of Amina, Stella's best friend, was also intriguing. I loved reading about the girls' friendship throughout the years and how loyal they were to one another.
The pacing was spot on! Every time the story would change perspectives, I thought I'd get bored with the change of character, but I was sucked in right away same as before. I devoured page after page of A Nearly Normal Family. I couldn't wait to find out more and learn about motives and what would happen.
Trigger warnings include profanity, alcohol use, drug use, violence (not very graphic), rape (not very graphic, mentions of sex (not graphic), and murder.
Overall, A Nearly Normal Family is a very intriguing read that pulls you in from the very first page and doesn't let you go even after it ends. I would definitely recommend A Nearly Normal Family by M.T. Edvardsson to those aged 18+ who like to get lost in well written thrillers!
--
(A special thank you to the publisher for providing me with an ARC paperback of A Nearly Normal Family by M.T. Edvardsson in exchange for an honest and unbiased review.)
Picking up after the harrowing events of book one, NO MERCY finds Officer Ellery Hathaway on leave. She's going to mandated therapy, attending a group for victims of violent crime. This isn't exactly Ellery's "cup of tea," as she's not one for sharing her feelings. In group, she meets Myra, a victim of a deadly fire years ago that killed her young son. Ellery quickly gets caught up in Myra's case and becomes convinced that the wrong man--who is up for parole--was convicted of the crime. Another group member, Wendy, was brutally raped, and she asks Ellery for help finding her rapist, who is still on the loose, leaving Wendy a shadow of her once vibrant self. Ellery turns to her friend, FBI agent Reed Markham, the man who rescued her so many years ago. Reed comes, of course; he can never say no to Ellery. But Reed is also in line for a big promotion, and his boss doesn't want him near Ellery. As the two start digging, they uncover secrets: lots of them.
"You kill one guy, one time, and suddenly everyone thinks you need therapy..."
I picked up this book immediately after reading book one, because I was so captivated by Reed and Ellery. They are an amazing duo, with wonderful chemistry, both for solving crimes and in the "will they, won't they" department. Schaffhausen writes in this steady, easy-to-read way that effortlessly brings her characters to life and makes it so easy to flip the pages. Just like the first book, I tore through this one in less than 24 hours.
There are plenty of twists and turns and lots of drama. But there's also a personal and touching element to these books. Ellery and Reed have such a connection. He supposedly rescued her all those years ago, pulling near-dead Ellery from the clutches of a serial killer. But, of course, that experience has formed and hardened her in so many ways. She's a tough cookie. And it's truly just Reed who can see past her outer shell. Ellery will only allow Reed to see little glimpses of her actual self.
The mystery in this book is exemplary. We go back in time to a series of fires in Boston. Even better, it has some ties to Reed's boss, McGreevy, who worked the Boston beat back in the day (see, everything is personal). The more present-day case, Wendy's rapist, fuels Ellery, who feels as if perhaps she is worthless, unable to affect change as a police officer. It's also personal, on a whole different level. Both are compelling. Each kept me guessing and while I had some inkling about the fires, nothing would stop me from frantically turning the pages!
In the end, this was an excellent book. I love the relationship between Ellery and Reed and how it's developing. Both cases were intriguing and kept me hooked from the beginning. I immediately turned to book three, and I'm so sad it's the last one (hopefully just for now)! 4 stars.
"You kill one guy, one time, and suddenly everyone thinks you need therapy..."
I picked up this book immediately after reading book one, because I was so captivated by Reed and Ellery. They are an amazing duo, with wonderful chemistry, both for solving crimes and in the "will they, won't they" department. Schaffhausen writes in this steady, easy-to-read way that effortlessly brings her characters to life and makes it so easy to flip the pages. Just like the first book, I tore through this one in less than 24 hours.
There are plenty of twists and turns and lots of drama. But there's also a personal and touching element to these books. Ellery and Reed have such a connection. He supposedly rescued her all those years ago, pulling near-dead Ellery from the clutches of a serial killer. But, of course, that experience has formed and hardened her in so many ways. She's a tough cookie. And it's truly just Reed who can see past her outer shell. Ellery will only allow Reed to see little glimpses of her actual self.
The mystery in this book is exemplary. We go back in time to a series of fires in Boston. Even better, it has some ties to Reed's boss, McGreevy, who worked the Boston beat back in the day (see, everything is personal). The more present-day case, Wendy's rapist, fuels Ellery, who feels as if perhaps she is worthless, unable to affect change as a police officer. It's also personal, on a whole different level. Both are compelling. Each kept me guessing and while I had some inkling about the fires, nothing would stop me from frantically turning the pages!
In the end, this was an excellent book. I love the relationship between Ellery and Reed and how it's developing. Both cases were intriguing and kept me hooked from the beginning. I immediately turned to book three, and I'm so sad it's the last one (hopefully just for now)! 4 stars.
156Reviews (7 KP) rated I Lost My Body (2019) in Movies
May 1, 2020
It wasn't surprising that I Lost My Body, a story about a severed hand that is trying to find its way back to its owner, didn't win “Best Animated feature” at this years Oscars. Originality seems to be quite low on the Academy's criteria. But it was more telling that it lost to Toy Story 4, a fourth instalment of a franchise that began in 1995. Sadly for director Jeremy Clapin, the decision was the right one.
