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Ivana A. | Diary of Difference (1171 KP) rated Harry Potter and the Prisoner of Azkaban in Books
Aug 3, 2020
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#1 <a href="https://www.goodreads.com/review/show/3217515684">Harry Potter and the Philosopher's Stone</a> - ★★★★★
#2 <a href="https://www.goodreads.com/review/show/2371215543">Harry Potter and the Chamber of Secrets</a> - ★★★★★
#3 <a href="https://www.goodreads.com/review/show/3275165909">Harry Potter and the Prisoner of Azkaban</a> - ★★★★
<img src="https://diaryofdifference.com/wp-content/uploads/2020/05/Book-Review-Banner-44.png"/>;
In Harry Potter and the Prisoner of Azkaban, Harry Potter is now in his third year at Hogwarts. The atmosphere is tense. There is an escaped mass murderer on the loose, and the prison guards have been called to guard the school.
In the third book, we can immediately notice a much darker and dangerous atmosphere, compared to the previous book. During the series, the books do get gradually darker and darker, more and more mature, and I think this is the book where we start to notice this transition for the first time.
Harry Potter and his friends have grown up a little, and it clearly shows in their conversations and choices. I was happy to see all the things we learn in this book. The dementors and their deadly kiss, patronuses as well as magical creatures. We learn that Hippogriffs are proud and easily offended.
<b><i>And we also learn that Malfoy is still a little brat.</i></b>
The fact that little entitles Malfoy is so jealous of Harry that daddy puts him to play in the Quidditch team annoyed me so much. I just wanted to slap him!
<b><i>"Pity you can't attach an extra arm to yours, Malfoy," said Harry. "Then it could catch the Snitch for you."</i></b>
I got quite emotional when Harry is troubled by his parent's death and is grieving openly, probably for the first time. I believe him meeting more people that were friends with his parents helped him heal. It is such a good feeling to know Harry does have a family and things are starting to look a bit better for him.
<b><i>"You think the dead we have loved ever truly leave us? You think that we don't recall them more clearly than ever in times of great trouble?"
</i></b>
I didn't quite enjoy the time-travelling part through, I have to be honest. Even though the idea sounds nice, it always troubles me that it is never properly explained and very little attention is being given to it. I wish I read more about it, because then I would have loved it!
I enjoyed this book a lot! It is Harry Potter after all. But it isn't a favorite of mine. I loved how Harry finds out more about his past and gets a couple of more answers, but I also loved that new paths are opening and are waiting to be discovered in the next books.
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#1 <a href="https://www.goodreads.com/review/show/3217515684">Harry Potter and the Philosopher's Stone</a> - ★★★★★
#2 <a href="https://www.goodreads.com/review/show/2371215543">Harry Potter and the Chamber of Secrets</a> - ★★★★★
#3 <a href="https://www.goodreads.com/review/show/3275165909">Harry Potter and the Prisoner of Azkaban</a> - ★★★★
<img src="https://diaryofdifference.com/wp-content/uploads/2020/05/Book-Review-Banner-44.png"/>;
In Harry Potter and the Prisoner of Azkaban, Harry Potter is now in his third year at Hogwarts. The atmosphere is tense. There is an escaped mass murderer on the loose, and the prison guards have been called to guard the school.
In the third book, we can immediately notice a much darker and dangerous atmosphere, compared to the previous book. During the series, the books do get gradually darker and darker, more and more mature, and I think this is the book where we start to notice this transition for the first time.
Harry Potter and his friends have grown up a little, and it clearly shows in their conversations and choices. I was happy to see all the things we learn in this book. The dementors and their deadly kiss, patronuses as well as magical creatures. We learn that Hippogriffs are proud and easily offended.
<b><i>And we also learn that Malfoy is still a little brat.</i></b>
The fact that little entitles Malfoy is so jealous of Harry that daddy puts him to play in the Quidditch team annoyed me so much. I just wanted to slap him!
<b><i>"Pity you can't attach an extra arm to yours, Malfoy," said Harry. "Then it could catch the Snitch for you."</i></b>
I got quite emotional when Harry is troubled by his parent's death and is grieving openly, probably for the first time. I believe him meeting more people that were friends with his parents helped him heal. It is such a good feeling to know Harry does have a family and things are starting to look a bit better for him.
