Search
Search results
Born of Fire (Myths and Whispers #1)
8.0
Rate It
Book
The nightmares are back. Years after the deaths of his parents, the dreams that haunted Jax have...
New Adult Fantasy Mythology
Gaelic Magic
Book
When romance author Delu Morris is troubled with unexplained panic attacks, she seeks help from a...
Romance Suspense Magical
LeftSideCut (3778 KP) rated Three Thousand Years of Longing (2022) in Movies
Oct 13, 2022
Three Thousand Years of Longing is a film that manages to be compelling, magical, and very human all at one. It's a film that deals with a mystical concept but at its core, is about the basic need to feel loved and wanted, and the sacrifices that come with it.
It's also a huge love letter to story telling. A big chunk of the narrative structure is made up of the two leads regailing tales to eachother, and it's relentlessly engaging and wholesome. Tilda Swinton is fantastic, as she tends to be. Idris Elba has always been a bit hit and miss for me, but he also excels here, and the chemistry between the two of them is strong and sweet.
Throw in a heart wrenching score from Junkie XL and the unique visionary work of George Miller, and you're left with a piece that is built to bury itself into your mind and stay there for a while. A truly wonderful experience.
It's also a huge love letter to story telling. A big chunk of the narrative structure is made up of the two leads regailing tales to eachother, and it's relentlessly engaging and wholesome. Tilda Swinton is fantastic, as she tends to be. Idris Elba has always been a bit hit and miss for me, but he also excels here, and the chemistry between the two of them is strong and sweet.
Throw in a heart wrenching score from Junkie XL and the unique visionary work of George Miller, and you're left with a piece that is built to bury itself into your mind and stay there for a while. A truly wonderful experience.
Earth Witch (Witches of Westwood Academy #4)
8.0
Rate It
Book
Emotions run amok at Westwood Academy when a healer and an earth witch crash together. Jade...
Paranormal Romance Witches
A Moon's Mystic Journey
10.0
Rate It
Book
She's on the run for her life. All she wanted to do was prove her high school bullies wrong by...
Movie Metropolis (309 KP) rated Fantastic Beasts and Where to Find Them (2016) in Movies
Jun 11, 2019
Potter goes International
It’s almost unbearable to think that Harry Potter & the Philosopher’s Stone was released…wait for it… 15 years ago this very week. I know, I can’t believe it too, and what’s even more depressing is that the eight film behemoth concluded over five years ago.
Since then, Potter aficionados have been calling on writer J.K. Rowling to release new material in the hope of creating more silver screen magic. Well, prayers were answered with the announcement of a film adaptation of her short book, Fantastic Beasts & Where to Find Them. The day is finally here, but what is the finished product like?
The year is 1926, and Newt Scamander (Eddie Redmayne) has just completed a global excursion to find and document an extraordinary array of magical creatures. Arriving in New York for a brief stopover, he might have come and gone without incident, were it not for a No-Maj (American for Muggle) named Jacob (Dan Fogler), a misplaced magical case, and the escape of some of Newt’s fantastic beasts, which could spell trouble for both the wizarding and No-Maj worlds.
David Yates returns to the franchise after directing the final four instalments in the Harry Potter saga and manages to craft a film that’ll no doubt please fans and newcomers, but lacks the subtle touches that made its British counterparts so enthralling for 10 years.
The cast is on point however, despite Eddie Redmayne’s slightly over-the-top performance as Mr. Scamander. Ron Perlman, Jon Voight and Ezra Miller all lend themselves to the film in some form with Colin Farrell providing an excellent portrayal, though Dan Fogler’s muggle Jacob steals the show by a country mile.
Elsewhere, the cinematography is very good with 1920’s New York looking incredibly realistic and the sweeping shots of the city are beautifully juxtaposed with more intimate basement settings.
Unfortunately, the special effects occasionally let the film down. For a franchise start-up (we have four more films to look forward to) the consistency just isn’t there and Redmayne’s interactions with his unique beasts feel rough and disappointingly unfinished.
