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Leanne Crabtree (480 KP) rated Running Into Love (Fluke my Life, #1) in Books
Sep 19, 2019
So I read my first book by this author back in July, Catching Him--a Netgalley read. I liked it but wasn't blown away. So I decided to give this a go, too.
Fawn is running down the street, listening to her music--strangely with her eyes closed?--and bumps literally into Levi sending them sprawling onto the floor. There's an instant attraction but both ignore it and trade a few insults before heading in opposite directions. Only it turns out Levi is moving in across the hall from Fawn.
Before Fawn realises it, she's in a relationship with Levi and they are a cute couple, though Fawn is a little dumb at times. Well, I thought she was a little dumb, Levi thought she was cute in her cluelessness.
I do think the author is very good at writing Alpha males, but they're guys who care about their women and make it obvious they want them. I did like that about Levi.
Fawn's mum and dad made me laugh, mainly her mum with some of her crazy comments like "get yourself knocked up so you don't lose him" and "when's the wedding?"
One again, I liked it but I wasn't in love with the storyline or the characters.
Fawn is running down the street, listening to her music--strangely with her eyes closed?--and bumps literally into Levi sending them sprawling onto the floor. There's an instant attraction but both ignore it and trade a few insults before heading in opposite directions. Only it turns out Levi is moving in across the hall from Fawn.
Before Fawn realises it, she's in a relationship with Levi and they are a cute couple, though Fawn is a little dumb at times. Well, I thought she was a little dumb, Levi thought she was cute in her cluelessness.
I do think the author is very good at writing Alpha males, but they're guys who care about their women and make it obvious they want them. I did like that about Levi.
Fawn's mum and dad made me laugh, mainly her mum with some of her crazy comments like "get yourself knocked up so you don't lose him" and "when's the wedding?"
One again, I liked it but I wasn't in love with the storyline or the characters.
Marylegs (44 KP) rated Hush, Hush (Hush, Hush, #1) in Books
Aug 14, 2019
So this book took over a month for me to read, which considering how its not a relatively long book baffles me. I was not compelled to read this book when I had a spare few minutes. I was not finding myself wanting to stay up just a little bit longer to finish the next chapter. It was honestly really lacking in so many ways.
I love reading YA fantasy/paranormal/mystical books. I love them! I have enjoyed series like House of Night, Sookie Stackhouse, Hunger Games, Daughter of Smoke and Bone, I even liked Twilight back before the films. But I just don't get this book at all.
Less than a month after reading it I can barely remember anything that happened. None of the characters were likeable, swoon worthy or even vaguely pleasant. Her mother was frankly useless. The police who randomly seemed to show up completely incompetent and frankly rude (but not in a realistic way).
The 'heroine'.... if you could see or feel how hard my eyes want to roll back into my head thinking about her would give you a better understanding of how I felt towards her. She has no conviction to anything. She isn't even being portrayed as dumb, but that is what she is. Her best 'friend', just vile, not even funny at all.
The main 'love interest' .... called Patch, again with a tendon pulling eye roll. he was the only vaguely interesting character. But even there this book just complete missed the mark with me.
Honestly I have no more words for this book. It seemed to be about nothing at all, and i cant honestly remember any redeeming element of it. Honestly surprised it has 3.something stars on Goodreads. If i could give it less than 1 star I would have. I likely would have given it -Stars. Safe to say i will not be reading any of the others.
I love reading YA fantasy/paranormal/mystical books. I love them! I have enjoyed series like House of Night, Sookie Stackhouse, Hunger Games, Daughter of Smoke and Bone, I even liked Twilight back before the films. But I just don't get this book at all.
Less than a month after reading it I can barely remember anything that happened. None of the characters were likeable, swoon worthy or even vaguely pleasant. Her mother was frankly useless. The police who randomly seemed to show up completely incompetent and frankly rude (but not in a realistic way).
The 'heroine'.... if you could see or feel how hard my eyes want to roll back into my head thinking about her would give you a better understanding of how I felt towards her. She has no conviction to anything. She isn't even being portrayed as dumb, but that is what she is. Her best 'friend', just vile, not even funny at all.
The main 'love interest' .... called Patch, again with a tendon pulling eye roll. he was the only vaguely interesting character. But even there this book just complete missed the mark with me.
Honestly I have no more words for this book. It seemed to be about nothing at all, and i cant honestly remember any redeeming element of it. Honestly surprised it has 3.something stars on Goodreads. If i could give it less than 1 star I would have. I likely would have given it -Stars. Safe to say i will not be reading any of the others.
