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JT (287 KP) rated Where the Wild Things Are (2009) in Movies
Mar 10, 2020
Let’s face it, as children we have all been there, we went a bit wild at some point in our life! We made up our own games and talked to people that we knew were not there, but for us it felt like another world.
It was a world that we could escape to, forget our fears and problems. For Max (Max Records) it is the same, a child with a vivid imagination he is sent to bed without any tea and so he runs away. Climbing into a boat he sails off and lands on an island full of large, if somewhat scarily looking cuddly creatures that make Max their king.
The film itself is based on the book by Maurice Sendak which if anyone had any sort of a childhood it will have been on their book case. The adaptation from book to film is brilliant, although there are a few things missing out.
There will be no forest growing in Max’s room, or the appearance of an aggravated sea monster which rears up beneath Max’s little yacht as he approaches the island. If you look closely enough at the film, and the world and creatures that Max has created you will realise that each creature is a character trait of Max himself.
His main friend on the island is Carol (voiced by James Gandolfini) who is Max’s creativeness. As Carol is closest to Max, he also plays the monster who presents the greatest physical challenges, and the anger that threatens to consume him.
KW, is Max’s love for his family in particular his mother and sister, the two people who give him the most structure in his life and who help to become the support that his absent father can’t give him.
The other personalities are Judith (Catherine O’Hara) who is his spitefulness, Ira (Forest Whitaker) his calm side, Alexander (Paul Dano) his insecurity, Douglas (Chris Cooper) his reason, and the mysterious unnamed bull his sadness.
The setting of the island is nothing short of picturesque, with a changing in Max’s mood twinned with the surrounding atmosphere. One minute it’s snowing and then blossom is falling. The overall feel of the film is juvenile, there is the odd way in which the creatures all like to sleep in a pile, to the big dirt clog fight that inevitably ends up with someone getting hurt.
Where The Wild Things Are is a film for anyone who has ever felt like re-living past childhood memories, the ones that our closest to our wild hearts.
It was a world that we could escape to, forget our fears and problems. For Max (Max Records) it is the same, a child with a vivid imagination he is sent to bed without any tea and so he runs away. Climbing into a boat he sails off and lands on an island full of large, if somewhat scarily looking cuddly creatures that make Max their king.
The film itself is based on the book by Maurice Sendak which if anyone had any sort of a childhood it will have been on their book case. The adaptation from book to film is brilliant, although there are a few things missing out.
There will be no forest growing in Max’s room, or the appearance of an aggravated sea monster which rears up beneath Max’s little yacht as he approaches the island. If you look closely enough at the film, and the world and creatures that Max has created you will realise that each creature is a character trait of Max himself.
His main friend on the island is Carol (voiced by James Gandolfini) who is Max’s creativeness. As Carol is closest to Max, he also plays the monster who presents the greatest physical challenges, and the anger that threatens to consume him.
KW, is Max’s love for his family in particular his mother and sister, the two people who give him the most structure in his life and who help to become the support that his absent father can’t give him.
The other personalities are Judith (Catherine O’Hara) who is his spitefulness, Ira (Forest Whitaker) his calm side, Alexander (Paul Dano) his insecurity, Douglas (Chris Cooper) his reason, and the mysterious unnamed bull his sadness.
The setting of the island is nothing short of picturesque, with a changing in Max’s mood twinned with the surrounding atmosphere. One minute it’s snowing and then blossom is falling. The overall feel of the film is juvenile, there is the odd way in which the creatures all like to sleep in a pile, to the big dirt clog fight that inevitably ends up with someone getting hurt.
Where The Wild Things Are is a film for anyone who has ever felt like re-living past childhood memories, the ones that our closest to our wild hearts.
*I received a copy of this book from Netgalley and the publisher in exchange for an honest review*
**This review may contain mild spoilers**
I really enjoyed this book, when someone has been kept prisoner for 8 years you know there is going to be some interesting reasoning behind it. I love psychological thrillers, I like to know what the captors thought processes and why they do what they do. The scary thing though is how devious they can be but also how normal. This book makes you step back and question, who can you really trust?
This is the story of Lily, she has been held captive for 8 years and also conceived her daughter Skye whilst being held prisoner, one evening her captor forgets to bolt the door, once he realises his error, he believes he has conditioned Lily to an extent that she won’t betray him and try to escape…..Wrong!
I was seriously scared for Lily when she was fleeing the cabin, would she make it? was he waiting round the corner? I was on the edge of my seat (or bed)I mean after 8 years a lot changes, I was worried that her family wasn’t living in the same house. I was hoping someone would recognise her and pick her up and tell her she was safe.
The book is told from multiple points of view we have Lily, Rick(Captor), Eve (Mother) and Abby(Twin Sister),this made the book more enjoyable and fast paced.I am a nosey person and want to know everything so this was brilliant for me,I got to understand what life was like for her mother and sister during the past 8 years, what they went through,their grief and how they had become the people they were today.
This book definitely delved into how messy and complicated family life can become, especially when someone has been away for so long and the rest of your family are moving on without you.
I am unsure if I liked Abby’s character or not. She always believed her sister was alive (like some twin connection)and couldn’t get over the grief when people stopped looking, obviously something like this could affect your mental health but I just felt she was too intense! She was a bit of a harsh character, very abrupt and would do things impulsively.
This book is a great debut novel by Hollie Overton, it’s a fast paced psychological thriller with twists and turns that will keep you on the edge of your seat and I recommend reading it. I don’t think it is anything like ‘The girl on the train’ as it has been compared to.
