JT (287 KP) rated Monsters (2010) in Movies
Mar 10, 2020
Instead, what is delivered here is an interesting and powerful character study of two people on a journey across a derelict and dangerous territory. A slow building drama and romantic relationship is the focus with the vast, perilous repercussions of man vs. monster as the intriguing backdrop.
Just like Jaws, it is about what you don’t see that makes this film intense viewing. Edwards builds tension with the creepy, predator like noises that emanate from the squid-like monsters and with the ever present danger of the likelihood of a monster appearing I was totally captivated from start to finish.
The visual effects, especially the glowing alien eggs that I would liken to a Louise Bourgeois piece of tactile art add a magical air. I wanted to reach out into the screen and touch them. I was totally immersed in Gareth Edwards’ apocalyptic vision; his use of location and the handheld camera filming transports you into Mexico with veracity. He cleverly uses locals as the supporting cast and as they interact with each other and the two main characters I felt like I was watching a documentary.
There is one particular scene that stood out for me; they are camped out in the forest for the night and as they sit round the fire with the locals a really natural, jovial conversation starts to flow. The director cleverly puts the viewer off guard and just as I started to relax the tone of the scene changed into one of horror. There is much of this muted drama throughout but Edwards intersperses it with some truly grim, realistic footage.
Considering the small budget used to make Monsters, it is a remarkable film. If you are in the mood for a beautiful, well thought out film that has been directed with precision then go and see it. If you are expecting a monster extravaganza you may want to steer clear.
How to Murder Your Life
5.0
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Inland Waterways of the Netherlands
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Medical Statistics Made Easy
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ClareR (6129 KP) rated Bone China in Books
Aug 19, 2019
We also get to see some of Hester’s past before Cornwall - and the reason why she has ended up in Morvoren House; and that of Louise, some 40 years before Hester’s arrival.
Unsurprisingly, bone china features prominently in this story, and I was delighted to hear the story of the willow pattern again - a story that my own grandmother used to tell me when showing me her willow pattern tea service.
Louise’s story tells of the time after her mother and siblings have died of phthisis (or tuberculosis), and her father, who was a doctor, deciding that he will find a cure for it. Prisoners from the local prison are kept in caves beneath the house, the theory being that the fresh air would strengthen their lungs. I know! Horrifying!!
I didn’t find the jumping between timelines at all confusing, and I really enjoyed the way it did this. The unreliability of Hester’s narrative due to gin and laudanum was also really well done. I never knew if what was happening was due to the gin, laudanum, actual reality or the fairies!
And the landscape and sights of Cornwall were beautifully described. I love Cornwall - it’s one of my most favourite places. The rawness of the coast is a pleasure to read about, and instantly took me to the cliffs by the sea.
I tried to make this book last longer, but had no luck at all because I was desperate to know what was going to happen! And that ending - I’m still in shock!!!!
Many thanks to NetGalley and the publisher for my copy of this completely absorbing book! It was a pleasure to read.
Andrew Carnegie
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Celebrated historian David Nasaw, whom The New York Times Book Review has called "a meticulous...
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A Girl Called Shameless
6.0
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Funnier. Ruder. Angrier. Izzy O’Neill is back in the hilarious sequel to The Exact Opposite of...
The Couple at No 9
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It was the house of their dreams. Now it's their worst nightmare . . . THE SUNDAY TIMES BESTSELLER...
Gareth von Kallenbach (980 KP) rated Tammy (2014) in Movies
Jun 19, 2019
Following one particularly bad morning, Tammy decides to move away from Illinois once and for all and when her mother offers her no real encouragement, Tammy takes to the road with her grandmother (Susan Sarandon).
Despite her health issues and love for the bottle, Tammy is happy to have the company as she admires the free spirit of her grandmother who wants to have an adventure and live life to the fullest at all times.
Of course trouble seems to find Tammy and before long she has to deal with a slew of problems as well as the increasingly self destructive behavior of her grandmother.
Complications arise when a farmer named Bobby (Mark Duplass), and his father Earl (Gary Cole), enter into the picture to provide distractions to the ladies and to make them start to see the consequences of their action.
Throw in short but solid supporting work from Kathy Bates and Dan Aykroyd, and this film should have been a laugh filled riot. Instead it stays in the bittersweet range far more than it does comedy, as many of the best jokes in the film were shown in the trailer.
I credit McCarthy, who along with Ben Falcone wrote the film, for trying to move beyond the manic comedies that she has done prior. The film is marketed as more of the same but it is not. The film drags in places as you keep waiting for the laughs to come and when they do it is very sporadic. Instead the focus in on emotions, life, and being accountable as well as other heady topics it is just a shame that McCarthy keeps having to play the lovable loser parts as to be honest they are starting to get old. I joked to my wife that a prison in the film looked much like the one in “Identity Thief”.
The film attempts to combine a buddy road trip with some deeper human issues but this is not “Thelma and Louise”, and it does seem that despite the best efforts of all involved, we have seen this trip many times before and it is one that did not need to be taken again.
http://sknr.net/2014/07/02/tammy/