Cynthia Armistead (17 KP) rated American Gods in Books
Mar 1, 2018
I'm trying to remember whether or not I've read any of Gaiman's other novels before, and I'm fairly certain that I haven't. I read [b:Good Omens|12067|Good Omens|Terry Pratchett|http://photo.goodreads.com/books/1266659394s/12067.jpg|4110990], but that was co-written with [a:Terry Pratchett|1654|Terry Pratchett|http://photo.goodreads.com/authors/1235562205p2/1654.jpg], and the collaboration was genius. I know that the entire world seems to love Sandman, of course, but I'm just not a fan of graphic novels. In fact, it took me a while to realize that the Good Omens co-author and the Sandman author were one and the same.
I've certainly read some short stories, too. The most memorable, <a href="http://en.wikipedia.org/wiki/Snow,_Glass,_Apples">"Snow, Glass, Apples"</a> was reprinted in an anthology I read recently. I find it disturbing, so I won't re-read it. Well-written, of course—it wouldn't be so very memorably distressing if it weren't so masterfully done! (I found the <a href="http://www.holycow.com/dreaming/stories/snow-glass-apples">text online</a> if you care to read it, but please understand that the story deals with pedophilia, necrophilia, and incest here. It is the polar opposite of all things Disney.) Snow White was never one of of my favorite fairy tales, and Gaiman definitely pushed it much farther down the list.
In any case, I don't know what I was expecting from Gaiman, but <i>American Gods</i> wasn't it. I like stories with happy endings, and within the first few chapters I was fairly sure that there wouldn't be one. Is Gaiman fundamentally opposed to joy, or is it just happiness that he doesn't allow?
The novel is epic. It is masterful. All that stuff from the big critics is dead on. The book could be used as the backbone of a mythological scavenger hunt if a teacher were willing to run a very unstructured but engaging course that way. I certainly enjoyed that aspect of it, and it made me glad that I was reading it on my iTouch so that I could look up anything I liked online at any time, no matter where I happened to be (which was almost always at home or somewhere else that had wifi access, happily).
I seldom want to see illustrations in any book, but yes, I think I would like to see good pictures of some of the characters Gaiman described in this one. On the other hand, without artwork I spent time imagining what the characters looked like based on the descriptions. I don't normally stop to do that, as such matters as seldom relevant to a plot, but these beings caught my fancy. Not enough that I would sit through an entire graphic novel, I'm afraid, but if I saw one now I might flip through it to see how the artist's renderings compare with my versions.
I'm seldom able to identify an overall Theme to the books I read. Most of them, honestly, are fluff. I'm fine with that. I read them because they entertain me. <i>American Gods</i> is different. It is entertaining, but it isn't light or fluffy in the least. It definitely has an easily identifiably Theme and Tropes and all those elements that I recall from long-ago classes, the sorts of things that put me off from my original English major because I hated tearing other author's works apart instead of writing anything original. (Now, I begin to understand that we were being taught to recognize what makes for good writing so we might have some hope of possibly creating some of it one day.)
I somewhat timidly conclude that <i>American Gods</i> is the first piece of Literature I've read in a very long time, and well worth the time spent reading it. (I find it rather amusing that it would be British Literature, despite its title, due to the author's nationality.) I'm not going to state the theme, because that would be a spoiler, and I hate putting those in reviews—but it's something that I see as a Truth, and one that needs to be stated far more often, especiallly today. It's even more interesting that it took a Brit to say it.
The book is dark, although it does have some very bright spots in it. I will acknowledge that I was going through a particularly bad time with regards to my health when I was reading it, but I still think it might be best for some people to read this one when in a fairly positive state of mind.
I've certainly read some short stories, too. The most memorable, <a href="http://en.wikipedia.org/wiki/Snow,_Glass,_Apples">"Snow, Glass, Apples"</a> was reprinted in an anthology I read recently. I find it disturbing, so I won't re-read it. Well-written, of course—it wouldn't be so very memorably distressing if it weren't so masterfully done! (I found the <a href="http://www.holycow.com/dreaming/stories/snow-glass-apples">text online</a> if you care to read it, but please understand that the story deals with pedophilia, necrophilia, and incest here. It is the polar opposite of all things Disney.) Snow White was never one of of my favorite fairy tales, and Gaiman definitely pushed it much farther down the list.
In any case, I don't know what I was expecting from Gaiman, but <i>American Gods</i> wasn't it. I like stories with happy endings, and within the first few chapters I was fairly sure that there wouldn't be one. Is Gaiman fundamentally opposed to joy, or is it just happiness that he doesn't allow?
The novel is epic. It is masterful. All that stuff from the big critics is dead on. The book could be used as the backbone of a mythological scavenger hunt if a teacher were willing to run a very unstructured but engaging course that way. I certainly enjoyed that aspect of it, and it made me glad that I was reading it on my iTouch so that I could look up anything I liked online at any time, no matter where I happened to be (which was almost always at home or somewhere else that had wifi access, happily).