<b><i>"You think the dead we have loved ever truly leave us? You think that we don't recall them more clearly than ever in times of great trouble?"
</i></b>
I didn't quite enjoy the time-travelling part through, I have to be honest. Even though the idea sounds nice, it always troubles me that it is never properly explained and very little attention is being given to it. I wish I read more about it, because then I would have loved it!
I enjoyed this book a lot! It is Harry Potter after all. But it isn't a favorite of mine. I loved how Harry finds out more about his past and gets a couple of more answers, but I also loved that new paths are opening and are waiting to be discovered in the next books.
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Beautifully-written, incredibly captivating book
Sadie's pretty much always been an adult. Her mom struggled with drugs and alcohol since Sadie was born. Sadie basically raised her younger sister, Mattie. So when Mattie is found dead at the age of thirteen, Sadie's life completely falls apart. The police have no idea who killed her, so Sadie is determined to find justice for her little sister. She leaves town following the only bits of evidence she has. Meanwhile, a few months later, West McCray, a radio anchor, hears about Sadie's story while on the road. He starts thinking about missing girls, as Sadie's de facto grandmother, May Beth, is now convinced she's missing. He starts a podcast that tracks Sadie and her trail for Mattie's killer, trying to find out what happened. But is he too late?
"I'm going to kill a man. I'm going to steal the light from his eyes. I want to watch it go out. You aren't supposed to answer violence with more violence but sometimes I think violence is the only answer."
I had heard a lot of hype about Sadie before I started it, but luckily this is one of those rare books that really lives up to all the buzz. The novel gets off to a captivating start and never really lets up. It's quite the page-turner and really a tense, heartbreaking journey. You get fully immersed into Sadie's journey between Summers' gorgeous writing and the book's format. The novel alternates between chapters told in Sadie's point of view and then chapters told in West's podcast format.
The result is really spellbinding: West is just a little behind Sadie in her quest, but somehow it all works perfectly, and you feel like you're hurtling (to nowhere good) along with these characters. I wouldn't have thought the podcast pieces would work so well, but they were great, and I found myself enjoying those chapters a lot. You get swept up with West and his desire to find Sadie.
Part of feeling so much a part of this book is because it's so, so well-written. Wow, Courtney Summers can write. This novel is almost lyrical it's so beautiful in its descriptions, in Sadie's narration of her life and her situations. The characters--both the good guys and the bad--are so vivid they almost fly off the pages. You can just picture Sadie--alone in the world and hurting--with the world against her. The book is magical in that sense.
I live in a place that's only good for leaving, is all that needs to be said about it, and I don't let myself look back. Doesn't matter if I want to, it's just better if I don't.
I mean. C'mon. This girl. I dare you to read this book and not fall for Sadie. It's pretty much impossible. It's certainly not an easy read, and I felt like this one sort of broke me down and spit me out a bit. I wasn't sure about that ending, but I completely understood it. It was what the book deserved, just perhaps not what I hoped.
Overall, this is a beautifully-written, incredibly captivating book. I was immediately sucked in wondering what happened to Mattie and Sadie. The characters are real, and it's a read that will stick with you. Definitely recommend.
Thank you to Wednesday Books for my copy, which I received in return for an unbiased review.
"I'm going to kill a man. I'm going to steal the light from his eyes. I want to watch it go out. You aren't supposed to answer violence with more violence but sometimes I think violence is the only answer."
I had heard a lot of hype about Sadie before I started it, but luckily this is one of those rare books that really lives up to all the buzz. The novel gets off to a captivating start and never really lets up. It's quite the page-turner and really a tense, heartbreaking journey. You get fully immersed into Sadie's journey between Summers' gorgeous writing and the book's format. The novel alternates between chapters told in Sadie's point of view and then chapters told in West's podcast format.
The result is really spellbinding: West is just a little behind Sadie in her quest, but somehow it all works perfectly, and you feel like you're hurtling (to nowhere good) along with these characters. I wouldn't have thought the podcast pieces would work so well, but they were great, and I found myself enjoying those chapters a lot. You get swept up with West and his desire to find Sadie.
