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Havoc (Moonshine Task Force #3)
10.0
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When a marriage of convenience turns into the passion of a lifetime… Holden “Havoc”...
After the Flood
9.0
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A little more than a century from now, our world has been utterly transformed. After years of slowly...
The Hussar's Duty (The Winged Warrior #3)
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Poland’s most valiant winged hussar is called to fight in a campaign ripe for disaster. But he...
Historical Fiction
ClareR (5674 KP) rated Body of Stars in Books
Jan 16, 2024
Body of Stars is an enjoyable YA novel set in the near future. This is a world where the markings on a woman’s body predict the future for not only themselves, but for their families as well.
Instead of this phenomenon giving women autonomy over their own lives, it seems that it’s the same old story. Their bodies are a commodity, mapped out by a government organisation, checked over by their fathers when their markings change during puberty. They are warned not to show themselves off or be by themselves, lest men can’t control themselves as they’re driven wild with lust. So far, so stereotypical.
Celeste Morton is excited by the prospect of this transition, and her brother Miles is desperate to practice his interpretation skills on his sister. But when Celeste transitions, a terrible fate is revealed. And in a desperate bid to keep this a secret, Celeste experiences the worst thing that can happen to a changeling.
I have to admit to being very frustrated whilst reading this. There’s nothing feminist about this story - there is a good argument for why feminism is necessary though. Misogyny is rife in the world of this book! To be honest, the story could have run in exactly the same direction without the need for freckles, moles and other markings. It was depressing that even in an alternative near future, women would be experiencing the same restrictions and abuse that so many live through today.
This was a novel that I loved to hate - the frustration was immense! Do I recommend it? Well yes, but be prepared for the deep breathing, calming exercises that you’ll need!
Instead of this phenomenon giving women autonomy over their own lives, it seems that it’s the same old story. Their bodies are a commodity, mapped out by a government organisation, checked over by their fathers when their markings change during puberty. They are warned not to show themselves off or be by themselves, lest men can’t control themselves as they’re driven wild with lust. So far, so stereotypical.
Celeste Morton is excited by the prospect of this transition, and her brother Miles is desperate to practice his interpretation skills on his sister. But when Celeste transitions, a terrible fate is revealed. And in a desperate bid to keep this a secret, Celeste experiences the worst thing that can happen to a changeling.
I have to admit to being very frustrated whilst reading this. There’s nothing feminist about this story - there is a good argument for why feminism is necessary though. Misogyny is rife in the world of this book! To be honest, the story could have run in exactly the same direction without the need for freckles, moles and other markings. It was depressing that even in an alternative near future, women would be experiencing the same restrictions and abuse that so many live through today.
This was a novel that I loved to hate - the frustration was immense! Do I recommend it? Well yes, but be prepared for the deep breathing, calming exercises that you’ll need!
Saffy Alexandra (89 KP) rated The Hobbit in Books
Jun 10, 2019
Characters (2 more)
Plot
Introduction and backstory to a character
What good is a book without a dragon or two in it?
The Hobbit is my all time favourite book not just as a child but as an adult as well, capturing my imagination and love from the first time I picked it up to it now being my go to book when I am feeling sad or when I need to feel like ‘home’.
This book is definitely not as lengthly as the it’s cousin, Lord of the Rings, but it holds a certain charm to it. We come to love the foolish but courageous Hobbit, Bilbo Baggins, and follow his adventure to the lonely mountain with the rag-tag group of Dwarves and the mischievous and ever in trouble Gandalf the Grey.
Coming from a small town that was similar to Hobbiton (I was told that Tolkien actually based Hobbiton on the town I am from) I could relate so well to Bilbo when he had misgivings about leaving his home, but that urge for adventure and lust for the unknown was too much to resist.
This story, although quite sad at the end, is full of humour, wit and no end of riddles and charm that even the grumpiest reader should not be able to resist. Perhaps it is not the most powerful or awe-inspiring book, but I think that’s what makes it so great. It’s not trying to be the best book that you’ve ever read, it’s simply telling a story the best way it can, you can’t help but be drawn in to the characters and the descriptions that Tolkien gives you.
It might not be The Lord of the Rings, but to me it will always be my favourite and best book to keep with me wherever I go and I would be lost without it!
This book is definitely not as lengthly as the it’s cousin, Lord of the Rings, but it holds a certain charm to it. We come to love the foolish but courageous Hobbit, Bilbo Baggins, and follow his adventure to the lonely mountain with the rag-tag group of Dwarves and the mischievous and ever in trouble Gandalf the Grey.