'I Lost My Body' follows Naoufel (Hakim Faris), a young Parisian child with overflowing potential, whose objective in life is to grow up to be “An Astronaut and a Concert Pianist”. Naoufel's life changes direction dramatically when his parents are killed in a car accident and he is placed into foster care. As he grows up, his goals change from playing in concert halls to delivering pizzas in time so his boss won't dock his pay. It's during this endeavour that he “meets” Gabrielle (Victoire Du Bois), who is introduced as just a voice on her buildings intercom but instantly captivates Naoufel and sets him on a mission to meet her in person. After lightly stalking her, he takes a job in her uncle's carpentry business begins courting her with some success. Most of this happens before the half way mark.
All of this is enough for any film, for an animation it's a lot to do, for a viewer it's a lot to take in, but there is even more going on, there is a hand on the loose.
Surprisingly, this is where the film falls short, where it tells the story about the hand. After escaping a medical freezer the hand sets out on a journey to find its body, bit by bit covering the ground that the Naoufel timeline has already gone through and, if anything, distracting from the interesting aspects of the plot. Whether it's through writing (Clapin also wrote the screenplay alongside Guillaume Laurant) or the animation, these scenes lack any stakes. The hand falls off buildings, survives being crushed in a garbage truck, is attacked by rats, and so on, but still remains whole. As gruesome as it sounds, if the hand lost a piece here, a fingertip there, it would truly make it seem like a journey with consequence. Instead the hand seems invincible, it doesn't overcome any of its trials because it was always going to survive, and sadly, makes this side of plot the more redundant the more it progresses.
Given the amount of time it takes to make an animation, it's a shame to leave any of it on the cutting room floor, but by the end of this film you'll be wishing there was a bit more down there, mostly containing images of a severed hand. I believe there is half a great film here, the reviews it's received from around the world show us that. Unfortunately I also believe there is a very average half a film here, that doesn't do enough to justify its existence, and definitely isn't better than Toy Story 4.
'I Lost My Body' follows Naoufel (Hakim Faris), a young Parisian child with overflowing potential, whose objective in life is to grow up to be “An Astronaut and a Concert Pianist”. Naoufel's life changes direction dramatically when his parents are killed in a car accident and he is placed into foster care. As he grows up, his goals change from playing in concert halls to delivering pizzas in time so his boss won't dock his pay. It's during this endeavour that he “meets” Gabrielle (Victoire Du Bois), who is introduced as just a voice on her buildings intercom but instantly captivates Naoufel and sets him on a mission to meet her in person. After lightly stalking her, he takes a job in her uncle's carpentry business begins courting her with some success. Most of this happens before the half way mark.
All of this is enough for any film, for an animation it's a lot to do, for a viewer it's a lot to take in, but there is even more going on, there is a hand on the loose.
Surprisingly, this is where the film falls short, where it tells the story about the hand. After escaping a medical freezer the hand sets out on a journey to find its body, bit by bit covering the ground that the Naoufel timeline has already gone through and, if anything, distracting from the interesting aspects of the plot. Whether it's through writing (Clapin also wrote the screenplay alongside Guillaume Laurant) or the animation, these scenes lack any stakes. The hand falls off buildings, survives being crushed in a garbage truck, is attacked by rats, and so on, but still remains whole. As gruesome as it sounds, if the hand lost a piece here, a fingertip there, it would truly make it seem like a journey with consequence. Instead the hand seems invincible, it doesn't overcome any of its trials because it was always going to survive, and sadly, makes this side of plot the more redundant the more it progresses.
Given the amount of time it takes to make an animation, it's a shame to leave any of it on the cutting room floor, but by the end of this film you'll be wishing there was a bit more down there, mostly containing images of a severed hand. I believe there is half a great film here, the reviews it's received from around the world show us that. Unfortunately I also believe there is a very average half a film here, that doesn't do enough to justify its existence, and definitely isn't better than Toy Story 4.
Amy Norman (1042 KP) rated The Flash - Season 3 in TV
Jul 9, 2020
Contains spoilers, click to show
This season was painfully predictable. It had so much potential but with clumsy wording, all of the surprise twists were almost immediately obvious.
I am not a huge fan of shows that take a couple of seasons to build a world and characters, and then in some small twist of fate completely change the characters, and their lives. I think Fringe was one I hated the most but it made it so much more poignant and upsetting, which is why I stuck around was completely absorbed by that show - The Flash doesn't achieve this love.
I understand that they would want to tackle the Flashpoint story arc at some point but the way they handled the fallout of this was somewhat straightforward in this season.
The introduction of a single new character, and a single new villain in the first half of the season, made it hard to ignore who it would be 🤷🏼♀️
For the latter half of the season they quite literally told you who it was, a few times at that, and plainly showed you how easy it would be for that character to become the main villain.
The dreaded musical episode (and usual loose Supergirl crossover) was included in this season. It is rare enough that a show can achieve a truly plausible storyline that you want to follow with musical numbers, and this one was a non-start for me, honestly you could probably skip it, as there is hardly any story progression, and you'll catch up soon enough in the next episode.
Musical episodes I've enjoyed previously: Buffy (the OG, and mother of so many genre specific episodes) or Scrubs.
****Real spoilers from here****
By the last episode I was just watching to get to the end of the season, and am hoping that the team will get back to doing what they do best, which is adapting to new metas and dealing with these.
There is so much potential for alternate Earth storylines, and I would love to see Cisco and Wally have some more complex stories, and character layering.
