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Debbiereadsbook (1829 KP) rated Kari's Kismet (Divergent Omegaverse #6) in Books
May 12, 2026
Bowie and Kari are perfect for each other!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 6 in the Divergent Omegaverse series, and I recommend you read them in order. While the books themselves are overlapping in the timeline, some things happen in previous books that are mentioned here, and talked about but not fully recapped and you really do need to know about the visit to the ranch, and what happened at the factory.
There have been hints about Kari and Bowie in previous books and I really enjoyed their book. Not loved though, and I can't figure out why!
Kari is a born Starling, twin to Kodi. He's the calmer of the two.
Kari watches Bowie, like a hawk, so he notices when something isn't right, his wolf knows something is very wrong. Once Kari finds Bowie, his Daddy side kicks in. And that Daddy side is so powerful, and sweet, and loving and neither of them saw this coming, so it was cute as well.
Bowie had a difficult upbringing, and it spills over into his adult life. The prologue made me cry! But once Bowie finds his feet, as it were, with his Daddy, and once they get smexy? Oh my days, that boy is fierce!
Some darker things happen, but I'm not spoiling it for you.
I'm looking forward to Kodi's book, and there is also Jupiter and Laken still to fall. I do enjoy the snippets of text messages, between the PA's and the Starling brothers. And the little bits we get of Lane and Derick (Popi and Dad!)
It's a fairly easy read, and I can't figure out why I didn't love it! Sorry!
4 very, very good stars
*Same worded review will appear elsewhere
This is book 6 in the Divergent Omegaverse series, and I recommend you read them in order. While the books themselves are overlapping in the timeline, some things happen in previous books that are mentioned here, and talked about but not fully recapped and you really do need to know about the visit to the ranch, and what happened at the factory.
There have been hints about Kari and Bowie in previous books and I really enjoyed their book. Not loved though, and I can't figure out why!
Kari is a born Starling, twin to Kodi. He's the calmer of the two.
Kari watches Bowie, like a hawk, so he notices when something isn't right, his wolf knows something is very wrong. Once Kari finds Bowie, his Daddy side kicks in. And that Daddy side is so powerful, and sweet, and loving and neither of them saw this coming, so it was cute as well.
Bowie had a difficult upbringing, and it spills over into his adult life. The prologue made me cry! But once Bowie finds his feet, as it were, with his Daddy, and once they get smexy? Oh my days, that boy is fierce!
Some darker things happen, but I'm not spoiling it for you.
I'm looking forward to Kodi's book, and there is also Jupiter and Laken still to fall. I do enjoy the snippets of text messages, between the PA's and the Starling brothers. And the little bits we get of Lane and Derick (Popi and Dad!)
It's a fairly easy read, and I can't figure out why I didn't love it! Sorry!
4 very, very good stars
*Same worded review will appear elsewhere
ArecRain (8 KP) rated Beating Ruby (Spotless Series Book 2) in Books
Jan 18, 2018
I have been putting off this review for a long time because once I write it, I must accept that I have finished the novel and the wait for book 3 begins. If I loved Spotless, I dont think there are words for how I feel about Beating Ruby. I dont think I could love this series more if I tried. It is utter perfection in every way and has everything you could ever want in a novel whether that be action, romance, or humor. Monk (and her leading lady Island) has a unique voice that gives her life all her own. I didnt think it was possible for an author to fit so much personality into a fictional character, but I feel as if Island and I are old friends, that she is flesh and blood instead of words on paper. Not to mention she is far more relatable than the plethora of heroines I read about.
I will be honest and say that Beating Ruby was a bit hard to get into. Mainly because, like Island, I was still too hung up on March to give Alex, or the plotline itself, a chance. I am so glad I hung in there though. Monk likes to torture her readers with what ifs and maybes, but at least in the instance, she wasnt a complete sadist.
While I enjoyed Spotless, I definitely feel that Beating Ruby surpassed the bar its prequel raised. It still had the same sassy humor and brains that Spotless had. However, I feel Beating Ruby brought more emotions that Spotless just didnt touch. Of course, there was plenty of leftover turmoil from secrets revealed in Spotless to fuel the emotional fire as well as questions that still needed answers.