There’s also a bit of an issue with Fantastic Beasts’ pacing, something that the Potter films were also guilty of from time to time. The first hour is unacceptably slow, the plot continuously dragging its heels as it sets up the side story to Redmayne’s creature feature.
Speaking of which, that second scenario really does pull things together nicely and takes the flick into much darker territory than expected. It’s a fascinating third act that really makes up for the rather dull first. The twists and turns that the script takes the audience on making it genuinely exciting.
Overall, what made the Harry Potter movies a success was the chemistry between each and every member of the cast. Fantastic Beasts certainly has a great cast individually, but the characters lack chemistry when on screen together. Couple this with some poor special effects plus a dull first hour and what we’re left with is a reasonable start to a new franchise, but not a magical one.
https://moviemetropolis.net/2016/11/19/potter-goes-international-fantastic-beasts-and-where-to-find-them-review/
Since then, Potter aficionados have been calling on writer J.K. Rowling to release new material in the hope of creating more silver screen magic. Well, prayers were answered with the announcement of a film adaptation of her short book, Fantastic Beasts & Where to Find Them. The day is finally here, but what is the finished product like?
The year is 1926, and Newt Scamander (Eddie Redmayne) has just completed a global excursion to find and document an extraordinary array of magical creatures. Arriving in New York for a brief stopover, he might have come and gone without incident, were it not for a No-Maj (American for Muggle) named Jacob (Dan Fogler), a misplaced magical case, and the escape of some of Newt’s fantastic beasts, which could spell trouble for both the wizarding and No-Maj worlds.
David Yates returns to the franchise after directing the final four instalments in the Harry Potter saga and manages to craft a film that’ll no doubt please fans and newcomers, but lacks the subtle touches that made its British counterparts so enthralling for 10 years.
The cast is on point however, despite Eddie Redmayne’s slightly over-the-top performance as Mr. Scamander. Ron Perlman, Jon Voight and Ezra Miller all lend themselves to the film in some form with Colin Farrell providing an excellent portrayal, though Dan Fogler’s muggle Jacob steals the show by a country mile.
Elsewhere, the cinematography is very good with 1920’s New York looking incredibly realistic and the sweeping shots of the city are beautifully juxtaposed with more intimate basement settings.
Unfortunately, the special effects occasionally let the film down. For a franchise start-up (we have four more films to look forward to) the consistency just isn’t there and Redmayne’s interactions with his unique beasts feel rough and disappointingly unfinished.
There’s also a bit of an issue with Fantastic Beasts’ pacing, something that the Potter films were also guilty of from time to time. The first hour is unacceptably slow, the plot continuously dragging its heels as it sets up the side story to Redmayne’s creature feature.
Speaking of which, that second scenario really does pull things together nicely and takes the flick into much darker territory than expected. It’s a fascinating third act that really makes up for the rather dull first. The twists and turns that the script takes the audience on making it genuinely exciting.
Overall, what made the Harry Potter movies a success was the chemistry between each and every member of the cast. Fantastic Beasts certainly has a great cast individually, but the characters lack chemistry when on screen together. Couple this with some poor special effects plus a dull first hour and what we’re left with is a reasonable start to a new franchise, but not a magical one.
https://moviemetropolis.net/2016/11/19/potter-goes-international-fantastic-beasts-and-where-to-find-them-review/
Hazel (1853 KP) rated Alice Takes Back Wonderland in Books
Dec 14, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
When a book starts with “‘Do you know fairy tales are real’ asked the cat,” you know you are in for a magical ride. Nearly everyone knows the tale of the seven-year-old girl from nineteenth century London who falls down a rabbit hole and spends a day of madness in the magical world of Wonderland. In David D. Hammons version, however, Alice was a young girl from twenty-first century Missouri. On her return to the real world she was diagnosed with ADHD and Schizophrenia and forced to believe that the Cheshire Cat and the Mad Hatter were figments of her imagination. But ten years later a white rabbit appears and leads Alice back to the world where nothing makes sense.