I seldom want to see illustrations in any book, but yes, I think I would like to see good pictures of some of the characters Gaiman described in this one. On the other hand, without artwork I spent time imagining what the characters looked like based on the descriptions. I don't normally stop to do that, as such matters as seldom relevant to a plot, but these beings caught my fancy. Not enough that I would sit through an entire graphic novel, I'm afraid, but if I saw one now I might flip through it to see how the artist's renderings compare with my versions.
I'm seldom able to identify an overall Theme to the books I read. Most of them, honestly, are fluff. I'm fine with that. I read them because they entertain me. <i>American Gods</i> is different. It is entertaining, but it isn't light or fluffy in the least. It definitely has an easily identifiably Theme and Tropes and all those elements that I recall from long-ago classes, the sorts of things that put me off from my original English major because I hated tearing other author's works apart instead of writing anything original. (Now, I begin to understand that we were being taught to recognize what makes for good writing so we might have some hope of possibly creating some of it one day.)
I somewhat timidly conclude that <i>American Gods</i> is the first piece of Literature I've read in a very long time, and well worth the time spent reading it. (I find it rather amusing that it would be British Literature, despite its title, due to the author's nationality.) I'm not going to state the theme, because that would be a spoiler, and I hate putting those in reviews—but it's something that I see as a Truth, and one that needs to be stated far more often, especiallly today. It's even more interesting that it took a Brit to say it.
The book is dark, although it does have some very bright spots in it. I will acknowledge that I was going through a particularly bad time with regards to my health when I was reading it, but I still think it might be best for some people to read this one when in a fairly positive state of mind.
Carma (21 KP) rated It Takes Two (Just Everyday Heroes: Night Shift, #2) in Books
Jun 17, 2019
It takes Two is the first book Ive read by Erin Nicholas. It was also the first I read in the Counting on Love series, and I hate when I read a series out of order. The good news is that these books can stand on their own with minimal carrying over and lots of explanation to previous happenings.
Isabelle Dixon thought she could have a wild and crazy night before she has to settle herself into a new lifestyle because of a medical issue. She thinks Shane Kelley is the perfect candidate for the job. 6 months later she cant believe she is still seeking him out and cant seem to let go.
Shane Kelley has fallen fast and hard for Isabelle Dixon. He has asked her to move in with him multiple times and wont take no for an answer. He thought their biggest obstacle was her brother Connor but it seems like they cant get past something bigger. He wont give up even when she seems to be keeping something really big from him.
Isabelle and Shane take a humorous road trip to find out if they can truly make it work between them. Each stop, on their way to a vacation house, has humor, angst, trials and truths. There may also be a little fun game included in their adventure, not known to all the parties involved.
I love the dynamic between the Dixon sisters, each with their own strengths and issues. Isabelle seems like a good mix of a party girl with a stay at home girl. She has to make some big choices with an unexpected health issue that hits her. She wants to hide herself away from the world but also loves being with Shane. Can she have it both ways and have them both happy?
Shane is the over the top, romantic boyfriend we all crave in life. Well maybe. He does go a little over the top sometimes but hey props for creativity. He loves Isabelle and wants to be with her all day every day. He knows she is hiding something from him but can he overcome the issues to make her happy for forever?
If you havent read anything by Erin Nicholas, what are you thinking? The Counting on Love series, which apparently is a semi continuation of the Bradfords series with brief appearances by some Bradford characters, is the perfect place to start. I havent read the Bradford series yet but Im anxious to now since completing the Counting on Love series.
Isabelle Dixon thought she could have a wild and crazy night before she has to settle herself into a new lifestyle because of a medical issue. She thinks Shane Kelley is the perfect candidate for the job. 6 months later she cant believe she is still seeking him out and cant seem to let go.
Shane Kelley has fallen fast and hard for Isabelle Dixon. He has asked her to move in with him multiple times and wont take no for an answer. He thought their biggest obstacle was her brother Connor but it seems like they cant get past something bigger. He wont give up even when she seems to be keeping something really big from him.
Isabelle and Shane take a humorous road trip to find out if they can truly make it work between them. Each stop, on their way to a vacation house, has humor, angst, trials and truths. There may also be a little fun game included in their adventure, not known to all the parties involved.
I love the dynamic between the Dixon sisters, each with their own strengths and issues. Isabelle seems like a good mix of a party girl with a stay at home girl. She has to make some big choices with an unexpected health issue that hits her. She wants to hide herself away from the world but also loves being with Shane. Can she have it both ways and have them both happy?
Shane is the over the top, romantic boyfriend we all crave in life. Well maybe. He does go a little over the top sometimes but hey props for creativity. He loves Isabelle and wants to be with her all day every day. He knows she is hiding something from him but can he overcome the issues to make her happy for forever?