Overall I rate this 4 out of 5 stars
**This review may contain mild spoilers**
I really enjoyed this book, when someone has been kept prisoner for 8 years you know there is going to be some interesting reasoning behind it. I love psychological thrillers, I like to know what the captors thought processes and why they do what they do. The scary thing though is how devious they can be but also how normal. This book makes you step back and question, who can you really trust?
This is the story of Lily, she has been held captive for 8 years and also conceived her daughter Skye whilst being held prisoner, one evening her captor forgets to bolt the door, once he realises his error, he believes he has conditioned Lily to an extent that she won’t betray him and try to escape…..Wrong!
I was seriously scared for Lily when she was fleeing the cabin, would she make it? was he waiting round the corner? I was on the edge of my seat (or bed)I mean after 8 years a lot changes, I was worried that her family wasn’t living in the same house. I was hoping someone would recognise her and pick her up and tell her she was safe.
The book is told from multiple points of view we have Lily, Rick(Captor), Eve (Mother) and Abby(Twin Sister),this made the book more enjoyable and fast paced.I am a nosey person and want to know everything so this was brilliant for me,I got to understand what life was like for her mother and sister during the past 8 years, what they went through,their grief and how they had become the people they were today.
This book definitely delved into how messy and complicated family life can become, especially when someone has been away for so long and the rest of your family are moving on without you.
I am unsure if I liked Abby’s character or not. She always believed her sister was alive (like some twin connection)and couldn’t get over the grief when people stopped looking, obviously something like this could affect your mental health but I just felt she was too intense! She was a bit of a harsh character, very abrupt and would do things impulsively.
This book is a great debut novel by Hollie Overton, it’s a fast paced psychological thriller with twists and turns that will keep you on the edge of your seat and I recommend reading it. I don’t think it is anything like ‘The girl on the train’ as it has been compared to.
Overall I rate this 4 out of 5 stars
Heather Cranmer (2721 KP) rated Bad Girls Don't Die (Bad Girls Don't Die, #1) in Books
Jun 7, 2018
(This review can also be found on my blog <a href="themisadventuresofatwentysomething.blogspot.co.uk">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
When I first came across Bad Girls Don't Die by Katie Alender, I know I had to read this book!! The synopsis sounded right up my straight. I love YA and I love paranormal/horror books, so put them together, and I'm in literary Heaven!
Fifteen year old Alexis and her thirteen year old sister Kasey have always been close until recently. Kasey has started acting different. Even the house feels different; it just feels evil. Alexis questions her own sanity. Is she going crazy or is something actually possessing Kasey?
Bad Girls Don't Die is such a refreshing title for a supernatural book. Usually they have the whole cliched scary title, but this book didn't. I didn't feel that it suited the book that well. I don't really want to go into it because of spoilers, but if you read the story, you'll see what I mean.
How gorgeous is that cover!?! I absolutely love it. It looks a bit ominous. I don't think it really suits the book as gorgeous as it is though. Kasey is obsessed with dolls, so I would've liked to see some dolls on the cover. Perhaps a scarier cover would've been more suited to the book as well.
The world building and setting were fantastic!!! I loved the description of the house. In fact, I'd love to live in a house like the one in the book! The author did a fantastic job of making the whole story come to life through the world building. Even the memories mentioned in the book are written really well.
The pacing was amazing! I devoured this book like I would a pizza (I love pizza)! In fact, I finished this book in less than 24 hours. Every spare minute I had was dedicated to reading this book. It is very fast paced, and each chapter leaves you wanting to read more.
As for the dialogue, there were a few words that I didn't think a 15 year old would use in everyday language, but that's probably more of a personal issue. Plus, it didn't happen often enough to take away from the book. There is mild swearing in this book, but it is very tame and not very often. The characters' dialogue flows freely making this book easy to read.
The characters are all well formed. Alexis comes across as a normal, every day 15 year old girl. She's an outcast at high school, and I think the author did a good job of portraying this. The character of Kasey blew me away! Kasey was my favourite character due to how the author had written her in the story. She's definitely a very strong character. I also loved the character of Megan. I liked how the author didn't make her a stuck-up cheerleader like most authors do when writing about cheerleaders.
All in all, I absolutely loved this book! In fact, after I finished reading Bad Girls Don't Die, I bought the next book in the series. I am definitely in love! This book did an excellent job of combining everything I love into one book.
I'd definitely recommend this book to EVERYONE aged 13+. It is amazing!
When I first came across Bad Girls Don't Die by Katie Alender, I know I had to read this book!! The synopsis sounded right up my straight. I love YA and I love paranormal/horror books, so put them together, and I'm in literary Heaven!
Fifteen year old Alexis and her thirteen year old sister Kasey have always been close until recently. Kasey has started acting different. Even the house feels different; it just feels evil. Alexis questions her own sanity. Is she going crazy or is something actually possessing Kasey?
Bad Girls Don't Die is such a refreshing title for a supernatural book. Usually they have the whole cliched scary title, but this book didn't. I didn't feel that it suited the book that well. I don't really want to go into it because of spoilers, but if you read the story, you'll see what I mean.
How gorgeous is that cover!?! I absolutely love it. It looks a bit ominous. I don't think it really suits the book as gorgeous as it is though. Kasey is obsessed with dolls, so I would've liked to see some dolls on the cover. Perhaps a scarier cover would've been more suited to the book as well.
The world building and setting were fantastic!!! I loved the description of the house. In fact, I'd love to live in a house like the one in the book! The author did a fantastic job of making the whole story come to life through the world building. Even the memories mentioned in the book are written really well.
The pacing was amazing! I devoured this book like I would a pizza (I love pizza)! In fact, I finished this book in less than 24 hours. Every spare minute I had was dedicated to reading this book. It is very fast paced, and each chapter leaves you wanting to read more.