As I had kind of stopped caring by the end of the last episode I actually wanted Iris to die, and was genuinely shocked and seriously annoyed that she didn't.
So bravo to the team for making me care so little I didn't see the obvious final twist, as again they gave you all the clues, shown in a quick series of flashbacks, just to show you how little you cared that you missed it.
But I also have to commend them, as it was more heartbreaking than what we assumed was the inevitable.
Fingers crossed that the writers will break their usual Flash formula, and come up with some more original content in the coming seasons.
The Flash formula:
Work as a team >> secrets/lies >> mistrust, can't possible forgive >> someone does something stupid on their own >> big impassioned speech >> team comes together >> side character (which deserves more) gets killed, or worse >> kinda saved the day >> rinse and repeat until the end of time!!
I am not a huge fan of shows that take a couple of seasons to build a world and characters, and then in some small twist of fate completely change the characters, and their lives. I think Fringe was one I hated the most but it made it so much more poignant and upsetting, which is why I stuck around was completely absorbed by that show - The Flash doesn't achieve this love.
I understand that they would want to tackle the Flashpoint story arc at some point but the way they handled the fallout of this was somewhat straightforward in this season.
The introduction of a single new character, and a single new villain in the first half of the season, made it hard to ignore who it would be 🤷🏼♀️
For the latter half of the season they quite literally told you who it was, a few times at that, and plainly showed you how easy it would be for that character to become the main villain.
The dreaded musical episode (and usual loose Supergirl crossover) was included in this season. It is rare enough that a show can achieve a truly plausible storyline that you want to follow with musical numbers, and this one was a non-start for me, honestly you could probably skip it, as there is hardly any story progression, and you'll catch up soon enough in the next episode.
Musical episodes I've enjoyed previously: Buffy (the OG, and mother of so many genre specific episodes) or Scrubs.
****Real spoilers from here****
By the last episode I was just watching to get to the end of the season, and am hoping that the team will get back to doing what they do best, which is adapting to new metas and dealing with these.
There is so much potential for alternate Earth storylines, and I would love to see Cisco and Wally have some more complex stories, and character layering.
As I had kind of stopped caring by the end of the last episode I actually wanted Iris to die, and was genuinely shocked and seriously annoyed that she didn't.
So bravo to the team for making me care so little I didn't see the obvious final twist, as again they gave you all the clues, shown in a quick series of flashbacks, just to show you how little you cared that you missed it.
But I also have to commend them, as it was more heartbreaking than what we assumed was the inevitable.
Fingers crossed that the writers will break their usual Flash formula, and come up with some more original content in the coming seasons.
The Flash formula:
Work as a team >> secrets/lies >> mistrust, can't possible forgive >> someone does something stupid on their own >> big impassioned speech >> team comes together >> side character (which deserves more) gets killed, or worse >> kinda saved the day >> rinse and repeat until the end of time!!
Phillip McSween (751 KP) rated Everybody Wants Some!! (2016) in Movies
Aug 23, 2019
Great Movie About Absolutely Nothing
Everybody Wants Some!! follows the lives of a group of college baseball players at a junior college in their days leading up to preseason training.
Acting: 10
This movie is largely a character piece and it wouldn’t work nearly as well without such great acting performances. There are no weak links here as each performance is memorable in its own way. The acting was so efficient, there were a handful of moments where it almost felt like you were watching a documentary as opposed to a fictional movie.
Beginning: 10
Characters: 10
No two players are alike in the movie, each of them bringing something different to the table. As the movie progresses from one act to the next, it is pure entertainment watching them react to different scenarios so differently. My favorite character on the team was Finnegan (Glen Powell). Charismatic and ever-changing, I love how he adapts to new situations and always had a go-with-the-flow attitude. Jay Niles cracked me up as well for his ridiculous intensity that you have to see to understand.
Cinematography/Visuals: 10
You know a movie really gets to you visually when you find yourself saying, “Man, it would’ve been cool to live during that time period.” Everybody Wants Some!! captures the cool, fun feel of the 70’s on all fronts from one scene to the next. While the film doesn’t leave the town where it takes place, you’re entertained with a number of different setpieces that change the dynamic of the movie in their own way.
Conflict: 5
Definitely the weakest part of the movie. Nothing terrible really happens to the characters at the end of the day leaving no room for any kind of worry. It is amazing that the movie still works so well with so little conflict to keep you engaged.
Entertainment Value: 10
Memorability: 10
This movie reminded me of my college days and I’m probably not alone in this. It makes you remember younger days and having zero responsibility. It’s also a movie that doesn’t leave its replay value. Definitely a movie I could watch repeatedly.
Pace: 10
The movie proceeds in definable acts based around parties and it works in a loose structure kind of way. You never really know where the story is going until you get near the end and you realize it’s going absolutely nowhere. But that’s ok because the road to nowhere in this case is extremely fun and memorable.
Plot: 5
Resolution: 10
The movie ends just as chill as it started, very fitting for its overall lackadaisical tone. A little bit of perspective ties things on with a nice little bow before the movie bows out gracefully. Beyond satisfying.
Overall: 90
Everybody Wants Some!! is the perfect Exhibit A case of sometimes less is just more. The film is light-hearted, yet you’ll be having such a good time you’ll probably forget nothing substantial is actually happening. It’s a wonderful film that will give you something new each time you watch it.
Acting: 10
This movie is largely a character piece and it wouldn’t work nearly as well without such great acting performances. There are no weak links here as each performance is memorable in its own way. The acting was so efficient, there were a handful of moments where it almost felt like you were watching a documentary as opposed to a fictional movie.