If you havent read anything by Erin Nicholas, what are you thinking? The Counting on Love series, which apparently is a semi continuation of the Bradfords series with brief appearances by some Bradford characters, is the perfect place to start. I havent read the Bradford series yet but Im anxious to now since completing the Counting on Love series.
Heather Cranmer (2721 KP) rated The Repossession (Repossession, #1) in Books
Jun 7, 2018
This review can also be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.co.uk">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>.
First off, I just wanted to say that I found it extremely cool that the outer edges of all the pages were blue!! Super cool!! Pointless but still super cool!
The Repossession is a YA sci-fi story. It centers mainly around the characters of 15 year old Genie and 15 year old Rian. Genie's mother and most of the town of Spurlake believe Genie is possessed by the devil thanks to Reverend Schneider. Genie is imprisoned in her room and treated worst than an actual prisoner. Enter Rian, Genie's boyfriend, to save the day and rescue her. After she escapes her home, she must avoid Reverend Schneider as he wants to take Genie to a place called the Fortress where strange experiments are happening to local kids.
I loved the character of Genie. I felt sorry for her as the way she was being treated in the beginning of the book is horrible. I found Genie to be a very strong character. I loved the fact that the author didn't write her off to be some poor little damsel in distress. Genie could definitely hold her own.
Rian was also a great character! I could feel the love he had for Genie coming through the pages. I liked the fact that he never tried to hold Genie back. He felt real and not like just some character in a book. Rian is also a very strong character.
I'm divided on the cover though. I like it, but then again, I don't. Part of me finds it too plain, but the other part of me thinks that with anything else on the cover, it would make it too cluttered. However, the cover definitely suits the book!! At first the cover didn't make sense to me, but as I read more into the story and learned the major plot (yes, I'm deliberately trying to avoid mentioning it so you can learn what it is yourself), it made total sense! The same about the title although I had to think more about why it was so aptly named "The Repossession."
This book had excellent pacing. It was slow in the places that needed to be paced a bit more slowly and fast in the bits that it were meant to be fast. In fact, it was so hard to stop reading this book. I always think pacing plays a major part in me not wanting to put a book down...well, that and the plot of course!
The only thing that I didn't like was the scientific mumbo jumbo mostly because I didn't understand what was meant. However, this was only for about a chapter or two. If you're in to your science, this probably wouldn't bother you, but I am not scientific oriented at all! In fact, I struggled through science in high school.
I'd definitely recommend The Repossession to others. It was such a thrilling read!!!! It is part of a series, and because I loved the first book so much, I've already bought the sequel The Hunting.
First off, I just wanted to say that I found it extremely cool that the outer edges of all the pages were blue!! Super cool!! Pointless but still super cool!
The Repossession is a YA sci-fi story. It centers mainly around the characters of 15 year old Genie and 15 year old Rian. Genie's mother and most of the town of Spurlake believe Genie is possessed by the devil thanks to Reverend Schneider. Genie is imprisoned in her room and treated worst than an actual prisoner. Enter Rian, Genie's boyfriend, to save the day and rescue her. After she escapes her home, she must avoid Reverend Schneider as he wants to take Genie to a place called the Fortress where strange experiments are happening to local kids.
I loved the character of Genie. I felt sorry for her as the way she was being treated in the beginning of the book is horrible. I found Genie to be a very strong character. I loved the fact that the author didn't write her off to be some poor little damsel in distress. Genie could definitely hold her own.
Rian was also a great character! I could feel the love he had for Genie coming through the pages. I liked the fact that he never tried to hold Genie back. He felt real and not like just some character in a book. Rian is also a very strong character.
I'm divided on the cover though. I like it, but then again, I don't. Part of me finds it too plain, but the other part of me thinks that with anything else on the cover, it would make it too cluttered. However, the cover definitely suits the book!! At first the cover didn't make sense to me, but as I read more into the story and learned the major plot (yes, I'm deliberately trying to avoid mentioning it so you can learn what it is yourself), it made total sense! The same about the title although I had to think more about why it was so aptly named "The Repossession."
This book had excellent pacing. It was slow in the places that needed to be paced a bit more slowly and fast in the bits that it were meant to be fast. In fact, it was so hard to stop reading this book. I always think pacing plays a major part in me not wanting to put a book down...well, that and the plot of course!
The only thing that I didn't like was the scientific mumbo jumbo mostly because I didn't understand what was meant. However, this was only for about a chapter or two. If you're in to your science, this probably wouldn't bother you, but I am not scientific oriented at all! In fact, I struggled through science in high school.
I'd definitely recommend The Repossession to others. It was such a thrilling read!!!! It is part of a series, and because I loved the first book so much, I've already bought the sequel The Hunting.
I would like to start off by saying to Owlcrate, amazing job at curating this book for the box. I was stoked when I opened the box to see this one in there because this was on my wish list!
