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Sophia (Bookwyrming Thoughts) (530 KP) rated Beautiful Creatures (Caster Chronicles, #1) in Books
Jan 23, 2020
Like most books I read, Beautiful Creatures was just randomly picked up and looked interesting, so I read it. Plus, I needed some books to occupy me and it was somehow on my to-read list already. I just didn't get the chance to read it over the summer. Call that lucky to be in the library at the time.
I will probably admit, that although I read the entire series, I didn't really like the first 2 books in the series. Except for the ending and the summaries. Which was why I continued reading the series. :) Or maybe there was just something special about Ethan, Lena, Riley, Link, etc that I just can't place a tab on? Or was there a little cliffhanger (which I totally love) that just urged me to read on and give the series another try?
I will also admit that I liked Beautiful Chaos overall. The character haven't changed... although they have. In a way. Ethan is still plain Wayward, just like from Day One. Besides getting "chased around" by his other self, of course. Lena is back to herself again, although she is now a light and dark caster due to the Seventeenth Moon. I didn't really enjoy Lena's distance and major meltdown from Beautiful Darkness, so it's nice to know that we get her back again.
Link has changed majorly in a way, at least in physical and how do you say this? erm, he's developed "Vampire-like" senses after being bit by John Breed from Beautiful Darkness, so he's now one-quarters Incubus. He's still on and off with Once Upon A Siren, Riley, but she's still same old, same old Riley. In Mortal form, yet continues about life Siren Style with no powers.
Overall, Beautiful Chaos is my favorite book out of the series so far. It's more action-packed than the books before it, even if it has quite the sad ending. I will most likely read the fourth and final book in the series, Beautiful Redemption (released already) because I just have to know what happens next to Ethan, Lena and the other characters.
Speaking of which, and I know I'm a bit off-topic, but who's excited for the Beautiful Creatures movie? I know am! The trailer looked awesome...
<a href="https://bookwyrmingthoughts.com/review-beautiful-chaos-by-kami-garcia-and-margaret-stohl/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
I will probably admit, that although I read the entire series, I didn't really like the first 2 books in the series. Except for the ending and the summaries. Which was why I continued reading the series. :) Or maybe there was just something special about Ethan, Lena, Riley, Link, etc that I just can't place a tab on? Or was there a little cliffhanger (which I totally love) that just urged me to read on and give the series another try?
I will also admit that I liked Beautiful Chaos overall. The character haven't changed... although they have. In a way. Ethan is still plain Wayward, just like from Day One. Besides getting "chased around" by his other self, of course. Lena is back to herself again, although she is now a light and dark caster due to the Seventeenth Moon. I didn't really enjoy Lena's distance and major meltdown from Beautiful Darkness, so it's nice to know that we get her back again.
Link has changed majorly in a way, at least in physical and how do you say this? erm, he's developed "Vampire-like" senses after being bit by John Breed from Beautiful Darkness, so he's now one-quarters Incubus. He's still on and off with Once Upon A Siren, Riley, but she's still same old, same old Riley. In Mortal form, yet continues about life Siren Style with no powers.
Overall, Beautiful Chaos is my favorite book out of the series so far. It's more action-packed than the books before it, even if it has quite the sad ending. I will most likely read the fourth and final book in the series, Beautiful Redemption (released already) because I just have to know what happens next to Ethan, Lena and the other characters.
Speaking of which, and I know I'm a bit off-topic, but who's excited for the Beautiful Creatures movie? I know am! The trailer looked awesome...
<a href="https://bookwyrmingthoughts.com/review-beautiful-chaos-by-kami-garcia-and-margaret-stohl/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Forced premise (2 more)
Storytelling & writing that drives you insane
Not interesting
You'll probably love it or hate it
Dustin Tillman is a psychologist in Ohio; he's married with two sons and rarely even thinks about the horrific incident of his childhood, when his adopted brother, Rusty, murdered Dustin's parents and his aunt and uncle. Dustin was just a child then, and his brother was arrested largely on the testimony of Dustin and his cousin Kate and the 1980s' fears over satanism. But now Dustin learns that Rusty is being released from prison; his appeal has been granted, and his verdict overturned based on DNA evidence. Meanwhile, Dustin is struggling with one of his patients, Aqil, a former police officer who believes there is a link among a group of drunken college boys who have died by drowning. As more and more things start going wrong in Dustin's life, he gets drawn into Aqil's paranoia-- and he threatens to bring down his family with him.