All is not well in Wonderland. The Cheshire Cat is dead and the Ace of Spades is in charge. Barely anything is the way Alice remembers. Everything looks far too “normal” and similar to the world she comes from. Ace is determined to remove the wonder from Wonderland and create a place where madness is forbidden. Alice has a big fight on her hands as she tries to end this former playing card’s tyrannous reign and restore Wonderland back to its original insanity.
<i>Alice Takes Back Wonderland</i> is not purely a retelling of Lewis Carrols famous story. Although many of the well known and loved characters appear in this book, so do others from a variety of different fairytales: <i>Peter Pan, Pinocchio</i>, and various tales from the <i>Brothers Grimm</i>. As readers will discover, all is not exactly as it should be for these characters either. Despite them being contrasting, magical stories, Hammons has successfully merged them all together in an imaginative manner resulting in a humorous young adult novel.
Although mostly focused on the goings on in Wonderland and the other fictional locations, it is also a subtle metaphor to describe what Alice’s life had been like back in present day America. For a decade Alice was forced to take medication to help her understand the difference between reality and fantasy. It got rid of most of the nonsense thoughts she picked up during her first visit to Wonderland. In a way, that is what the Ace of Spades is doing to characters he believes are mad. He is taking the wonder out of them, just like the pills to the wonder out of Alice.
Lovers of fairytales will definitely love this book, especially those who grew up loving <i>Alice in Wonderland</i> and <i>Peter Pan</i>. In some ways it is a continuation of the original tale, yet in other ways it could be viewed as an alternative way the story could have gone. Primarily targeted at young adults, <i>Alice Takes Back Wonderland</i> is much darker than Carrols version and combines a mix of real life with fantasy. It also goes to show that no one is too old for fairytales!
When a book starts with “‘Do you know fairy tales are real’ asked the cat,” you know you are in for a magical ride. Nearly everyone knows the tale of the seven-year-old girl from nineteenth century London who falls down a rabbit hole and spends a day of madness in the magical world of Wonderland. In David D. Hammons version, however, Alice was a young girl from twenty-first century Missouri. On her return to the real world she was diagnosed with ADHD and Schizophrenia and forced to believe that the Cheshire Cat and the Mad Hatter were figments of her imagination. But ten years later a white rabbit appears and leads Alice back to the world where nothing makes sense.
All is not well in Wonderland. The Cheshire Cat is dead and the Ace of Spades is in charge. Barely anything is the way Alice remembers. Everything looks far too “normal” and similar to the world she comes from. Ace is determined to remove the wonder from Wonderland and create a place where madness is forbidden. Alice has a big fight on her hands as she tries to end this former playing card’s tyrannous reign and restore Wonderland back to its original insanity.
<i>Alice Takes Back Wonderland</i> is not purely a retelling of Lewis Carrols famous story. Although many of the well known and loved characters appear in this book, so do others from a variety of different fairytales: <i>Peter Pan, Pinocchio</i>, and various tales from the <i>Brothers Grimm</i>. As readers will discover, all is not exactly as it should be for these characters either. Despite them being contrasting, magical stories, Hammons has successfully merged them all together in an imaginative manner resulting in a humorous young adult novel.
Although mostly focused on the goings on in Wonderland and the other fictional locations, it is also a subtle metaphor to describe what Alice’s life had been like back in present day America. For a decade Alice was forced to take medication to help her understand the difference between reality and fantasy. It got rid of most of the nonsense thoughts she picked up during her first visit to Wonderland. In a way, that is what the Ace of Spades is doing to characters he believes are mad. He is taking the wonder out of them, just like the pills to the wonder out of Alice.
Lovers of fairytales will definitely love this book, especially those who grew up loving <i>Alice in Wonderland</i> and <i>Peter Pan</i>. In some ways it is a continuation of the original tale, yet in other ways it could be viewed as an alternative way the story could have gone. Primarily targeted at young adults, <i>Alice Takes Back Wonderland</i> is much darker than Carrols version and combines a mix of real life with fantasy. It also goes to show that no one is too old for fairytales!