As for the dialogue, there were a few words that I didn't think a 15 year old would use in everyday language, but that's probably more of a personal issue. Plus, it didn't happen often enough to take away from the book. There is mild swearing in this book, but it is very tame and not very often. The characters' dialogue flows freely making this book easy to read.
The characters are all well formed. Alexis comes across as a normal, every day 15 year old girl. She's an outcast at high school, and I think the author did a good job of portraying this. The character of Kasey blew me away! Kasey was my favourite character due to how the author had written her in the story. She's definitely a very strong character. I also loved the character of Megan. I liked how the author didn't make her a stuck-up cheerleader like most authors do when writing about cheerleaders.
All in all, I absolutely loved this book! In fact, after I finished reading Bad Girls Don't Die, I bought the next book in the series. I am definitely in love! This book did an excellent job of combining everything I love into one book.
I'd definitely recommend this book to EVERYONE aged 13+. It is amazing!
Kirk Bage (1775 KP) rated Eurovision Song Contest: The Story of Fire Saga (2020) in Movies
Aug 6, 2020
Much like Eurovision itself, this film shouldn’t be entertaining in any way, but after watching it for ten minutes it becomes a compelling car crash you kinda have to see out to the end. It doesn’t really matter what you think of the songs, you are watching it waiting for the one thing you can make fun of, rubbing your eyes in disbelief that anything so camp and lame can exist.
Will Ferrell understands this of course. There is so much about the weird world of Eurovision to make fun of. The naff music, the costumes, the lost in translation moments from obscure countries trying their best and mostly failing to realise how daft they look. Enjoying this film depends on how funny you find Ferrell, not on any love of cheesy pop songs. Fortunately, I find him usually hilarious.
Not that every joke lands, or even makes sense at all. It is as bizarre as the contest itself; you just have to leave your brain at the door and go with it. There is a lot to like. Not least the adorable and consistently watchable Rachel McAdams who seems the perfect choice to play Sigrit, the girl dreaming of having the world hear her sing and strive for her spirit note. There is also an odd turn from Pierce Brosnan, who makes no effort whatsoever to make it good, and comes full circle in being so bad it’s amazing.
The joke is that they are from Iceland, who never win the thing, or ever come close. The country itself doesn’t want to win, as they would have to pay for it next year, so, after a bizarre accident where every other candidate explodes, they turn to the naive duo of Fire Saga, who are guaranteed to be a joke. And they are. But of course we are on their side, as they live the dream and go for underdog glory. What can go wrong does, and every comedy trope in the book is trotted out, along with a huge dose of sentimentality.
Naturally there is music. Ranging from the excruciating to the actually not too bad, to the hmmm, I actual like that! One highlight is a montage piece in the middle, as all contestants jam at a pre-final party – just so much fun and a totally catchy song. I am not entirely ashamed to say that it kinda got me. The pathos leading up to the climax hit me in the vulnerable feels, as I lay on a Sunday morning helpfully hung-over and tender. This is the way to watch it, I feel, or, you know, with young kids, who will lap up the silliness and talent show sensibility.
Look, it’s terrible on any artistic or serious level. The script is a mess, the direction could have been phoned in by a chimp, and the plot serves to say nothing new or inciteful, but it doesn’t matter. Watch it, have a chuckle and then throw it away. I can think of many less innocent comedies that are far less worthy of attention. And at the very least, there is a bit with elves that had me pressing pause till I got all my laughs out.
Pick a day when you have no energy to fight the world or string two thoughts together and just enjoy it.
Decinemal Rating: 63
Will Ferrell understands this of course. There is so much about the weird world of Eurovision to make fun of. The naff music, the costumes, the lost in translation moments from obscure countries trying their best and mostly failing to realise how daft they look. Enjoying this film depends on how funny you find Ferrell, not on any love of cheesy pop songs. Fortunately, I find him usually hilarious.
Not that every joke lands, or even makes sense at all. It is as bizarre as the contest itself; you just have to leave your brain at the door and go with it. There is a lot to like. Not least the adorable and consistently watchable Rachel McAdams who seems the perfect choice to play Sigrit, the girl dreaming of having the world hear her sing and strive for her spirit note. There is also an odd turn from Pierce Brosnan, who makes no effort whatsoever to make it good, and comes full circle in being so bad it’s amazing.
The joke is that they are from Iceland, who never win the thing, or ever come close. The country itself doesn’t want to win, as they would have to pay for it next year, so, after a bizarre accident where every other candidate explodes, they turn to the naive duo of Fire Saga, who are guaranteed to be a joke. And they are. But of course we are on their side, as they live the dream and go for underdog glory. What can go wrong does, and every comedy trope in the book is trotted out, along with a huge dose of sentimentality.
Naturally there is music. Ranging from the excruciating to the actually not too bad, to the hmmm, I actual like that! One highlight is a montage piece in the middle, as all contestants jam at a pre-final party – just so much fun and a totally catchy song. I am not entirely ashamed to say that it kinda got me. The pathos leading up to the climax hit me in the vulnerable feels, as I lay on a Sunday morning helpfully hung-over and tender. This is the way to watch it, I feel, or, you know, with young kids, who will lap up the silliness and talent show sensibility.
Look, it’s terrible on any artistic or serious level. The script is a mess, the direction could have been phoned in by a chimp, and the plot serves to say nothing new or inciteful, but it doesn’t matter. Watch it, have a chuckle and then throw it away. I can think of many less innocent comedies that are far less worthy of attention. And at the very least, there is a bit with elves that had me pressing pause till I got all my laughs out.
Pick a day when you have no energy to fight the world or string two thoughts together and just enjoy it.