This book had an interesting premise: linking two sets of crimes in the past and present, but I felt like that premise was a little forced/falsified, and I never got into the book, or the characters. As a reader, you'll probably find the way it's written either brilliant or incredibly irritating, and I fell squarely into the irritating camp. There are very abrupt chapter switches between the present and the past that are quite annoying, making it difficult to tell exactly where you are in time. The changes in point of view aren't as bad, allowing you to hear from Dustin, his son, and others, but it still gets confusing quickly. (Sidebar: doesn't anyone just tell a linear story from one person's point of view anymore?)
Even more, the story is written quite like the characters think--which is fine in theory--for instance, this includes Dustin's tendency to just stop mid-sentence, something his family teases him about. After a bit you get somewhat used to the random sentences that end mid-thought, or the weird white spaces, but it's still strange. Other parts are the story are split into two or three parts on a page and told almost in parallel, causing you to flip back and forth to read each set. I never was quite sure of the point of that. Yes, people in the novel are going crazy and on drugs. I could get that concept and not have to flip back and forth constantly to read chunks of the story. It's one of those storytelling devices that, to me, could be amazing, but just winds up driving you slightly insane.
This novel is also very dark. Again, that's fine. I just finished The Roanoke Girls, which was incredibly dark, and loved it. But this one: I just didn't find it that interesting. I found myself finishing it more out of a vague curiosity and duty than anything else. I figured out one of the main plot points pretty on and wasn't engaged with any of the characters. Then, after all of this, the ending is awful and vague, and there's no resolution, and I found myself just throwing the whole thing down in disgust. Definitely not one of my favorites. I can see the potential for others, but it wasn't for me.
I received a copy of this novel from the publisher and Netgalley (thank you) in return for an unbiased review.
This book had an interesting premise: linking two sets of crimes in the past and present, but I felt like that premise was a little forced/falsified, and I never got into the book, or the characters. As a reader, you'll probably find the way it's written either brilliant or incredibly irritating, and I fell squarely into the irritating camp. There are very abrupt chapter switches between the present and the past that are quite annoying, making it difficult to tell exactly where you are in time. The changes in point of view aren't as bad, allowing you to hear from Dustin, his son, and others, but it still gets confusing quickly. (Sidebar: doesn't anyone just tell a linear story from one person's point of view anymore?)
Even more, the story is written quite like the characters think--which is fine in theory--for instance, this includes Dustin's tendency to just stop mid-sentence, something his family teases him about. After a bit you get somewhat used to the random sentences that end mid-thought, or the weird white spaces, but it's still strange. Other parts are the story are split into two or three parts on a page and told almost in parallel, causing you to flip back and forth to read each set. I never was quite sure of the point of that. Yes, people in the novel are going crazy and on drugs. I could get that concept and not have to flip back and forth constantly to read chunks of the story. It's one of those storytelling devices that, to me, could be amazing, but just winds up driving you slightly insane.
This novel is also very dark. Again, that's fine. I just finished The Roanoke Girls, which was incredibly dark, and loved it. But this one: I just didn't find it that interesting. I found myself finishing it more out of a vague curiosity and duty than anything else. I figured out one of the main plot points pretty on and wasn't engaged with any of the characters. Then, after all of this, the ending is awful and vague, and there's no resolution, and I found myself just throwing the whole thing down in disgust. Definitely not one of my favorites. I can see the potential for others, but it wasn't for me.
I received a copy of this novel from the publisher and Netgalley (thank you) in return for an unbiased review.
Dana (24 KP) rated Tender Buttons in Books
Mar 23, 2018
This book of poetry is chaotic, at best. But that does not mean it is without meaning or cohesion. Through its chaos, the story emerges in little hints and connections that track and follow the speaker through their thought processes in each of the sections of the book: Objects, Food, and Rooms.
I don't normally enjoy modernist poetry much because I feel it tries too hard to be something it is not. It tries to solve problems it cannot, but I have enjoyed this book a lot. Instead of always trying to solve problems, it states how it is. The problems are still there, the chaos is still there, but there is still a sense of peace at what the world is. The speaker is an ordinary person doing ordinary things, thinking about a world that has gone to shit, and that is really relatable.