Kristy H (1252 KP) rated You Must Not Miss in Books
Jun 21, 2019
Magpie Lewis has been abandoned. Her father left. Then her sister, Eryn, too. Now it's just Magpie and her mom. Who truly isn't really present, as she drowns herself in booze and a haze of alcoholism. Magpie's sister left the same night as Brandon Phipps's party--after which Magpie's longtime friendship with Allison ended, and Magpie was branded a slut and left to be an outcast at school. So she starts writing in a yellow notebook, creating a world called Near. It's Magpie's magical place, where everything is perfect: no cheating father, no drunk mom, no missing sister, and no horrific school experiences. She thinks up Near so clearly, so fully, that she wills it into existence, and Magpie realizes that in Near, she can have it all: even revenge on those who have hurt her.
"There was one month left of her sophomore year of high school, and she had decided, after a mountain of evidence to support it, that the entire world was a joke."
I just love Katrina Leno, and her beautiful writing. You Must Not Miss is no exception: it's a poetic, stark take on high school friendship, rape culture, and the ties that bind us. The story is a clever variation of "One for Sorrow." Magpie is our main character and takes center stage: it's hard not to feel sympathetic for this poor abandoned girl--with no family who cares for her and, for a while, no friends.
"If you give a name to an impossible thing, does it make the impossible thing any less impossible?
But then the story takes a dramatic, dark twist--as Magpie creates Near both in her mind and in reality--and as Magpie's portal to another world takes true shape, we see our character find strength before our very eyes. I won't lie, I'm not sure this book is for everyone. It reminded me in some ways of a Maggie Stiefvater novel. It's true magical realism, and there's a suspension of disbelief to be had, to be sure. But it's a book that I feel like Leno was meant to be write. Her way of eviscerating rape culture, misogyny, and more is so adept, so searing. It is a call to arms to those who are not believed, who are ignored and mocked, who are the ones who see their lives ruined when the attackers run free.
In this way, You Must Not Miss is a strong, complex book tackling a tough topic. It may be difficult for some that this topic is underneath the magical world of Near, but I liked how that was what Magpie needed to deal with all that happened to her. Beware, this book is brutal at times (and yes, there's a trigger warning for rape/sexual assault). But it's beautifully written, too. It's complicated, much like its subject matter and its protagonist, who is still trying to figure herself out, as well. It's a different read, but if you're willing to give it a try, I think you'll be glad you did. 4 stars.
"There was one month left of her sophomore year of high school, and she had decided, after a mountain of evidence to support it, that the entire world was a joke."
I just love Katrina Leno, and her beautiful writing. You Must Not Miss is no exception: it's a poetic, stark take on high school friendship, rape culture, and the ties that bind us. The story is a clever variation of "One for Sorrow." Magpie is our main character and takes center stage: it's hard not to feel sympathetic for this poor abandoned girl--with no family who cares for her and, for a while, no friends.
"If you give a name to an impossible thing, does it make the impossible thing any less impossible?
But then the story takes a dramatic, dark twist--as Magpie creates Near both in her mind and in reality--and as Magpie's portal to another world takes true shape, we see our character find strength before our very eyes. I won't lie, I'm not sure this book is for everyone. It reminded me in some ways of a Maggie Stiefvater novel. It's true magical realism, and there's a suspension of disbelief to be had, to be sure. But it's a book that I feel like Leno was meant to be write. Her way of eviscerating rape culture, misogyny, and more is so adept, so searing. It is a call to arms to those who are not believed, who are ignored and mocked, who are the ones who see their lives ruined when the attackers run free.
In this way, You Must Not Miss is a strong, complex book tackling a tough topic. It may be difficult for some that this topic is underneath the magical world of Near, but I liked how that was what Magpie needed to deal with all that happened to her. Beware, this book is brutal at times (and yes, there's a trigger warning for rape/sexual assault). But it's beautifully written, too. It's complicated, much like its subject matter and its protagonist, who is still trying to figure herself out, as well. It's a different read, but if you're willing to give it a try, I think you'll be glad you did. 4 stars.