I know quite a few people on this site did not enjoy this book. I, obviously, am not one of them. I really liked the magical quality of Caraval. It seemed like a really creepy, yet beautiful place to be. As you probably can see, it took me a while to actually read this book, but that's not the writing's fault. I just kept getting distracted or into mini slumps. I promise, I liked this book a lot.
Caraval has gotten a lot of hype and attention, I think for a good reason. This, I believe, is Stephanie Garber's first full novel and she did an excellent job at it. I am excited to see what she comes up with next.
The characters were interesting. I liked Scarlett and her sleuthing skills. She was strong and wanted to protect those around her which I can understand. She is a little too self-sacrificing to be completely relatable, though which is one fault I will put onto her. I can say I wasn't a big fan of her sister, Donatella. That's all I will say about that. The Grand Master Legend was creepy as hell and he wasn't really seen in the book at all. That was great writing to be able to feel that creeping sensation throughout the book. He was just a heavy presence at the back of your mind that you couldn't quite shake. I felt immediately attached and wary of Julian. When you read the book, you'll find out why.
The plot is primarily about the game and sisterhood. Scarlett will do anything to protect Donatella, and I mean anything. She knows she has to win this game she has been dreaming about her whole life to keep Tella safe, and damn it, she is going to do her best. I respect that. I liked the pacing of the plot, though there were a few moments things happened too quickly. I feel like there were a few too many jumps to immediate conclusions for the hints in the game that the readers couldn't necessarily keep up with.
The setting was beautiful. Who wouldn't want to go to this magical circus island? I mean, yes, it's super dangerous, but I would go! I love the rose imagery throughout. It was a great connecting theme that I liked because even if the characters sometimes were disoriented, you could find your way again with the roses.
The game was crazy. Literally. I was so blown away with the thought process Garber had to forman of when she was writing this. Blown. Away.
The twists and turns of this book had me going at all times. I really enjoyed not being able to see things coming, which I usually can when there is more of a suspenseful plot line, but in this one, there were only a few moments I could see ahead.
Overall, I really enjoyed reading this book and I can't wait for the next one!
I know quite a few people on this site did not enjoy this book. I, obviously, am not one of them. I really liked the magical quality of Caraval. It seemed like a really creepy, yet beautiful place to be. As you probably can see, it took me a while to actually read this book, but that's not the writing's fault. I just kept getting distracted or into mini slumps. I promise, I liked this book a lot.
Caraval has gotten a lot of hype and attention, I think for a good reason. This, I believe, is Stephanie Garber's first full novel and she did an excellent job at it. I am excited to see what she comes up with next.
The characters were interesting. I liked Scarlett and her sleuthing skills. She was strong and wanted to protect those around her which I can understand. She is a little too self-sacrificing to be completely relatable, though which is one fault I will put onto her. I can say I wasn't a big fan of her sister, Donatella. That's all I will say about that. The Grand Master Legend was creepy as hell and he wasn't really seen in the book at all. That was great writing to be able to feel that creeping sensation throughout the book. He was just a heavy presence at the back of your mind that you couldn't quite shake. I felt immediately attached and wary of Julian. When you read the book, you'll find out why.
The plot is primarily about the game and sisterhood. Scarlett will do anything to protect Donatella, and I mean anything. She knows she has to win this game she has been dreaming about her whole life to keep Tella safe, and damn it, she is going to do her best. I respect that. I liked the pacing of the plot, though there were a few moments things happened too quickly. I feel like there were a few too many jumps to immediate conclusions for the hints in the game that the readers couldn't necessarily keep up with.
The setting was beautiful. Who wouldn't want to go to this magical circus island? I mean, yes, it's super dangerous, but I would go! I love the rose imagery throughout. It was a great connecting theme that I liked because even if the characters sometimes were disoriented, you could find your way again with the roses.
The game was crazy. Literally. I was so blown away with the thought process Garber had to forman of when she was writing this. Blown. Away.
The twists and turns of this book had me going at all times. I really enjoyed not being able to see things coming, which I usually can when there is more of a suspenseful plot line, but in this one, there were only a few moments I could see ahead.
Overall, I really enjoyed reading this book and I can't wait for the next one!
Baby Food Fair Chef
Games and Education
App
~~> Welcome to the Baby Food Fair! Join your favorite baby at this educational, fun-filled Baby Food...
BankofMarquis (1832 KP) rated Gemini Man (2019) in Movies
Oct 17, 2019
The Effects Just Aren't Good Enough
Ang Lee is a visionary Director that loves to push the envelope of advances in movie-making technology, so the plot contrivance of GEMINI MAN (a Government Assassin is being chased by his much younger clone) was right up his alley - and he makes good (enough) work of the technology that "de-ages" Will Smith and puts the older and younger version of himself on screen at the same time. This was also his 2nd film (after BILLY FLYNN'S LONG HALFTIME WALK) that Lee shot in 4K 3D at 120 frames per second (the "normal" shooting speed is 24 FPS).