Beginning: 10
Characters: 10
No two players are alike in the movie, each of them bringing something different to the table. As the movie progresses from one act to the next, it is pure entertainment watching them react to different scenarios so differently. My favorite character on the team was Finnegan (Glen Powell). Charismatic and ever-changing, I love how he adapts to new situations and always had a go-with-the-flow attitude. Jay Niles cracked me up as well for his ridiculous intensity that you have to see to understand.
Cinematography/Visuals: 10
You know a movie really gets to you visually when you find yourself saying, “Man, it would’ve been cool to live during that time period.” Everybody Wants Some!! captures the cool, fun feel of the 70’s on all fronts from one scene to the next. While the film doesn’t leave the town where it takes place, you’re entertained with a number of different setpieces that change the dynamic of the movie in their own way.
Conflict: 5
Definitely the weakest part of the movie. Nothing terrible really happens to the characters at the end of the day leaving no room for any kind of worry. It is amazing that the movie still works so well with so little conflict to keep you engaged.
Entertainment Value: 10
Memorability: 10
This movie reminded me of my college days and I’m probably not alone in this. It makes you remember younger days and having zero responsibility. It’s also a movie that doesn’t leave its replay value. Definitely a movie I could watch repeatedly.
Pace: 10
The movie proceeds in definable acts based around parties and it works in a loose structure kind of way. You never really know where the story is going until you get near the end and you realize it’s going absolutely nowhere. But that’s ok because the road to nowhere in this case is extremely fun and memorable.
Plot: 5
Resolution: 10
The movie ends just as chill as it started, very fitting for its overall lackadaisical tone. A little bit of perspective ties things on with a nice little bow before the movie bows out gracefully. Beyond satisfying.
Overall: 90
Everybody Wants Some!! is the perfect Exhibit A case of sometimes less is just more. The film is light-hearted, yet you’ll be having such a good time you’ll probably forget nothing substantial is actually happening. It’s a wonderful film that will give you something new each time you watch it.
Kristy H (1252 KP) rated Camino Island in Books
Feb 1, 2018
Princeton University houses five valuable manuscripts--all the originals of F. Scott Fitzgerald's novels. They are housed in the basement under a veil of security, but not enough to stop a band of clever thieves from breaking in and stealing them. This sets loose a chain of events and angers both the FBI, who is trying to track down the criminals, and the insurance company, as they are on the hook for $25 million unless the manuscripts are returned. Meanwhile, on touristy Camino Island, Bruce Cable runs a popular bookstore/coffee shop. Thanks to a lot of persistence and hard work, he's managed to keep it profitable even in the digital age. He's also a major backer of the many authors who come through his town on book tours. But few of those authors, or Bruce's patrons, know that Bruce keeps a vault in his shop housing a variety of rare books and manuscripts--some stolen. Finally, we turn to Mercer Mann--Mercer's just lost her teaching position, and she's three years overdue on delivering her next book to her publisher. She's also drowning in student loans. Mercer's approached by a beautiful and elegant woman who offers her a lot of money to get close to Bruce Cable and learn all about his web of secrets. Trouble, as you may guess, ensues.
I have a soft spot for Grisham, that's for sure. I fell in love with his first novels as a young teen, and I still love Darby Shaw, Gray Grantham, Mark Sway, Reverend Roy, and Reggie Love as if they were real people. Grisham and his family have a home in my town, and we claim him as one of our own. His books are often an easy escape, and CAMINO ISLAND falls into that category. Is it as memorable as [b:The Pelican Brief|32499|The Pelican Brief|John Grisham|https://images.gr-assets.com/books/1389486877s/32499.jpg|490324] or [b:The Client|5359|The Client|John Grisham|https://images.gr-assets.com/books/1388632222s/5359.jpg|137715]? No. Is it a fun diversion for a few days? Sure.
CAMINO ISLAND is a change from most of Grisham's legal thrillers--there are no lawyers or court room scenes here, just some tricky criminals, a heist, and the aftermath. You'll need to keep track of the various bad guys in the beginning, but once you get past that, it's an easy breezy read--much like the Florida setting where most of the novel is set. Mercer's a pleasant, albeit not very complicated protagonist, and Bruce Cable is a trip. It's also a detailed exploration into the world of rare books--something I knew little to nothing about.
Overall, this is fun, easy thriller. There are a few twists and turns along the way to keep you interested, and Grisham's characters are always enjoyable. The ending wraps up fairly quickly after all the build-up, so be prepared for that. Is it Grisham's best? No. But it will keep you entertained for a couple of days. 3.5 stars.
You can read my reviews of Grisham's novels GRAY MOUNTAIN <a href="https://www.goodreads.com/book/show/20707959-gray-mountain">here</a>; and ROGUE LAWYER <a href="https://www.goodreads.com/book/show/25387351-rogue-lawyer">here</a>;.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a>; ~ <a href="https://www.instagram.com/justacatandabook/">Instagram</a>; </center>
I have a soft spot for Grisham, that's for sure. I fell in love with his first novels as a young teen, and I still love Darby Shaw, Gray Grantham, Mark Sway, Reverend Roy, and Reggie Love as if they were real people. Grisham and his family have a home in my town, and we claim him as one of our own. His books are often an easy escape, and CAMINO ISLAND falls into that category. Is it as memorable as [b:The Pelican Brief|32499|The Pelican Brief|John Grisham|https://images.gr-assets.com/books/1389486877s/32499.jpg|490324] or [b:The Client|5359|The Client|John Grisham|https://images.gr-assets.com/books/1388632222s/5359.jpg|137715]? No. Is it a fun diversion for a few days? Sure.
