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Charlie Cobra Reviews (1840 KP) rated Shazam! (2019) in Movies
Jul 7, 2020
Fun Filled Family Event
Shazam! is a 2019 superhero movie based on the DC Comics character. Produced by New Line Cinema and distributed by Warner Bros. Pictures, it is the first live-action film version of the character since 1941. The film is also directed by David F. Sandberg from a screenplay by Henry Gayden and story by Henry Hayden and Darren Lemke. Starring Zachary Levi, Asher Angel, Mark Strong, Jack Dylan Grazer, and Djimon Hounsou.
In 1974 Upstate New York, the ancient wizard Shazam magically transports Thaddeus Sivana (Ethan Pugiotto) to the Rock of Eternity, a hidden magical temple. Shazam, the last of the Council of Seven Wizards, explains that he has been searching for centuries for a champion who is "pure of heart". Released upon the ancient world, and now trapped in statues within the Rock, the Seven Deadly Sins tempt Thaddeus with promises of power. Banished back to Earth as unworthy of being a champion for succumbing to the sins, Thaddeus causes an accident while traveling with his family which leaves his father severely injured. Searching for his birth mother in present day Philadelphia, foster kid Billy Batson (Angel Asher) runs a foul of the law and is placed in a group home with 5 other foster kids run by Victor (Cooper Andrews) and Rosa Vasquez (Marta Milans). Freddy Freeman (Jack Dylan Frazer) is one of the five foster kids, an amateur superhero expert, and his new roommate. Now an adult Thaddeus (Mark Strong) discovers how to return to the Rock and acquire the power he was denied as a child.
This movie was a ton of fun. I don't think I've laughed out loud in a comic book movie this much since Ant-Man. This movie was really good. It had its silliness in certain parts but still did well in building tension and having its serious parts. Also it was well done on how the story played on your emotions for a lot of the different characters. I love the way the foster family and siblings came into play throughout the film. The special effects were really good, especially the monsters and even though you know Zachary Levi is in a muscle suit (which i initially disliked) it didn't even matter. The plot was good although some of it seemed recycled which bothered me slightly. The dialogue was good, some of it silly, which seemed appropriate for the character being younger than he looks when he is Shazam. But I didn't have much to complain about. I never saw one of the major twists coming at the end, so that really surprised me. If you're looking for a fun movie to watch, with family or friends or a superhero movie that will also make you laugh, Shazam is the one to choose. I give this movie a 8/10.
In 1974 Upstate New York, the ancient wizard Shazam magically transports Thaddeus Sivana (Ethan Pugiotto) to the Rock of Eternity, a hidden magical temple. Shazam, the last of the Council of Seven Wizards, explains that he has been searching for centuries for a champion who is "pure of heart". Released upon the ancient world, and now trapped in statues within the Rock, the Seven Deadly Sins tempt Thaddeus with promises of power. Banished back to Earth as unworthy of being a champion for succumbing to the sins, Thaddeus causes an accident while traveling with his family which leaves his father severely injured. Searching for his birth mother in present day Philadelphia, foster kid Billy Batson (Angel Asher) runs a foul of the law and is placed in a group home with 5 other foster kids run by Victor (Cooper Andrews) and Rosa Vasquez (Marta Milans). Freddy Freeman (Jack Dylan Frazer) is one of the five foster kids, an amateur superhero expert, and his new roommate. Now an adult Thaddeus (Mark Strong) discovers how to return to the Rock and acquire the power he was denied as a child.
This movie was a ton of fun. I don't think I've laughed out loud in a comic book movie this much since Ant-Man. This movie was really good. It had its silliness in certain parts but still did well in building tension and having its serious parts. Also it was well done on how the story played on your emotions for a lot of the different characters. I love the way the foster family and siblings came into play throughout the film. The special effects were really good, especially the monsters and even though you know Zachary Levi is in a muscle suit (which i initially disliked) it didn't even matter. The plot was good although some of it seemed recycled which bothered me slightly. The dialogue was good, some of it silly, which seemed appropriate for the character being younger than he looks when he is Shazam. But I didn't have much to complain about. I never saw one of the major twists coming at the end, so that really surprised me. If you're looking for a fun movie to watch, with family or friends or a superhero movie that will also make you laugh, Shazam is the one to choose. I give this movie a 8/10.