Coming from a small town that was similar to Hobbiton (I was told that Tolkien actually based Hobbiton on the town I am from) I could relate so well to Bilbo when he had misgivings about leaving his home, but that urge for adventure and lust for the unknown was too much to resist.
This story, although quite sad at the end, is full of humour, wit and no end of riddles and charm that even the grumpiest reader should not be able to resist. Perhaps it is not the most powerful or awe-inspiring book, but I think that’s what makes it so great. It’s not trying to be the best book that you’ve ever read, it’s simply telling a story the best way it can, you can’t help but be drawn in to the characters and the descriptions that Tolkien gives you.
It might not be The Lord of the Rings, but to me it will always be my favourite and best book to keep with me wherever I go and I would be lost without it!
Steve Fearon (84 KP) rated Hellraiser (1987) in Movies
Sep 14, 2018
A wonderfully imaginative and creepy Mythos (1 more)
Doug Bradley becomes a horror icon
The Special Effects are a little dated (1 more)
Sometimes seems confused about what sort of film it is...
We have such Cenobites to show you...
Hellraiser is arguably the finest in the series, creating horror icons in Pinhead, Kirsty, Frank and Julia, whilst giving the viewer some of the most extreme horror scenes ever seen.
The mythos of Clive Barker's Hellraiser series is fascinating, and hints at underworlds, other dimensions, hell and all sorts of demonic entities, and although this first entry is mostly set in an indistinct U.S town, the feeling that hell is just under the surface haunts the movie.
What follows is a tale of morality, lust, love and judgement as our characters seek to fulfill their heart's desires, all whilst trying to make sense of the dark forces that seek to envelope their new home.
Our Heroine, Kirtsy, is played by Ashley Laurence, who has more than a dash of Ripley about her at times, as she snarls and fights the forces of evil, showing more courage than most of us watching the film I am sure.
Pinhead (as he was dubbed by fans) is a fairly minor role in the film, and yet Doug Bradley's ominous delivery lingers long on the memory, giving us lines that echo long after the film has finished.
All in all, Hellraiser is a flawed, but imaginative horror tale, that threatens the viewer with a fantastically demonic realm filled with violence, gore and underdogs, and a plot that is easy to follow, but still feels new.
Sadly, like the Cenobites, the following movies would often fall prey to their mantra of pain & pleasure, but certainly this and the immediate sequel should be considered must-see for fans of physical effects and slow burning horror.
The mythos of Clive Barker's Hellraiser series is fascinating, and hints at underworlds, other dimensions, hell and all sorts of demonic entities, and although this first entry is mostly set in an indistinct U.S town, the feeling that hell is just under the surface haunts the movie.
What follows is a tale of morality, lust, love and judgement as our characters seek to fulfill their heart's desires, all whilst trying to make sense of the dark forces that seek to envelope their new home.
Our Heroine, Kirtsy, is played by Ashley Laurence, who has more than a dash of Ripley about her at times, as she snarls and fights the forces of evil, showing more courage than most of us watching the film I am sure.
Pinhead (as he was dubbed by fans) is a fairly minor role in the film, and yet Doug Bradley's ominous delivery lingers long on the memory, giving us lines that echo long after the film has finished.
All in all, Hellraiser is a flawed, but imaginative horror tale, that threatens the viewer with a fantastically demonic realm filled with violence, gore and underdogs, and a plot that is easy to follow, but still feels new.
Sadly, like the Cenobites, the following movies would often fall prey to their mantra of pain & pleasure, but certainly this and the immediate sequel should be considered must-see for fans of physical effects and slow burning horror.
Hazel (1853 KP) rated Bunker Boy in Books
Jun 18, 2019
Bunker Boy is the latest dystopian novel by the diverse author Jordan Elizabeth. One minute, the eighteen-year-old Zara is studying for her Spanish exam and the next she is waking up in a strange room where she has apparently spent five years in a coma. The world as Zara knew it is over. She is informed that terrorists bombed the East Coast of the United States of America and she is one of the lucky few to survive the viaane gas poisoning.
What initially seemed to be salvation turns into a backward, middle ages scenario where women are oppressed by the government run by a dictatorial headmaster. Zara soon learns that no one can challenge the way of life without putting their own lives at risk. She also discovers that things are not at all what they seem.
Jordan Elizabeth's writing is fast-paced but still manages to gradually build up the storyline. Being told from Zara's point of view, the reader experiences things as they happen rather than being aware of things the characters do not know. As a result, readers share the same emotions as the protagonist, imagining themselves in the same position.