Again, Monk ends her sequel with what I would consider a cliffhanger. I should be furious that I have to suffer yet again until she graces us with the third in the series. However, I think I can forgive her since Beating Ruby surpassed its predecessor. Even if the third is only half as good as the first two, I will content.
I will be honest and say that Beating Ruby was a bit hard to get into. Mainly because, like Island, I was still too hung up on March to give Alex, or the plotline itself, a chance. I am so glad I hung in there though. Monk likes to torture her readers with what ifs and maybes, but at least in the instance, she wasnt a complete sadist.
While I enjoyed Spotless, I definitely feel that Beating Ruby surpassed the bar its prequel raised. It still had the same sassy humor and brains that Spotless had. However, I feel Beating Ruby brought more emotions that Spotless just didnt touch. Of course, there was plenty of leftover turmoil from secrets revealed in Spotless to fuel the emotional fire as well as questions that still needed answers.
Again, Monk ends her sequel with what I would consider a cliffhanger. I should be furious that I have to suffer yet again until she graces us with the third in the series. However, I think I can forgive her since Beating Ruby surpassed its predecessor. Even if the third is only half as good as the first two, I will content.
Laura Doe (1350 KP) rated Die For Me (Killing Eve #3) in Books
Jan 20, 2022
As with the previous book, we pick up exactly where we left off with Eve and Villanelle. On the run and trying to stay undetected, Villanelle takes Eve to her country of birth in a shipping container, and when they land in Russia it is far from smooth.
We follow Eve and Villanelle as they try to remain hidden from the Twelve’s all seeing eyes while trying to figure out what their next move should be. I really started to hope and wonder if they could manage to start a new and happy life together as things seemed to slot into place. But, obviously, things were never going to be that simple when it came to these characters. Throughout this book, Eve starts to become more and more like Villanelle, probably because she is in survival mode, the only difference being that she does feel some guilt over what is happening. I sort of saw the twist at the end of the book coming, but also didn’t want to believe that it would happen as I wanted everything to work out nicely for them.
This book, unlike the others, is all written from Eve’s point of view. This means that we get a lot more insight into Eve’s feelings and her struggle to understand Villanelle and her behaviours towards her. You can see that Eve loves Villanelle despite everything while Villanelle seems to behave in ways that will intentionally hurt Eve and then uses her diagnosis as a psychopath to excuse her behaviour. The good thing is that Eve repeatedly tells her that she can’t use it as an excuse, but at the same time she still lets Villanelle get away with the behaviour.
Overall, I would give this final instalment 4.5 stars as I really enjoyed it and didn’t put it down until I had read the very last word. I wish that there were more books coming as I have found this series really good reads (despite them being about a psychopath assassin!) and although I love them, I think the TV series is a great adaptation of them, even if they have gone in slightly different directions. I will miss Eve and Villanelle immensely now that I have finished the series.
We follow Eve and Villanelle as they try to remain hidden from the Twelve’s all seeing eyes while trying to figure out what their next move should be. I really started to hope and wonder if they could manage to start a new and happy life together as things seemed to slot into place. But, obviously, things were never going to be that simple when it came to these characters. Throughout this book, Eve starts to become more and more like Villanelle, probably because she is in survival mode, the only difference being that she does feel some guilt over what is happening. I sort of saw the twist at the end of the book coming, but also didn’t want to believe that it would happen as I wanted everything to work out nicely for them.
This book, unlike the others, is all written from Eve’s point of view. This means that we get a lot more insight into Eve’s feelings and her struggle to understand Villanelle and her behaviours towards her. You can see that Eve loves Villanelle despite everything while Villanelle seems to behave in ways that will intentionally hurt Eve and then uses her diagnosis as a psychopath to excuse her behaviour. The good thing is that Eve repeatedly tells her that she can’t use it as an excuse, but at the same time she still lets Villanelle get away with the behaviour.
Overall, I would give this final instalment 4.5 stars as I really enjoyed it and didn’t put it down until I had read the very last word. I wish that there were more books coming as I have found this series really good reads (despite them being about a psychopath assassin!) and although I love them, I think the TV series is a great adaptation of them, even if they have gone in slightly different directions. I will miss Eve and Villanelle immensely now that I have finished the series.
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Ivana A. | Diary of Difference (1171 KP) rated The Dead Girls Club in Books
Feb 3, 2020
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The Dead Girls Club by Damien Angelica Walters left me unprepared for what I was about to read.