Decinemal Rating: 63
Bong Mines Entertainment (15 KP) rated These Words by Sunny Birla in Music
Jun 17, 2019
Sunny Birla is an up-and-coming singer-songwriter. Not too long ago, he released a bittersweet pop ballad, entitled, “These Words”, produced by Brett Castro.
“It’s only been a while since we’ve been apart. I’m feeling everything I’ve lost. Over, over again I am wondering if things would change. If only I had just told you that night. It feels like nothing can be more right. I don’t need all the planets and stars to align. All I need is to be with you here.” – lyrics
‘These Words’ tells an interesting tale of a lovesick young guy who is unhappy because he regrets losing the love of his life.
Apparently, she’s gone, and all he has left are words which he should have spoken to her when they were together.
Later, he admits that things could have been different between them if he would have acted differently during their relationship.
‘These Words’ contains a relatable storyline, ear-welcoming vocals, and charming instrumentation seasoned with a sentimental pop aroma.
From an early age, Sunny Birla, born Anurag Birla, realized music was not merely a hobby, but a calling. Since then, he has since cultivated a voice that emanates directly from his soul.
Armed with this gift and a smorgasbord of inspiration, he works with creative partner Derrick Wan to create honest songs.
Also, he draws inspiration from a lifetime of experiences with love, loss, and battles with demons. His music resonates with anyone who’s fought their own battles and come out the other side.
https://www.bongminesentertainment.com/sunny-birla-these-words/
“It’s only been a while since we’ve been apart. I’m feeling everything I’ve lost. Over, over again I am wondering if things would change. If only I had just told you that night. It feels like nothing can be more right. I don’t need all the planets and stars to align. All I need is to be with you here.” – lyrics
‘These Words’ tells an interesting tale of a lovesick young guy who is unhappy because he regrets losing the love of his life.
Apparently, she’s gone, and all he has left are words which he should have spoken to her when they were together.
Later, he admits that things could have been different between them if he would have acted differently during their relationship.
‘These Words’ contains a relatable storyline, ear-welcoming vocals, and charming instrumentation seasoned with a sentimental pop aroma.
From an early age, Sunny Birla, born Anurag Birla, realized music was not merely a hobby, but a calling. Since then, he has since cultivated a voice that emanates directly from his soul.
Armed with this gift and a smorgasbord of inspiration, he works with creative partner Derrick Wan to create honest songs.
Also, he draws inspiration from a lifetime of experiences with love, loss, and battles with demons. His music resonates with anyone who’s fought their own battles and come out the other side.
https://www.bongminesentertainment.com/sunny-birla-these-words/
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Kirk Bage (1775 KP) rated The Expanse in TV
Sep 4, 2020 (Updated Feb 11, 2021)
In this particular future, where there exists a cold war tension between the splintered factions of humanity across the solar system, all is not well. Earthers, Dusters (Martians) and Skinnies (Belters) compete for resources and political strength in an ever shifting landscape of trust and betrayal. It is a sci-fi geek’s paradise, full of believable tech, an extensive character list and jargon coming out of the wazoo! It’s all very complicated… and season five just finished airing on Amazon Prime on Wednesday 3rd Feb, so I thought it a good time to talk about it in detail.
Based on the novel series by James S. A. Corey (actually the assumed name of collaborators Ty Franck and Daniel Abraham), which began in 2011 and has produced one book a year since, the TV version has been on the go since 2015, first at SyFy and then at Amazon after being cancelled unfairly, and to mass uproar from the fans, after Season three. It isn’t something you watch casually – either you are into it and make a point of obsessing about it, or you watch a few, feel completely lost and admit it isn’t for you; although you suspect it is good and you just didn’t make the effort to engage enough. Sci-fi this earnest can be like that: a little unforgiving to tourists and passers-by.
Personally, I went through 2 phases with it. The first was watching it late at night with autoplay on, falling in and out of sleep depending on how exciting what was happening was, missing a lot of the detail and feeling largely lost in space. The second was coming back to Season 4 recently (about 3 weeks ago), after taking in a full recap of the story, and becoming a true fan that couldn’t get enough of the complex web of storylines, motives and personalities. Catching up enough to have to wait a week between episodes for the last 4 weeks, which has been tremendously rewarding.
Not that I had a major problem with it from the start. I thought it had a great look and a great mood about it, but lacked some star quality in the cast and was fairly opaque storywise. It always had potential. It was a question of whether you could be bothered to invest in that, knowing that it may go nowhere or even get cancelled very quickly – the TV universe is not known for being kind to sci-fi, as die-hard fans of Firefly still weep about regularly, and quite correctly.
In season one you watch it for the only person onboard that you have heard of, namely Thomas Jane (from The Mist and The Punisher) as det. Joe Miller, a cynical sleuth complete with a great anachronistic hat, who gets wrapped up in a mystery so mysterious it is often hard to work out what he is doing at all, and why… he literally comes and goes, for reasons that become apparent in later seasons. A frustrating and yet fascinating entity that must have been a real test to get right.
The show’s main cast also take a lot of time to warm up, to the point where you wonder who they are and whether they will be in it for long? Steven Strait, Dominique Tipper, Wes Chatham and Cas Anvar, as the ragtag collective of a small ship (they eventually name The Rocinante) that finds itself at the centre of a huge political shitstorm as the last bastion of impartial hope and moral reasoning, exude such little charisma at first it all seems doomed to fail. But, something magical begins to happen, by virtue of being in their presence a lot – you start to care. And the more you care the more the subsequent events have the power to stun you sideways!
