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Vinyl Resting Place
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When Juni Jessup and her sisters Tansy and Maggie put all their beans in one basket to open Sip &...
Emma @ The Movies (1786 KP) rated Fantasy Island (2020) in Movies
May 5, 2020
Michael Peña and Maggie Q in a film... I'm in. This was high up my watchlist even though Blumhouse and I don't always see eye to eye.
A group of strangers arrive on an island, this experience will give them their deepest desires. Wish for it and you can live it, all you have to do is see it through to the end on Fantasy Island.
Evidently, Nic Cage turned down the role of Mr Roarke... I didn't know that he turned down any roles so that (if true) should have been a massive warning sign.
I do have to wonder how some of these stories come about. This is based on the 70's TV show of the same name which was entirely not scary as far as I know. Is there a giant bingo cage full of ping pong balls inscribed with names of old shows and films? Do they just let studios try their luck to spin whatever they get to their niche?
Twisting this tale is a pretty good idea, though I'm not really sure why an island would want to do that to people, but what do I know about malevolent black goop spirits? I was generally on board with the storyline and I thought it wove them together quite well but that ending... are you kidding me? There was some speculation thrown out about what was going on and that thread was believable. The one they gave us was laughable, the absolute worst choice. Had they done a small reshuffle they could have given a much less ridiculous conclusion.
There are a lot of different threads and each one has its moments, as daft as they might be they come together quite well even when the filler is poor.
Maggie Q's performance as Gwen felt like the most believable out of the whole ensemble, but that's not really a surprise from her. Gwen is basically the only decent person in the group and throughout her stay she is the one that's grounded and tries to deal with her situation. That should give us something good to work off... but she's kind of bland on screen compared to everything else.
Michael Peña is always a pull to a movie for me, but Roarke's story wasn't all the effective. Had he been a construct of the island then there might have been something in it, but as it was you didn't get any real struggle with his actions, I couldn't see how a character that wasn't portrayed as actively evil could go along with any of it even given his background.
While the rest of the cast is filled with faces you'd know there isn't really a great performance to be seen. From unlikeable characters to a script that's not amusing when it tries to be, what's left of the film is plain in a glossy kind of way, and by that I mean it's got the makings of something good but misses anything that could have made an impact. The effects are fine for the most part and the sets are fine when you take into consideration they're supposed to be a fantasy and don't need to fit together perfectly. The exception is Roarke's door that Maggie Q interacts with, I liked that move and I don't know whether the rest of the film might have benefitted from something similar.
Bits of the film are quite good and could have made for an exciting watch, but that ending was so frustrating that any enjoyment went straight out the window and any thrill from what I'd already seen was gone. Also, considering it is classified as horror there wasn't really enough, or anything of quality, too make that a reality. Untapped potential in abundance here.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/05/fantasy-island-movie-review.html
A group of strangers arrive on an island, this experience will give them their deepest desires. Wish for it and you can live it, all you have to do is see it through to the end on Fantasy Island.
Evidently, Nic Cage turned down the role of Mr Roarke... I didn't know that he turned down any roles so that (if true) should have been a massive warning sign.
I do have to wonder how some of these stories come about. This is based on the 70's TV show of the same name which was entirely not scary as far as I know. Is there a giant bingo cage full of ping pong balls inscribed with names of old shows and films? Do they just let studios try their luck to spin whatever they get to their niche?
Twisting this tale is a pretty good idea, though I'm not really sure why an island would want to do that to people, but what do I know about malevolent black goop spirits? I was generally on board with the storyline and I thought it wove them together quite well but that ending... are you kidding me? There was some speculation thrown out about what was going on and that thread was believable. The one they gave us was laughable, the absolute worst choice. Had they done a small reshuffle they could have given a much less ridiculous conclusion.
There are a lot of different threads and each one has its moments, as daft as they might be they come together quite well even when the filler is poor.
Maggie Q's performance as Gwen felt like the most believable out of the whole ensemble, but that's not really a surprise from her. Gwen is basically the only decent person in the group and throughout her stay she is the one that's grounded and tries to deal with her situation. That should give us something good to work off... but she's kind of bland on screen compared to everything else.
Michael Peña is always a pull to a movie for me, but Roarke's story wasn't all the effective. Had he been a construct of the island then there might have been something in it, but as it was you didn't get any real struggle with his actions, I couldn't see how a character that wasn't portrayed as actively evil could go along with any of it even given his background.