A perfect blend of mystery, spookiness, friendship and psychological trauma. This book will keep you away from social events until you are finished. And a few days after…
<i><b>Red Lady, Red Lady, show us your face…</b>
In 1991, Heather Cole and her friends were members of the Dead Girls Club. Obsessed with the macabre, the girls exchanged stories about serial killers and imaginary monsters, like the Red Lady, the spirit of a vengeful witch killed centuries before. Heather knew the stories were just that, until her best friend Becca began insisting the Red Lady was real – and she could prove it.
That belief got Becca killed.
It’s been nearly thirty years, but Heather has never told anyone what really happened that night–that Becca was right and the Red Lady was real. She’s done her best to put that fateful summer, Becca, and the Red Lady, behind her. Until a familiar necklace arrives in the mail, a necklace Heather hasn’t seen since the night Becca died.
The night Heather killed her.
Now, someone else knows what she did…and they’re determined to make Heather pay.</i>
From the beginning of the book, you can feel the intensity, the guilt and the mystery behind it, which was something I very much enjoy in my books. We get to see the life of Heather 30 years after the death of Becca, and we know from the very first chapter that Heather killed her.
But they were best friends. And Heather loves Becca, even now, with every atom of her body. They were those BFFs that were always together, and knew each other’s secrets. They both loved mystery and talking about serial killers. And then things somehow start to go wrong. They are slipping from the friendship slide, and they can’t do anything to stop it…
<i><b>The heart, the other half of which once hung around my neck, even after, is a cheap thing of nickel, stainless steel, or some inexpensive alloy. Originally affixed to a cardboard square and purchased by two girls who saved their allowance. Best Friends Forever. We meant it, she and I. We meant it with every bone in our bodies and every true and good thing in our souls. We didn’t know forever didn’t always last that long.</b></i>
This is one of the few stories where I rooted for a killer. I know how horrible it sounds, but I loved that perspective. The innocence behind a terrible act. The belief that what you did might have been wrong, but you still did it for the right reasons. The ultimate friendship and the boundaries.
I loved Heather, and I also loved Becca. I hated all the things that were standing between them, driving them further away from each other.
This is a book about a murder, and about a scary story becoming real. But this book is also about friendship, about psychological trauma, and about the force a person needs to get trough it. The crucial support this person requires to get through the rainy days. Heather was struggling, and there was no one beside her to help her. Everyone she knew and trusted suddenly abandoned her, and this tells a sad and realistic story about the reality people with mental health issues are facing. No one wants a damaged person in their lives, I get that. But when this person is your friend for life, when this person is your life companion, you know. You know how they were before it, and you should always be there to support them, and get them to become their healthy selves again. We all need a person in life that will push our boundaries and be there for us when we are not able to be there for ourselves.
The Dead Girls Club covers so many topics that warm and crush my heart. And I love it for it. If your book taste is similar to mine, I am sure you will love this book too, and I recommend it!
Huge thanks to Melissa and the team at Crooked Lane Books in the US, for sending me a paperback ARC copy in exchange for my honest review!
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The Dead Girls Club by Damien Angelica Walters left me unprepared for what I was about to read.
A perfect blend of mystery, spookiness, friendship and psychological trauma. This book will keep you away from social events until you are finished. And a few days after…
<i><b>Red Lady, Red Lady, show us your face…</b>
In 1991, Heather Cole and her friends were members of the Dead Girls Club. Obsessed with the macabre, the girls exchanged stories about serial killers and imaginary monsters, like the Red Lady, the spirit of a vengeful witch killed centuries before. Heather knew the stories were just that, until her best friend Becca began insisting the Red Lady was real – and she could prove it.
That belief got Becca killed.
It’s been nearly thirty years, but Heather has never told anyone what really happened that night–that Becca was right and the Red Lady was real. She’s done her best to put that fateful summer, Becca, and the Red Lady, behind her. Until a familiar necklace arrives in the mail, a necklace Heather hasn’t seen since the night Becca died.
The night Heather killed her.
Now, someone else knows what she did…and they’re determined to make Heather pay.</i>
From the beginning of the book, you can feel the intensity, the guilt and the mystery behind it, which was something I very much enjoy in my books. We get to see the life of Heather 30 years after the death of Becca, and we know from the very first chapter that Heather killed her.