Another great attribute of Jordan Elizabeth's writing is that she does not need to include romance to make the story interesting. Although there are relationships of a sort, there is no love, lust or conflicting emotions to distract from the storyline. The author knows how to naturally engage the reader and keep them interested.
Bunker Boy is just one of many of Jordan Elizabeth's greatest books. The only downside is it is short and, therefore, over way too quickly. The author has the potential to write a full-length novel in the future.
What initially seemed to be salvation turns into a backward, middle ages scenario where women are oppressed by the government run by a dictatorial headmaster. Zara soon learns that no one can challenge the way of life without putting their own lives at risk. She also discovers that things are not at all what they seem.
Jordan Elizabeth's writing is fast-paced but still manages to gradually build up the storyline. Being told from Zara's point of view, the reader experiences things as they happen rather than being aware of things the characters do not know. As a result, readers share the same emotions as the protagonist, imagining themselves in the same position.
Another great attribute of Jordan Elizabeth's writing is that she does not need to include romance to make the story interesting. Although there are relationships of a sort, there is no love, lust or conflicting emotions to distract from the storyline. The author knows how to naturally engage the reader and keep them interested.
Bunker Boy is just one of many of Jordan Elizabeth's greatest books. The only downside is it is short and, therefore, over way too quickly. The author has the potential to write a full-length novel in the future.
Phil Leader (619 KP) rated 2084 in Books
Nov 8, 2019
Set in an a future that in many ways is all too plausible, David Churchill is about to take the test that determines his future life like everyone else his age. Everybody's present and future is controlled by the all powerful Ministries to the betterment of all mankind. Or so everyone is told.
Following his selection for work in one of the Ministries David very soon finds out the truth. The wider populace are controlled by fear, propaganda and lies. The workers in the Ministry are controlled by greed, power and lust. He soon learns that the whole system is corrupt, rotten to the core, despite the all-powerful and dispassionate AIs that are supposed to only benefit mankind. But as one man there is little he can do, and certainly nobody he can trust. But there are plenty who want to use him as a weapon is their political infighting and power battles.
Clearly a more technological update on 1984, Hogan tackles this grim subject matter from the human perspectives of David and his childhood friend Juli, who is also pulled into the dark world of the power and corruption. Like peeling a rotten onion, layer after layer is removed, finally revealing the rotten heart. Along the way there are some huge plot twists, shocking events and reveals that completely change how the reader understands this future vision. The ending, which it comes, is certainly cataclysmic.
As with the best science fiction, this casts a light on the world we live in with certain current events clearly used as a basis for how Hogan constructed his dystopia. Sometimes the subtext isn't as subtle as it could be, but there is no denying the chilling warning it delivers.
Note: This book contains multiple scenes and themes of a sexual nature
Following his selection for work in one of the Ministries David very soon finds out the truth. The wider populace are controlled by fear, propaganda and lies. The workers in the Ministry are controlled by greed, power and lust. He soon learns that the whole system is corrupt, rotten to the core, despite the all-powerful and dispassionate AIs that are supposed to only benefit mankind. But as one man there is little he can do, and certainly nobody he can trust. But there are plenty who want to use him as a weapon is their political infighting and power battles.
Clearly a more technological update on 1984, Hogan tackles this grim subject matter from the human perspectives of David and his childhood friend Juli, who is also pulled into the dark world of the power and corruption. Like peeling a rotten onion, layer after layer is removed, finally revealing the rotten heart. Along the way there are some huge plot twists, shocking events and reveals that completely change how the reader understands this future vision. The ending, which it comes, is certainly cataclysmic.
As with the best science fiction, this casts a light on the world we live in with certain current events clearly used as a basis for how Hogan constructed his dystopia. Sometimes the subtext isn't as subtle as it could be, but there is no denying the chilling warning it delivers.
Note: This book contains multiple scenes and themes of a sexual nature
Phil Leader (619 KP) rated The Hidden Face (Fifth Unmasking #1) in Books
Nov 14, 2019
After a period where it became quite tired and unimaginative, fantasy writing over the last decade or so become a good vehicle for interesting story telling. The Hidden Face is no exception for this, being in the epic fantasy mould but with some fresh ideas thrown in.
The premise is that every few hundred years the god Akhen manifests in human form and reveals (unmasks) itself, resulting in a huge shift in the balance of power between nations. If someone could know ahead of time who was the vessel for Akhen then whoever controlled them would wield enormous power. And there are certain parties who want that power at all costs.