He should have spent more of his time on the script..
Based on a long gestating screenplay written in the 1990's by David Lemke (and re-written in the 2010's by Billy Ray - THE HUNGER GAMES - and Mr. GAME OF THRONES himself, David Benioff), GEMINI MAN follows a Government Contract Killer, Henry Brogan (Will Smtih) who does "one last job" and is looking forward to retirement. His agency (under the leadership of Clive Owen) decides to "take him out" and sends "Gemini" after him. Brogan tries to escape but his every move is anticipated by the Gemini - a younger clone of himself (this is not a spoiler, it's in the trailer and ON THE POSTER). He is joined by a pair of "buddies" (Mary Elizabeth Winsted and Benedict Wong) in plotting how to outsmart himself.
This film had all the markings of a bad "B" film, but under the watchful eye of Lee and the charismatic performances of Winsted, Wong - and most especially - Smith, this film is actually quite watchable.
What doesn't work - the plot. To say it is contrived is to do a disservice to the word "contrived". It really doesn't give us anything new, it just gives us a bridge from action scene to action. Also, the reasoning of the Government to get rid of Brogan doesn't really work and Clive Owen - as the head of the Gemini program - and the main "suit" that is chasing Smith looks like he is sleepwalking his way through this film.
What works - the interplay and "fun" of Smith, Winsted and Wong as the 3 "professionals" on the run - and outsmarting - "the Agency". These 3 work really well off each other and I would love to have seen a "Mission Impossible" style film of these 3 doing some sort of impossible mission. Special note needs to be made of Smith's performance - as the older Brogan. He is world weary and heavy, but still has the twinkle in his eye and the physical acumen to be a top assassin. This is the type of role that Smith - especially at his age and experience - is ideal for. His charisma shines and he holds his own in the physical/fight scenes. Also, Ang Lee knows how to shoot an action sequence. True, there is nothing "new", revolutionary or evolutionary in any of the fight/chase scenes, but they are put together in a competent, professional manner and did a good enough job.
And then there is the younger Brogan - "Junior" - played by a CGI "de-aged" Will Smith.
We've seen the CGI "de-aging" effect before - most notably in some Marvel Movies like CAPTAIN MARVEL - and while it works well enough, I just don't think it is quite there yet. You can tell that something is just a little off - not enough for it to really bother you, but enough to know that something isn't quite right - especially when Junior spends most of this film on screen with his older self. You see the "real" Will Smith up against the "copy" and the "copy" looks like...a copy. Also, the "de-aging" of the voice didn't really work for me. It sounded "off" and at times it sounded like bad ADR.
I was able to shrug off these slight technical anomalies and enjoy this film for what it is - a breezy action-er that certainly entertains for 2 hours. But it is no masterpiece and no "major" technological breakthrough. That will have to wait for another movie.
Letter Grade: B (mostly for the fun interplay between older Smith, Winsted and Wong)
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
He should have spent more of his time on the script..
Based on a long gestating screenplay written in the 1990's by David Lemke (and re-written in the 2010's by Billy Ray - THE HUNGER GAMES - and Mr. GAME OF THRONES himself, David Benioff), GEMINI MAN follows a Government Contract Killer, Henry Brogan (Will Smtih) who does "one last job" and is looking forward to retirement. His agency (under the leadership of Clive Owen) decides to "take him out" and sends "Gemini" after him. Brogan tries to escape but his every move is anticipated by the Gemini - a younger clone of himself (this is not a spoiler, it's in the trailer and ON THE POSTER). He is joined by a pair of "buddies" (Mary Elizabeth Winsted and Benedict Wong) in plotting how to outsmart himself.
This film had all the markings of a bad "B" film, but under the watchful eye of Lee and the charismatic performances of Winsted, Wong - and most especially - Smith, this film is actually quite watchable.
What doesn't work - the plot. To say it is contrived is to do a disservice to the word "contrived". It really doesn't give us anything new, it just gives us a bridge from action scene to action. Also, the reasoning of the Government to get rid of Brogan doesn't really work and Clive Owen - as the head of the Gemini program - and the main "suit" that is chasing Smith looks like he is sleepwalking his way through this film.
What works - the interplay and "fun" of Smith, Winsted and Wong as the 3 "professionals" on the run - and outsmarting - "the Agency". These 3 work really well off each other and I would love to have seen a "Mission Impossible" style film of these 3 doing some sort of impossible mission. Special note needs to be made of Smith's performance - as the older Brogan. He is world weary and heavy, but still has the twinkle in his eye and the physical acumen to be a top assassin. This is the type of role that Smith - especially at his age and experience - is ideal for. His charisma shines and he holds his own in the physical/fight scenes. Also, Ang Lee knows how to shoot an action sequence. True, there is nothing "new", revolutionary or evolutionary in any of the fight/chase scenes, but they are put together in a competent, professional manner and did a good enough job.