More than anything else I can think of in recent years, this is a show that rewards patient investment. You will have definite moments of wanting to quit or take a long break, but the more faith you show in it, the more it will reward you in the long run. For me it was the climax of season 3 when I realised I was 100% into it, and that everything that had happened to that point was now starting to make sense in a larger context. Basically, what you think this is and what you assume it is about early doors, is not where it ends up. It goes somewhere way better!
Perhaps because it has the support of the book series as inspiration, the writing and story arc feels stronger and stronger in time. There are to date 9 books, so there is still scope to let this run for a good few years. And it does start to feel like there is a point where it will all completely tie together. Anyway, I am rambling as much as an average episode seems to do here. The point is, there is something right on the tightrope edge of classic or near miss going on with this. The cast have all really grown into their skins and personalities, and there are some moments in seasons 4 & 5 that left me jaw dropped at their dramatic weight!
Look, this isn’t going to be for everyone. It is very easy to say “I don’t get it” and move on with this show, but I am a sci-fi veteran , if not full geek, and I now absolutely love it. Cult status then is what we are talking about here. There will be a good wait for season six now, but the cliffhanger is mouth-watering, so I am in! It’s far from impossible they will ruin the vibe at some point and it will all fall flat… or, it could become the stuff of legend. I’ll be there to find out either way. No chance I am doing 5 seasons of something to drop out at that point.
Take away the space and the spaceships and this is a story about division and rights, and the hard work it takes to meet a diplomatic solution to the many differences and grievances that exist between different tribes and factions. What will some do to gain power? What will others do to ensure freedom and justice? How easy is it to waste life in the name of a cause? Oh, yeah and there’s also the little detail of an ancient alien civilisation that have been leaving tech and artifacts all over the solar system for us to fight over and try to control. As I say, the main story element of it all still feels like a partial mystery, and I love that!
Based on the novel series by James S. A. Corey (actually the assumed name of collaborators Ty Franck and Daniel Abraham), which began in 2011 and has produced one book a year since, the TV version has been on the go since 2015, first at SyFy and then at Amazon after being cancelled unfairly, and to mass uproar from the fans, after Season three. It isn’t something you watch casually – either you are into it and make a point of obsessing about it, or you watch a few, feel completely lost and admit it isn’t for you; although you suspect it is good and you just didn’t make the effort to engage enough. Sci-fi this earnest can be like that: a little unforgiving to tourists and passers-by.
Personally, I went through 2 phases with it. The first was watching it late at night with autoplay on, falling in and out of sleep depending on how exciting what was happening was, missing a lot of the detail and feeling largely lost in space. The second was coming back to Season 4 recently (about 3 weeks ago), after taking in a full recap of the story, and becoming a true fan that couldn’t get enough of the complex web of storylines, motives and personalities. Catching up enough to have to wait a week between episodes for the last 4 weeks, which has been tremendously rewarding.
Not that I had a major problem with it from the start. I thought it had a great look and a great mood about it, but lacked some star quality in the cast and was fairly opaque storywise. It always had potential. It was a question of whether you could be bothered to invest in that, knowing that it may go nowhere or even get cancelled very quickly – the TV universe is not known for being kind to sci-fi, as die-hard fans of Firefly still weep about regularly, and quite correctly.
In season one you watch it for the only person onboard that you have heard of, namely Thomas Jane (from The Mist and The Punisher) as det. Joe Miller, a cynical sleuth complete with a great anachronistic hat, who gets wrapped up in a mystery so mysterious it is often hard to work out what he is doing at all, and why… he literally comes and goes, for reasons that become apparent in later seasons. A frustrating and yet fascinating entity that must have been a real test to get right.
The show’s main cast also take a lot of time to warm up, to the point where you wonder who they are and whether they will be in it for long? Steven Strait, Dominique Tipper, Wes Chatham and Cas Anvar, as the ragtag collective of a small ship (they eventually name The Rocinante) that finds itself at the centre of a huge political shitstorm as the last bastion of impartial hope and moral reasoning, exude such little charisma at first it all seems doomed to fail. But, something magical begins to happen, by virtue of being in their presence a lot – you start to care. And the more you care the more the subsequent events have the power to stun you sideways!
More than anything else I can think of in recent years, this is a show that rewards patient investment. You will have definite moments of wanting to quit or take a long break, but the more faith you show in it, the more it will reward you in the long run. For me it was the climax of season 3 when I realised I was 100% into it, and that everything that had happened to that point was now starting to make sense in a larger context. Basically, what you think this is and what you assume it is about early doors, is not where it ends up. It goes somewhere way better!
Perhaps because it has the support of the book series as inspiration, the writing and story arc feels stronger and stronger in time. There are to date 9 books, so there is still scope to let this run for a good few years. And it does start to feel like there is a point where it will all completely tie together. Anyway, I am rambling as much as an average episode seems to do here. The point is, there is something right on the tightrope edge of classic or near miss going on with this. The cast have all really grown into their skins and personalities, and there are some moments in seasons 4 & 5 that left me jaw dropped at their dramatic weight!
Look, this isn’t going to be for everyone. It is very easy to say “I don’t get it” and move on with this show, but I am a sci-fi veteran , if not full geek, and I now absolutely love it. Cult status then is what we are talking about here. There will be a good wait for season six now, but the cliffhanger is mouth-watering, so I am in! It’s far from impossible they will ruin the vibe at some point and it will all fall flat… or, it could become the stuff of legend. I’ll be there to find out either way. No chance I am doing 5 seasons of something to drop out at that point.