But they were best friends. And Heather loves Becca, even now, with every atom of her body. They were those BFFs that were always together, and knew each other’s secrets. They both loved mystery and talking about serial killers. And then things somehow start to go wrong. They are slipping from the friendship slide, and they can’t do anything to stop it…
<i><b>The heart, the other half of which once hung around my neck, even after, is a cheap thing of nickel, stainless steel, or some inexpensive alloy. Originally affixed to a cardboard square and purchased by two girls who saved their allowance. Best Friends Forever. We meant it, she and I. We meant it with every bone in our bodies and every true and good thing in our souls. We didn’t know forever didn’t always last that long.</b></i>
This is one of the few stories where I rooted for a killer. I know how horrible it sounds, but I loved that perspective. The innocence behind a terrible act. The belief that what you did might have been wrong, but you still did it for the right reasons. The ultimate friendship and the boundaries.
I loved Heather, and I also loved Becca. I hated all the things that were standing between them, driving them further away from each other.
This is a book about a murder, and about a scary story becoming real. But this book is also about friendship, about psychological trauma, and about the force a person needs to get trough it. The crucial support this person requires to get through the rainy days. Heather was struggling, and there was no one beside her to help her. Everyone she knew and trusted suddenly abandoned her, and this tells a sad and realistic story about the reality people with mental health issues are facing. No one wants a damaged person in their lives, I get that. But when this person is your friend for life, when this person is your life companion, you know. You know how they were before it, and you should always be there to support them, and get them to become their healthy selves again. We all need a person in life that will push our boundaries and be there for us when we are not able to be there for ourselves.
The Dead Girls Club covers so many topics that warm and crush my heart. And I love it for it. If your book taste is similar to mine, I am sure you will love this book too, and I recommend it!
Huge thanks to Melissa and the team at Crooked Lane Books in the US, for sending me a paperback ARC copy in exchange for my honest review!
<a href="https://amzn.to/2Wi7amb">Wishlist</a>; | <a
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
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Get ready for the mobile platformer that literally plays like a dream. Bean Dreams is an...
Alice (117 KP) rated Children of Virtue and Vengeance in Books
Mar 3, 2021
3 is probably generous... review to follow
(There's proabably spoilers in here)
Okay so I hadn't heard great things about this so I was apprehensive about picking it up and after the first half I didn't really see what all the fuss was about but then it happened. This whole book stressed me out and made me angry. The lack of communication was so frustrating that nobody would believe anybody else and it just led to so many unnecessary conflicts. The whole overarching plot was about the war but then every chapter had the exact same conflicts that happened in every chapter before... "Inan is bad, no wait Inan is good, how could we be so stupid of course iInan is bad, but maybe he's good nope still bad" you catch my drift. Also Inan even did this himself because he may be the king but he's not in control of his kingdom which I'm not mad about I think it was good to show that he was a puppet (I'm an Inan sympathiser okay I'm sorry) but when nobody would believe that he was trying because everytime he tried someone else would step in and ruin it. Then there was Zelie flitting between being too weak to be an elder and wanting to run away and vowing to be the leader that her clan needs. Don't get me started on Amari, she had zero chemistry with Inan like I don't think she thought about him at all when he wasn't around and that thing she did towards the end of the book WHAT THE ACTUAL F was that!!!!! Unnecessary love triangles when clearly the only person that Zelie loves is herself. We spent the whole book gaging up for this big battle and then at the end it just never happened??? Need I go on. I don't want to be too scathing because I loved the first book so by proxy still care about this series but I don't really know what happened here.