CAMINO ISLAND is a change from most of Grisham's legal thrillers--there are no lawyers or court room scenes here, just some tricky criminals, a heist, and the aftermath. You'll need to keep track of the various bad guys in the beginning, but once you get past that, it's an easy breezy read--much like the Florida setting where most of the novel is set. Mercer's a pleasant, albeit not very complicated protagonist, and Bruce Cable is a trip. It's also a detailed exploration into the world of rare books--something I knew little to nothing about.
Overall, this is fun, easy thriller. There are a few twists and turns along the way to keep you interested, and Grisham's characters are always enjoyable. The ending wraps up fairly quickly after all the build-up, so be prepared for that. Is it Grisham's best? No. But it will keep you entertained for a couple of days. 3.5 stars.
You can read my reviews of Grisham's novels GRAY MOUNTAIN <a href="https://www.goodreads.com/book/show/20707959-gray-mountain">here</a>; and ROGUE LAWYER <a href="https://www.goodreads.com/book/show/25387351-rogue-lawyer">here</a>;.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a>; ~ <a href="https://www.instagram.com/justacatandabook/">Instagram</a>; </center>
Darren (1599 KP) rated An Acceptable Loss (2018) in Movies
Jul 25, 2019
Story: An Acceptable Loss starts as Libby (Sumpter) takes a new job in education, her former career saw her working under the Vice President Rachel (Curtis) being part of a campaign known as ‘Total Victory’ which saw her career change. Libby’s new job shows how she doesn’t have any forms of communication and one of the students Martin (Tavassoli) has taken an extra interest in her life, following her around, spying her on her.
Rachel now being President sends her Chief of Staff Adrian (Hephner) and former lover of Libby to make sure she isn’t going to spill the beans on what happened in this case, all while Libby is trying to make sure she can just get on with her life.
Thoughts on An Acceptable Loss
Characters – Libby once worked for the Vice President on one of the most controversial projects in defence and dealing with potential terrorist against America, she has left this job because of what happened trying to find a new career in education, she wants to stay off the radar with how she lives, which sees her avoid her former colleagues and fellow members of the faculty. Rachel is the former Vice-President, now President who is trying to tie up the loose ends of operation Total Victory, this will see her challenge Libby on whether she will expose the truth of her actions. Martin is a student that has taken an interest in Libby following her around spying on her looking for some kind of answer. Adrian is the Chief of Staff and former lover of Libby’s, he has been assigned to keep Libby quiet.
Performances – Tika Sumpter does give us a strong performance, we do see how her guilt is controlling her life, while showing how she will do what she can to fix her mistake. Jamie Lee Curtis is the star of the film because every time she is on camera we seeing everything upped to the next level. Ben Tavassoli and Jeff Hepnher both complete the main cast and both do a solid enough role.
Story – The story follows a former staff worker for the Vice President and one of the major parts of a project which saw many people killed, she has moved on with her life away from politics, hoping to one day tell the truth against the now current President. This story is a heavy political set up which shows us just how they will do anything to cover up any secrets, the story does jump around between the two times and careers that Libby has which does just come and go way to often. The problem with this story comes from the fact this could have been a lot more intense because of the subject matter we are going into.
Thriller – The could be a thriller that is truly one of the most intense movies of the year, because the subject could have been showing bigger consequences instead of a couple of friendly conversations.
Settings – The film is set in the everyday location, it shows how easy it could be to get people coming after somebody who might hold a secret.
Scene of the Movie – Jamie Lee Curtis scenes.
That Moment That Annoyed Me – It does become very predictable.
Final Thoughts – This is a predictable thriller that does tackle a bigger subject matter that goes through cover ups, we are saved by Jamie Lee Curtis scene stealing performance.
Overall: Predictable, through entertaining.
Rachel now being President sends her Chief of Staff Adrian (Hephner) and former lover of Libby to make sure she isn’t going to spill the beans on what happened in this case, all while Libby is trying to make sure she can just get on with her life.
Thoughts on An Acceptable Loss
Characters – Libby once worked for the Vice President on one of the most controversial projects in defence and dealing with potential terrorist against America, she has left this job because of what happened trying to find a new career in education, she wants to stay off the radar with how she lives, which sees her avoid her former colleagues and fellow members of the faculty. Rachel is the former Vice-President, now President who is trying to tie up the loose ends of operation Total Victory, this will see her challenge Libby on whether she will expose the truth of her actions. Martin is a student that has taken an interest in Libby following her around spying on her looking for some kind of answer. Adrian is the Chief of Staff and former lover of Libby’s, he has been assigned to keep Libby quiet.
Performances – Tika Sumpter does give us a strong performance, we do see how her guilt is controlling her life, while showing how she will do what she can to fix her mistake. Jamie Lee Curtis is the star of the film because every time she is on camera we seeing everything upped to the next level. Ben Tavassoli and Jeff Hepnher both complete the main cast and both do a solid enough role.