An honest and emotional YA read
Grace Welles is fifteen, trapped at a third-rate boarding school in Florida, and pretty much resigned to a lonely and miserable life. Her father has another (real) family in California, sneaking away to occasionally remember that Grace and her beautiful, flighty mother exist. Grace has no friends. But one day she helps a fellow student, Wade, who is being attacked by a group of popular boys. The two form a strange friendship that eventually blossoms into more. Suddenly, life has meaning. But with this meaning, comes feelings, and the realization that there may be more to Wade than his kind and cool exterior.
I've been sitting on this review, because I honestly cannot tell if this book was amazing or terrible. I know, I know--how is that possible? Helnwein has written something very different here, in many ways: a raw, awkward story that often makes you cringe and want to look away. She spares no detail (or language) when covering Gracie's forays into friendship, drinking, and sex. You forget she's fifteen/sixteen, which is probably what makes it so hard, at times. Yes, she's alone at boarding school, but still? Is this what happens at boarding school? Perhaps that's my problem with all boarding school tales. (At least no one gets murdered.) It's a paradox. Grace falls in love with her biology teacher, which seems sweetly realistic. But when he rejects her, she curses him, destroys his property, and more--is this truly allowed, even at a third rate school? Every thing is excused as "needing the tuition money." Not so realistic.
If you're able to overlook the terrifying behavior of these young students (perhaps made all the more frightening to me, as the mother of young daughters, one of whom is actually named Grace), there are some poignant moments here. Helnwein really does capture the beauty and absolute fear of falling in love for the first time, and Grace and Wade's relationship is pretty magical. The self-centeredness of adolescence--how the world revolves around nothing else. Much of Grace's coming of age is realizing that a great big world exists beyond her. But it's tender and sweet watching her fall. There are some cute friendships too.
At many times, this is a funny and heartbreaking book. There are a lot of serious topics hidden between the craziness. Gracie and Wade are truly lovely characters, and I cared for both of them deeply. I think I was just thrown by some of the characters acting/speaking older than their age and the fact that the book truly tells it how it is, right in your face. It takes a bit of an adjustment. I'm not sure this book is for everyone, but there's a tenderness and beauty to it, and I think many teens would enjoy it. 3 stars.
I've been sitting on this review, because I honestly cannot tell if this book was amazing or terrible. I know, I know--how is that possible? Helnwein has written something very different here, in many ways: a raw, awkward story that often makes you cringe and want to look away. She spares no detail (or language) when covering Gracie's forays into friendship, drinking, and sex. You forget she's fifteen/sixteen, which is probably what makes it so hard, at times. Yes, she's alone at boarding school, but still? Is this what happens at boarding school? Perhaps that's my problem with all boarding school tales. (At least no one gets murdered.) It's a paradox. Grace falls in love with her biology teacher, which seems sweetly realistic. But when he rejects her, she curses him, destroys his property, and more--is this truly allowed, even at a third rate school? Every thing is excused as "needing the tuition money." Not so realistic.
If you're able to overlook the terrifying behavior of these young students (perhaps made all the more frightening to me, as the mother of young daughters, one of whom is actually named Grace), there are some poignant moments here. Helnwein really does capture the beauty and absolute fear of falling in love for the first time, and Grace and Wade's relationship is pretty magical. The self-centeredness of adolescence--how the world revolves around nothing else. Much of Grace's coming of age is realizing that a great big world exists beyond her. But it's tender and sweet watching her fall. There are some cute friendships too.
At many times, this is a funny and heartbreaking book. There are a lot of serious topics hidden between the craziness. Gracie and Wade are truly lovely characters, and I cared for both of them deeply. I think I was just thrown by some of the characters acting/speaking older than their age and the fact that the book truly tells it how it is, right in your face. It takes a bit of an adjustment. I'm not sure this book is for everyone, but there's a tenderness and beauty to it, and I think many teens would enjoy it. 3 stars.
BookInspector (124 KP) rated Baby Doll in Books
Sep 24, 2020
When I read the description of this book, I was ready to enjoy the long and thrilling escape, with lots of twists along the way, but to my disappointment that didn’t happen. The first few chapters gave me the hope, so I carried on, and then decided to continue just to see what will happen.
This book is actually what happens after you escape your kidnapper and go back to safety. The victim who got away in this book was Lilly, during captive years she delivered a daughter Sky. Lilly has a twin sister Abby, and their mother Eve. The villain in this book is Rick – a high school teacher and a psychopath. The whole story of this book is told by Lilly, Abby, Eve, and Rick. The author made the whole plot into nicely flowing, continuous story, told by four different and unique characters.