(There's proabably spoilers in here)
Okay so I hadn't heard great things about this so I was apprehensive about picking it up and after the first half I didn't really see what all the fuss was about but then it happened. This whole book stressed me out and made me angry. The lack of communication was so frustrating that nobody would believe anybody else and it just led to so many unnecessary conflicts. The whole overarching plot was about the war but then every chapter had the exact same conflicts that happened in every chapter before... "Inan is bad, no wait Inan is good, how could we be so stupid of course iInan is bad, but maybe he's good nope still bad" you catch my drift. Also Inan even did this himself because he may be the king but he's not in control of his kingdom which I'm not mad about I think it was good to show that he was a puppet (I'm an Inan sympathiser okay I'm sorry) but when nobody would believe that he was trying because everytime he tried someone else would step in and ruin it. Then there was Zelie flitting between being too weak to be an elder and wanting to run away and vowing to be the leader that her clan needs. Don't get me started on Amari, she had zero chemistry with Inan like I don't think she thought about him at all when he wasn't around and that thing she did towards the end of the book WHAT THE ACTUAL F was that!!!!! Unnecessary love triangles when clearly the only person that Zelie loves is herself. We spent the whole book gaging up for this big battle and then at the end it just never happened??? Need I go on. I don't want to be too scathing because I loved the first book so by proxy still care about this series but I don't really know what happened here.
Phillip McSween (751 KP) rated Gran Torino (2009) in Movies
Mar 25, 2018
Original
A racist Korean War veteran has to deal with his own prejudice when a Hmong teenager tries to steal his car.
Acting: 8
Clint Eastwood comes out of the gates swinging in playing racist Walt Kowalski. I thought it was a daring role seeing as, even though the character had a strong prejudices, you were still supposed to somehow like and respect him. Clint walks that line finely and pulls the role off with that smooth ease I've seen in a number of his previous roles.
Special love to a strong supporting role from Chee Thao who plays the angry Grandma of the Hmong family. She hates Clint as much as he hates her and their chemistry makes for some hilarious scenes. She captures the role perfectly.
Beginning: 1
Characters: 10
Gran Torino features a rich array of characters with meaning and depth. Walt is a man set in his ways after the war hardened him, but you find his walls slowly tearing down as the movie progresses. He reluctantly lets in the people that he wouldn't normally and finds himself becoming closer to them than his own family. While his heart may have changed, I appreciated the fact that his mouth didn't. Walt, with his brutal honesty, always spoke what was on his mind at all times which was funny and refreshing at the same time.
Thao (Bee Vang) has his own internal struggle as he deals with getting his education while trying to take care of his family and still fit in with the men in his family. He wants to be different than his thug cousins but he's too much of a softy to stand up for himself. Thao and Walt end up on a collision course towards each other surrounded by a number of characters that have their own stories worth paying attention to.
Cinematography/Visuals: 10
A lot of scenes stuck out in my head when considering Gran Torino. From family dinners to one-off scenes with Walt and Thao, the film provides believable insight into Walt becoming closer to his "enemies" than his own family. The dinners were shot in a claustrophobic type of way. Thao's house was littered with people and you find a surrounded Walt trying to navigate his way through while steering clear of being social. The film as a whole was shot in a dark style indicative of looming danger. It's unnerving in a way, but effective at the same time.
Conflict: 10
Genre: 7
Memorability: 10
The hard dramatic shift in the film is like a gut punch, both jarring and unexpected. I appreciate when a film can change tones and still be effective. I also appreciate when films show racism from both sides of the fence. There's a refreshing sense of realism you get with Gran Torino that may be sacrificed in other films for the sake of getting a point across. In Torino, no one is innocent. No one is exempt.
I can't even count the number of one-liners that Walt provides throughout the span of the movie. My personal favorite: "Good day, puss cake." I have often considered how hilarious it would be to randomly say that to someone. There's still time...
Pace: 6
Definitely could have been improvement in the pacing department. The beginning starts off extremely slow before moving at a shaky pace. It finally levels out at about the half hour mark, but the damage had already been done for me at this point.
Plot: 10
Solid storyline from beginning to end that is both intriguing and unique. We are provided with an insight into a different culture in an endearing way that makes you smile.
Resolution: 5
Overall: 77
Gran Torino is an original film that succeeds with gritty realism and strong characters. A few tweaks, particularly a stronger ending, would have put the movie into a higher tier for me. Still a solid watch.
Acting: 8
Clint Eastwood comes out of the gates swinging in playing racist Walt Kowalski. I thought it was a daring role seeing as, even though the character had a strong prejudices, you were still supposed to somehow like and respect him. Clint walks that line finely and pulls the role off with that smooth ease I've seen in a number of his previous roles.
Special love to a strong supporting role from Chee Thao who plays the angry Grandma of the Hmong family. She hates Clint as much as he hates her and their chemistry makes for some hilarious scenes. She captures the role perfectly.
