"This is sheer bliss and existential wonderment. It should be required viewing—not just for filmmakers but for people in general. It stitches together all the Apollo missions into one beautiful trip to the moon and back. The voice-overs from the astronauts are so poignant—these are men who have been to the moon and have seen things that none of us will ever see, yet they are so humbled by it. It’s magical. As is the score by Brian Eno!"

"“Rocketman” was brilliantly executed. The magical surrealism from the first performances align us with what the uber-talented Elton must have been feeling at the Troubadour as he literally got his wings, while taking us from the starting point of how his alienation as a child led to his self-loathing and problems with drinking and drugs. Wrapping layers of glitter and glam around himself like armor to cover the pain created the icon of Elton John we know today."

"A sensation—nothing less. This novel not only won the Booker Prize in 1981 but was honored as the Booker of Bookers in 1993. I identify with Rushdie’s imaginary echelon of children born at the stroke of midnight on August 15, 1947, when India was liberated. In its rich tapestry of storytelling, magical realism, and history, the book revealed Rushdie’s staggering talent. He turns the turmoil of India and Pakistan into a Tolstoyan panorama that is much funnier than War and Peace."

"A late-night friend right up there with Cosmos and Hearts of Space. I’m sure I wouldn’t like this series as much without the Matt Dillon segment (episode three). The camaraderie in the other pieces is great, but the tension of that segment is built in real-time improvisation. The story unfolds right before you—one of the coolest, most magical feelings you can get. I still get really uncomfortable at the fish/trousers part in the Tom Waits episode, though."