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Lenard (726 KP) rated Anna (2019) in Movies
Jul 1, 2019
Luc Besson loves to make intricately plotted action movies. Anna is set near the end of the Cold War. The CIA and KGB use whatever methods they can to gain an advantage. In 1990, the KGB captured several CIA operatives and Agent Miller is seriously pissed off. At the same time, a Russian junkie is tracked down by the KGB to become a sleeper agent. But Anna, once she cleans up, is a striking beauty who wants to be free. Luc Besson keeps the viewer guessing on who is the puppet and who is the puppet master. Anna is Luc's calling card to write the new Black Widow movie about a KGB agent who turns into a spy for the US.
Kevin Phillipson (9912 KP) rated Valerian and the City of a Thousand Planets (2017) in Movies
Feb 12, 2018
Visual effects (1 more)
Storyline
Just finished watching on blu ray and i liked the film. Wasnt sure at first if i was after i had seen the trailer at the cinema. The movie remined me alot of firth element another film by luc besson which i enjoyed alot wasnt sure about rhianna at first but deffo would watch again
Barry Newman (204 KP) rated Anna (2019) in Movies
Jan 28, 2020
Contains spoilers, click to show
Familiar territory from Luc Besson but a rather fun little ride all the same . A glossy globe trotting tale of a beautiful blonde assassin (she certainly wasn't hired for her acting ability) with plenty of twists and double crosses to keep you guessing. Besson can do this sort of film in his sleep now and this is a huge drop in quality from the heady heights of the mighty 'Leon'and I would like to seem him getting back to doing something with a bit more substance than the crowd pleasing action movies he has been churning out these days. Still I was largely entertained here even if I probably wouldn't go out of my way to watch it again.
Dean (6921 KP) rated Anna (2019) in Movies
Jul 5, 2019
Wide of the mark
Luc Besson has done some very good action films so I hoped this would be a high adrenaline fueled action ride. Unfortunately it's quite average by the numbers stuff. Lots of double agents and double crosses but it's not as intelligent as it thinks it is. A lot of hopping back and forth in time which wasn't really necessary. It isn't as good as @Red Sparrow (2018) or @Atomic Blonde (2017) which both have a similar theme. Ok for a watch but fairly forgettable.
Awix (3310 KP) rated Unleashed (2005) in Movies
Apr 4, 2019
Bonkers martial arts thriller off the Luc Besson action conveyor belt. Danny (Li) has been raised as a human attack dog by senior gangster Bart (Hoskins); one day he stumbles into freedom and is befriended by a blind piano tuner (Freeman) and his daughter. But will his past catch up with him? (All this supposedly takes place in a Glasgow almost exclusively populated by Asians, Americans, and Cockneys.)
The plot is barking mad (not inappropriately for a film with the alternative title of Danny the Dog) and impossible to take seriously, but that's hardly new for a Besson film, nor necessarily a disincentive to see it. This one is lifted by genuinely good performances from Hoskins and Freeman, and extended sequences of Li beating the living daylights out of everyone in sight (at one point there's a kung fu fight in a toilet cubicle, which is surely a first). Not to be taken remotely seriously, but still highly entertaining.
The plot is barking mad (not inappropriately for a film with the alternative title of Danny the Dog) and impossible to take seriously, but that's hardly new for a Besson film, nor necessarily a disincentive to see it. This one is lifted by genuinely good performances from Hoskins and Freeman, and extended sequences of Li beating the living daylights out of everyone in sight (at one point there's a kung fu fight in a toilet cubicle, which is surely a first). Not to be taken remotely seriously, but still highly entertaining.
Awix (3310 KP) rated Léon: The Professional (1994) in Movies
May 13, 2019
Cult thriller that gave the world Natalie Portman and briefly turned Luc Besson into someone with Hollywood clout; it's still almost certainly his best film. A troubled young girl (Portman) is orphaned by drug dealers and is taken under the wing of a supernaturally gifted hitman (Reno); he has issues of his own. Slowly the relationship between the two of them deepens, but the question of vengeance against the man who killed her family (Oldman) refuses to go away.
Stylish and witty, with great performances from the three leads; genuinely affecting in a way that most Besson movies simply are not. Surprisingly little action for what's supposedly a thriller but still very involving; the theatrical cut delicately skips around what's really going on in Leon and Mathilda's relationship. Knock a point off if you're watching the director's cut, which trades some of the subtlety for extra scenes which add a mixture of hokeyness and pure ick.
Stylish and witty, with great performances from the three leads; genuinely affecting in a way that most Besson movies simply are not. Surprisingly little action for what's supposedly a thriller but still very involving; the theatrical cut delicately skips around what's really going on in Leon and Mathilda's relationship. Knock a point off if you're watching the director's cut, which trades some of the subtlety for extra scenes which add a mixture of hokeyness and pure ick.