Part of feeling so much a part of this book is because it's so, so well-written. Wow, Courtney Summers can write. This novel is almost lyrical it's so beautiful in its descriptions, in Sadie's narration of her life and her situations. The characters--both the good guys and the bad--are so vivid they almost fly off the pages. You can just picture Sadie--alone in the world and hurting--with the world against her. The book is magical in that sense.
I live in a place that's only good for leaving, is all that needs to be said about it, and I don't let myself look back. Doesn't matter if I want to, it's just better if I don't.
I mean. C'mon. This girl. I dare you to read this book and not fall for Sadie. It's pretty much impossible. It's certainly not an easy read, and I felt like this one sort of broke me down and spit me out a bit. I wasn't sure about that ending, but I completely understood it. It was what the book deserved, just perhaps not what I hoped.
Overall, this is a beautifully-written, incredibly captivating book. I was immediately sucked in wondering what happened to Mattie and Sadie. The characters are real, and it's a read that will stick with you. Definitely recommend.
Thank you to Wednesday Books for my copy, which I received in return for an unbiased review.
Amanda (96 KP) rated Wandering in Wonderland (Book #1) in Books
Apr 1, 2019
Lewis Carroll didn’t get it right?
A GIANT thank you and gratitude to The Parliament House publishing and the author for giving me this opportunity to read this book. I did a cover reveal and I knew right off the bat that I was going to love this book. I was right.
We follow Jessica whom eats a bit of cookie and winds up forgetting her past life. Once she is told that she has died and is now in Wonderland, Jessica struggles with the acclimation of this unique land that is only read in a book. She’s escorted by a White Rabbit named Horace (Not a genuine rabbit, but in this story, White Rabbits is Wonderland’s term for queen’s guards). She comes across Rion, the Caterpillar (but disguised as a man at the time) and he gives her a journal that belonged to a Hatter named Rorie (quite a few R names here.)
Anyway, she is taken to the Queen of Hearts, whom happens to be Alice. As a new comer to Wonderland, the new comers are to look through the Looking Glass to show where they are meant to be in Wonderland. You could be a Crafter or a part of the court, the Looking Glass shows you who you are. When Jessica looks through the glass, she is struck as are the other members of the palace that she is shown to be a Spade.
Spades declared ware on the palace before Alice took the throne. Wonderland is a magical place, but it can choose who it likes and doesn’t like, and who gets to leave and stay.
I don’t want to give away too much, so I’ll stop there for time being.
I’m going to be the first to say that Alice in Wonderland is not my favorite story. I don’t like the Disney cartoon (though I did as a child, what was I thinking?) I do love Tim Burton’s spin on it (IT’S NOT A REMAKE!) but the original story I just couldn’t get into it. The summary and the excerpt to this story was just too good to pass up. I had a feeling I would enjoy the story, I just didn’t realize how much I would.
I read this in days (would have been less if I didn’t have a full time job). It’s a unique spin on the story. This isn’t so much as a retelling as it is a what if or an addition to it if Alice became the queen of hearts. So don’t go into this story and think it’s a retelling, because it is not.
I adored the characters including Alice and Jessica. There are some dark moments, but me being a highly sensitive person, it wasn’t as triggering, but I will say there are some there. I loved the twists in the story and how Jessica really does come to terms with her new found role in Wonderland.
This is a first in a series. That’s my only complaint! Why must have the (im)patience for the next book and the wonder (lol) as to what is going to happen with Jessica? Can’t tell you the ending, Wonderland wants you to know it from beginning to end.
We follow Jessica whom eats a bit of cookie and winds up forgetting her past life. Once she is told that she has died and is now in Wonderland, Jessica struggles with the acclimation of this unique land that is only read in a book. She’s escorted by a White Rabbit named Horace (Not a genuine rabbit, but in this story, White Rabbits is Wonderland’s term for queen’s guards). She comes across Rion, the Caterpillar (but disguised as a man at the time) and he gives her a journal that belonged to a Hatter named Rorie (quite a few R names here.)
