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Awix (3310 KP) rated Necronomicon: The Best Weird Tales of H.P. Lovecraft in Books
Mar 15, 2019 (Updated Mar 15, 2019)
Dang-near essential for anyone interested in the 20th century horror story, this volume does what it says on the front and collects the most significant fiction of H.P. Lovecraft's career. Lovecraft has a unique and idiosyncratic writing style (and that's putting it mildly) and he's not afraid to insert his deeply unpleasant racist views into his stories. However, no single figure has been more influential in the development of the fantasy-horror genre in the last century.
Lovecraft's best stories take the scientific discoveries of his time and use them to summon up an extraordinary sense of cosmic dread: the vastness of the universe and the primordial origins of the human race become the stuff of genuine nightmare. All the key stories are here - the famous Call of Cthulhu, of course, along with others that are still massively influential, such as The Colour Out of Space and At the Mountains of Madness. Lovecraft wrote the book on a certain kind of horror, and this volume is pretty much it. Some of the stories are minor works, but the best ones here are epochal.
Lovecraft's best stories take the scientific discoveries of his time and use them to summon up an extraordinary sense of cosmic dread: the vastness of the universe and the primordial origins of the human race become the stuff of genuine nightmare. All the key stories are here - the famous Call of Cthulhu, of course, along with others that are still massively influential, such as The Colour Out of Space and At the Mountains of Madness. Lovecraft wrote the book on a certain kind of horror, and this volume is pretty much it. Some of the stories are minor works, but the best ones here are epochal.
Dingbat horror movie from him what made Get Out. A nice middle-class family goes on holiday to their beach house, but soon disturbing memories are a-stirring and their evil doppelgangers are blocking up the driveway.
One is often tempted to wonder what inspired a particular film. In this case I would hazard a guess it was somebody giving Jordan Peele $20 million and him vaguely remembering a nightmare he had the previous week, which (lacking any other ideas) he turned into a script. Being terrorised in your home by a brutish double is a great idea, but difficult to get a full-length movie out of, which may be why the film largely abandons logic and plausibility in its second half in favour of the fractured reality of a bad dream.
That said, I enjoyed the sheer madness of the escalating storyline even though I didn't honestly find it that scary. Some great performances and some good jokes along the way, but it feels more like an experiment in pushing narrative boundaries than a serious attempt at a horror movie. Nutty but fun.
One is often tempted to wonder what inspired a particular film. In this case I would hazard a guess it was somebody giving Jordan Peele $20 million and him vaguely remembering a nightmare he had the previous week, which (lacking any other ideas) he turned into a script. Being terrorised in your home by a brutish double is a great idea, but difficult to get a full-length movie out of, which may be why the film largely abandons logic and plausibility in its second half in favour of the fractured reality of a bad dream.
That said, I enjoyed the sheer madness of the escalating storyline even though I didn't honestly find it that scary. Some great performances and some good jokes along the way, but it feels more like an experiment in pushing narrative boundaries than a serious attempt at a horror movie. Nutty but fun.
This is the third or fourth time I've had to read this for my classes, and I have got to say, it does not disappoint! I love how I am able to catch new details each time I read it.
This time I focused on Ophelia and her "madness." I have some theories about why she acts mad, and that it is not necessarily her losing control, but gaining it in her own way. This is the first moment where she is able to act on her own in the whole play. The first time that she does not have a male controlling all of her actions.
I love being able to see the different interpretations of the play both on stage and on the screen. The to be or not to be speech will always be one of my favorites.
This is in my top three favorite Shakespeare plays of all time because of the intricacies in the plot and the characters. I can't wait to get to study this again with a new professor to get different insights on the play itself.
This time I focused on Ophelia and her "madness." I have some theories about why she acts mad, and that it is not necessarily her losing control, but gaining it in her own way. This is the first moment where she is able to act on her own in the whole play. The first time that she does not have a male controlling all of her actions.
I love being able to see the different interpretations of the play both on stage and on the screen. The to be or not to be speech will always be one of my favorites.
This is in my top three favorite Shakespeare plays of all time because of the intricacies in the plot and the characters. I can't wait to get to study this again with a new professor to get different insights on the play itself.
Ross (3284 KP) rated Batman: The Killing Joke (2016) in Movies
Nov 9, 2018
The 2016 adaptation of one of the best-known, most iconic graphic novels of all time had massive shoes to fill. For me, it fell a little short, but was saved by the voice-acting and by, largely, sticking to the storyline it had to work with.