Neon's Nerd Nexus (360 KP) rated The House with a Clock in Its Walls (2018) in Movies
May 13, 2019
Hostle
#thehousewithaclockinitswalls is #hilarious, #mysterious & possibly one of the most #fun #family films I've seen in a while. Directed by #EliRoth (who is well know for his films #hostel, #cabinfever, #greeninferno, #knockknock & his small role in #ingloriousbastards) who wasn't really someone i expected to see directing a family movie at all, but im pleased to say i think he's found his forte here in what id say is quite possibly his best film in years. What Eli seems to just nail with this film is the mystery, suspense, discovery & #magic that so many #kids films try to pull of nowadays & fail. With clear influences from old #1930s films hwaciiw is #exciting, mysterious & creepy with a big sense of awe & wonder. Roth makes a great #cameo too in a scene that not only tells us what type of film he was going for but also showing us he really does have a knack for this too. Infact this film almost makes me look back at his other work with different eyes now realising his films are mostly throwbacks to the art of older film making when films were designed purely just to shock, dazzle, frighten & entertain the audience as if they were being watched live on a stage or in an old picturehouse. Bringing his #horror knowledge to this film too it has some quite generally #creepy scenes & some quite disturbing #creature design, make up & effects to. Acting is great & extremely over the top but its better for it with #jackblack being a constant absolute joy to watch. Themes of being yourself, standing up to people, confidence, taking responsibility & grieving are all handled well & a great subtle way of teaching kids that watch the film that life can be tough. Sets & props all look great giving the film a nice #vintage/#steampunk vibe & will cgi is alright there are some instances where it feels a tad cheap looking. Music is also magical & the film even made me feel quite #nostalgic at times too like i was watching an episode of #goosebumps or #areyouafraidofthedark. I pleasantly enjoyed this movie its #creative, #funny & filled me with the type of magical wonder i havent felt since maybe watching a #harrypotter film in the cinema. #odeon #odeonlimitless
Kristy H (1252 KP) rated The Raven King in Books
Feb 1, 2018
The fourth and final book in Stiefvater's "Raven Cycle" series picks up shortly after the third. Obviously, if you haven't read the three previous books, you should, and you shouldn't continue reading this review, as there will be spoilers. Gansey, of course, is still after the elusive Glendower, a buried king whom he believes will change his life. Blue, daughter of a psychic, is not-psychic, but still an amplifier of those who are, and still destined to kill her true love upon their first kiss. The pair--now in love--are joined by their usual gang: Ronan Lynch, dreamer of all things magical; Adam, a survivor, who is tied to the magical forest of Cabeswater in mysterious ways; Noah, who is dead; Maura, Blue's mother; and many more. In fact, we gain several more characters in this final installment, namely far more involvement from fellow Aglionby Academy student, Henry. Together, this group is focusing on the frenzied search to find Gansey's beloved king.
I'm not really even sure what I can say about this book. This whole series is amazing and crazy. I need to re-read all four books at some point, now that all are released. This novel actually started out a bit slow for me. It was, as weird as it sounds, almost a bit too fantastical, filled with almost too bizarre magic and plot. However, as things continued to unfold, pieces fell into place, and I was consumed by the story and its characters, per usual. Overall, I found this a fitting end to a beloved series. I will insert a caveat that it doesn't tie up loose ends for some of the ancillary characters and some pieces may leave you a bit befuddled. But some of the magic of these books is that everything doesn't make sense to the characters, so I give it a pass when it doesn't all make sense to us as well. I'd recommend the series-- it's an amazing trip to another world, and I certainly have grown to love the characters. I'll miss them!
I'm not really even sure what I can say about this book. This whole series is amazing and crazy. I need to re-read all four books at some point, now that all are released. This novel actually started out a bit slow for me. It was, as weird as it sounds, almost a bit too fantastical, filled with almost too bizarre magic and plot. However, as things continued to unfold, pieces fell into place, and I was consumed by the story and its characters, per usual. Overall, I found this a fitting end to a beloved series. I will insert a caveat that it doesn't tie up loose ends for some of the ancillary characters and some pieces may leave you a bit befuddled. But some of the magic of these books is that everything doesn't make sense to the characters, so I give it a pass when it doesn't all make sense to us as well. I'd recommend the series-- it's an amazing trip to another world, and I certainly have grown to love the characters. I'll miss them!