Take away the space and the spaceships and this is a story about division and rights, and the hard work it takes to meet a diplomatic solution to the many differences and grievances that exist between different tribes and factions. What will some do to gain power? What will others do to ensure freedom and justice? How easy is it to waste life in the name of a cause? Oh, yeah and there’s also the little detail of an ancient alien civilisation that have been leaving tech and artifacts all over the solar system for us to fight over and try to control. As I say, the main story element of it all still feels like a partial mystery, and I love that!
Connor Sheffield (293 KP) rated Bloodborne in Video Games
Aug 13, 2018
Incredible atmosphere (5 more)
Great variety of enemies
Beautiful art and imagery
Interesting Lore (optional)
Plenty of different ways to play
Great combat mechanics
Can be difficult (1 more)
Not as easy and some people make it look
Challenging and Satisfying
Contains spoilers, click to show
Bloodborne is part of the famous series of games such as Demon Souls and Dark Souls, which if you know those previous games, you'll know that they are infamous for their difficulty, even spawning an entire meme phrase that simply says "git gud".
Bloodborne however, stands aside from the souls series because it's combat mechanics are faster and each enemy requires the player to evolve their skills and tactics in order to progress. The first major difference in Bloodborne that might throw previous souls players off, is the fact that there is no shield. Instead the Hunter wields a right handed melee weapon and in the left hand they wild a ranged weapon in place of a shield. This ranged weapon at first is primarily used not for damage, but for parry's/counter attacks.
The lack of shield helps the player evolve their combat from hiding behind a shield like in the souls games, to being more aggressive in a fight but also tactical because during your first run through of the game, you'll simply be dealing with each enemy through trial and error until you learn their attacks and learn how to defeat them. This is something that has been in every souls game and that is why these games are so rewarding.
The reason Bloodborne is my favourite is because of this speed that makes you evolve in combat. I ran into this game thinking it was like other RPG games where I could pretty much take on any beginning level enemy and even if they packed a punch I'd take out the enemy with a thin line of health left, only to use a few health potions and repeat. But Bloodborne? Good God you can't rush this game!
Every enemy has their own attack system that varies. Some Yarnhamites are more vicious that other, and some are more defensive and cautious. There are also enemies that are deceptive. If you were to come across a large, fat troll in a fantasy world, you'd expect them to be rather slow, especially when swinging a weapon. You'd only expect the force and weight of the weapon to give speed to a swing. But the large troll creatures in Bloodborne are deceptively fast and even if you keep some distance between you, they can leap really quickly and instantly pummel you with a cinder block.
But I'm not going to reveal too much about enemies because it's easier and more fun to test out the game for yourself.
Boss fights are the main factor for the infamous difficulty of the souls series and Bloodborne is no stranger to this element either. There are Two bosses in the beginning of the game. One is optional but I would highly recommend facing it. The other boss is your first taste (if you didn't kill the optional boss first) of the challenges you'll face. Both bosses help prepare for later boss fights because of their different combat styles.
The first (optional) boss is the Cleric Beast on the bridge in the beginning level, and it is intimidating as fuck for a beginner of the souls series. If you haven't watched or played a souls game before and you go into Bloodborne (or any of them) with no knowledge of the scale of bosses, then they are intimidating in comparison to your measly character size. However once you learn this boss, and face later bosses, you'll realize that this boss is one of the easiest to face.
The next boss and the main boss of the beginning level, who is not optional as defeating him let's you progress through the story, is Father Gascoigne, another Hunter in the world of Bloodborne and the first of many you'll come across but facing this hunter is by far one of the most painstakingly challenging beginning fights to a game I've ever had to face. In my first run through I died to him so so soooo many times and sometimes it was simply cos he was on low health and I got cocky and fucked up. However defeating this boss, and any boss in this game, really feels like an achievement.
I've realised iv made this review hella long but that's because Bloodborne cannot be easily reviewed in just a few words but I'll do my best to do a quick overall conclusion as to why this is my favourite game:
The level design isn't flawless but it is incredible and the atmosphere created through sound design and soundtrack make this game incredibly in depth and really creepy which I love because even after a few play through I still get creeped out and even jump at some of the jumpscares that I forget about!
The weapons of this game are all well designed aesthetically and though I know certain ones I never use, they are all useable depending on player preference and style of play. There's so much to choose from and learn and every item in this game has a description that teaches the player more about the Lore of the world but that is of course optional and isn't required necessarily to understand the games main quest plot.
This game also requires exploration because the path the player needs to take isn't set out for them which makes the game less linear meaning that you can play this game differently every time you play it. It also might mean that you'll need to look up the paths you need to take online or in a guide in order to just get through the game and complete it. Otherwise it could take you hours, maybe days to figure out where you need to go.
The combat mechanics of Bloodborne are some of the best I've ever seen and played with and that's why it stands out to me above the other souls games.
The boss fights are intense and each new boss helps the player to adapt and evolve their combat skills and tactics in order to overcome the enemy.
The world is very heavily Lovecraftian and therefore the Lore is incredible but also optional. Also, there are easier ways to fight this games enemies including bosses, so if you're struggling, then Google it and there will be hundreds of players in the same boat as you, and in my opinion there's no wrong way to play games like this. If it remains fun and let's me complete the storyline, such as summoning AI for boss battles in offline mode. Then play however you want to because it's you playing the game, not some internet troll who says you're shit and/or cheating the game. If it's possible to do in game, it's part of the game...deal with it!
There are faults such as minor framerate glitches, and glitches with the ragdoll bodies of defeated enemies falling through the environment. There are also some elements that are part of the game such as windows for visceral attacks and hitboxes which sometimes feel like bullshit, but this also helps you evolve so....pros and cons.
My final comment is this;
The best way to learn about this game and enjoy it, is to play it for yourself. It's hard to put into words (even this amount of words in this review) just how incredible this game looks and feels. So if you have a Playstation 4 then grab yourself a copy of Bloodborne and enjoy!
