Auntie Poldi and the Sicilian Lions
Book
Recently widowed Poldi moves to Sicily in order to quietly drink herself to death with a sea view....
Three Seconds: Ewert Grens 4
Anders Roslund, Borge Hellstrom and Kari Dickson
Book
WINNER OF THE 2011 CWA INTERNATIONAL DAGGER. A NEW YORK TIMES TOP 5 BESTSELLER. AND SOON TO BE A...
Curiosities of London: Historical Walks Around the Capital
Book
Curiosities of London contains an informative and entertaining selection of walks around well-known...
Lainie Kazan recommended The Godfather: Part II (1974) in Movies (curated)
King of Fools (The Shadow Game, #2)
Book
Name your price and claim your throne. On the quest to find her missing mother, prim and proper...
The Assassination Of Marilyn Monroe
Book
This book is the fully documented story of Marilyn Monroe's death - a heart-stopping account of the...
Murder, etc.
Podcast
GREENVILLE, SC: January 31, 1975: Lt. Frank Looper was about to break the biggest case of his life....
True Crime
BankofMarquis (1832 KP) rated The Kitchen (2019) in Movies
May 17, 2020
I should have watched 21 BRIDGES.
Based on the DC/VERTIGO graphic novel, THE KITCHEN is set in the late 1970's in NYC and offers up the "what if" scenario of 3 women that take over the Mafia. A pretty interesting premise that could have been the GODFATHER or GOODFELLA's of the day (or...at least...another WIDOWS from 2018), but instead THE KITCHEN falls flat like the all female GHOSTBUSTERS from a few year's ago.
A star of that Ghostbuster's film, Melissa McCarthy leads the cast as Kathy Brennan, the wife of a mobster who was sent to jail and becomes the leader of the group. McCarthy has shown that she has the "chops" as an actress to tackle this role, but she never really gets there. There is no real depth or emotional stakes to her character throughout the course of the film. The screenplay (and McCarthy's performance) does pick up at the end, but by then, it is too little, too late. Also not fairing well is comedienne Tiffany Hadish as Ruby O'Carroll - an African-American female trying to dominate in a predominately white male world. Again...this character had potential, but the writing and, quite frankly, Hadish's performance just didn't quite succeed.
What did succeed is the always excellent Elisabeth Moss as the 3rd part of this triumvirate. Her "mousy, abused housewife turned stone cold killer" was interesting to watch - especially when paired with Domhnall Gleeson's assassin about 1/2 way through the movie. I wanted to watch a movie with these 2 criminals on the run.
I've mentioned the weak writing as part the issue here, so I'll have to mention first time Veteran Writer and first-time Director Andrea Berloff as the main culprit here. She wrote STRAIGHT OUTTA COMPTON so she has it in her, but here, the screenplay and characterizations are "thin". Perhaps, a good Director could have made something out of this, but she also made her Directing debut with this film, so it just didn't work well enough.
This isn't a bad film, it just isn't a very good - or very interesting - one.
Letter Grade B- (for the Moss/Gleeson portion of this film)
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
Alicia S (193 KP) rated Reaper (Boston Underworld, #2) in Books
Sep 28, 2018
Vinny Gorgeous: The Ugly Rise and Fall of a New York Mobster
Book
A vain man of good looks but no family ties to the Mob, Vincent "Vinny Gorgeous" Basciano worked his...