Beginning: 1
Characters: 10
Gran Torino features a rich array of characters with meaning and depth. Walt is a man set in his ways after the war hardened him, but you find his walls slowly tearing down as the movie progresses. He reluctantly lets in the people that he wouldn't normally and finds himself becoming closer to them than his own family. While his heart may have changed, I appreciated the fact that his mouth didn't. Walt, with his brutal honesty, always spoke what was on his mind at all times which was funny and refreshing at the same time.
Thao (Bee Vang) has his own internal struggle as he deals with getting his education while trying to take care of his family and still fit in with the men in his family. He wants to be different than his thug cousins but he's too much of a softy to stand up for himself. Thao and Walt end up on a collision course towards each other surrounded by a number of characters that have their own stories worth paying attention to.
Cinematography/Visuals: 10
A lot of scenes stuck out in my head when considering Gran Torino. From family dinners to one-off scenes with Walt and Thao, the film provides believable insight into Walt becoming closer to his "enemies" than his own family. The dinners were shot in a claustrophobic type of way. Thao's house was littered with people and you find a surrounded Walt trying to navigate his way through while steering clear of being social. The film as a whole was shot in a dark style indicative of looming danger. It's unnerving in a way, but effective at the same time.
Conflict: 10
Genre: 7
Memorability: 10
The hard dramatic shift in the film is like a gut punch, both jarring and unexpected. I appreciate when a film can change tones and still be effective. I also appreciate when films show racism from both sides of the fence. There's a refreshing sense of realism you get with Gran Torino that may be sacrificed in other films for the sake of getting a point across. In Torino, no one is innocent. No one is exempt.
I can't even count the number of one-liners that Walt provides throughout the span of the movie. My personal favorite: "Good day, puss cake." I have often considered how hilarious it would be to randomly say that to someone. There's still time...
Pace: 6
Definitely could have been improvement in the pacing department. The beginning starts off extremely slow before moving at a shaky pace. It finally levels out at about the half hour mark, but the damage had already been done for me at this point.
Plot: 10
Solid storyline from beginning to end that is both intriguing and unique. We are provided with an insight into a different culture in an endearing way that makes you smile.
Resolution: 5
Overall: 77
Gran Torino is an original film that succeeds with gritty realism and strong characters. A few tweaks, particularly a stronger ending, would have put the movie into a higher tier for me. Still a solid watch.
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Chris Sawin (602 KP) rated All the Boys Love Mandy Lane (2006) in Movies
Jun 18, 2019
Mandy Lane (Amber Heard) becomes the most desirable girl in high school over one fateful summer; she's definitely not like the other girls her age though. While most guys want to do everything imaginable to her, she's turned them all down. The only guy she really gives the time of day is her best friend, Emmet (Michael Welch). That is until a certain incident at a pool party comes between them. Now nine months later, Mandy has distanced herself from Emmet and has a group of new friends. These friends have decided to invite Mandy to a ranch out in the middle of nowhere for a few days and the guys who tag along hope to accomplish what, up to this point, has been impossible. But when people begin to turn up missing, they soon realize that they're not alone and someone is taking their obsession with Mandy Lane a little too far.
All the Boys Love Mandy Lane was like an urban myth for the longest period of time. The film debuted at the Toronto International Film Festival in 2006 and released in the UK in 2008. It seemed to be released in every country other than the US shortly thereafter and it took another excruciating five years since it didn’t debut stateside until October of 2013. For a film that was originally shot in 2006, taking seven years to finally see distribution is bizarre and disheartening. The horror film originally caught the eye of The Weinstein Company immediately after debuting at TIFF, but the Weinstein brothers couldn’t come to a decision regarding its release (Harvey wanted a wide theatrical distribution while Bob thought the “artsy” film deserved more of a limited release). Rights to the film were eventually sold to a German company called Senator Entertainment US, who released the film in Germany and Austria and had the intention of premiering the film in the US. But the US branch of Senator Entertainment US went under in 2009 and rights to the film were dead in the water until The Weinstein Company reacquired distribution rights in 2013. The film was released on demand on September 6th with a limited theatrical run October 11th the same year.
