"A lot of people will be like, “What?” but Jim Carrey’s best performance, possibly most grounded. I know that sounds crazy, but when you really think about the character, he’s amazing in it. Every frame he’s just electric. I could watch that movie a thousand times. I think it’s beautifully directed by Ben Stiller, who’s probably the best commercial comedy director of all time. I almost put Reality Bites on this list, he’s so good. It’s just so f*cking funny, and every scene in that movie is populated with the most genius comedic minds. Jack Black, Bob Odenkirk, David Cross, Owen Wilson — they’re all in that movie, and they all play hugely important small parts. They’re all amazing. It’s dark and f*cked up, and I just love that f*cking movie so much. That may be Judd Apatow’s best film. It’s so good, it’s so good."

"For me, Blade Runner is the best science-fiction film ever made. Although I did just speak to StarWars.com the other day, and Star Wars was the best science-fiction film ever made. Blade Runner, for me, was the most fully realised world. Sometimes you see films, not just science fiction films, where you get the sense that if the camera were to pan just to the left or the right all of a sudden you’d be seeing light stands and crew standing around. But with Blade Runner, the beauty of it is that it felt like a real, breathing city. Science-fiction cities in general, I think, are so hard to get right, because it’s so easy to just play some cheesy music or do something that takes you right out of it, but Blade Runner got it right, and I love that about the film. It’s a great film as well, the performances are all amazing, Rutger Hauer is incredible in it. He’s never been as cool and sexy in anything since. Harrison Ford is grim and just a great protagonist. It’s just a brilliant sexy film. The sense that there is a real world beyond the frame of the camera is something that I want to do with my next film Mute, that’s going to be very much my love letter to Blade Runner. It’s a future Berlin thriller, and it’s exactly that element of Blade Runner that I want to capture in my film."

"It would probably be a Woody Allen movie, and I don’t know whether it would be Manhattan, or Annie Hall, or Broadway Danny Rose. Those are my three favorites, but it’s kind of hard to pick a favorite among those. I don’t know. It’s hard. I mean, they’re all three so good. I don’t know. Maybe Annie Hall is my favorite. It’s one of the most lauded certainly. But then you’ve got Manhattan, and the romance of New York City, and you have that obviously in Annie Hall, to a certain extent. Broadway Danny Rose is less often mentioned, I find, but still really amazing with him (Allen) and Mia Farrow. He’s such a character, and Broadway Danny Rose represents all these, you know, sort of loser acts in a way. But it’s such a sweetness to it that I love, and it’s just like all of his – I like all of those movies certainly. So well shot, in beautiful black and white. "

"The aesthetics of it, just the way the frontier looked. The way it was shot, it made it seem like it was the land of opportunity, this new frontier, this undiscovered territory for a certain culture. We were introduced to — which I didn’t know as a kid — the people that actually lived there, or are from there. We were introduced to their lives. They weren’t just Wild Bunch, killing people. It was very heartfelt, and it wasn’t just this white man coming to save the day. It was more along the lines of he was learning the ways, and he earned, from the audience and the tribe, their trust. I believed that our lead character, Kevin Costner, became a part of the tribe, because the movie takes its time to do so, which is risky, because you can lose us if you’re going too slow, if it’s paced like a snail. But everything worked, and the flow of story wasn’t interrupted or sacrificed due to some cool moments, or movie moments that needed to keep the audience awake. They were unapologetic in that way, so I really appreciated it. There’s the whole coffee interaction, and “tatanka.” That was my s—, man. I used to love that. And the score. The score was incredible. I love the score."