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ClareR (6091 KP) rated Anthem in Books

Apr 26, 2022  
Anthem
Anthem
Noah Hawley | 2022 | Contemporary, Dystopia, Fiction & Poetry, LGBTQ+, Science Fiction/Fantasy
9
9.0 (1 Ratings)
Book Rating
Where to begin with this book? Well, first off, I thoroughly enjoyed it, and was lost in the story whilst I read - it’s very ‘all-consuming’. The main reason for that is that it’s completely out there! It’s unpredictable. I tried to think of another couple of words to go with that, but I can’t get any better than ‘unpredictable’ to be honest.

The pandemic of teenage suicides is disturbing, and reflects their despair at the state of the world left for them by previous generations. Parents with money think that they can prevent their childs’ suicide and cure their anxiety throwing money and anti-depressants at the ‘problem’, and sending them to an Anxiety Abatement Centre - and that’s how Simon meets the Prophet and Louise. And that’s where the quest begins.

It turns out that adults are responsible for more than Climate Change. You can add child abuse and big Pharma into the mix as well. And then there’s the political state of the country, where no party is any better than the other, and what’s more, they’re interchangeable. There was a lot of head nodding going on as I read.

And Noah Hawley breaks the 4th wall as he talks directly to the reader, talking about his thought process in writing the novel.

This book is a huge exaggeration of the state of the world, at the same time as it’s not. I hope it doesn’t come to the things that happen in Anthem, but we’ve seen snapshots of it on the news already.

It’s just the right level of crazy, believable, unbelievable, mind-blowing fiction that keeps me well-entertained. I know Noah Hawley is a screen writer, and I can see this as a film - hey, I’d watch it.
  
Red 2 (2013)
Red 2 (2013)
2013 | Action, Drama
8
7.2 (11 Ratings)
Movie Rating
RED was such a great movie that it was inevitable a sequel would be made. And here we have it, RED 2. In this follow up to the 2010 film, we find Frank Moses (Bruce Willis) and Sarah Ross (Mary-Louise Parker) trying to adjust to life in a relationship. Only this is not your typical relationship. Frank’s goal is to keep Sarah safe, while Sarah just wants to get into the thick of things, which quickly happens as Frank and Marvin Boggs (John Malkovich) are being hunted due to their involvement in an old operation only known as Nightshade.
The humor is quick to come from Malkovich, Parker and Willis who have an incredible chemistry together on screen. We then add in some notables such as the returning characters of Victoria (Helen Mirren) and Ivan Simonov (Brian Cox), and more with new characters such as Katja (Catherine ZetaJones), Bailey (Anthony Hopkins) and the brilliant performance of Byung-hun Lee as Han Cho Bai. This movie is cooking from start to finish.
There is a lot that is recycled from the first movie, including a new twist on the famous scene where Willis steps out of the moving car smooth as butter. But the great thing about this movie is it doesn’t take itself too seriously. The film makers did a great job of not trying to make the film a hardcore action flick or a cut-up comedy, but rather a great blend of the two. The comic timing combined with the action scenes is fantastic, and the cast of characters interact remarkably well with each other.
Is this movie going to be something everyone can enjoy? Probably not. But if you were a fan of the first movie, and you do not mind when film makers take a proven formula and apply it again, then you will enjoy the film. I would recommend it, and hope that we see another one. It was definitely left that way.
  
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JT (287 KP) rated Monsters (2010) in Movies

Mar 10, 2020  
Monsters (2010)
Monsters (2010)
2010 | Drama, Horror, International
8
6.3 (11 Ratings)
Movie Rating
Not so much a film about monsters, more about the human struggle to come to terms with the aftermath of an alien invasion. Whether the title was given purely for marketing reasons or not, I’m not sure, but it certainly doesn’t deliver a plethora of monsters to the screen.

Instead, what is delivered here is an interesting and powerful character study of two people on a journey across a derelict and dangerous territory. A slow building drama and romantic relationship is the focus with the vast, perilous repercussions of man vs. monster as the intriguing backdrop.

Just like Jaws, it is about what you don’t see that makes this film intense viewing. Edwards builds tension with the creepy, predator like noises that emanate from the squid-like monsters and with the ever present danger of the likelihood of a monster appearing I was totally captivated from start to finish.

The visual effects, especially the glowing alien eggs that I would liken to a Louise Bourgeois piece of tactile art add a magical air. I wanted to reach out into the screen and touch them. I was totally immersed in Gareth Edwards’ apocalyptic vision; his use of location and the handheld camera filming transports you into Mexico with veracity. He cleverly uses locals as the supporting cast and as they interact with each other and the two main characters I felt like I was watching a documentary.

There is one particular scene that stood out for me; they are camped out in the forest for the night and as they sit round the fire with the locals a really natural, jovial conversation starts to flow. The director cleverly puts the viewer off guard and just as I started to relax the tone of the scene changed into one of horror. There is much of this muted drama throughout but Edwards intersperses it with some truly grim, realistic footage.

Considering the small budget used to make Monsters, it is a remarkable film. If you are in the mood for a beautiful, well thought out film that has been directed with precision then go and see it. If you are expecting a monster extravaganza you may want to steer clear.