Fear the Old blood!
Bloodborne however, stands aside from the souls series because it's combat mechanics are faster and each enemy requires the player to evolve their skills and tactics in order to progress. The first major difference in Bloodborne that might throw previous souls players off, is the fact that there is no shield. Instead the Hunter wields a right handed melee weapon and in the left hand they wild a ranged weapon in place of a shield. This ranged weapon at first is primarily used not for damage, but for parry's/counter attacks.
The lack of shield helps the player evolve their combat from hiding behind a shield like in the souls games, to being more aggressive in a fight but also tactical because during your first run through of the game, you'll simply be dealing with each enemy through trial and error until you learn their attacks and learn how to defeat them. This is something that has been in every souls game and that is why these games are so rewarding.
The reason Bloodborne is my favourite is because of this speed that makes you evolve in combat. I ran into this game thinking it was like other RPG games where I could pretty much take on any beginning level enemy and even if they packed a punch I'd take out the enemy with a thin line of health left, only to use a few health potions and repeat. But Bloodborne? Good God you can't rush this game!
Every enemy has their own attack system that varies. Some Yarnhamites are more vicious that other, and some are more defensive and cautious. There are also enemies that are deceptive. If you were to come across a large, fat troll in a fantasy world, you'd expect them to be rather slow, especially when swinging a weapon. You'd only expect the force and weight of the weapon to give speed to a swing. But the large troll creatures in Bloodborne are deceptively fast and even if you keep some distance between you, they can leap really quickly and instantly pummel you with a cinder block.
But I'm not going to reveal too much about enemies because it's easier and more fun to test out the game for yourself.
Boss fights are the main factor for the infamous difficulty of the souls series and Bloodborne is no stranger to this element either. There are Two bosses in the beginning of the game. One is optional but I would highly recommend facing it. The other boss is your first taste (if you didn't kill the optional boss first) of the challenges you'll face. Both bosses help prepare for later boss fights because of their different combat styles.
The first (optional) boss is the Cleric Beast on the bridge in the beginning level, and it is intimidating as fuck for a beginner of the souls series. If you haven't watched or played a souls game before and you go into Bloodborne (or any of them) with no knowledge of the scale of bosses, then they are intimidating in comparison to your measly character size. However once you learn this boss, and face later bosses, you'll realize that this boss is one of the easiest to face.
The next boss and the main boss of the beginning level, who is not optional as defeating him let's you progress through the story, is Father Gascoigne, another Hunter in the world of Bloodborne and the first of many you'll come across but facing this hunter is by far one of the most painstakingly challenging beginning fights to a game I've ever had to face. In my first run through I died to him so so soooo many times and sometimes it was simply cos he was on low health and I got cocky and fucked up. However defeating this boss, and any boss in this game, really feels like an achievement.
I've realised iv made this review hella long but that's because Bloodborne cannot be easily reviewed in just a few words but I'll do my best to do a quick overall conclusion as to why this is my favourite game:
The level design isn't flawless but it is incredible and the atmosphere created through sound design and soundtrack make this game incredibly in depth and really creepy which I love because even after a few play through I still get creeped out and even jump at some of the jumpscares that I forget about!
The weapons of this game are all well designed aesthetically and though I know certain ones I never use, they are all useable depending on player preference and style of play. There's so much to choose from and learn and every item in this game has a description that teaches the player more about the Lore of the world but that is of course optional and isn't required necessarily to understand the games main quest plot.
This game also requires exploration because the path the player needs to take isn't set out for them which makes the game less linear meaning that you can play this game differently every time you play it. It also might mean that you'll need to look up the paths you need to take online or in a guide in order to just get through the game and complete it. Otherwise it could take you hours, maybe days to figure out where you need to go.
The combat mechanics of Bloodborne are some of the best I've ever seen and played with and that's why it stands out to me above the other souls games.
The boss fights are intense and each new boss helps the player to adapt and evolve their combat skills and tactics in order to overcome the enemy.
The world is very heavily Lovecraftian and therefore the Lore is incredible but also optional. Also, there are easier ways to fight this games enemies including bosses, so if you're struggling, then Google it and there will be hundreds of players in the same boat as you, and in my opinion there's no wrong way to play games like this. If it remains fun and let's me complete the storyline, such as summoning AI for boss battles in offline mode. Then play however you want to because it's you playing the game, not some internet troll who says you're shit and/or cheating the game. If it's possible to do in game, it's part of the game...deal with it!
There are faults such as minor framerate glitches, and glitches with the ragdoll bodies of defeated enemies falling through the environment. There are also some elements that are part of the game such as windows for visceral attacks and hitboxes which sometimes feel like bullshit, but this also helps you evolve so....pros and cons.
My final comment is this;
The best way to learn about this game and enjoy it, is to play it for yourself. It's hard to put into words (even this amount of words in this review) just how incredible this game looks and feels. So if you have a Playstation 4 then grab yourself a copy of Bloodborne and enjoy!
Fear the Old blood!
Haley Mathiot (9 KP) rated Dancing on Broken Glass in Books
Apr 27, 2018
I think this is the best book I've read in a really long time.
Let's start with a critical analysis and break down the text: First, the writing was really good. Like, Dianne Dixon good, or JK Rowling good. It was filled with flowing and descriptive prose and beautiful metaphors. I could probably write a ten-page paper on some of the literary themes in this novel. It wasn't just fiction for the sake of the story: There was so much beauty about the meaning of life and love and commitment and… well, I'll let you read it.