Story – The story follows a former staff worker for the Vice President and one of the major parts of a project which saw many people killed, she has moved on with her life away from politics, hoping to one day tell the truth against the now current President. This story is a heavy political set up which shows us just how they will do anything to cover up any secrets, the story does jump around between the two times and careers that Libby has which does just come and go way to often. The problem with this story comes from the fact this could have been a lot more intense because of the subject matter we are going into.
Thriller – The could be a thriller that is truly one of the most intense movies of the year, because the subject could have been showing bigger consequences instead of a couple of friendly conversations.
Settings – The film is set in the everyday location, it shows how easy it could be to get people coming after somebody who might hold a secret.
Scene of the Movie – Jamie Lee Curtis scenes.
That Moment That Annoyed Me – It does become very predictable.
Final Thoughts – This is a predictable thriller that does tackle a bigger subject matter that goes through cover ups, we are saved by Jamie Lee Curtis scene stealing performance.
Overall: Predictable, through entertaining.
Beyond Good and Evil by Friedrich Nietzsche
Podcast
Beyond Good and Evil, by Friedrich Nietzsche A searing indictment of concepts like “truth” and...
Bob Mann (459 KP) rated Suicide Squad (2016) in Movies
Sep 29, 2021
The length of time it’s taken me to catch this one at the cinema belies my lukewarm interest in the material: I’m not a ‘fan boy’ for either Marvel or DC properties. As it turns out, writer/director David “Fury” Ayer’s Suicide Squad is just plain frustrating in cinematic terms.
The story concerns the efforts of Amanda Waller (Viola Davis) to assemble – for reasons that make almost zero sense! – the ‘worse of the worst’ out of US prisons to form a fighting force to combat the perceived threat of an “anti-Superman” villain that *might* appear in the future.
SUICIDE SQUAD
Viola Davis wondering Why? Just Why?
Among these super-villains are Deadshot (Will Smith) and Harley Quinn (Margot Robbie). Harley is the girlfriend of The Joker (Jared Leto) and they would be a great match on Match.com since both are several sandwiches short of a picnic.
Waller assembles her motley crew. Unfortunately, another of the super-villains is June Moon aka “The Enchantress” (Cara Delevingne, her of the scary eyebrows) – an ancient God-like being that has possessed June and who has her/its own agenda that threatens the whole world.
So why is this movie so frustrating? Because for all its inane silliness the film does have its fair share of scenes that stick in the mind. I’ve seen comment that Jared Leto’s much-vaunted Joker is peripheral: a cameo only on screen for a few minutes. But I didn’t find that… or at least his scenes were sufficiently memorable to seem much more substantial. The madness portrayed here is truly quite disturbing and threatening. Many of Leto’s scenes – such as the one with The Joker lying on the floor surrounded by weapons – are artfully done.
Margot Robbie’s Quinn although extremely sexualized – which will not be to the liking of some, but appeal to many male viewers – adds enormous charisma to her role. Will Smith also does his best with the material he has to inject some emotional heft into the father/daughter sub-plot.
Unfortunately this is all done against a fractured and frankly nonsensical story with inconsistencies and loose ends too numerous to list. (Oh, OK, I’ll do a few):
A super-being dispatches armies and nukes from hundred of miles away, yet can’t swat a couple of inconvenient humans at 10 paces?
A large early part of the film is filled with backstories (which I don’t necessarily object to for context) but here they are done in an extremely patchy manner: a number of the characters are sketched out so lightly that they might as well be wearing the red Star Trek shirts!
Waller’s motivations (and certainly her sociopathic actions at some points in the plot) are nebulous and don’t bear scrutiny. Why exactly does she thing a ‘bloke who can shoot well’ can do diddly-squat against a super-being spewing gravity defying electrical displays on the other side of the city?
Is this really a ‘Dirty Dozen’? Many of the super-villains seem to be not so bad after all… you know… with consciences and everything…. (I’m sure you could find ten times worse down behind Southampton docks on a Friday night).
And while some of the cinematography (Roman Vasyanov, “Fury”) and lighting is memorable, there are some cinema basics (like dark subtitles on a dark background) that seem just plain careless.
With a huge BvS quotient of 0.7 this should really have been much better. To put it another way, you could have made ten of last week’s 4-Fad film “The Shallows” for the cost of this (and stuck a better ending on it with the change).
Memorable visuals, but not a memorable film.
The story concerns the efforts of Amanda Waller (Viola Davis) to assemble – for reasons that make almost zero sense! – the ‘worse of the worst’ out of US prisons to form a fighting force to combat the perceived threat of an “anti-Superman” villain that *might* appear in the future.
SUICIDE SQUAD
Viola Davis wondering Why? Just Why?
Among these super-villains are Deadshot (Will Smith) and Harley Quinn (Margot Robbie). Harley is the girlfriend of The Joker (Jared Leto) and they would be a great match on Match.com since both are several sandwiches short of a picnic.
Waller assembles her motley crew. Unfortunately, another of the super-villains is June Moon aka “The Enchantress” (Cara Delevingne, her of the scary eyebrows) – an ancient God-like being that has possessed June and who has her/its own agenda that threatens the whole world.
So why is this movie so frustrating? Because for all its inane silliness the film does have its fair share of scenes that stick in the mind. I’ve seen comment that Jared Leto’s much-vaunted Joker is peripheral: a cameo only on screen for a few minutes. But I didn’t find that… or at least his scenes were sufficiently memorable to seem much more substantial. The madness portrayed here is truly quite disturbing and threatening. Many of Leto’s scenes – such as the one with The Joker lying on the floor surrounded by weapons – are artfully done.