Anyway, she is taken to the Queen of Hearts, whom happens to be Alice. As a new comer to Wonderland, the new comers are to look through the Looking Glass to show where they are meant to be in Wonderland. You could be a Crafter or a part of the court, the Looking Glass shows you who you are. When Jessica looks through the glass, she is struck as are the other members of the palace that she is shown to be a Spade.
Spades declared ware on the palace before Alice took the throne. Wonderland is a magical place, but it can choose who it likes and doesn’t like, and who gets to leave and stay.
I don’t want to give away too much, so I’ll stop there for time being.
I’m going to be the first to say that Alice in Wonderland is not my favorite story. I don’t like the Disney cartoon (though I did as a child, what was I thinking?) I do love Tim Burton’s spin on it (IT’S NOT A REMAKE!) but the original story I just couldn’t get into it. The summary and the excerpt to this story was just too good to pass up. I had a feeling I would enjoy the story, I just didn’t realize how much I would.
I read this in days (would have been less if I didn’t have a full time job). It’s a unique spin on the story. This isn’t so much as a retelling as it is a what if or an addition to it if Alice became the queen of hearts. So don’t go into this story and think it’s a retelling, because it is not.
I adored the characters including Alice and Jessica. There are some dark moments, but me being a highly sensitive person, it wasn’t as triggering, but I will say there are some there. I loved the twists in the story and how Jessica really does come to terms with her new found role in Wonderland.
This is a first in a series. That’s my only complaint! Why must have the (im)patience for the next book and the wonder (lol) as to what is going to happen with Jessica? Can’t tell you the ending, Wonderland wants you to know it from beginning to end.
Movie Metropolis (309 KP) rated Doctor Strange (2016) in Movies
Jun 10, 2019 (Updated Jun 11, 2019)
Marvel Meets Inception
Let’s face it; Marvel rarely gets it wrong when it comes to crafting cracking superhero blockbusters. Sure, Avengers: Age of Ultron was an overstuffed mess but it had ambition and Iron Man 2 was fine when not compared to its predecessor.
Now, one of the biggest film studios in the world takes on its biggest gamble yet – more so than Guardians of the Galaxy was, and that’s saying something! But does Doctor Strange hit all the right notes or are we looking at Marvel’s first true dog’s dinner?
Dr. Stephen Strange’s (Benedict Cumberbatch) life changes after a car accident robs him of the use of his hands. When traditional medicine fails him, he looks for healing, and hope, in a mysterious enclave. He quickly learns that the enclave is at the front line of a battle against unseen dark forces bent on destroying reality. Before long, Strange is forced to choose between his life of fortune and status or leave it all behind to defend the world as the most powerful sorcerer in existence.
Harry Potter meets Inception as director Scott Derrickson’s ambitious vision for the Marvel comic comes to life on screen. It’s one of the best looking films in the studio’s catalogue, and one that’s definitely worth paying the extra dosh for the 3D version.
When it comes to acting, the cast is, on the whole, very good. Tilda Swinton is perhaps the best character in the entire film as the ‘Ancient One’. She’s an incredible actress given the right material and despite being thinly written, she shines in this intriguing role. The rest of the cast, including Benedict Wong, Chiwetel Ejiofor and Rachel McAdams are poorly realised and make no measurable impact on the final cut.
Mads Mikkelsen’s portrayal of Kaecilius, the film’s main antagonist, is good but Marvel continuously struggle to create interesting villains and unfortunately, Mikkelsen falls into that pot, though he’s not quite as bad as Oscar Issac’s Apocalypse from this year’s X-Men entry. Let’s hope Mikkelsen is given more time to shine in Rogue One: A Star Wars Story in December.
Assessing Benedict Cumberbatch’s performance as the titular character is a little more difficult. On the one hand, he plays the deeply unlikeable Stephen Strange with the same class he brings to all his other personas; and then on the other, he seems at odds with Marvel’s global universe – the comedic elements almost feeling a little too forced, that is, in comparison to Chris Hemsworth’s mighty Thor or Paul Rudd’s sarcastic Ant-Man.