There is a lot of attention to color in this collection. In the first section, there was a focus on Red and Yellow. In the second, coal is a constant. The colors represent the changing times, the coal especially. Red, the color of blood and war. Yellow, the color of change, and illness. The war had become an illness that had spread across Europe and eventually, the world.
I love how the style is not really a poetic style. Instead it is written in a prose form, but not as a coherent story with a plot line. I appreciate how Stein is creating and experimenting with different styles of writing to try to convey what she wants to.
In the section Objects, there was a quote that I very much liked because I felt like it summed up how that section had been flowing, for me at least. "Book was there, it was there. Book was there. Stop it, stop it, it was a cleaner, a wet cleaner and it was not where it was wet, it was not high, it was directly placed back, not back again, back, it was returned, it was needless, it put a bank, a bank when, a bank care." (30) This quote is showing the chaos of the mind, the disruptions of how it thinks when trying to focus or process what is happening to it. This is how many people's thoughts may have seemed during and after the two World Wars, something Modernist literature and poetry often brings up.
"There is coagulation in cold and there is none in prudence. Something is preserved and the evening is long and the colder spring has sudden shadows in a sun." (40) I like this quotation from the second section, Food, because it acknowledges that even in a time of rebirth, there is still coldness and death. There are shadows in Spring because it is acknowledging the death that had to happen for the rebirth to occur. The "coagulation" can be a congregation of people when the times get tough. When it is "cold" people come together, but in times of prudence, or in times of happiness and peace, people do not feel the need to come together. There is a self-isolation that occurs in the good times.
"A sentence of vagueness that is violence is authority and a mission and stumbling and also certainly also a prison. Calmness, calm beside the plate and in way in. There is no turn in terror. There is no volume in sound." (40) In this section, there it shows that you cannot control the world. There will always be chaos and pain and violence, but you have to learn how to live through it and survive because if you do not, you will be left in your pain with no way out.
"This shows the disorder, it does, it shows more likeness than anything else, it shows the single mind that directs an apple. All the coats have a different shape, that does not mean that they differ in color, it means a union between use and exercise and a horse." (67) This quote shows the reason and necessity of the poem. Like I said before, this book is chaotic to show the connections in chaos. It is a portrayal of the mind in a chaotic state. Everything is able to be connected because it is all from one mind and person.
Overall, I really enjoyed reading this book. I thought it was very relevant to today, even though it was written over one hundred years ago. I recommend that you read this, even if you are not really in to modernist writing because, even though it is confusing at first, once you start thinking about it, it becomes very poignant and interesting.
I don't normally enjoy modernist poetry much because I feel it tries too hard to be something it is not. It tries to solve problems it cannot, but I have enjoyed this book a lot. Instead of always trying to solve problems, it states how it is. The problems are still there, the chaos is still there, but there is still a sense of peace at what the world is. The speaker is an ordinary person doing ordinary things, thinking about a world that has gone to shit, and that is really relatable.
There is a lot of attention to color in this collection. In the first section, there was a focus on Red and Yellow. In the second, coal is a constant. The colors represent the changing times, the coal especially. Red, the color of blood and war. Yellow, the color of change, and illness. The war had become an illness that had spread across Europe and eventually, the world.
I love how the style is not really a poetic style. Instead it is written in a prose form, but not as a coherent story with a plot line. I appreciate how Stein is creating and experimenting with different styles of writing to try to convey what she wants to.
In the section Objects, there was a quote that I very much liked because I felt like it summed up how that section had been flowing, for me at least. "Book was there, it was there. Book was there. Stop it, stop it, it was a cleaner, a wet cleaner and it was not where it was wet, it was not high, it was directly placed back, not back again, back, it was returned, it was needless, it put a bank, a bank when, a bank care." (30) This quote is showing the chaos of the mind, the disruptions of how it thinks when trying to focus or process what is happening to it. This is how many people's thoughts may have seemed during and after the two World Wars, something Modernist literature and poetry often brings up.
"There is coagulation in cold and there is none in prudence. Something is preserved and the evening is long and the colder spring has sudden shadows in a sun." (40) I like this quotation from the second section, Food, because it acknowledges that even in a time of rebirth, there is still coldness and death. There are shadows in Spring because it is acknowledging the death that had to happen for the rebirth to occur. The "coagulation" can be a congregation of people when the times get tough. When it is "cold" people come together, but in times of prudence, or in times of happiness and peace, people do not feel the need to come together. There is a self-isolation that occurs in the good times.
"A sentence of vagueness that is violence is authority and a mission and stumbling and also certainly also a prison. Calmness, calm beside the plate and in way in. There is no turn in terror. There is no volume in sound." (40) In this section, there it shows that you cannot control the world. There will always be chaos and pain and violence, but you have to learn how to live through it and survive because if you do not, you will be left in your pain with no way out.
"This shows the disorder, it does, it shows more likeness than anything else, it shows the single mind that directs an apple. All the coats have a different shape, that does not mean that they differ in color, it means a union between use and exercise and a horse." (67) This quote shows the reason and necessity of the poem. Like I said before, this book is chaotic to show the connections in chaos. It is a portrayal of the mind in a chaotic state. Everything is able to be connected because it is all from one mind and person.
Overall, I really enjoyed reading this book. I thought it was very relevant to today, even though it was written over one hundred years ago. I recommend that you read this, even if you are not really in to modernist writing because, even though it is confusing at first, once you start thinking about it, it becomes very poignant and interesting.
KittyMiku (138 KP) rated Witch's Bell in Books
May 23, 2019
This was a free book on Amazon and the reviews make you wonder if you should even pick it up, but I still did and I have never been happier. I did find some of the complaints to be true to word, but I did enjoy the book way too much to just say it wasn't worth the read. However, we will be discussing Ebony Bell and her adventures and what Bell may have been done to make it better. Let's dive in.
So first of all, I fell in love with the idea behind this book and apparently the series. With characters like Nathan Wall and Ebony Bell, I couldn't help but be intrigued on whatever relationships was forming between them. I think this book was pretty well thought out considering it cold have left the scenes bare making it hard to visualize where the characters were and what was exactly going on. However, I did think there could have been a little less rambling about different things, though I feel it may be foreshadowing for other books. I feel that even though Ebony was pretty fleshed out, that there could have been a little more on the other characters we find ourselves following a bit. For example, Avery's mother is described by her looks and a bit of how she acted when Ebony was a child, but as a member of the Coven, I wanted a little more. Like how did she become apart of the Coven who were supposedly the strongest witches around as well as the oldest? It left a few questions popping to mind and hope they will be answered in the future. Nathan was another character I felt could have been fleshed out a bit more and not really semi revealed at the end. It left a lot to be desired, but again could just be information that makes you want to read on.
I loved, and I mean LOVED, how when Ebony had her magic blocked from her, the way she saw things changed a bit. Do not get me wrong, her outfits made me giggle, but seeing her actually notice the small things even though she didn't have to and hadn't noticed before, was kind of nice. You were able to see her actually begin to appreciate things she hadn't before. I always love seeing characters grow as a person. Ebony had learned to really appreciate what she was seeing as well as what she had. To see her struggle had brought some delight and I found myself a little mad at how she would forget the most important thing she had thought about until it was almost too late. I did find that the use of other characters did help make what was going on around her seem a little more dire.
I found the love interest between Ebony and Nathan to be a bit subtle, which was kind of nice since it left a lot of room for something to blossom a wonderful romance. I do like how Nate gets under Ebony's skin and no matter how hard she tries rattle him he is unfazed. This made them polar opposites, which made me smile a bit, Though I would have loved to see more between them in the form of witty banter and teasing. but what I was given, I didn't think it was all that bad, just could have been more.
Overall, I would rate this book 4 stars out of 5 stars. There could have been more given and even explained something better while not rambling on things that made you begin to question a character's mental state. I loved the story line and hope that as the books move forward we can figure it all out about our mysterious Detective Nathan Wall, the Coven and whoever is behind trying to rewrite Ebony Bell's story.
So first of all, I fell in love with the idea behind this book and apparently the series. With characters like Nathan Wall and Ebony Bell, I couldn't help but be intrigued on whatever relationships was forming between them. I think this book was pretty well thought out considering it cold have left the scenes bare making it hard to visualize where the characters were and what was exactly going on. However, I did think there could have been a little less rambling about different things, though I feel it may be foreshadowing for other books. I feel that even though Ebony was pretty fleshed out, that there could have been a little more on the other characters we find ourselves following a bit. For example, Avery's mother is described by her looks and a bit of how she acted when Ebony was a child, but as a member of the Coven, I wanted a little more. Like how did she become apart of the Coven who were supposedly the strongest witches around as well as the oldest? It left a few questions popping to mind and hope they will be answered in the future. Nathan was another character I felt could have been fleshed out a bit more and not really semi revealed at the end. It left a lot to be desired, but again could just be information that makes you want to read on.
I loved, and I mean LOVED, how when Ebony had her magic blocked from her, the way she saw things changed a bit. Do not get me wrong, her outfits made me giggle, but seeing her actually notice the small things even though she didn't have to and hadn't noticed before, was kind of nice. You were able to see her actually begin to appreciate things she hadn't before. I always love seeing characters grow as a person. Ebony had learned to really appreciate what she was seeing as well as what she had. To see her struggle had brought some delight and I found myself a little mad at how she would forget the most important thing she had thought about until it was almost too late. I did find that the use of other characters did help make what was going on around her seem a little more dire.
I found the love interest between Ebony and Nathan to be a bit subtle, which was kind of nice since it left a lot of room for something to blossom a wonderful romance. I do like how Nate gets under Ebony's skin and no matter how hard she tries rattle him he is unfazed. This made them polar opposites, which made me smile a bit, Though I would have loved to see more between them in the form of witty banter and teasing. but what I was given, I didn't think it was all that bad, just could have been more.
Overall, I would rate this book 4 stars out of 5 stars. There could have been more given and even explained something better while not rambling on things that made you begin to question a character's mental state. I loved the story line and hope that as the books move forward we can figure it all out about our mysterious Detective Nathan Wall, the Coven and whoever is behind trying to rewrite Ebony Bell's story.
Phillip McSween (751 KP) rated Mission: Impossible – Rogue Nation (2015) in Movies
Apr 8, 2019
What a Blast
Ethan Hunt (Tom Cruise) is back for this fifth installment where he gathers a team to stop an international terrorist group called The Syndicate.
Acting: 10
Beginning: 10
Characters: 10
Cinematography/Visuals: 10
The Mission: Impossible franchise has a way of hopping from one locale quickly to the next and Rogue Nation is no exception. Every location brings them to a different point in the journey, a means to an end, which makes things fun to follow. There’s always something happening that manages to up the visual ante from one scene to the next. My personal favorite was a crazy car chase through a crowded city. Director Christopher McQuarrie really manages to capture the intensity of this moment as cars and motorcycles weave in and out of tight spaces. This is just one of many heartpacing sequences that are visually stunning.
Conflict: 8
While the movie doesn’t skimp on the action, Rogue Nation isn’t quite as intense as other movies in the franchise. Not to say that this movie will put you to sleep by any means as there is plenty to keep the viewer occupied. One scene (actually the scene right before the car chase I love) involves Ethan having to capture data from an underwater security system. I could take a stab at describing it, but I couldn’t do it justice. It’s intense and fun to watch at the same time. I remember watching it for the first time in theaters and screaming out loud at the movie screen as Ethan found himself racing against times. It’s action sequences like that that make me wonder why more people don’t love movies.
Genre: 7
Pretty damn good…but I’ve seen better, particularly in the franchise itself. It falls just a couple notches shy of being great. Despite falling just shy of a classic, it manages to hold its own and gives me a good time with every watch.
Memorability: 10
Car chases. Underwater security fields. Tom Cruise suspended in mid-air hanging on to the side of an aircraft. And, most importantly, Tom Cruise running. This is a movie that reminds you why it’s fun to go to the theater. Rather than beat you over the head with deep messages, it hits you with high-intensity action that inspires a rewatch.
Pace: 9
Plot: 8
Resolution: 7
Overall: 89
I won’t lie to you, I hope they make a million of these movies because it never seems to get old. Since the second film (which was a pure nightmare), the franchise not only bounced back, but continues to improve and stay fresh. Mission: Impossible—Rogue Nation is just a flat-out good time.
Acting: 10
Beginning: 10
Characters: 10
Cinematography/Visuals: 10
The Mission: Impossible franchise has a way of hopping from one locale quickly to the next and Rogue Nation is no exception. Every location brings them to a different point in the journey, a means to an end, which makes things fun to follow. There’s always something happening that manages to up the visual ante from one scene to the next. My personal favorite was a crazy car chase through a crowded city. Director Christopher McQuarrie really manages to capture the intensity of this moment as cars and motorcycles weave in and out of tight spaces. This is just one of many heartpacing sequences that are visually stunning.
Conflict: 8
While the movie doesn’t skimp on the action, Rogue Nation isn’t quite as intense as other movies in the franchise. Not to say that this movie will put you to sleep by any means as there is plenty to keep the viewer occupied. One scene (actually the scene right before the car chase I love) involves Ethan having to capture data from an underwater security system. I could take a stab at describing it, but I couldn’t do it justice. It’s intense and fun to watch at the same time. I remember watching it for the first time in theaters and screaming out loud at the movie screen as Ethan found himself racing against times. It’s action sequences like that that make me wonder why more people don’t love movies.
Genre: 7
Pretty damn good…but I’ve seen better, particularly in the franchise itself. It falls just a couple notches shy of being great. Despite falling just shy of a classic, it manages to hold its own and gives me a good time with every watch.
Memorability: 10
Car chases. Underwater security fields. Tom Cruise suspended in mid-air hanging on to the side of an aircraft. And, most importantly, Tom Cruise running. This is a movie that reminds you why it’s fun to go to the theater. Rather than beat you over the head with deep messages, it hits you with high-intensity action that inspires a rewatch.
Pace: 9
Plot: 8
Resolution: 7
Overall: 89
I won’t lie to you, I hope they make a million of these movies because it never seems to get old. Since the second film (which was a pure nightmare), the franchise not only bounced back, but continues to improve and stay fresh. Mission: Impossible—Rogue Nation is just a flat-out good time.
JT (287 KP) rated Sinister (2012) in Movies
Mar 10, 2020
Has the found footage genre been done to death? Some would very much say it has, yet they keep on churning the films out. One thing to note with many of these is the budget, films like Paranormal Activity and Insidious were made for a pittance yet generated millions at the box office.
This is the same for Sinister, made for $3m it grossed almost $80m and was one of the surprise hits of last year, of course films like this are not going to be everyone’s cup of tea, but I love a good scare now and again and here I wasn’t disappointed.
Ethan Hawke is the clear standout in this one, here he plays true crime writer Ellison Oswalt who is looking for his next big thing to thrust him into the limelight. He and his family move into a house which he tells them is only a few doors down from a gruesome murder of a family who were all hung from a tree in their back garden.
When he finds a box in his attic containing reels of super 8 film and a camera he soon discovers more grisly murders and that somehow they are all linked to each other. Add to that a mysterious figure who appears in all the films and you have a character who goes a little stir crazy in trying to uncover the truth.
His family are desperate to leave, not happy with the current surroundings they are thrown into even more turmoil when its revealed that the house Oswalt said was two doors down is actually the house they are living in at the moment, don’t you just hate when that happens?
Director Scott Derrickson builds solid amounts of tension throughout, most disturbing are the super 8 films that show a number of families being killed off (you’ll never look at a lawn mower in the same light again). But then you have the same old horror cliché’s slipping back into it, things going bump in the night which leave you waiting for that revealing moment which comes with a consistent bang.
You’d be forgiven for thinking that this might not actually be classed as found footage, certainly not in the same vein as maybe Paranormal Activity or The Blair Witch Project. We’re not viewing anything from the point of view that the characters in this are dead….yet, and the resulting film is their story. But it is ‘found footage’, in that Oswalt has uncovered these films in his attic.
What makes Sinister that bit more unnerving is the somber mood, lighting and camera angles. Not quite giving us the full picture we have to let our imagination stay a few steps ahead of us. The musical score then connects everything together to give us a real horror treat.
Hawke gives a solid performance, he’s a man very much on the edge and that fame is the answer to his future. He’ll succeed at whatever the cost, and the cost is ultimately a big one. The end reveal some might have seen coming a mile off, personally I wasn’t expecting it so it was a good finish to a film that had rattled the nerves a few times.
Produced by the same team that brought us Paranormal Activity and Insidious, it’s a low budget success that shows big budget horrors how it should be done.
This is the same for Sinister, made for $3m it grossed almost $80m and was one of the surprise hits of last year, of course films like this are not going to be everyone’s cup of tea, but I love a good scare now and again and here I wasn’t disappointed.
Ethan Hawke is the clear standout in this one, here he plays true crime writer Ellison Oswalt who is looking for his next big thing to thrust him into the limelight. He and his family move into a house which he tells them is only a few doors down from a gruesome murder of a family who were all hung from a tree in their back garden.
When he finds a box in his attic containing reels of super 8 film and a camera he soon discovers more grisly murders and that somehow they are all linked to each other. Add to that a mysterious figure who appears in all the films and you have a character who goes a little stir crazy in trying to uncover the truth.
His family are desperate to leave, not happy with the current surroundings they are thrown into even more turmoil when its revealed that the house Oswalt said was two doors down is actually the house they are living in at the moment, don’t you just hate when that happens?
Director Scott Derrickson builds solid amounts of tension throughout, most disturbing are the super 8 films that show a number of families being killed off (you’ll never look at a lawn mower in the same light again). But then you have the same old horror cliché’s slipping back into it, things going bump in the night which leave you waiting for that revealing moment which comes with a consistent bang.
You’d be forgiven for thinking that this might not actually be classed as found footage, certainly not in the same vein as maybe Paranormal Activity or The Blair Witch Project. We’re not viewing anything from the point of view that the characters in this are dead….yet, and the resulting film is their story. But it is ‘found footage’, in that Oswalt has uncovered these films in his attic.
What makes Sinister that bit more unnerving is the somber mood, lighting and camera angles. Not quite giving us the full picture we have to let our imagination stay a few steps ahead of us. The musical score then connects everything together to give us a real horror treat.
Hawke gives a solid performance, he’s a man very much on the edge and that fame is the answer to his future. He’ll succeed at whatever the cost, and the cost is ultimately a big one. The end reveal some might have seen coming a mile off, personally I wasn’t expecting it so it was a good finish to a film that had rattled the nerves a few times.
Produced by the same team that brought us Paranormal Activity and Insidious, it’s a low budget success that shows big budget horrors how it should be done.
Phillip McSween (751 KP) rated Swing Time (1936) in Movies
Aug 14, 2020
Entertaining Despite Some Flaws
Fucking blackface, am I right? I’ll warn you now if you plan to watch Swing Time: There is a blackface scene. In spite of this touch of ignorance, as a black man, I have to say that I rather enjoyed the movie. The plot: When John Garnet (Fred Astaire) gets cold feet on his wedding day, his fiance opts to give him another chance if he can find a way to earn $25,000. John is all for it until he falls in love with a dance instructor and tries to find every way in the world to avoid making the money.
Acting: 10
Beginning: 6
In the beginning John’s dance troupe tries to distract him by keeping him from getting married. They feel like if he doesn’t go through with it, he can keep working with them. Despite their efforts, it was much more annoying than it was funny. Not a great way to kick off the story.
Characters: 10
Cinematography/Visuals: 8
For the most part, the movie is cinematically gorgeous. I loved the dance numbers, well most of them anyway. It all reverts back to that damn blackface scene. It was an unnecessary piece of the film that did absolutely nothing for the story. Other than that, the movie is shot in a gorgeous fashion.
Conflict: 10
Most of the conflict stems from John’s rising feelings for Penelope the dance instructor (Ginger Rogers). You get the sense that they are meant to be together but John is working towards trying to be with another woman. You hope before the story’s end that he ends up in the right place. It’s a journey getting there.
Entertainment Value: 8
Memorability: 10
Pace: 10
Plot: 2
The premise and the way it unfolds is a miss for me. Fortunately the characters and setpieces were enough to carry the movie. it was a really hard buy-in for me.
Resolution: 10
While not perfect, the ending is a satisfying completion to the story. You can definitely see it coming the closer you get, but it’s still good. Great closure for the main characters.
Overall: 84
Not my favorite of the classics, Swing Time still deserves its place in history. As far as the blackface is concerned, I think we owe it to ourselves not to shy away from things that happened in history. Even the bad things. In spite being on the wrong side of history, I enjoyed it.
Acting: 10
Beginning: 6
In the beginning John’s dance troupe tries to distract him by keeping him from getting married. They feel like if he doesn’t go through with it, he can keep working with them. Despite their efforts, it was much more annoying than it was funny. Not a great way to kick off the story.
Characters: 10
Cinematography/Visuals: 8
For the most part, the movie is cinematically gorgeous. I loved the dance numbers, well most of them anyway. It all reverts back to that damn blackface scene. It was an unnecessary piece of the film that did absolutely nothing for the story. Other than that, the movie is shot in a gorgeous fashion.
Conflict: 10
Most of the conflict stems from John’s rising feelings for Penelope the dance instructor (Ginger Rogers). You get the sense that they are meant to be together but John is working towards trying to be with another woman. You hope before the story’s end that he ends up in the right place. It’s a journey getting there.
Entertainment Value: 8
Memorability: 10
Pace: 10
Plot: 2
The premise and the way it unfolds is a miss for me. Fortunately the characters and setpieces were enough to carry the movie. it was a really hard buy-in for me.
Resolution: 10
While not perfect, the ending is a satisfying completion to the story. You can definitely see it coming the closer you get, but it’s still good. Great closure for the main characters.
Overall: 84
Not my favorite of the classics, Swing Time still deserves its place in history. As far as the blackface is concerned, I think we owe it to ourselves not to shy away from things that happened in history. Even the bad things. In spite being on the wrong side of history, I enjoyed it.
Haley Mathiot (9 KP) rated Wolfhound Century in Books
Apr 27, 2018
When I first started reading (well, listening) to this book, I got a little confused and disoriented. There were a lot of names and places that, although they were English, they weren’t words or names that I knew, so I had trouble keeping track of what was going on. Part of the problem was I listened to a chapter here, a chapter there. So I put it aside, listened to something else, and went back to it later when I had hours upon hours to invest into it.
Boy am I glad I listened to this story.
I cannot describe to you how beautiful this story was. It was exciting and nerve wracking and terrifying. It was totally new and different and unique from anything else I’ve ever read. It had a love story, but it was an epic love story, not a romance as defined by the modern-day genre. It was sweet and beautiful and enthralling. It’s fantasy, but it’s not “elves and dwarves and fairies” fantasy… it’s fantastical and imaginary and connected with nature, but there aren’t warlocks. Higgins has his own set of creatures, his own city and country, his own history, his own world, and I loved it (though I didn’t want to live there. Read the summary, you wouldn’t either). On top of that, the writing was descriptive and concrete, and I felt like I was a part of the world. I felt like I was Lom an Marucia and Raku (I have no idea how to spell their names because I listened to the audio). I seriously didn’t want it to end.
Man, it’s been a good year for audiobooks! Guys, get this one asap. Give it thirty minutes of your time, and you’ll be sucked in.
Neil Dickson, the narrator, was also wonderful. He’s done a few other audiobooks, including the dramatized edition of The Importance of Being Earnest, and James Patterson’s The Jester. I’m definitely going to keep my eyes open for other work he does.
Content/Recommendation: Some violence, darker themes. Ages 16+
Boy am I glad I listened to this story.
I cannot describe to you how beautiful this story was. It was exciting and nerve wracking and terrifying. It was totally new and different and unique from anything else I’ve ever read. It had a love story, but it was an epic love story, not a romance as defined by the modern-day genre. It was sweet and beautiful and enthralling. It’s fantasy, but it’s not “elves and dwarves and fairies” fantasy… it’s fantastical and imaginary and connected with nature, but there aren’t warlocks. Higgins has his own set of creatures, his own city and country, his own history, his own world, and I loved it (though I didn’t want to live there. Read the summary, you wouldn’t either). On top of that, the writing was descriptive and concrete, and I felt like I was a part of the world. I felt like I was Lom an Marucia and Raku (I have no idea how to spell their names because I listened to the audio). I seriously didn’t want it to end.
Man, it’s been a good year for audiobooks! Guys, get this one asap. Give it thirty minutes of your time, and you’ll be sucked in.
Neil Dickson, the narrator, was also wonderful. He’s done a few other audiobooks, including the dramatized edition of The Importance of Being Earnest, and James Patterson’s The Jester. I’m definitely going to keep my eyes open for other work he does.
Content/Recommendation: Some violence, darker themes. Ages 16+
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