And then there is the younger Brogan - "Junior" - played by a CGI "de-aged" Will Smith.
We've seen the CGI "de-aging" effect before - most notably in some Marvel Movies like CAPTAIN MARVEL - and while it works well enough, I just don't think it is quite there yet. You can tell that something is just a little off - not enough for it to really bother you, but enough to know that something isn't quite right - especially when Junior spends most of this film on screen with his older self. You see the "real" Will Smith up against the "copy" and the "copy" looks like...a copy. Also, the "de-aging" of the voice didn't really work for me. It sounded "off" and at times it sounded like bad ADR.
I was able to shrug off these slight technical anomalies and enjoy this film for what it is - a breezy action-er that certainly entertains for 2 hours. But it is no masterpiece and no "major" technological breakthrough. That will have to wait for another movie.
Letter Grade: B (mostly for the fun interplay between older Smith, Winsted and Wong)
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
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BankofMarquis (1832 KP) rated Killers of the Flower moon (2023) in Movies
Oct 27, 2023
Best Thing Scorses (and DeNiro) have done in many, many years
The BankofMarquis would highly recommend you see the latest epic (and we do mean EPIC) film from famed Director Martin Scorsese in a movie theater. Not because of the beautiful Cinematography by Rodrigo Prieto, not because of the Epic-ness of the tale told and not because movie theaters could use your business (all of which are reasons to see it in the movie theaters). You need to see KILLERS OF THE FLOWER MOON in a movie theater so that you cannot be distracted by things around you (most, notably your PHONE). One needs to immerse themselves in the experience of this 3 1/2 movie to totally understand and appreciate it.
And that is because KILLERS OF THE FLOWER MOON is as much atmosphere, mood and setting as it is story. Early on, one of the characters warns another one that the Osage people (the central group in this story) “don’t say much, listen more and let long pauses hang between words” and Scorsese does much of the same. Letting the story hang - and be told in - the silence between the words. And it works…if you are paying attention.
Starring Scorsese regulars Leonardo DiCaprio and Robert DeNiro and featuring a wonderful, soon-to-be-Oscar-Nominated performance by newcomer Lily Gladstone, KILLERS OF THE FLOWER MOON is based on the novel of the same name by David Gann and tells the tale of the Osage Nation who discover oil on their land in the 1920’s and the white men who come to try to connive and steal it away from them.
Taken on the surface, this story could be a pretty straight-forward white-man steals from the Indians story (substitute Buffalo for Oil and we have a story told so many times before - most notably in the Oscar winning movie DANCING WITH WOLVES), but in the hands of master craftsman Scorsese, this movie is much, much more than that.
Easily his best work in at least 10 years, Scorsese lets this story breathe and focuses in on the mood and atmosphere of the period - and the disparate people that inhabit…and battle for…this land and oil. It is the work of a maestro nearing the end of his tenure, skillfully conducting the Orchestra, one last, loving, magnificent time.
Like Scorsese, this is Oscar winner Robert DeNiro’s best performance in years and will not be surprised if he garners his first Oscar nomination in many, many years. Gone are the histrionics and over-the-top gestures and facial ticks that mar his comedic work (and in some cases his non-comedic work). DeNiro returns to the compact, internal “method” acting that was the hallmark of his early (best) work. You can see that this player still has “game” and he gives the role of William “King” Hale some dimension. This is good for this character could have, in lesser hands, turned into a “mustache-twirling” villain tying the heroine to the railroad tracks but in DeNiro’s capable hands (with Scorsese skillfully leading him) it is so much more.
Speaking of the Heroine, newcomer Lily Gladstone is just a strong and compact in her portrayal of Mollie Burkhart - the Osage woman in the center of the story. She gives Lily some sharp edges along with the rounded corners she is given in the script and the story and more than holds her own with the likes of DeNiro and DiCaprio in the many, many scenes she has with them. Most of the time, she needs to express quite a bit with a look or silence (while looking away) and she is able to convey that very, very well.
Fairing less well in this film is Leonardo DiCaprio as Ernest Burkhart, the sad-sack that is the pawn of “King” Hale and the love interest of Lily…or is he? DiCaprio is very good as Burkhart (when has he ever given a bad performance) but this character is thinly written and you can almost see the puppet strings on him. This, probably, is on purpose by Scorsese…but against two solid characters like DeNiro’s “King” Hale and Gladstone’s Molly, there just needed to be a bit more to DiCaprio’s character to make him more interesting.