The pacing was excellent. The very first sentence caught me by the hair and dragged me the whole way through the book. I read most of it in one setting, stopping only to readjust the pillow behind my back.
Now for the really important stuff:
The characters in Dancing on Broken Glass were so epic that I truly didn't want this book to end. They were so wonderful, but so terribly and humanly flawed, just like real people are, that I feel like if I saw Mickey or Lily on the street, I'd recognize them right away.
And boy did I relate to some of these characters!
The ending was just superb. It was heartbreaking, but I knew it was destined from the moment I started reading. It was so perfect and fulfilling that it was worth all the emotional turmoil the rest of the novel put me through.
On that note, it wasn't one of those books that are so hard to read that you can only take it in small doses or that it makes you cry, or extremely emotional readers can't handle it. Nor did it have any offensive language or sex scenes (okay there was some mention of sex, but it wasn't explicit in any way). In fact, it was one of the least offensive novels I've read in a very long time. We're talking years.
The romance was better than anything I've read in any teen novel. The relationships were true and realistic to the core. The flawed characters were just as real to me as I am to myself. The message of hope and grief and dedication and sacrifice will stay with me forever. I hope I never forget this story.
Dancing on Broken Glass was an absolutely beautiful novel. Ka Hancock is going on my Author Watch, and this novel is staying on my "re-read" bookshelf. I recommend it to absolutely anyone willing to hear a really good story.
Let's start with a critical analysis and break down the text: First, the writing was really good. Like, Dianne Dixon good, or JK Rowling good. It was filled with flowing and descriptive prose and beautiful metaphors. I could probably write a ten-page paper on some of the literary themes in this novel. It wasn't just fiction for the sake of the story: There was so much beauty about the meaning of life and love and commitment and… well, I'll let you read it.
The pacing was excellent. The very first sentence caught me by the hair and dragged me the whole way through the book. I read most of it in one setting, stopping only to readjust the pillow behind my back.
Now for the really important stuff:
The characters in Dancing on Broken Glass were so epic that I truly didn't want this book to end. They were so wonderful, but so terribly and humanly flawed, just like real people are, that I feel like if I saw Mickey or Lily on the street, I'd recognize them right away.
And boy did I relate to some of these characters!
The ending was just superb. It was heartbreaking, but I knew it was destined from the moment I started reading. It was so perfect and fulfilling that it was worth all the emotional turmoil the rest of the novel put me through.
On that note, it wasn't one of those books that are so hard to read that you can only take it in small doses or that it makes you cry, or extremely emotional readers can't handle it. Nor did it have any offensive language or sex scenes (okay there was some mention of sex, but it wasn't explicit in any way). In fact, it was one of the least offensive novels I've read in a very long time. We're talking years.
The romance was better than anything I've read in any teen novel. The relationships were true and realistic to the core. The flawed characters were just as real to me as I am to myself. The message of hope and grief and dedication and sacrifice will stay with me forever. I hope I never forget this story.
Dancing on Broken Glass was an absolutely beautiful novel. Ka Hancock is going on my Author Watch, and this novel is staying on my "re-read" bookshelf. I recommend it to absolutely anyone willing to hear a really good story.
TravelersWife4Life (31 KP) rated The Plans We Made in Books
Feb 23, 2021
The Plans We Made; I pick up this book primarily for the name not going to lie. I had never read a book by either of the authors and quite honestly, I tend to stay away from books dealing with cancer as it hits a little to close to home. But I felt like I was supposed to read this book.
The Plans We Made starts out with two separate stories that eventually merge to form a compelling story of honesty, love, and second chances. I think the authors really tried to convey the title of the book throughout the story, always coming back to the plans we make are not always what God knows is supposed to happen in our lives. The plot was slow at first as you are introduced to both stories, which I liked as I got to understand the stories individually without getting names confused. By the end of the story, I was wishing the pace would slow down as I did not want the story to end!
The characters in this book were a wide range of personalities that all seemed to fit together like a puzzle. The more you add the better picture you have. I thought both Caroline and Linda, the main characters, were well laid out and very engaging and realistic with their actions and words.
From this story’s delicate yet real handling of the circumstances surrounding cancer to the struggle of doing what is right even at the cost of your job. I sincerely enjoyed this book and give it 4 out of 5 stars, as I did have a little trouble with Caroline’s actions at almost the end of the book as they didn’t seem to line up with her personality from the rest of the book. I definitely recommend reading this book if you like Karen Kingsbury, T.I. Lowe, or Denise Hunter.
*I volunteered to read this book in return for my honest feedback. The thoughts and opinions expressed within are my own.<br/>
The Plans We Made starts out with two separate stories that eventually merge to form a compelling story of honesty, love, and second chances. I think the authors really tried to convey the title of the book throughout the story, always coming back to the plans we make are not always what God knows is supposed to happen in our lives. The plot was slow at first as you are introduced to both stories, which I liked as I got to understand the stories individually without getting names confused. By the end of the story, I was wishing the pace would slow down as I did not want the story to end!
The characters in this book were a wide range of personalities that all seemed to fit together like a puzzle. The more you add the better picture you have. I thought both Caroline and Linda, the main characters, were well laid out and very engaging and realistic with their actions and words.
From this story’s delicate yet real handling of the circumstances surrounding cancer to the struggle of doing what is right even at the cost of your job. I sincerely enjoyed this book and give it 4 out of 5 stars, as I did have a little trouble with Caroline’s actions at almost the end of the book as they didn’t seem to line up with her personality from the rest of the book. I definitely recommend reading this book if you like Karen Kingsbury, T.I. Lowe, or Denise Hunter.
*I volunteered to read this book in return for my honest feedback. The thoughts and opinions expressed within are my own.<br/>