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T3L3V4T0R5 (17 KP) rated Get Out (2017) in Movies
Jul 16, 2017
Very Well Written and Suspenseful (spoilers)
Contains spoilers, click to show
Jordan Peele wrote a decent supernatural thriller with Get Out. The tension was good and the story unfolded well. My first problem is that the "big reveal" was semi-predictable with the clues they were giving us, not to mention that it reminded me too much of another film (Skeleton Key). It was easy to see from start that the girlfriend was involved in the "trap", if you will, and I spent the second half of the movie praying for her demise and a hopefully violent end to the "Macaulay Culkin on crack" looking douche. The very last few minutes of the movie (the pictures) were probably the only part of the film that had any shock value to the story.
Matthew Krueger (10051 KP) rated Home Alone 2: Lost in New York (1992) in Movies
Dec 19, 2019 (Updated Dec 19, 2019)
Tim Curry!!!!!
Home Alone 2: Lost in New York - rinses and repeats the same formula as the first movie, but this time in New York.
The Plot: After snarky youth Kevin McCallister (Macaulay Culkin) loses track of his father at the airport, he mistakenly gets on a plane headed for New York City -- while the rest of the McCallisters fly to Florida. Now alone in the Big Apple, Kevin cons his way into a room at the Plaza Hotel and begins his usual antics. But when Kevin discovers that the Sticky Bandits (Joe Pesci, Daniel Stern) are on the loose, he struggles to stop them from robbing an elderly man's toy store just before Christmas.
Tim Curry saves this movie, Time Curry is the best part of this movie, Tim Curry is the only reason the watch this movie. He is so funny and great in this film, i love him in this movie.
A classic christmas movie, for the whole family to watch.
Dont forgot about that cameo with Trump.
The Plot: After snarky youth Kevin McCallister (Macaulay Culkin) loses track of his father at the airport, he mistakenly gets on a plane headed for New York City -- while the rest of the McCallisters fly to Florida. Now alone in the Big Apple, Kevin cons his way into a room at the Plaza Hotel and begins his usual antics. But when Kevin discovers that the Sticky Bandits (Joe Pesci, Daniel Stern) are on the loose, he struggles to stop them from robbing an elderly man's toy store just before Christmas.
Tim Curry saves this movie, Time Curry is the best part of this movie, Tim Curry is the only reason the watch this movie. He is so funny and great in this film, i love him in this movie.
A classic christmas movie, for the whole family to watch.
Dont forgot about that cameo with Trump.
LoganCrews (2861 KP) rated Saved! (2004) in Movies
Sep 21, 2020
Absolutely delightful, not only seismically subversive for its day - but not even a percentile less so even today. A black-as-night religious comedy/satire that's able to present the flaws of Christianity to light without making the claim to outright judge it nor be obnoxiously Ricky Gervais about its criticisms. Beyond that its just fucking hilarious, and insanely clever (even down to the briefest of sidegags ["I'm a rollerskate"]) - not to mention it has a huge heart and deeply impassioned, authentic care for its characters wants (*all* of whom are excellent, and are juggled together perfectly with an economy of which is sadly not seen frequently enough in teen comedies) with an uncommon narrative sensitivity. Never overstays its welcome and has a note-perfect tonal balance, as well as a roundhouse kick of memorably consummate performances (between this, those "DRYVRS" videos, and the similarly outstanding ๐๐ข๐ณ๐ต๐บ ๐๐ฐ๐ฏ๐ด๐ต๐ฆ๐ณ I'm convinced Macaulay Culkin should *only* act in sardonic depravity). Mainly just have to applaud this for its application of more than just the easy targets which many films of the genre today fall victim to again and again. Love it.
Matthew Krueger (10051 KP) rated Home Alone (1990) in Movies
Dec 19, 2019 (Updated Dec 19, 2019)
Trapped With Jigsaw, I Mean Kidsaw.
Home Alone- is a classic movie, but has alot of problems that people realise overtime. Like how did Kevin not wake up to the sound of the whole family, yes he was in the attic, but still he would of woke up. Like how Kevin's plane ticket mistakenly being thrown away, someone would of notice. Like how in the confusion and rush to get to the airport, coupled with no assigned ticket, Kevin is accidentally left behind, again some one would have notice. Like how Kate realizes mid-flight that Kevin was left behind, again thier would of notice. Like how Kevin rigs the house with booby traps, like he's 8 and he knows how to booby trap his whole house. So basically he is the kid version of Jigsaw.
Also how do the "Wet Bandits" , not get more injured, broken bones of even killed by some of Kevin's trap, i mean some of Kevin's traps are burtal and deadly. I mean it is a family film, but still.
Lets talk about the plot: When bratty 8-year-old Kevin McCallister (Macaulay Culkin) acts out the night before a family trip to Paris, his mother (Catherine O'Hara) makes him sleep in the attic. After the McCallisters mistakenly leave for the airport without Kevin, he awakens to an empty house and assumes his wish to have no family has come true. But his excitement sours when he realizes that two con men (Joe Pesci, Daniel Stern) plan to rob the McCallister residence, and that he alone must protect the family home.