Standing in their way are Dayraven, former hostage and son of a famous hero, and Sunniva, daughter of a scholar and archaeologist. Between them they must solve scattered clues and prevent their enemies discovering the secrets that they know.
There is a lot that is conventional here, but there are some nice twists that avoid the usual fantasy cliches. It is also refreshing for there not to be some all pervading evil that must be defeated. Here the simple lust for power is enough to create entirely suitable adversaries. Also there a lot of factions, all with their own motives and allies, some of which change of the course of the book.
The writing is strong, with some great characters. Special mention must go to The Twister, one of the most interesting personalities I've come across with his own internal logic for his often bizarre actions.
A terrific start to a new fantasy series that looks to be something well worth reading. There are certainly plenty of mysteries still to be revealed in this fascinating world.
The premise is that every few hundred years the god Akhen manifests in human form and reveals (unmasks) itself, resulting in a huge shift in the balance of power between nations. If someone could know ahead of time who was the vessel for Akhen then whoever controlled them would wield enormous power. And there are certain parties who want that power at all costs.
Standing in their way are Dayraven, former hostage and son of a famous hero, and Sunniva, daughter of a scholar and archaeologist. Between them they must solve scattered clues and prevent their enemies discovering the secrets that they know.
There is a lot that is conventional here, but there are some nice twists that avoid the usual fantasy cliches. It is also refreshing for there not to be some all pervading evil that must be defeated. Here the simple lust for power is enough to create entirely suitable adversaries. Also there a lot of factions, all with their own motives and allies, some of which change of the course of the book.
The writing is strong, with some great characters. Special mention must go to The Twister, one of the most interesting personalities I've come across with his own internal logic for his often bizarre actions.
A terrific start to a new fantasy series that looks to be something well worth reading. There are certainly plenty of mysteries still to be revealed in this fascinating world.
JT (287 KP) rated I Am Number Four (2011) in Movies
Mar 10, 2020
Bland and flat for the first half then bells and whistles for the final act, it’s not awe inspiring stuff really, a Twilight for the Sci-fi genre. When their home planet is destroyed by Mogadorians, nine infant aliens with extraordinary powers and their guardians are scattered around the Earth hiding from certain death.
With the first three dead the leather trench coat wearing villains, complete with odd looking tattoos and piranha like teeth come after Number 4, John Smith (Pettyfer).
Hiding out in a small town Smith tries to fit in, experiencing everything that a normal everyday teenager would do, while trying to suppress hidden powers that he slowly grasps the responsibility of.
He falls for the shy blonde, Sarah (Agron) who hides behind the lens of her camera, and befriends the local nerd who believes that Aliens have abducted his dad, well help is at hand there.
It really is a film of two halves, with the romantic adolescents looking to find each other and rebelling the elements that threaten to tear them apart.
Caruso then suddenly ramps the action and visual set pieces up as the battle across town heats up with the Mogadorians hot on their heels. There is also the introduction of Number 6 (Teresa Palmer), leather clad and sexy she rides in on a shiny red Ducati to help save the day complete with her own set of unique powers.
There is no denying that the finale certainly lifts the film but by this time the only thing it will achieve will be waking the audience up from what was a boring opening.
A sequel is no doubt a sure thing, but do we really need another franchise of teen lust and super powers? We’ve already had Potter and Cullen!
With the first three dead the leather trench coat wearing villains, complete with odd looking tattoos and piranha like teeth come after Number 4, John Smith (Pettyfer).
Hiding out in a small town Smith tries to fit in, experiencing everything that a normal everyday teenager would do, while trying to suppress hidden powers that he slowly grasps the responsibility of.
He falls for the shy blonde, Sarah (Agron) who hides behind the lens of her camera, and befriends the local nerd who believes that Aliens have abducted his dad, well help is at hand there.
It really is a film of two halves, with the romantic adolescents looking to find each other and rebelling the elements that threaten to tear them apart.
Caruso then suddenly ramps the action and visual set pieces up as the battle across town heats up with the Mogadorians hot on their heels. There is also the introduction of Number 6 (Teresa Palmer), leather clad and sexy she rides in on a shiny red Ducati to help save the day complete with her own set of unique powers.
There is no denying that the finale certainly lifts the film but by this time the only thing it will achieve will be waking the audience up from what was a boring opening.
A sequel is no doubt a sure thing, but do we really need another franchise of teen lust and super powers? We’ve already had Potter and Cullen!