Luckily, the engaging special effects and magical story ensure Doctor Strange’s negatives are kept few and far between. Superhero films are beginning to grow a little tiresome with at least six being released this year alone, but the unique plot to this one makes certain you won’t have seen anything like it in the genre before.
Overall, Doctor Strange is a pleasing addition to the MCU, though one that isn’t quite as special as Guardians of the Galaxy was in 2014. It’s nice to have yet another character to join the growing list of Avengers but it’ll take another solo outing for Benedict Cumberbatch’s surgeon to make any sort of lasting impact.
https://moviemetropolis.net/2016/10/27/marvel-meets-inception-doctor-strange-review/
Now, one of the biggest film studios in the world takes on its biggest gamble yet – more so than Guardians of the Galaxy was, and that’s saying something! But does Doctor Strange hit all the right notes or are we looking at Marvel’s first true dog’s dinner?
Dr. Stephen Strange’s (Benedict Cumberbatch) life changes after a car accident robs him of the use of his hands. When traditional medicine fails him, he looks for healing, and hope, in a mysterious enclave. He quickly learns that the enclave is at the front line of a battle against unseen dark forces bent on destroying reality. Before long, Strange is forced to choose between his life of fortune and status or leave it all behind to defend the world as the most powerful sorcerer in existence.
Harry Potter meets Inception as director Scott Derrickson’s ambitious vision for the Marvel comic comes to life on screen. It’s one of the best looking films in the studio’s catalogue, and one that’s definitely worth paying the extra dosh for the 3D version.
When it comes to acting, the cast is, on the whole, very good. Tilda Swinton is perhaps the best character in the entire film as the ‘Ancient One’. She’s an incredible actress given the right material and despite being thinly written, she shines in this intriguing role. The rest of the cast, including Benedict Wong, Chiwetel Ejiofor and Rachel McAdams are poorly realised and make no measurable impact on the final cut.
Mads Mikkelsen’s portrayal of Kaecilius, the film’s main antagonist, is good but Marvel continuously struggle to create interesting villains and unfortunately, Mikkelsen falls into that pot, though he’s not quite as bad as Oscar Issac’s Apocalypse from this year’s X-Men entry. Let’s hope Mikkelsen is given more time to shine in Rogue One: A Star Wars Story in December.
Assessing Benedict Cumberbatch’s performance as the titular character is a little more difficult. On the one hand, he plays the deeply unlikeable Stephen Strange with the same class he brings to all his other personas; and then on the other, he seems at odds with Marvel’s global universe – the comedic elements almost feeling a little too forced, that is, in comparison to Chris Hemsworth’s mighty Thor or Paul Rudd’s sarcastic Ant-Man.
Luckily, the engaging special effects and magical story ensure Doctor Strange’s negatives are kept few and far between. Superhero films are beginning to grow a little tiresome with at least six being released this year alone, but the unique plot to this one makes certain you won’t have seen anything like it in the genre before.
Overall, Doctor Strange is a pleasing addition to the MCU, though one that isn’t quite as special as Guardians of the Galaxy was in 2014. It’s nice to have yet another character to join the growing list of Avengers but it’ll take another solo outing for Benedict Cumberbatch’s surgeon to make any sort of lasting impact.
https://moviemetropolis.net/2016/10/27/marvel-meets-inception-doctor-strange-review/
Movie Metropolis (309 KP) rated Avatar (2009) in Movies
Jun 10, 2019
James Cameron has had his work cut out trying to eclipse the success of his previous film Titanic, way back in 1997 and to this day it remains the highest grossing film of all time. It’s hard to believe that it’s been 12 years since his name was plastered on the big screen but he’s back with Avatar, a science fiction epic to rival Titanic’s crown.
Avatar has been marketed to death with 10-minute trailers littering cinemas across the globe and it hasn’t stopped there, James Cameron has been parading himself and the films stars around like toy soldiers to ensure it receives as much attention as he thinks it deserves, but is it actually any good?
Let’s start with the premise, an ex marine (Sam Worthington) who has been paralysed from the waist down in battle has been sent to an alien planet called Pandora to help mine for a very valuable metal and would you believe it, it’s name is ‘Unobtainium’, no jokes. Whilst there, he meets the Na’vi, an alien race that resemble giant smurfs. He becomes intrigued by their way of life, not to mention falling in love with one of them (Zoe Saldana). No, I’m not kidding and yes it does sound ridiculous.
The film starts pretty slowly, but then again at just under three hours long it has plenty of time to build momentum and after those first 10-minutes you get sucked into the whole environment of Pandora in the most dazzling 3D I have ever seen in the cinema. The special effects are complimented perfectly with the 3D experience and the alien environment is stunning, so stunning in fact that you have to see it, to believe it.
Considering the story is about blue smurf like aliens and is to say the least, a little thin on the ground; I was surprised to be sat there with all different kinds of emotion splattered across my face. One minute I would be wanting to shout out at the screen in sheer rage at what was going on, other times I would be sobbing my heart out in some of the most upsetting scenes I have seen in a modern Sci-fi. It just doesn’t happen, Sci-fi and tears just don’t go together; it’s like eating chocolate with fish. The transition between action, thriller, comedy and drama is exceptionally watertight and Avatar blends these genres all perfectly to form what is a complete package of a film.
Unfortunately, whilst the acting is sublime from most corners, with Zoe Saldana being the stand out performance as one of the female Na’vi, some of the human actors don’t really get enough screen time; annoying considering the films length. Sigourney Weaver is viciously underused and even though she plays her character with brilliance, she needed more screen time to fully develop the role.
Thankfully though, Cameron’s film limits the faults to those few and Avatar remains a magical ride, which whilst not being utterly original, reeks of box office championship and may just take over Titanic as the biggest film of all time.
Avatar is then, what everyone had ever wanted it to be, it combines unparalleled special effects in superb 3D with fabulous performances from the actors who really looked like they wanted to be in their roles. Trust the hype and you will witness history in the making.
https://moviemetropolis.net/2010/10/17/avatar-2009/
Avatar has been marketed to death with 10-minute trailers littering cinemas across the globe and it hasn’t stopped there, James Cameron has been parading himself and the films stars around like toy soldiers to ensure it receives as much attention as he thinks it deserves, but is it actually any good?
Let’s start with the premise, an ex marine (Sam Worthington) who has been paralysed from the waist down in battle has been sent to an alien planet called Pandora to help mine for a very valuable metal and would you believe it, it’s name is ‘Unobtainium’, no jokes. Whilst there, he meets the Na’vi, an alien race that resemble giant smurfs. He becomes intrigued by their way of life, not to mention falling in love with one of them (Zoe Saldana). No, I’m not kidding and yes it does sound ridiculous.
The film starts pretty slowly, but then again at just under three hours long it has plenty of time to build momentum and after those first 10-minutes you get sucked into the whole environment of Pandora in the most dazzling 3D I have ever seen in the cinema. The special effects are complimented perfectly with the 3D experience and the alien environment is stunning, so stunning in fact that you have to see it, to believe it.
Considering the story is about blue smurf like aliens and is to say the least, a little thin on the ground; I was surprised to be sat there with all different kinds of emotion splattered across my face. One minute I would be wanting to shout out at the screen in sheer rage at what was going on, other times I would be sobbing my heart out in some of the most upsetting scenes I have seen in a modern Sci-fi. It just doesn’t happen, Sci-fi and tears just don’t go together; it’s like eating chocolate with fish. The transition between action, thriller, comedy and drama is exceptionally watertight and Avatar blends these genres all perfectly to form what is a complete package of a film.
Unfortunately, whilst the acting is sublime from most corners, with Zoe Saldana being the stand out performance as one of the female Na’vi, some of the human actors don’t really get enough screen time; annoying considering the films length. Sigourney Weaver is viciously underused and even though she plays her character with brilliance, she needed more screen time to fully develop the role.
Thankfully though, Cameron’s film limits the faults to those few and Avatar remains a magical ride, which whilst not being utterly original, reeks of box office championship and may just take over Titanic as the biggest film of all time.