A classic christmas movie, for the whole family to watch.
Also how do the "Wet Bandits" , not get more injured, broken bones of even killed by some of Kevin's trap, i mean some of Kevin's traps are burtal and deadly. I mean it is a family film, but still.
Lets talk about the plot: When bratty 8-year-old Kevin McCallister (Macaulay Culkin) acts out the night before a family trip to Paris, his mother (Catherine O'Hara) makes him sleep in the attic. After the McCallisters mistakenly leave for the airport without Kevin, he awakens to an empty house and assumes his wish to have no family has come true. But his excitement sours when he realizes that two con men (Joe Pesci, Daniel Stern) plan to rob the McCallister residence, and that he alone must protect the family home.
A classic christmas movie, for the whole family to watch.
LoganCrews (2861 KP) rated Changeland (2019) in Movies
Sep 19, 2020
An outright blast - a revitalizing, unfiltered tonic through-and-through. Would pair perfectly with ๐๐ฉ๐ฆ ๐๐ฆ๐ค๐ณ๐ฆ๐ต ๐๐ช๐ง๐ฆ ๐ฐ๐ง ๐๐ข๐ญ๐ต๐ฆ๐ณ ๐๐ช๐ต๐ต๐บ (2013) in elite-tier escapism pieces that so vividly believe in the curative power of getting away and living in the moment. Definitely one of the most depressing movies to watch during the COVID-19 pandemic in that it features some of the most beautiful location cinematography I've ever seen, a fucking *smashing* soundtrack + Patrick Stump score, and an absolutely infectious sense of healing and bliss delivered through an affable cast who fit spotlessly together. Reminded me a lot of something like ๐๐ณ๐ช๐ฏ๐ค๐ฆ ๐๐ท๐ข๐ญ๐ข๐ฏ๐ค๐ฉ๐ฆ in the best way. Just people coming together and having a good time, impossible not to fall in love with - one of the ultimate hangout movies there ever was. Huge props to Seth Green, who this was an obvious passion project for. I can't lie and say that the story here is super compelling, it isn't really - it isn't bad by any means either, but it's effectively ๐๐ข๐ณ๐ฅ๐ฆ๐ฏ ๐๐ต๐ข๐ต๐ฆ for people who don't hate themselves (minus the towering quirk). But it's clear he feels for this material so deeply that it shows through bigtime in the final product. What could have been some cheapoid DTV shrug instead comes across as a full-bodied experience because of the chemistry onscreen and belief in the picture. And of course I'm just a sucker for late-career Macaulay Culkin, who in this gets blind drunk into a Thai boxing ring wearing a pair of his signature bunny ears. Oh and also Randy Orton gives an inspirational speech. I loved this film deeply.
Tim Booth recommended Soviet Kitsch by Regina Spektor in Music (curated)
JT (287 KP) rated Skyfall (2012) in Movies
Mar 10, 2020
I wondered recently who my favourite Bond is? Do I enjoy the comical quips of Roger Moore or the smooth suave debonair approach of Sean Connery. But everytime I think about it, I keep coming full circle to Daniel Craig, in particularly Skyfall.
After the somewhat disappointment of Quantum of Solace Oscar winning director Sam Mendes has taken Bond 23 and given it a grittier more emotional look while paying homage to some of the past Bond classics. The opening credits are an explosive introduction as we see Bond give chase through a Turkish bazaar which includes an impressive motor bike pursuit and a brilliantly choreographed fist fight on top of a moving train.
After being shot Bond is seen falling to his certain death and the film explodes into its trademark opening credits, complete with Adeleโs powerful voice, a song that really evokes everything Bond. When 007 finally returns from the grave having spent time away partaking in scorpion drinking games, post shag Heinekenโs and ultimately โenjoying deathโ he comes back to find that MI6 has moved deep into subterranean London after an attack on MI6.
Heโs unshaven, disheveled and is a shadow of the former agent, not even able to shoot straight or do a succession of chin-ups without collapsing. Skyfall scratches deep beneath the emotional undertones of both Bond and M as their pasts are dragged up for all to see. Judi Dench in her seventh Bond outing gets a much bigger slice of the action, she is without question the main Bond girl here. Joined by Naomie Harris and Bรฉrรฉnice Marlohe who both take a relative back seat.
The Bond franchise has always had a rich tradition of producing menacing and iconic villains, Bloefeld, Scaramanga and Goldfinger to name a few, but the introduction of Javier Bardem will now have a place in Bond folk-law as one of the best modern day baddies.
His entrance was perfect, with Bond tied to a chair Bardemโs Silva (himself a former agent) entered from an elevator at the far side of the room, and in one take slowly walked forward as he produced a monologue about rats in a barrel, proceeding to taunt 007 about his own past and the connections that they both have with M.
The last few films have also lacked any real gadgetry in terms of Q branch, something which after being around for so long was definitely missing. Ben Wishawโs appearance as a much younger Q, โyouโve still got spotsโ points out 007, was a much needed injection as he hands out Bond his new Walter PPK and radio transmitter (they donโt go in for exploding pens anymore).