Since this is a Scorsese film, it is fleshed out by some wonderful character actors led by the always watchable Jesse Plemons as the FBI agent sent to unpack what is going on. Joining him in what are (essentially) extended cameos are John Lithgow, newly minted Oscar winner Brendan Fraser, the always good Tantoo Cardinal, Scott Shepherd (as Leo’s brother) and a myriad of “that guy” and “interesting looking roughnecks” to flesh the feel of the film out - both on the white man as well as the Osage sides of the story.
The aforementioned Cinematography by Rodrigo Prieto along with the Costuming (Jacqueline West), Production Design (Jack Fisk) and Score (Robbie Peterson) all add to the mood of the piece and makes it very successful, indeed.
Just be forewarned, it is as every bit of 3 1/2 hours as it’s runtime dictates. There will be long, slow, silent parts that will make you tempted to pick up your phone - but resist that and enjoy the epic mood piece that is KILLERS OF THE FLOWER MOON. You won’t regret it.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis).
And that is because KILLERS OF THE FLOWER MOON is as much atmosphere, mood and setting as it is story. Early on, one of the characters warns another one that the Osage people (the central group in this story) “don’t say much, listen more and let long pauses hang between words” and Scorsese does much of the same. Letting the story hang - and be told in - the silence between the words. And it works…if you are paying attention.
Starring Scorsese regulars Leonardo DiCaprio and Robert DeNiro and featuring a wonderful, soon-to-be-Oscar-Nominated performance by newcomer Lily Gladstone, KILLERS OF THE FLOWER MOON is based on the novel of the same name by David Gann and tells the tale of the Osage Nation who discover oil on their land in the 1920’s and the white men who come to try to connive and steal it away from them.
Taken on the surface, this story could be a pretty straight-forward white-man steals from the Indians story (substitute Buffalo for Oil and we have a story told so many times before - most notably in the Oscar winning movie DANCING WITH WOLVES), but in the hands of master craftsman Scorsese, this movie is much, much more than that.
Easily his best work in at least 10 years, Scorsese lets this story breathe and focuses in on the mood and atmosphere of the period - and the disparate people that inhabit…and battle for…this land and oil. It is the work of a maestro nearing the end of his tenure, skillfully conducting the Orchestra, one last, loving, magnificent time.
Like Scorsese, this is Oscar winner Robert DeNiro’s best performance in years and will not be surprised if he garners his first Oscar nomination in many, many years. Gone are the histrionics and over-the-top gestures and facial ticks that mar his comedic work (and in some cases his non-comedic work). DeNiro returns to the compact, internal “method” acting that was the hallmark of his early (best) work. You can see that this player still has “game” and he gives the role of William “King” Hale some dimension. This is good for this character could have, in lesser hands, turned into a “mustache-twirling” villain tying the heroine to the railroad tracks but in DeNiro’s capable hands (with Scorsese skillfully leading him) it is so much more.
Speaking of the Heroine, newcomer Lily Gladstone is just a strong and compact in her portrayal of Mollie Burkhart - the Osage woman in the center of the story. She gives Lily some sharp edges along with the rounded corners she is given in the script and the story and more than holds her own with the likes of DeNiro and DiCaprio in the many, many scenes she has with them. Most of the time, she needs to express quite a bit with a look or silence (while looking away) and she is able to convey that very, very well.
Fairing less well in this film is Leonardo DiCaprio as Ernest Burkhart, the sad-sack that is the pawn of “King” Hale and the love interest of Lily…or is he? DiCaprio is very good as Burkhart (when has he ever given a bad performance) but this character is thinly written and you can almost see the puppet strings on him. This, probably, is on purpose by Scorsese…but against two solid characters like DeNiro’s “King” Hale and Gladstone’s Molly, there just needed to be a bit more to DiCaprio’s character to make him more interesting.
Since this is a Scorsese film, it is fleshed out by some wonderful character actors led by the always watchable Jesse Plemons as the FBI agent sent to unpack what is going on. Joining him in what are (essentially) extended cameos are John Lithgow, newly minted Oscar winner Brendan Fraser, the always good Tantoo Cardinal, Scott Shepherd (as Leo’s brother) and a myriad of “that guy” and “interesting looking roughnecks” to flesh the feel of the film out - both on the white man as well as the Osage sides of the story.
The aforementioned Cinematography by Rodrigo Prieto along with the Costuming (Jacqueline West), Production Design (Jack Fisk) and Score (Robbie Peterson) all add to the mood of the piece and makes it very successful, indeed.
Just be forewarned, it is as every bit of 3 1/2 hours as it’s runtime dictates. There will be long, slow, silent parts that will make you tempted to pick up your phone - but resist that and enjoy the epic mood piece that is KILLERS OF THE FLOWER MOON. You won’t regret it.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis).