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Peaky Blinders  - Season 1
Peaky Blinders - Season 1
2013 | Drama
Acting, casting, writing, cinematography, music (0 more)
Seasons too short and far between (0 more)
Forget everything you think you know about period drama
It would be easy to dismiss Peaky Blinders as just a British drama. It would be easy to dismiss it as just a period piece. It would be easy to claim that it was just a British Boardwalk Empire. You'd be so wrong to do so.

Every part of Peaky Blinders is perfection. From the superb acting of its regular cast (Cillian Murphy on a tv show? Sign me up!) to a roster of featured guests (Sam Neill? Tom Hardy? Adrien Brody? Who did the casting director sell their soul to, anyway?) to the use of colour and an outlaw music soundtrack that shouldn't work, but does (Nick Cave? PJ Harvey? Tom Waits? David Bowie? On a period drama? What is this? Freaking genius, that's what.)


Shortly after the end of the first World War, a family of Irish gypsy (their word, not mine) - blooded Birmingham bookmakers tries to recover from the horrors of that war and build up their business. Second oldest, Tommy Shelby (played expertly by Cillian Murphy who manages to play a gangster who is both ruthless and fragile with the ability to break your heart with a single look), came back from the war broken by his experiences, but determined to rise far beyond the limitations of his Small Heath upbringing. Not only does he have the expected clashes with those who want to keep him from growing his business (both criminal rivals and the police) but he has a family to run (with all the interpersonal conflicts that entails). All of this is set against a backdrop of political turmoil from the IRA and the rise of communist sympathy in the UK.


You shouldn't like Tommy Shelby, but he is written and acted so well that you won't be able to not like him. The same can be said for older brother, Arthur, younger siblings John, Ada, and Finn. If you don't love Aunt Polly, then you must have a problem with strong female characters.


Steven Knight has taken a world told to him through family legend and turned it into a world that you will be eager to inhabit an hour (or, if you're like everyone I know, a season) at a time. He writes a period drama that doesn't feel dated. The characters and their struggles are as relevant today as they were nearly a hundred years ago.


Take a chance on the show with the weird name and discover why there are very few casual Peaky Blinders fans. There's a reason why the late, great David Bowie was a huge fan and made sure that they would have a song from his last album before he died. There's a reason the show's dated fashion and hairstyles are making a comeback, why Peaky Blinders pubs and pub nights are popping up all over. It's that good. Check it out for yourself.
  
For, Lost Thoughts by Ballad
For, Lost Thoughts by Ballad
8
8.0 (1 Ratings)
Album Rating
Ballad is a rising singer-songwriter from Luanda, Angola. Not too long ago, he released a groovy contemporary R&B tune, entitled, “If”, produced by Jay Muse.

“‘If’ is the first track on my ‘For, Lost Thoughts’ EP, which touches on the themes of joy, love, depression, and acceptance. Also, ‘If’ represents joy.” – Ballad

‘If’ contains a relatable storyline, ear-welcoming vocals, and lush instrumentation flavored with contemporary R&B and neo-soul elements.

The likable tune is featured on Ballad’s latest EP, entitled, “For, Lost Thoughts”. Also, you can get acquainted with the artist’s music by streaming his project via Spotify.

“This felt like therapy for me, like I needed to get out all of these emotions that life has taken me through.”

Ballad’s soulful sound is reminiscent of Maxwell and Prince, all wrapped up in one. Also, his music has amassed over 200K streams online.

His “For, Lost Thoughts” EP is his most personal project to date because it’s laced with vulnerability. Also, every word uttered from Ballad tells a story, his story.

The 5-track project highlights a transitioning period in Ballad’s life where he ultimately learned some of his biggest lessons in love. Also, it includes his “Wondering” single, which is dedicated to love lost.

https://www.bongminesentertainment.com/ballad-if/
  
In the Mouth of the Wolf
In the Mouth of the Wolf
10
10.0 (1 Ratings)
Book Rating
In this short book, “In the Mouth of the Wolf” , we’re privy to fascinating insights into the life of children’s fiction author Michael Morpurgo’s Uncle Francis who narrates in the first person at the age of ninety years, reminiscing about his life. It is a heartfelt TRUE story (hence the reason why this has made into my non-fiction category over at Goodreads) and one that is aimed at kids and young adults, but adults will get plenty from this, too.

The artwork within is tremendously well-done by award-winning artist Barroux, and set against a backdrop of World War Two. You’ll find it packs an emotion punch, whilst being a fast-paced read filled with outstanding wartime courage and love. Brotherly love, too.

What a treat this was to discover, since it reads like an fictional story, yet has some intriguing, real people pictures at the back of the book, so you can meet the real characters of these true events. It’s no wonder Morpurgo is such a talented storyteller if he’s heard family stories like this.

In fact, this is such a lovely story, it brought tears to my eyes on more than on occasion. Damn you, Micheal Morpurgo and your wonderfully tear-inducing story-telling skills!
  
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Holly Johnson recommended Dare by The Human League in Music (curated)

 
Dare by The Human League
Dare by The Human League
(0 Ratings)
Album Favorite

"Dare was amazing. It came out around the same time as Soft Cell's Non-Stop Erotic Cabaret. You can't not mention Soft Cell, and you can't not mention Gary Numan either, in popularising electronic music. I'd seen The Human League perform at Eric's in front of three people - me, Jane Casey and some drunk lying on the floor - and it was in the Martyn Ware era, with Phil Oakey looking amazing with his asymmetric haircut, and the fabulous slides and the little constructed archways which had the synthesizers, which looked - I suppose - rather Kraftwerk. And you know, ""Listen to the voice of Buddha"" [on 'Being Boiled'], the Travelogue album, was amazing and groundbreaking in many ways. It was not commercially successful at all, and I remember in particular their version of 'You've Lost That Loving Feeling' being incredible. But when Dare came, it was an attempt at global pop superstardom and ABBA-ness, as well as being groundbreaking and electronic. It was time I became aware of the Linn drum machine, and the programming on that album is fantastic. The engineer Dave Allen at night time would be editing instrumentals together and that became The League Unlimited Orchestra album [1982's Love And Dancing], which was also incredible to dance to in seedy gay nightclubs, which I also did [laughs]. I was then more aware of technology by this point and had been working in a recording studio with the TR-808 drum machine which, although a plastic instrument, seemed slightly paltry to the meaty sounds of the sampled bass and snare of Dare, which was the Linn LM-1. It sounded like a real drummer but obviously wasn't and was intrinsic to the sound of that album. My favourite was 'Love Action', not 'Don't You Want Me', which is always cited and is the most successful. 'Love Action' was always the one for me."

Source
  
Blade Runner 2049 (2017)
Blade Runner 2049 (2017)
2017 | Sci-Fi
Great Introspection On What it Means to Be Human
Thirty years after the events of the first movie, Blade Runner 2049 follows the story of replicant K (Ryan Gosling) who unearths a secret that could rock the world to its core. I remember watching this for the first time and scoring it high 90’s. While I still think it’s a damn good movie, I feel it falls just out of Masterpiece range.

Acting: 10
Gosling was stellar in his performance as K. Replicants walk the line of being human, but robotic at the same time. In some cases Gosling provides responses that are straight out of the mouth of a program while there are some scenes that require him to capture raw emotion, both unexpected and welcomed by me as a viewer. There were some other memorable performances as well, particularly by Sylvia Hoeks in her role as Luv. I’ll be honest, she frightened the hell out of me, but in a good way. She was calculated and controlled, but you could always sense a rage waiting to surface. I love what she did with this character.

Beginning: 10
The opening scene of this movie sees K tracking down a replicant that’s been trying to fly under the radar. The tension is built slowly before it bubbles over. In the climax of this scene, we get a taste of what is to come for the rest of the movie. That’s what beginnings are all about: Leave us wanting more!

Characters: 10

Cinematography/Visuals: 10
While the entire film as a whole may not qualify as a masterpiece, the visuals and cinematography most certainly are. Throughout the movie, you get a chique futuristic feel that’s also dreary and dank at the same time. It’s like you’re watching two worlds collide. I love their play on robotics and weaponry here as well, definitely a step up from the first film.

Conflict: 10
It’s not just about the action here, but also K unravelling a mystery before our eyes. You want him to get to the bottom of everything going on and you’re taken on a wild ride along the way. Between the shootouts with hi-tech guns and the hand-to-hand fights, there is more than enough to keep you entertained.

My favorite scene in particular occurs when K and Rick Deckard (Harrison Ford) meet for the first time and square off. They are in some kind of concert hall where holograms are performing. Both are relying on the singing of the holograms to improve their striking position. It really is fun to watch.

Entertainment Value: 9
It doesn’t take you long into this movie to realize you’re watching something special. The time and energy that went into the creation of this movie shows up on screen. Yes, it could have been shortened, but I still had a great experience.

Memorability: 10
There is a scene that sticks out in my head where replicant creator Niander Wallace (Jared Leto) is looking over one of his creations. It’s unsettling to put it lightly and you feel like it’s just an average monologue…until it’s not. There are a number of scenes just like this that press on my brain. I also loved the continued exploration from the last movie of what it means to be human.

