"My last one probably seems… it’s really true though: Friday Night Lights [laughs] is one of my favorite movies. And I only say it like that because I… look, I love it. Maybe it’s my love of football playing into it as well. I read the book before I saw the movie. The book is great. I was really into it and I thought, there’s no way the movie is gonna be as good as the book and, I don’t know — [director] Pete Berg did it for me. I’m a huge fan. Maybe it’s all those boys. I don’t really know what it is. Any time that movie’s on TV, I gotta watch it. It’s weird, I know; but you know, that’s me."

"I’ve always been fascinated by the film Welcome to the Dollhouse, the Todd Solondz film. It’s a really dark comedy. It might be because I grew up in Long Island and it feels like where I grew up. A lot of the strangeness of it feels familiar to me. I love the look of it. I love the tone of it. When we started working on Freaks and Geeks, I thought a lot about Welcome to the Dollhouse, in terms of how it was lit, the production design, the strange cadences of its comedy, and these kids who feel like they’re in hell, their families and how their parents treat them. She (Heather Matarazzo) and that character (Dawn Wiener) is one of the greatest outcast nerd characters ever created in film or television. So it’s for someone who always loves a great underdog story. That’s one of my favorites and not a movie that makes it a triumphant fantasy for the nerdy girl either. That is never the Todd Solondz way. I thought about it when we did Freaks and Geeks because we often thought, “This movie is about how you handle failure. It’s not about succeeding. It’s not a show about wish fulfillment.” You see that in a lot of Todd Solondz work. I don’t think we had half the balls that he has."

"I was listening to this a lot when Supergrass were making Diamond Hoo Ha over in Berlin. This was the record of that album for me and I was listening to it over and over again. I love the rawness and the vocal performances. When I first heard it, it was unlike anything I'd ever heard before. It was different and I love Tom Verlaine's vocal quality; it's really androgynous and like the male Patti Smith. It had that delivery and I love it. I've never been drawn into the alternate tunings that they used and so I've never delved into that. I'm probably not enough of a nerd about other people's music to do that. But their playing is never pompous or self-indulgent. It wasn't guitar duelling but Television are very sensitive to their instruments. Everything had its place but I think I was drawn to it because of the band I was in. This was what we aspired to in terms of Mick [Quinn] being a brilliant bass player so we let him speak with what he was doing. And you couldn't tread over Danny because he had these amazing bass fills and we had that internal dialogue where everybody got to speak. The best bands are the ones that connect that way and are really on fire when there's that understanding between each other."