The crew for the film consisted of college students freshly graduated from the American Film Institute. Producer Chad Feehan had the film as his thesis during college as work on the project initially began in 2003. Written by Jacob Forman and directed by Jonathan Levine (50/50, Warm Bodies), the film garnered an unbelievable amount of positive buzz online that accumulated into this massive pile of insurmountable expectations. Reading about the film for so long and hearing about how good it was from the biggest of horror sites probably inadvertently hurt the film more than it escalated interest for it.
All the Boys Love Mandy Lane takes a Dazed and Confused approach to the first half of the film. Similar to how Wolf Creek had you swimming through 45-minutes of character development before the actual horror began (or how Hatchet was silly for the same amount of time before diving into awesome practical gore effects), All the Boys Love Mandy Lane is mostly high school kids getting into typical teenager shenanigans; drinking alcohol, doing drugs, and having sex. The second half of the film is pure horror and is essentially a slasher film. The horror is teased at first with little glimpses of terror before diving right back into high school mode, but the film is able to intensify its sense of dread to the point where it’s eventually beautifully horrific in every scene.
For a film that is made by first time filmmakers for less than $1 million, All the Boys Love Mandy Lane has beautiful cinematography. Vivid colors jump off the screen and seem even lusher once the film begins to cover itself in mud and dirt. Cinematographer Darren Genet has an eye for dynamic angles and utilizing when to focus and blur menacing figures in the background (or foreground) for maximum impact. The film also has a tendency to overlap shots in order to create an entirely new, which can probably be contributed to the talent of film editor Josh Noyes (The Wackness). These impressive filming techniques shine brightest when Bird (Edwin Hodge) is on-screen; when he goes to start the generator after the power goes out, when he confronts the killer, and the car chase. Like other successful film genres, horror can often become formulaic not only when it comes to its writing or how its acted but how it’s shot. It’s always a breath of fresh air when you can say a film is unique in some capacity; especially horror.
With Michael Welch mostly being associated with portraying popular high school student Mike Newton in the Twilight franchise, your expectations for a memorable performance from Welch in All the Boys Love Mandy Lane are probably fairly low. Around the time Mandy Lane was in peak hype mode, Welch was in the abysmal Day of the Dead remake. Directed by Steve Miner (Halloween H20) and also starring Nick Cannon, Day of the Dead is an atrocious remake (but maybe 2018’s remake Day of the Dead: Bloodline is worse). However, Welch’s portrayal of Emmet in Mandy Lane is exceptional. His performance, especially during the closing moments of the film, is captivating. He has this American Psycho quality to his psychotic behavior that is hauntingly mesmerizing.
All the Boys Love Mandy Lane puts a different spin on the slasher film that would have had way more of an impact had it originally been released ten years ago instead of five. The film does require patience from the audience as the film takes a slow and steady approach to its eventual slasher nature. While the outcome is likely fairly predictable, watching how everything unfolds in Mandy Lane is where it shines. The ending is the film’s crown jewel and even though the killer is revealed its open ending suits the film’s already ambiguous nature. Now that All the Boys Love Mandy Lane is readily available at your fingertips, its originality seemed much more promising when it felt like it was the holy grail of horror films (kind of like The Poughkeepsie Tapes). The film’s consistency to offer a slasher that cuts in a different direction than most horror films along with Michael Welch’s brilliantly unbalanced performance makes All the Boys Love Mandy Lane a worthwhile experience.
All the Boys Love Mandy Lane is currently free to stream on Amazon if you have Starz with Prime Video Channels. It’s also currently available to rent via Amazon Video ($2.99), Vudu ($2.99), and iTunes ($3.99). The film is can be purchased on DVD ($9.91) and Multi-Format Blu-ray ($12.99) on Amazon and is even cheaper on eBay (the Blu-ray is available for $8.99 and the DVD is $7.98, both have free shipping).
All the Boys Love Mandy Lane was like an urban myth for the longest period of time. The film debuted at the Toronto International Film Festival in 2006 and released in the UK in 2008. It seemed to be released in every country other than the US shortly thereafter and it took another excruciating five years since it didn’t debut stateside until October of 2013. For a film that was originally shot in 2006, taking seven years to finally see distribution is bizarre and disheartening. The horror film originally caught the eye of The Weinstein Company immediately after debuting at TIFF, but the Weinstein brothers couldn’t come to a decision regarding its release (Harvey wanted a wide theatrical distribution while Bob thought the “artsy” film deserved more of a limited release). Rights to the film were eventually sold to a German company called Senator Entertainment US, who released the film in Germany and Austria and had the intention of premiering the film in the US. But the US branch of Senator Entertainment US went under in 2009 and rights to the film were dead in the water until The Weinstein Company reacquired distribution rights in 2013. The film was released on demand on September 6th with a limited theatrical run October 11th the same year.