Margot Robbie’s Quinn although extremely sexualized – which will not be to the liking of some, but appeal to many male viewers – adds enormous charisma to her role. Will Smith also does his best with the material he has to inject some emotional heft into the father/daughter sub-plot.
Unfortunately this is all done against a fractured and frankly nonsensical story with inconsistencies and loose ends too numerous to list. (Oh, OK, I’ll do a few):
A super-being dispatches armies and nukes from hundred of miles away, yet can’t swat a couple of inconvenient humans at 10 paces?
A large early part of the film is filled with backstories (which I don’t necessarily object to for context) but here they are done in an extremely patchy manner: a number of the characters are sketched out so lightly that they might as well be wearing the red Star Trek shirts!
Waller’s motivations (and certainly her sociopathic actions at some points in the plot) are nebulous and don’t bear scrutiny. Why exactly does she thing a ‘bloke who can shoot well’ can do diddly-squat against a super-being spewing gravity defying electrical displays on the other side of the city?
Is this really a ‘Dirty Dozen’? Many of the super-villains seem to be not so bad after all… you know… with consciences and everything…. (I’m sure you could find ten times worse down behind Southampton docks on a Friday night).
And while some of the cinematography (Roman Vasyanov, “Fury”) and lighting is memorable, there are some cinema basics (like dark subtitles on a dark background) that seem just plain careless.
With a huge BvS quotient of 0.7 this should really have been much better. To put it another way, you could have made ten of last week’s 4-Fad film “The Shallows” for the cost of this (and stuck a better ending on it with the change).
Memorable visuals, but not a memorable film.
Gareth von Kallenbach (980 KP) rated Call of Duty: Black Ops II - Vengeance in Video Games
Jun 19, 2019
Fans of Call of Duty: Black Ops 2 who are waiting patiently for the November release of Call of Duty: Ghosts, can put their skills to the test with the latest map pack DLC. The collection is named Vengeance and it offers four new multiplayer maps as well as a new Zombie campaigns for players aching for more of the wildly popular series.
The set is the third of a planned four map packs and for fans of frantic, run and gun action, this is the collection for you. This is not to say there is not a place for players who wish to snipe or use stealth, but the developers have clearly put the focus on smaller maps which bring the action front and center and force players to get into the action fast.
Like the previous map collections the players are limited to either Mosh pit or Hardcore Moshpit that puts teams of players in a series of online games where the objective is varied. There is the usual mix, Team Deathmatch, Hardpoint, Kill Confirmed, and Demolition modes and the mode as well as your teammates change with each map.
Accessing the new maps is easy as once you start in multiplayer mode, the option to select Vengeance is shown on your menu. Players who have the previous map packs which are not required to play the new ones, will be able to access them in the game mode of their choice now as they would for the maps that came with the initial release of the game.
The first map I played was called Uplink which is an updated version of the Summit map from Black Ops. This time out the snowy eastern Europe locale has been changed to a rainy Asian locale. It took me a few times around and a few deaths before I realized there was something familiar about it. This helped me get adjusted to likely areas for attacks and defense much faster than usual and I soon found myself dishing out the damage instead of being a walking target.
The next map is called “Detour” and this takes places on a bombed out suspension bridge that has cars and trucks as well as blast holes littering the roads. Players can take the side paths and lower areas but can also engage the other team in the clutter up top. Be prepared for plenty of flying grenades as well as mines and other traps in this one. I usually need around five rounds in a map before I am comfy enough to really let loose and this one after some initial frustrations paid off big,
A recent kill streak earned me a sentry gun, which when deployed racked up an impressive number of kills for me thanks to the choke points and strategic placement near an enemy objective.
Up next is “Cove” and while it took me a little bit to differentiate the enemy attire from that of my team, I soon found this to be an early favorite for me. The setting is a tropical island complete with a crashed plane. The plane became a great shield to toss grenades over and I loved walking around the beach in my efforts to flank the other players. For a person who loves a run and gun, devil may care style of play, coming around a rock and finding two or three enemy players facing away from me was a great thrill as was having a cluster of them camped out on a ledge above or in a rocky cave..
There are plenty of cliffs as well as snipers love to setup on the ridges and let loose as do players who have earned a sentry gun or other reward. This became tough when most of the objectives involved either planting or defusing a bomb. Fighting to an objective only to be cut down as you were seconds away from completing a task is a frustration indeed but also part of the fun.
The final map is entitled “Rush” and the title not only describes the fun of playing it but also the best way to play it as it is set in a paint ball venue. There are tons of paint-soaked vehicles, wooden buildings, and venues that anyone who has ever played paintball will be all to familiar with. The real joy comes when you head into the shop and have to battle in the pro shop, indoor arena, and other locales. The colors are vivid and the attacks can come from all angles at any time.
As much as I liked “Cove” “Rush” quickly became my favorite of the maps as I was able to record my best scores of the new maps the first time I played it, and was able to maintain my lucky runs with each subsequent match.
Zombie fans will love “Buried” which like previous Zombie modes allows four players to work with one another as they fight off legions of undead. Like previous modes, players must heal fallen players and purchase weapons and ammo. This can be a challenge as starting off with just a pistol, grenade, and knife, you have to take down more than a few bad guys to earn needed funs for the big guns.
Cash can also be used for health, to restore barricades, as well as unlock new areas of the map.