Every character had their way of telling the story. Lilly was the sweet girl, who suffered immensely, and that tragedy follows her in everything she does, even though she is free. Abby is the rebel twin sister, who sees the whole situation in a more aggressive way, and all she wants is revenge. Eve is the mother, who struggles between their daughters and her own happiness. Rick is a sociopath/psychopath, who justifies his cruelty and doesn’t see any fault of his actions. I am really grateful when authors put into the story, what murderers and psychopaths think, I find it very interesting and amusing to read. It’s just mesmerizing, how messed up some people can be, even though they look like normal, respected citizens of the society. So there are plenty of characters to choose from, and my favourite was Abby. She knew what had to be done, and did it.
Even though the plot was not what I expected, it was still quite a page turner, because author brought in some unexpected turns and twists in this book, which left me surprised. There is quite a bit of psychological suspense in this thriller, opening up the post-traumatic state of mind and difficult adjustment into the society. Hollie Overton is an identical twin herself, and it was really lovely, the way she wrote about the connection between twins, that bond and sacrifices are truly magical to me.
The writing style of this book was easy to read and enjoyable. Even though it doesn’t have the nastiness which Lilly suffered in detail, it still contains some strong language due to Abby’s strong character. Another plus from me to this book was short chapters, which made it a quick and more suspenseful novel. I liked the way author ended this book, with yet another turn in the story, changing many lives and futures. So, even though it does not promise exciting escape, it still brings its subtle turns and twists, playing and manipulating with character’s different states of mind.
This book is actually what happens after you escape your kidnapper and go back to safety. The victim who got away in this book was Lilly, during captive years she delivered a daughter Sky. Lilly has a twin sister Abby, and their mother Eve. The villain in this book is Rick – a high school teacher and a psychopath. The whole story of this book is told by Lilly, Abby, Eve, and Rick. The author made the whole plot into nicely flowing, continuous story, told by four different and unique characters.
Every character had their way of telling the story. Lilly was the sweet girl, who suffered immensely, and that tragedy follows her in everything she does, even though she is free. Abby is the rebel twin sister, who sees the whole situation in a more aggressive way, and all she wants is revenge. Eve is the mother, who struggles between their daughters and her own happiness. Rick is a sociopath/psychopath, who justifies his cruelty and doesn’t see any fault of his actions. I am really grateful when authors put into the story, what murderers and psychopaths think, I find it very interesting and amusing to read. It’s just mesmerizing, how messed up some people can be, even though they look like normal, respected citizens of the society. So there are plenty of characters to choose from, and my favourite was Abby. She knew what had to be done, and did it.
Even though the plot was not what I expected, it was still quite a page turner, because author brought in some unexpected turns and twists in this book, which left me surprised. There is quite a bit of psychological suspense in this thriller, opening up the post-traumatic state of mind and difficult adjustment into the society. Hollie Overton is an identical twin herself, and it was really lovely, the way she wrote about the connection between twins, that bond and sacrifices are truly magical to me.
The writing style of this book was easy to read and enjoyable. Even though it doesn’t have the nastiness which Lilly suffered in detail, it still contains some strong language due to Abby’s strong character. Another plus from me to this book was short chapters, which made it a quick and more suspenseful novel. I liked the way author ended this book, with yet another turn in the story, changing many lives and futures. So, even though it does not promise exciting escape, it still brings its subtle turns and twists, playing and manipulating with character’s different states of mind.
Lottie disney bookworm (1056 KP) rated The Kingdom in Books
Sep 20, 2020
“Where Happily Ever After is not just a promise, but a rule”
I mean with a tag line like that you can’t not be drawn in by this book! If that doesn’t grab you then the gorgeous cover art will.
Once you get past the wonderful aesthetics; the ‘Disney x Westworld x Big Little Lies’ reality that Jess Rothenberg conjures is sure to captivate you. Rothenberg manages to describe her Kingdom in such minute detail without it seeming contrite: the brazen references to meet and greets, monorails and “the park” are like catnip to a Disney geek like myself; whilst the proclamation from the outset that a crime has occurred appeals to the (slightly) more mature side of this 32 year old bookworm.
The Kingdom is a magical place where dreams come true: or is it? The star attractions: the princesses; are beautiful, perfect, always say the right thing and…are Artificial Intelligence. Their sophisticated technology, wireless signals and encyclopaedic knowledge ensure the princesses are as perfect as possible but it quickly becomes apparent that the princesses are, in fact, prisoners: constantly under surveillance, tracked by GPS implants in their wrists and strapped to their beds at “downtime”.
Ana is our princess and storyteller, opening her world to the reader and introducing us to her “sisters”, “mother” and “father” as well as those who have slightly less favourable views towards the AI, or Fantasists as they are known. There is no doubt that Ana is advanced in comparison to other Fantasists that we meet: she is aware of the park’s wireless blind spots and admits she becomes weary of some songs, unruly children and fathers with wandering eyes. Ironically, Ana is a profoundly human character with whom the reader immediately allies themselves with. Despite clearly being a suspect in the ongoing murder trial, I can’t see any reader convicting Ana. On the contrary, it is a real testament to Jess Rothenberg’s writing that the reader identifies with the Fantasists over and above every human character in her novel. Even Owen, the main human character, is never entirely trustworthy and does not reveal his intentions readily.
The format of The Kingdom is unlike anything else out there at the moment, in my opinion. The mix of prose, advertisements, interviews, trial transcripts and even apps allow our Fantasist to tell her story but also allows the reader to meet personnel and witness events that Ana would never see. This aspect is crucial to the murder mystery vibe of The Kingdom and Rothenberg leaves the reader guessing right to the very end and begging for a sequel.
Rothenberg’s kingdom is quick to show its murkier, thornier side. Those who question their surroundings are made an example of; nature is manipulated for entertainment and nothing is what it seems. If you haven’t guessed by now, I absolutely adored this book. It had me gripped from beginning to end. If you read one Disney book this year- read this one!
I mean with a tag line like that you can’t not be drawn in by this book! If that doesn’t grab you then the gorgeous cover art will.
Once you get past the wonderful aesthetics; the ‘Disney x Westworld x Big Little Lies’ reality that Jess Rothenberg conjures is sure to captivate you. Rothenberg manages to describe her Kingdom in such minute detail without it seeming contrite: the brazen references to meet and greets, monorails and “the park” are like catnip to a Disney geek like myself; whilst the proclamation from the outset that a crime has occurred appeals to the (slightly) more mature side of this 32 year old bookworm.
The Kingdom is a magical place where dreams come true: or is it? The star attractions: the princesses; are beautiful, perfect, always say the right thing and…are Artificial Intelligence. Their sophisticated technology, wireless signals and encyclopaedic knowledge ensure the princesses are as perfect as possible but it quickly becomes apparent that the princesses are, in fact, prisoners: constantly under surveillance, tracked by GPS implants in their wrists and strapped to their beds at “downtime”.
Ana is our princess and storyteller, opening her world to the reader and introducing us to her “sisters”, “mother” and “father” as well as those who have slightly less favourable views towards the AI, or Fantasists as they are known. There is no doubt that Ana is advanced in comparison to other Fantasists that we meet: she is aware of the park’s wireless blind spots and admits she becomes weary of some songs, unruly children and fathers with wandering eyes. Ironically, Ana is a profoundly human character with whom the reader immediately allies themselves with. Despite clearly being a suspect in the ongoing murder trial, I can’t see any reader convicting Ana. On the contrary, it is a real testament to Jess Rothenberg’s writing that the reader identifies with the Fantasists over and above every human character in her novel. Even Owen, the main human character, is never entirely trustworthy and does not reveal his intentions readily.
The format of The Kingdom is unlike anything else out there at the moment, in my opinion. The mix of prose, advertisements, interviews, trial transcripts and even apps allow our Fantasist to tell her story but also allows the reader to meet personnel and witness events that Ana would never see. This aspect is crucial to the murder mystery vibe of The Kingdom and Rothenberg leaves the reader guessing right to the very end and begging for a sequel.
Rothenberg’s kingdom is quick to show its murkier, thornier side. Those who question their surroundings are made an example of; nature is manipulated for entertainment and nothing is what it seems. If you haven’t guessed by now, I absolutely adored this book. It had me gripped from beginning to end. If you read one Disney book this year- read this one!
Emma @ The Movies (1786 KP) rated Bad Times at the El Royale (2018) in Movies
Sep 25, 2019
What can I say about this one? I left the cinema pondering. I'm still pondering this morning trying to work out what to score it. I wasn't bored, yet I wasn't enthralled. It felt long, but not too long. I could follow the story lines, but some of them didn't quite make sense... It's definitely a contender for Goldilocks of the Year.
I was keen on watching this after seeing the trailer. A star studded cast and an intriguing idea really is all you need to hook people in. I can't decide (I know, it's happening a lot this review) if the trailer gave too much away. Could they have kept more elements back as a surprise? Possibly that wouldn't have left such a sense of anticipation about the film.
Being set in 1969 we're obviously given a lot of classic tunes through the jukebox and singing of Darlene Sweet. The latter is goosebump inducing at times and magical to listen to.
The way this movie is told is very reminiscent of a lot of things to me. I was getting flashes of Kill Bill and Lost, and as Drew Goddard was involved with Lost that's probably not a coincidence. The scenario also made me think of the 2003 film Identity and an episode of Criminal Minds called Paradise.
I enjoyed seeing each person's journey that led them up to the El Royale. You feel much more involved in the story because you switch allegiances between the characters every time you see a new perspective. It also gives you just enough of teaser to something that's going to happen to draw you further in.
The use of intertitle cards felt a little out of place, it's not really a sixties thing and the style of them didn't seem to fit with the film itself. They do their job which is to say "now for a bit of back story on this person" but looking a little less silent movie and a little more El Royale wouldn't have gone amiss.
A whole section of story line seemed to have no conclusion, for reasons that will be partly obvious to you when you see the film. What I can't work out is if I missed something about it that would have left me less confused. This movie could definitely do with a second watch.
What you should do
I'd probably recommend watching this one at home on DVD or streaming with a bunch of movie friends. It feels like it needs discussing more than watching.
You should also probably watch this gif a lot. I'm only sorry that I can't find a longer version without other distractions in it... like the rest of the film.
Movie thing you wish you could take home
I'd quite like the El Royale to live in. Although I think I'd convert the spying corridor into a regular corridor and make the whole place a home rather than a playground for snooping and murder.
I was keen on watching this after seeing the trailer. A star studded cast and an intriguing idea really is all you need to hook people in. I can't decide (I know, it's happening a lot this review) if the trailer gave too much away. Could they have kept more elements back as a surprise? Possibly that wouldn't have left such a sense of anticipation about the film.
Being set in 1969 we're obviously given a lot of classic tunes through the jukebox and singing of Darlene Sweet. The latter is goosebump inducing at times and magical to listen to.
The way this movie is told is very reminiscent of a lot of things to me. I was getting flashes of Kill Bill and Lost, and as Drew Goddard was involved with Lost that's probably not a coincidence. The scenario also made me think of the 2003 film Identity and an episode of Criminal Minds called Paradise.
I enjoyed seeing each person's journey that led them up to the El Royale. You feel much more involved in the story because you switch allegiances between the characters every time you see a new perspective. It also gives you just enough of teaser to something that's going to happen to draw you further in.
The use of intertitle cards felt a little out of place, it's not really a sixties thing and the style of them didn't seem to fit with the film itself. They do their job which is to say "now for a bit of back story on this person" but looking a little less silent movie and a little more El Royale wouldn't have gone amiss.
A whole section of story line seemed to have no conclusion, for reasons that will be partly obvious to you when you see the film. What I can't work out is if I missed something about it that would have left me less confused. This movie could definitely do with a second watch.
What you should do
I'd probably recommend watching this one at home on DVD or streaming with a bunch of movie friends. It feels like it needs discussing more than watching.
You should also probably watch this gif a lot. I'm only sorry that I can't find a longer version without other distractions in it... like the rest of the film.
Movie thing you wish you could take home
I'd quite like the El Royale to live in. Although I think I'd convert the spying corridor into a regular corridor and make the whole place a home rather than a playground for snooping and murder.
Gareth von Kallenbach (974 KP) rated Beauty and the Beast (2017) in Movies
Jul 12, 2019
Whenever I was asked who my favorite Disney prince was, I’d answer, without hesitation, “The Beast.”
Friends would look at me askance and ask, “The Beast? Really?”
And I’d simply reply, “Have you not seen his library?”
I also claim Belle as my favorite Disney princess. As a bookworm, Beauty and the Beast gave me a princess I could relate to. Sure, I had just graduated from high school the year before the animated film – not really the demographic Disney was catering to. But when I first watched Belle’s introductory scene, as she made her way through the village with her nose buried in a book while the townfolk sang of her “odd” behavior, I felt l the corners of my lips rise on their own, in a smile of recognition.
Sure, it also may have been because of the clever lyrics of the late Howard Ashman and the wondrous melodies of Alan Menken in that first song alone, but Belle quickly me over not only with her joy for stories and spirit of adventure, but also with her brave spirit.
Beauty and the Beast is a fairy tale told many times over and Disney’s live-action version follows the animated classic closely with some variation and additional scenes and few more songs. Like the animated film, it’s sweepingly romantic and just as enchanting. What the audience may struggle with is that Emma Watson’s Belle is not as…well, animated as the animated Belle. She brings a solemnity to the role, and as singing talent goes, while she is no Paige O’Hara, she can sing.
Luke Evans makes a menacingly handsome Gaston and his big number, with his sidekick LeFou (Josh Gad) is an entertaining high point that cements Gaston’s position as my favorite villain. Dan Stevens brought a bit more humanity to Beast, and with a heartbreaking song of his own, his despair is more keenly felt in this movie. But I have to admit, I prefer Josh Groban’s version of Beast’s solo, which you do get to hear if you sit through the credits.
Lumière the candelabra and Cogsworth the clock were brought to life with great voice work Ewan McGregor and Ian McKellen, respectively. Emma Thompson voiced Mrs. Potts perfectly. I don’t know if it was her voice, the theme song or the ballroom dance scene that provoked an overwhelming sense of nostalgia, but the captivating combination literally brought tears to my eyes. Kevin Kline, who played Belle’s father, Maurice, Stanley Tucci, and Broadway great Audra McDonald round out a solid supporting cast.
As a huge fan of the 1991 Beauty and the Beast, I didn’t believe a live-action version could improve on the beloved, timeless classic. But just like with the animated film, it was truly the songs that made the movie, and the music does it again for the live-action film, making it a memorable, magical treat for young and old alike.
Friends would look at me askance and ask, “The Beast? Really?”
And I’d simply reply, “Have you not seen his library?”
I also claim Belle as my favorite Disney princess. As a bookworm, Beauty and the Beast gave me a princess I could relate to. Sure, I had just graduated from high school the year before the animated film – not really the demographic Disney was catering to. But when I first watched Belle’s introductory scene, as she made her way through the village with her nose buried in a book while the townfolk sang of her “odd” behavior, I felt l the corners of my lips rise on their own, in a smile of recognition.
Sure, it also may have been because of the clever lyrics of the late Howard Ashman and the wondrous melodies of Alan Menken in that first song alone, but Belle quickly me over not only with her joy for stories and spirit of adventure, but also with her brave spirit.
Beauty and the Beast is a fairy tale told many times over and Disney’s live-action version follows the animated classic closely with some variation and additional scenes and few more songs. Like the animated film, it’s sweepingly romantic and just as enchanting. What the audience may struggle with is that Emma Watson’s Belle is not as…well, animated as the animated Belle. She brings a solemnity to the role, and as singing talent goes, while she is no Paige O’Hara, she can sing.
Luke Evans makes a menacingly handsome Gaston and his big number, with his sidekick LeFou (Josh Gad) is an entertaining high point that cements Gaston’s position as my favorite villain. Dan Stevens brought a bit more humanity to Beast, and with a heartbreaking song of his own, his despair is more keenly felt in this movie. But I have to admit, I prefer Josh Groban’s version of Beast’s solo, which you do get to hear if you sit through the credits.
Lumière the candelabra and Cogsworth the clock were brought to life with great voice work Ewan McGregor and Ian McKellen, respectively. Emma Thompson voiced Mrs. Potts perfectly. I don’t know if it was her voice, the theme song or the ballroom dance scene that provoked an overwhelming sense of nostalgia, but the captivating combination literally brought tears to my eyes. Kevin Kline, who played Belle’s father, Maurice, Stanley Tucci, and Broadway great Audra McDonald round out a solid supporting cast.
As a huge fan of the 1991 Beauty and the Beast, I didn’t believe a live-action version could improve on the beloved, timeless classic. But just like with the animated film, it was truly the songs that made the movie, and the music does it again for the live-action film, making it a memorable, magical treat for young and old alike.