Before we get into the Killing Joke story proper, there is an added storyline following the relationship between Batman and Batgirl. This, plus the more cartoon-y style of the animation were a definite downer for a first 20 minutes. It doesn't really add anything to the overall piece, there is no apparent impact on Batman's actions as a result of their relationship.
That aside, this is a thrilling, gripping adaptation of the book, which sticks close to it. We learn about the Joker's backstory and first interaction with Batman, and we see that he has got into Batman's head as he always wanted.
The use of Mark Hamill as Mr J is excellent, his voice totally captures the Joker's madness, softness and violence.
A great spend of an hour, but something of a let-down from the book.
Before we get into the Killing Joke story proper, there is an added storyline following the relationship between Batman and Batgirl. This, plus the more cartoon-y style of the animation were a definite downer for a first 20 minutes. It doesn't really add anything to the overall piece, there is no apparent impact on Batman's actions as a result of their relationship.
That aside, this is a thrilling, gripping adaptation of the book, which sticks close to it. We learn about the Joker's backstory and first interaction with Batman, and we see that he has got into Batman's head as he always wanted.
The use of Mark Hamill as Mr J is excellent, his voice totally captures the Joker's madness, softness and violence.
A great spend of an hour, but something of a let-down from the book.
Abbie Devine (3 KP) rated Black Mirror: Bandersnatch (2018) in Movies
Jan 2, 2019
Interactive Film (2 more)
Alternative Endings
Intriguing themes such as mental health and government conspiracy theories
Stefan is simply trying to complete the coding for his new game derived from a choose your own adventure book 'Bandersnatch'. Will you help him stay focused and complete the game or will you force him to descend into madness?
I was apprehensive when I found out the new Black Mirror film was going to be interactive as I didn't want the plot to be overshadowed by the interactive feature. But I was wrong
The film is great. An original story archetype of time looping but with that classic Black Mirror edge.
If you are a tiny bit obsessive like me, you might want to set aside two hours or so to explore every choice and ending.
Without any spoilers, some endings can be rather satisfying, whilst others can be a bit hit or miss but quite often with the chance to retry from a certain point without necessarily changing the timeline.
So if you are looking for a new existential crisis, Bandersnatch is the one for you.
I was apprehensive when I found out the new Black Mirror film was going to be interactive as I didn't want the plot to be overshadowed by the interactive feature. But I was wrong
The film is great. An original story archetype of time looping but with that classic Black Mirror edge.
If you are a tiny bit obsessive like me, you might want to set aside two hours or so to explore every choice and ending.
Without any spoilers, some endings can be rather satisfying, whilst others can be a bit hit or miss but quite often with the chance to retry from a certain point without necessarily changing the timeline.
So if you are looking for a new existential crisis, Bandersnatch is the one for you.
Awix (3310 KP) rated The Call Of The Wild (2020) in Movies
Feb 25, 2020
Rather too big-budget Jack London adaptation is long on CGI and short on grit, but remains engaging and dignified entertainment. Pampered house dog Buck is abducted from his California home and packed off to Alaska during the gold rush, slowly getting in touch with his wild side. Harrison Ford plays the main human part - there was something oddly familiar about seeing the star team up with a huge, hairy, almost totally non-verbal partner and then I remembered the Russian word for dog is sowbacca and it all made a bit more sense.
The harder edges of London's book have been sanded down considerably, and this does verge on the sentimental and cutesy in places - for one ghastly moment I thought the dogs were going to start talking to each other - and the fact it's made with a CGI dog (Terry Notary has been mo-capped) will probably put some people off. But it's solid, likeable stuff, lifted considerably by performances from Ford and Omar Sy. I still think it was madness to spend over $120 million on a film which will probably struggle to find an audience, but it has a definite charm to it.
The harder edges of London's book have been sanded down considerably, and this does verge on the sentimental and cutesy in places - for one ghastly moment I thought the dogs were going to start talking to each other - and the fact it's made with a CGI dog (Terry Notary has been mo-capped) will probably put some people off. But it's solid, likeable stuff, lifted considerably by performances from Ford and Omar Sy. I still think it was madness to spend over $120 million on a film which will probably struggle to find an audience, but it has a definite charm to it.
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