The crew for the film consisted of college students freshly graduated from the American Film Institute. Producer Chad Feehan had the film as his thesis during college as work on the project initially began in 2003. Written by Jacob Forman and directed by Jonathan Levine (50/50, Warm Bodies), the film garnered an unbelievable amount of positive buzz online that accumulated into this massive pile of insurmountable expectations. Reading about the film for so long and hearing about how good it was from the biggest of horror sites probably inadvertently hurt the film more than it escalated interest for it.
All the Boys Love Mandy Lane takes a Dazed and Confused approach to the first half of the film. Similar to how Wolf Creek had you swimming through 45-minutes of character development before the actual horror began (or how Hatchet was silly for the same amount of time before diving into awesome practical gore effects), All the Boys Love Mandy Lane is mostly high school kids getting into typical teenager shenanigans; drinking alcohol, doing drugs, and having sex. The second half of the film is pure horror and is essentially a slasher film. The horror is teased at first with little glimpses of terror before diving right back into high school mode, but the film is able to intensify its sense of dread to the point where it’s eventually beautifully horrific in every scene.
For a film that is made by first time filmmakers for less than $1 million, All the Boys Love Mandy Lane has beautiful cinematography. Vivid colors jump off the screen and seem even lusher once the film begins to cover itself in mud and dirt. Cinematographer Darren Genet has an eye for dynamic angles and utilizing when to focus and blur menacing figures in the background (or foreground) for maximum impact. The film also has a tendency to overlap shots in order to create an entirely new, which can probably be contributed to the talent of film editor Josh Noyes (The Wackness). These impressive filming techniques shine brightest when Bird (Edwin Hodge) is on-screen; when he goes to start the generator after the power goes out, when he confronts the killer, and the car chase. Like other successful film genres, horror can often become formulaic not only when it comes to its writing or how its acted but how it’s shot. It’s always a breath of fresh air when you can say a film is unique in some capacity; especially horror.
With Michael Welch mostly being associated with portraying popular high school student Mike Newton in the Twilight franchise, your expectations for a memorable performance from Welch in All the Boys Love Mandy Lane are probably fairly low. Around the time Mandy Lane was in peak hype mode, Welch was in the abysmal Day of the Dead remake. Directed by Steve Miner (Halloween H20) and also starring Nick Cannon, Day of the Dead is an atrocious remake (but maybe 2018’s remake Day of the Dead: Bloodline is worse). However, Welch’s portrayal of Emmet in Mandy Lane is exceptional. His performance, especially during the closing moments of the film, is captivating. He has this American Psycho quality to his psychotic behavior that is hauntingly mesmerizing.
All the Boys Love Mandy Lane puts a different spin on the slasher film that would have had way more of an impact had it originally been released ten years ago instead of five. The film does require patience from the audience as the film takes a slow and steady approach to its eventual slasher nature. While the outcome is likely fairly predictable, watching how everything unfolds in Mandy Lane is where it shines. The ending is the film’s crown jewel and even though the killer is revealed its open ending suits the film’s already ambiguous nature. Now that All the Boys Love Mandy Lane is readily available at your fingertips, its originality seemed much more promising when it felt like it was the holy grail of horror films (kind of like The Poughkeepsie Tapes). The film’s consistency to offer a slasher that cuts in a different direction than most horror films along with Michael Welch’s brilliantly unbalanced performance makes All the Boys Love Mandy Lane a worthwhile experience.
All the Boys Love Mandy Lane is currently free to stream on Amazon if you have Starz with Prime Video Channels. It’s also currently available to rent via Amazon Video ($2.99), Vudu ($2.99), and iTunes ($3.99). The film is can be purchased on DVD ($9.91) and Multi-Format Blu-ray ($12.99) on Amazon and is even cheaper on eBay (the Blu-ray is available for $8.99 and the DVD is $7.98, both have free shipping).