Pace: 8
I do appreciate that the story took its time to unfold. However, I do feel like it could have been a smidge faster in spots. There were a few moments where I was thinking, “Man, I got things to do! Let’s go!” Mostly forgivable save for a few instances.

Plot: 10

Resolution: 1
Without giving anything away, I will just say that this is my least favorite part of the movie. To have started so strong only to end like this? Not impressed. I wanted more for K is all I will say.

Overall: 88
There’s nothing like good sci-fi when done well. Blade Runner 2049 will take you on highs and lows while giving you a visual feast in the process. I was not disappointed in the least and you won’t be either.
  
Baby Doll
Baby Doll
Hollie Overton | 2016 | Fiction & Poetry
4
7.2 (5 Ratings)
Book Rating
Firstly I’d like to thank Netgalley and Random House UK, Cornerstone for the opportunity to read this book.

<b><i>”BABY DOLL is the most tense thriller you will read this year.”</b></i> … no it isn’t.

<b>1.5 stars</b>

I was looking forward to giving this a read, it sounded like an exciting thriller; woman escapes from her captor and now she’s trying to rebuild her life and future. But it doesn’t really start out that way… everything kind of falls into place for Lily in the first few pages and so you think, is this going to be as exciting as I first hoped? Well the answer to that is no, it’s not.

It’s all very over the top. <i>Every single thing</i> Abby & Lily do is grossly OTT. I mean I don’t personally know how I, or my family would react if something like this happened but it all seems very overplayed, cliche and cheesy.

<img src="https://media.giphy.com/media/MGmnFOZRFRo4w/giphy.gif"; width="370" height="220" alt="yaaaawn"/>

It’s also a bit ridiculous, not the kidnapping and abuse, of course <b>that’s</b> not, but everything else is. The town seems raving mad, no wonder no one noticed a psychopath in their midst! I mean for one, this town needs to sort out it’s police force, they’re <b>so</b> unprofessional! <spoiler>Sleeping around and beating people to a pulp. Stupid. <b>PLUS</b> Why were they unable to get Abby off of Rick when she was stabbing him? It felt like they were all just standing around and watching her until they thought, OK that’ll do now.</spoiler>

I don’t think Overton did a particularly good job at portraying the characters. They all seemed very wooden and lifeless. I found them all to be extremely childish, shallow and very selfish and so couldn’t connect with any of them. They also felt completely fake, like the things they did and said were not something you could imagine a real person doing or saying. We were supposed to empathise with Lily but it just wasn’t possible for me, she was cold and boring and I think the multiple POV’s was a bad call on Overton’s part because it means we can’t spend that time getting to know the character and instead have to put up with everyone else's junk <i>(cough cough the mother's affair cough cough)</i> that we don’t care about, which disconnects us entirely from the story. I would go so far as to say I felt this story was more about idiotic Abby than it was about boring ol’ Lily. We also couldn’t attach to Lily because this book moved so ridiculously fast! I couldn’t keep up, what’s the rush?

I don’t think this was very well written either, it all seemed very rushed. Also, why was Eve called “Eve” one minute and “Mom” the next? And why couldn’t Abby call “Mr Hanson” by his actual name? We get it, he was your teacher, but you’re an adult now, with a kid and this man ruined your sister's life, would you really be calling him “Mr Hanson” all the time. It was like I was reading the POV of a 6 year old.

I admit the twist was quite a shock and I hadn’t seen <i>that</i> particular ending coming about, but I still thought it was a bit silly, hence the extra half a star I gave the book. <spoiler>Can we please note that this (the murder) is like the 5th time in the book when Abby does something “for Lily” but really she’s just being selfish and doing it for herself because she can’t get a fucking grip.</spoiler>

Too "family drama" for me. I wanted a fast paced thriller not some sappy, emotional love story. This book was supposed to focus on the broken Lily rebuilding her life with her loving family surrounding her, but instead turned into a ridiculous love triangle story that I couldn’t care less about. Give me more of Rick’s POV if you must, <b>anything to get me away from twin sisters fighting over one stupid man.</b> Abby was so fucking annoying when it came to Wes, she was so desperately needy for him all the while putting on a stupid I-don’t-need-you front. Deal with it Abby, you love him and he loves you, <b>just fucking deal with it.</b>

In the end I skipped the last 10 pages or so, I was done with this book when I was 20% the way through… Maybe this would be a good book for people who are into “chick-lit/women's fiction” - whatever that means, but it’s not my cup of tea.