While the rest of the cast is filled with faces you'd know there isn't really a great performance to be seen. From unlikeable characters to a script that's not amusing when it tries to be, what's left of the film is plain in a glossy kind of way, and by that I mean it's got the makings of something good but misses anything that could have made an impact. The effects are fine for the most part and the sets are fine when you take into consideration they're supposed to be a fantasy and don't need to fit together perfectly. The exception is Roarke's door that Maggie Q interacts with, I liked that move and I don't know whether the rest of the film might have benefitted from something similar.
Bits of the film are quite good and could have made for an exciting watch, but that ending was so frustrating that any enjoyment went straight out the window and any thrill from what I'd already seen was gone. Also, considering it is classified as horror there wasn't really enough, or anything of quality, too make that a reality. Untapped potential in abundance here.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/05/fantasy-island-movie-review.html
Suswatibasu (1703 KP) rated I am, I am, I am: Seventeen Brushes with Death in Books
Jan 12, 2018
Moving, harrowing, well-written
I Am, I Am, I Am is a memoir by award-winning British author, Maggie O'Farrell. It is subtitled Seventeen Brushes With Death, and in describing these (mostly, but not exclusively, her own) experiences, O'Farrell also, of course, shares many other important moments of her life. As well as describing the situation that led to them, the physical effects they had on her and those close to her, she also notes the change in attitude they caused.
There is a deep sense of violence faced by a woman's body, which is apparent in her experiences. She describes near misses with vehicles, a mugging, juvenile encephalitis, the birth of her first child, near drownings, a knife-throwing act, dysentery-induced dehydration, and an encounter with a murderer.
The section about her miscarriages is deeply moving. She questions why it isn't discussed and why it is given little exposure. She explains how mothers end up feeling isolated because of the little care given to those who have experienced it. Her voice and pain shines through at this particular point.
As with her fiction, O'Farrell’s prose is often exquisite. This is a privileged peek into the life of an amazing author, a moving and fascinating read.
There is a deep sense of violence faced by a woman's body, which is apparent in her experiences. She describes near misses with vehicles, a mugging, juvenile encephalitis, the birth of her first child, near drownings, a knife-throwing act, dysentery-induced dehydration, and an encounter with a murderer.
The section about her miscarriages is deeply moving. She questions why it isn't discussed and why it is given little exposure. She explains how mothers end up feeling isolated because of the little care given to those who have experienced it. Her voice and pain shines through at this particular point.
As with her fiction, O'Farrell’s prose is often exquisite. This is a privileged peek into the life of an amazing author, a moving and fascinating read.
Kristy H (1252 KP) rated The New Husband in Books
Apr 23, 2020
I will give it to this novel--it's a page-turner. I might not have really liked any of the characters (Daisy the dog exempted), but I certainly flew through the book. The narrative style wasn't exactly my favorite; it just felt off to me.
"There was, however, one truth Nina took from the terrible ordeal, an abstract notion that with time and rumination calcified into a harsh new understanding: just because you love someone doesn't mean you know them."
There is no one in this book that I felt the desire to root for, beyond Daisy and poor Maggie, Nina's thirteen-year-old daughter, who is bullied and neglected thanks to all that's going on. I'm sorry, but her clueless mom makes some terrible decisions. I wanted to shake her multiple times.
This book is crazy and honestly, a little too far-fetched for me at times. I love a book filled with twists and turns, but this one might take the cake. Especially since some of them seemed to lack any motivation or backup.
Still, it's a page-turner and a fast read. If you can suspend your disbelief more than I did, you'll probably really enjoy it.
"There was, however, one truth Nina took from the terrible ordeal, an abstract notion that with time and rumination calcified into a harsh new understanding: just because you love someone doesn't mean you know them."
There is no one in this book that I felt the desire to root for, beyond Daisy and poor Maggie, Nina's thirteen-year-old daughter, who is bullied and neglected thanks to all that's going on. I'm sorry, but her clueless mom makes some terrible decisions. I wanted to shake her multiple times.
This book is crazy and honestly, a little too far-fetched for me at times. I love a book filled with twists and turns, but this one might take the cake. Especially since some of them seemed to lack any motivation or backup.
Still, it's a page-turner and a fast read. If you can suspend your disbelief more than I did, you'll probably really enjoy it.
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