Itโs simple stuff but it was great to see that character back where he belongs.
There is subtle humour throughout and light hearted moments, Bond himself throwing a few winks here and there as Roger Moore used to do so well back in the day. The action of course is another high point, believable or not itโs stunning but then this is what we have come to expect from one of the longest running franchises in film history.
The locations and cinematography were sublime, from the depths of the London underground to the Scottish highlands in the filmโs pulsating climax; Skyfall brought Bond back to Britain. The scenes set in Shanghai where also exceptional, the highlight for me, the neon lit skyscraper fight in which Bond fails to hang onto the information he needs, quite literally.
Ralph Fiennes bureaucratic Mallory is another casting masterstroke, Albert Finney ads some touching moments of his own, while MI6 agent Eve who after shooting 007 by mistake and takes a back seat from active duty will no doubt please many fans with her new role.
Skyfall, of which I was not sure what on earth the title meant at the time is all the more clear in the third act. Bond chooses to revisit his child hood home and use that against Silva in a make shift home defense that even MacAulay Culkin would be proud of. It is fantastically shot and is the perfect ending to a film that has been top draw all the way through.
Some comparisons have been drawn to this and The Dark Knight in that the main characters are lost and then re-born in some way, both have a past that haunts them as well as dead parents. Mendes and the writers have taken this film down a darker route but an emotive one as well and that is credit to them, it all made sense and the story flowed well.
Skyfall is nothing short of a triumph and has given Bond fans everything they could have asked for and so much more.
After the somewhat disappointment of Quantum of Solace Oscar winning director Sam Mendes has taken Bond 23 and given it a grittier more emotional look while paying homage to some of the past Bond classics. The opening credits are an explosive introduction as we see Bond give chase through a Turkish bazaar which includes an impressive motor bike pursuit and a brilliantly choreographed fist fight on top of a moving train.
After being shot Bond is seen falling to his certain death and the film explodes into its trademark opening credits, complete with Adeleโs powerful voice, a song that really evokes everything Bond. When 007 finally returns from the grave having spent time away partaking in scorpion drinking games, post shag Heinekenโs and ultimately โenjoying deathโ he comes back to find that MI6 has moved deep into subterranean London after an attack on MI6.
Heโs unshaven, disheveled and is a shadow of the former agent, not even able to shoot straight or do a succession of chin-ups without collapsing. Skyfall scratches deep beneath the emotional undertones of both Bond and M as their pasts are dragged up for all to see. Judi Dench in her seventh Bond outing gets a much bigger slice of the action, she is without question the main Bond girl here. Joined by Naomie Harris and Bรฉrรฉnice Marlohe who both take a relative back seat.
The Bond franchise has always had a rich tradition of producing menacing and iconic villains, Bloefeld, Scaramanga and Goldfinger to name a few, but the introduction of Javier Bardem will now have a place in Bond folk-law as one of the best modern day baddies.
His entrance was perfect, with Bond tied to a chair Bardemโs Silva (himself a former agent) entered from an elevator at the far side of the room, and in one take slowly walked forward as he produced a monologue about rats in a barrel, proceeding to taunt 007 about his own past and the connections that they both have with M.
The last few films have also lacked any real gadgetry in terms of Q branch, something which after being around for so long was definitely missing. Ben Wishawโs appearance as a much younger Q, โyouโve still got spotsโ points out 007, was a much needed injection as he hands out Bond his new Walter PPK and radio transmitter (they donโt go in for exploding pens anymore).
Itโs simple stuff but it was great to see that character back where he belongs.
There is subtle humour throughout and light hearted moments, Bond himself throwing a few winks here and there as Roger Moore used to do so well back in the day. The action of course is another high point, believable or not itโs stunning but then this is what we have come to expect from one of the longest running franchises in film history.
The locations and cinematography were sublime, from the depths of the London underground to the Scottish highlands in the filmโs pulsating climax; Skyfall brought Bond back to Britain. The scenes set in Shanghai where also exceptional, the highlight for me, the neon lit skyscraper fight in which Bond fails to hang onto the information he needs, quite literally.
Ralph Fiennes bureaucratic Mallory is another casting masterstroke, Albert Finney ads some touching moments of his own, while MI6 agent Eve who after shooting 007 by mistake and takes a back seat from active duty will no doubt please many fans with her new role.
Skyfall, of which I was not sure what on earth the title meant at the time is all the more clear in the third act. Bond chooses to revisit his child hood home and use that against Silva in a make shift home defense that even MacAulay Culkin would be proud of. It is fantastically shot and is the perfect ending to a film that has been top draw all the way through.
Some comparisons have been drawn to this and The Dark Knight in that the main characters are lost and then re-born in some way, both have a past that haunts them as well as dead parents. Mendes and the writers have taken this film down a darker route but an emotive one as well and that is credit to them, it all made sense and the story flowed well.
Skyfall is nothing short of a triumph and has given Bond fans everything they could have asked for and so much more.