Joe Goodhart (27 KP) rated New Mutants by Zeb Wells: The Complete Collection in Books
Nov 30, 2020
First, let me say that I had never read anything Wells had written before this. That being said, I would agree with what I saw a number of people saying in their reviews: that Zeb Wells does a bang-up job of writing for X-youngins! The dialogue and characterization never felt off or just plain badly written. It felt like he had a genuine fondness for the characters, and it was reflected in the way he treated them in the stories.
The only thing that prevented me from giving it four Stars was the art. I felt the stories detailed were interesting and several towards the end were very tense and exciting to me. However, that art? Not so much.
It started out great in the beginning w/the art by Dio Neves during "Return of the Legion". However, it just became a sea of inconsistency, as just too many artists of varied styles made for a mess that kept it from being a four Star book!
Final conclusion.. The art, while severely conflicting with the differences in styles, was not a high point of the book. Zeb Wells' writing? So, so good! Made me remember that not all the X-books at that point in time were angst-y and full of internalized self-conflicts!
Next on my list? I have the two volumes of Dan Abnett and Andy Lanning's run of NEW MUTANTS, which picks up after Wells' run. To coin a phrase from comedian John Mulaney's act, "This oughta be good!". See y'all when I am finished with that one.
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DaveySmithy (107 KP) rated Venom: The Last Dance (2024) in Movies
Dec 4, 2024
One of the highlights of this film is, unsurprisingly, Tom Hardy. His commitment to playing both the brooding Eddie and the wisecracking, gluttonous Venom remains the beating heart of this franchise. Their banter is sharper than ever, delivering both laughs and surprisingly tender moments as their unconventional “relationship” reaches new levels of complexity. Hardy’s performance makes it easy to forgive some of the film’s narrative shortcomings.
Visually, Last Dance is a mixed bag. The action sequences are bigger and flashier than ever, with symbiote battles that explode across the screen in frenetic bursts of CGI. Some of these moments are thrilling, but others veer into sensory overload, leaving me wishing for a bit more clarity and restraint. The film’s attempt to lean into darker, more gothic visuals works in some scenes but feels inconsistent overall.
The plot, while ambitious, tries to juggle too many elements at once. A new villain, played with gusto by a high-profile (but slightly underutilized) actor, brings menace to the story, but their motivations are murky and underdeveloped. Meanwhile, the film’s exploration of Venom’s origins is intriguing but feels rushed, leaving me craving more depth and fewer loose ends.
Despite its flaws, Venom: Last Dance manages to deliver an entertaining and emotional farewell to the character. It’s messy, but there’s a charm in its willingness to embrace the absurd. Fans of the series will find plenty to enjoy, though it’s unlikely to win over newcomers. For me, it’s a 7/10—an imperfect but enjoyable final ride with one of Marvel’s most unpredictable antiheroes.