Set in an underground western town, and I have to admit to really enjoying mowing down legions of undead as I came out of the saloon and enjoying the detail level of the map.
Skilled players can earn the Ray Gun Mark II and really fry the undead to a crisp.
Picky fans will say that Vengeance does not offer as much as some map packs as more than one person I played with lamented the fact that they did not get any new weapons like they did with the first map pack, and how one of the four maps was an older map that was remade.
To me it all comes down to a matter of choice as the maps are available in a set for $14.99 or players can purchase a season pass which will allow them to obtain all four map packs at a discounted price.
If you are a fan of the game and play online on a regular basis then you will want the maps as they do offer something new and are enjoyable to look at and play for gamers but be prepared to take your lumps early as most of the players have already mastered the previous maps and showed no mercy for players who were trying to get their bearings in the new offerings.
In the end, if you’re a hardcore player or simply love the series, then you will enjoy the maps as they offer something new while players wait for the final collection and the November release of Call of Duty: Ghosts:
http://sknr.net/2013/08/06/call-of-duty-black-ops-2-vengeance/
The set is the third of a planned four map packs and for fans of frantic, run and gun action, this is the collection for you. This is not to say there is not a place for players who wish to snipe or use stealth, but the developers have clearly put the focus on smaller maps which bring the action front and center and force players to get into the action fast.
Like the previous map collections the players are limited to either Mosh pit or Hardcore Moshpit that puts teams of players in a series of online games where the objective is varied. There is the usual mix, Team Deathmatch, Hardpoint, Kill Confirmed, and Demolition modes and the mode as well as your teammates change with each map.
Accessing the new maps is easy as once you start in multiplayer mode, the option to select Vengeance is shown on your menu. Players who have the previous map packs which are not required to play the new ones, will be able to access them in the game mode of their choice now as they would for the maps that came with the initial release of the game.
The first map I played was called Uplink which is an updated version of the Summit map from Black Ops. This time out the snowy eastern Europe locale has been changed to a rainy Asian locale. It took me a few times around and a few deaths before I realized there was something familiar about it. This helped me get adjusted to likely areas for attacks and defense much faster than usual and I soon found myself dishing out the damage instead of being a walking target.
The next map is called “Detour” and this takes places on a bombed out suspension bridge that has cars and trucks as well as blast holes littering the roads. Players can take the side paths and lower areas but can also engage the other team in the clutter up top. Be prepared for plenty of flying grenades as well as mines and other traps in this one. I usually need around five rounds in a map before I am comfy enough to really let loose and this one after some initial frustrations paid off big,
A recent kill streak earned me a sentry gun, which when deployed racked up an impressive number of kills for me thanks to the choke points and strategic placement near an enemy objective.
Up next is “Cove” and while it took me a little bit to differentiate the enemy attire from that of my team, I soon found this to be an early favorite for me. The setting is a tropical island complete with a crashed plane. The plane became a great shield to toss grenades over and I loved walking around the beach in my efforts to flank the other players. For a person who loves a run and gun, devil may care style of play, coming around a rock and finding two or three enemy players facing away from me was a great thrill as was having a cluster of them camped out on a ledge above or in a rocky cave..
There are plenty of cliffs as well as snipers love to setup on the ridges and let loose as do players who have earned a sentry gun or other reward. This became tough when most of the objectives involved either planting or defusing a bomb. Fighting to an objective only to be cut down as you were seconds away from completing a task is a frustration indeed but also part of the fun.
The final map is entitled “Rush” and the title not only describes the fun of playing it but also the best way to play it as it is set in a paint ball venue. There are tons of paint-soaked vehicles, wooden buildings, and venues that anyone who has ever played paintball will be all to familiar with. The real joy comes when you head into the shop and have to battle in the pro shop, indoor arena, and other locales. The colors are vivid and the attacks can come from all angles at any time.
As much as I liked “Cove” “Rush” quickly became my favorite of the maps as I was able to record my best scores of the new maps the first time I played it, and was able to maintain my lucky runs with each subsequent match.
Zombie fans will love “Buried” which like previous Zombie modes allows four players to work with one another as they fight off legions of undead. Like previous modes, players must heal fallen players and purchase weapons and ammo. This can be a challenge as starting off with just a pistol, grenade, and knife, you have to take down more than a few bad guys to earn needed funs for the big guns.
Cash can also be used for health, to restore barricades, as well as unlock new areas of the map.
Set in an underground western town, and I have to admit to really enjoying mowing down legions of undead as I came out of the saloon and enjoying the detail level of the map.
Skilled players can earn the Ray Gun Mark II and really fry the undead to a crisp.
Picky fans will say that Vengeance does not offer as much as some map packs as more than one person I played with lamented the fact that they did not get any new weapons like they did with the first map pack, and how one of the four maps was an older map that was remade.
To me it all comes down to a matter of choice as the maps are available in a set for $14.99 or players can purchase a season pass which will allow them to obtain all four map packs at a discounted price.
If you are a fan of the game and play online on a regular basis then you will want the maps as they do offer something new and are enjoyable to look at and play for gamers but be prepared to take your lumps early as most of the players have already mastered the previous maps and showed no mercy for players who were trying to get their bearings in the new offerings.
In the end, if you’re a hardcore player or simply love the series, then you will enjoy the maps as they offer something new while players wait for the final collection and the November release of Call of Duty: Ghosts:
http://sknr.net/2013/08/06/call-of-duty-black-ops-2-vengeance/