Awix (3310 KP) rated Valerian and the City of a Thousand Planets (2017) in Movies
Mar 1, 2018 (Updated Mar 2, 2018)
Valerian and the Unnecessarily Long Title, more like
Another lavishly imaginative and somewhat incoherently scripted sci-fi movie from Luc Besson, somewhat in the same vein as The Fifth Element. Plot mainly consists of running about in spectacular costumes in front of CGI backgrounds; exactly what is going on is frequently unclear.
The script is certainly baffling and doesn't feel like the work of a man credited as writer or co-writer of fifty other movies; the whole section with Rihanna and Ethan Hawke is just filler, in terms of the actual plot. Or is the plot itself only of secondary concern with this movie? It seems that way. DeHaan is arguably badly miscast as Valerian; however, Delevingne is something of a revelation in this movie (very good hair, too). And it definitely has its moments and always looks interesting. If only Besson could keep the script under control for his sci-fi films...
The script is certainly baffling and doesn't feel like the work of a man credited as writer or co-writer of fifty other movies; the whole section with Rihanna and Ethan Hawke is just filler, in terms of the actual plot. Or is the plot itself only of secondary concern with this movie? It seems that way. DeHaan is arguably badly miscast as Valerian; however, Delevingne is something of a revelation in this movie (very good hair, too). And it definitely has its moments and always looks interesting. If only Besson could keep the script under control for his sci-fi films...
Nickg24 (492 KP) rated Anna (2019) in Movies
Sep 15, 2019
Sasha Luss (1 more)
Restaurant Fight Scene
So so action movie
Contains spoilers, click to show
A very basic premise,anna is down on her luck but gets recruited into the KGB as an assassin.She completes various missions but the CIA are on to her and eventually catch her out.They make her work for them and so on and so on until she is eventually given her freedom.
This is the first decent Luc Besson film in years (he will never ever beat Leon).Sasha Luss impresses as anna,helen mirren is also good.I wasnt to impressed with the way the story switches backwards and forwards in time.
The restaurant fight scene was pretty impressive and very bloody.
This is the first decent Luc Besson film in years (he will never ever beat Leon).Sasha Luss impresses as anna,helen mirren is also good.I wasnt to impressed with the way the story switches backwards and forwards in time.
The restaurant fight scene was pretty impressive and very bloody.
Awix (3310 KP) rated The Messenger: The Story of Joan of Arc (1999) in Movies
May 3, 2019
Sprawling, episodic historical drama which brought the Hollywood career of Luc Besson to a firm stop. 15th century France is invaded by the English, but leading the resistance is a teenage girl who believes she can hear the voice of God. She may be able to defeat the invaders, but can she survive the snake pit of court and church politics?
So: Joan of Arc, an iconic, legendary, complex figure, is brought to the screen by Milla Jovovich, whose performance mostly consists of her rolling her eyes a lot and squeaking. No matter how distinguished the rest of the cast, or how well staged the various massed battle scenes, this is a problem which any film would struggle to overcome. Some other odd creative choices don't help much (Dustin Hoffman turns up as the embodiment of Joan's self-doubt). Still, there is a genuine sense of the medieval grotesque, and Besson is very much in his comfort zone during the battles. Certainly a brave and imaginative take on history, but the end result is too close to Monty Python and the Holy Grail for comfort.
So: Joan of Arc, an iconic, legendary, complex figure, is brought to the screen by Milla Jovovich, whose performance mostly consists of her rolling her eyes a lot and squeaking. No matter how distinguished the rest of the cast, or how well staged the various massed battle scenes, this is a problem which any film would struggle to overcome. Some other odd creative choices don't help much (Dustin Hoffman turns up as the embodiment of Joan's self-doubt). Still, there is a genuine sense of the medieval grotesque, and Besson is very much in his comfort zone during the battles. Certainly a brave and imaginative take on history, but the end result is too close to Monty Python and the Holy Grail for comfort.
Awix (3310 KP) rated You Were Never Really Here (2018) in Movies
Mar 16, 2018 (Updated Mar 17, 2018)
On paper Lynne Ramsay's art-house thriller looks like it's channelling Taxi Driver plus any Luc Besson thriller you care to mention: brutal mercenary (Phoenix) takes on a mission to free a senator's daughter, but the job goes bad, to say the least.
However, it's not just the story, but how you tell it - the plot itself is cut down to the bone, and the film is built around the way the director presents a succession of tiny details, a broodingly intense performance from Phoenix, and a driving score from Jonny Greenwood. Pretty heavy stuff throughout, with some graphic violence and a relentlessly bleak vision of the world, but not the kind of film you can really look away from once it has you in its grasp. Not sure it really qualifies as entertainment, but an impressive work of art.
However, it's not just the story, but how you tell it - the plot itself is cut down to the bone, and the film is built around the way the director presents a succession of tiny details, a broodingly intense performance from Phoenix, and a driving score from Jonny Greenwood. Pretty heavy stuff throughout, with some graphic violence and a relentlessly bleak vision of the world, but not the kind of film you can really look away from once it has you in its grasp. Not sure it really qualifies as entertainment, but an impressive work of art.