"I have friends who never read books, and so when they ask me what they should pick up first, I always give them this one. I tell them there are some books that are like drugs, and will give you a quick hit, but if you want something that will stay with you and resonate for a long while afterward, then try this. I read it for school, and it speaks to the power of the book that I could analyze the bugger out of it and still not fall out of love with it."

"I also love the movie Moonstruck. I just think, again, it’s so brilliantly performed. I think Moonstruck and Tootsie are perfect movies. Like, I can’t find a flaw in them, and I’ve watched them countless times. I just think that they are perfect films. And in Moonstruck, what they’re dealing with is death, and loneliness, and loving the wrong person, and a family tie, and infidelity. And yet, it’s the most charming, uplifting, happy movie. I mean, the soundtrack, the score. There’s a makeover in it. I mean, come on, I love a makeover. And again, you have New York, you have Brooklyn, you have this wonderful city. You have this culture of this Italian family. It’s just wonderful. And Nicolas Cage gives the most insane performance I’ve ever seen. When he is screaming about his hand in the bakery, I’m like, “What is that? Who does it that way?” Nobody would do that. Only Nicolas Cage would just scream at the top of his lungs, like, “I lost my hand! I lost my bride!” I marvel at the balls, and that performance just wrecked me. Then her, of course, smacking him — we’ll never forget it."

"Well Mutt Lange produced that one and obviously he produced Back In Black and Highway To Hell and loads of other albums that I really love. But Foreigner 4… well it’s wrong to like it, but it’s just so good! It’s really synthy and really poppy. It’s got ‘Waiting For A Girl Like You’ and ‘Urgent’ and loads of really big songs which all sound just like Mutt Lange. I love Mutt Lange and I love Foreigner, so really it’s my ultimate album. The way Lou Gramm sings is just so earnest, as if his life depends on it, but when you actually listen to what he’s saying, it’s really trite. So singing that like his life depends on it makes things kind of uncomfortable to actually analyse what you’re listening to, but it feels really good in the moment. Out of all the Foreigner albums, this and Double Vision are the ones I always come back to a lot. I once bought an Agent Provocateur t-shirt ironically and then worked my way back from there (laughs). Got the t-shirt, THEN bought the album and bought the one before that, and loved it!"

"I love Kore-eda; I can’t wait to watch Shoplifters. This film feels like a natural extension of Ozu, which is wonderful. As an Asian American person, you look for ways to justify and explain and understand why your family dynamic is the way it is, despite the fact that you’re in this country where everybody’s family dynamic seems very different. Then you get these glimpses and you’re like, oh, I can see the connection there."