Avatar is then, what everyone had ever wanted it to be, it combines unparalleled special effects in superb 3D with fabulous performances from the actors who really looked like they wanted to be in their roles. Trust the hype and you will witness history in the making.
https://moviemetropolis.net/2010/10/17/avatar-2009/
Movie Metropolis (309 KP) rated Ghost in the Shell (2017) in Movies
Jun 10, 2019
Turning the beloved Ghost in the Shell manga franchise into a Hollywood film that’ll please picky Western audiences was always going to be a tough job for director Rupert Sanders (Snow White & the Huntsman).
Casting the central lead, The Major, proved even more difficult. When Scarlett Johansson’s name was attached to play the role, Hollywood was once again accused of white-washing, a tag lobbied at Gods of Egypt last year. The finished product is now in cinemas around the globe, but is it the disaster many predicted?
In the near future, Major (Scarlett Johansson) is the first of her kind: a human who has been cyber-enhanced to create a perfect soldier devoted to stopping the world’s most dangerous criminals. When terrorism reaches a new level that includes the ability to hack into people’s minds and control them, Major is uniquely qualified to stop it. As she prepares to face a new enemy, Major finds truths about her past that changes her view on the world forever.
The greatest accolade that can be given to Ghost in the Shell is that its pre-release detractors haven’t stopped people from going to see it. The cinema was busy on its opening night, with many itching to see how such a universally loved manga could be fine-tuned for a Western palate.
Visually; the film is absolutely stunning and is best viewed on the biggest screen possible. Each frame is dripping with detail and the naturally heavy use of CGI doesn’t detract from creating a vibrant metropolis that feels every bit alive.
The story is simple to follow and easy to enjoy. It’s exciting, emotional and boosted by a fine, if slightly uninspiring performance from Johansson. The rest of the cast can also be described as fine, with only Juliette Binoche’s mother-like Dr. Ouélet creating any sort of lasting impact.
And this is Ghost in the Shell’s fundamental weakness. Outside of Binoche, the rest of the cast are largely forgettable and that’s a real shame considering the characters in its excellent source material were, for want of a better word, magical. Even the villain is devoid any sort of tyranny.
Thankfully though, the impressive set design and well-choreographed action sequences mask the disappointing array of characters well and steamroll this thrilling adventure to a very satisfying conclusion. It’s also accompanied by a gorgeous soundtrack by Clint Mansell and Lorne Balfe that compliments the futuristic nature of the film beautifully.
Sitting in the theatre, it felt at times like I was watching an updated version of Total Recall, and that’s no bad thing. Comparing it to a cult classic is probably what director Rupert Sanders was trying to achieve and despite its poor characters, Ghost in the Shell has every opportunity to succeed as a film we look back on in 30 years and think “hey, that’s actually pretty good”.
Overall, Ghost in the Shell is one hell of a good-looking film. Couple this with impressive special effects and a rollercoaster ride of a story and you have a big screen experience that’s great for 106 minutes, but probably won’t have any lasting impact once the end credits roll.
https://moviemetropolis.net/2017/03/31/not-without-its-faults-ghost-in-the-shell-review/
Casting the central lead, The Major, proved even more difficult. When Scarlett Johansson’s name was attached to play the role, Hollywood was once again accused of white-washing, a tag lobbied at Gods of Egypt last year. The finished product is now in cinemas around the globe, but is it the disaster many predicted?
In the near future, Major (Scarlett Johansson) is the first of her kind: a human who has been cyber-enhanced to create a perfect soldier devoted to stopping the world’s most dangerous criminals. When terrorism reaches a new level that includes the ability to hack into people’s minds and control them, Major is uniquely qualified to stop it. As she prepares to face a new enemy, Major finds truths about her past that changes her view on the world forever.
The greatest accolade that can be given to Ghost in the Shell is that its pre-release detractors haven’t stopped people from going to see it. The cinema was busy on its opening night, with many itching to see how such a universally loved manga could be fine-tuned for a Western palate.
Visually; the film is absolutely stunning and is best viewed on the biggest screen possible. Each frame is dripping with detail and the naturally heavy use of CGI doesn’t detract from creating a vibrant metropolis that feels every bit alive.
The story is simple to follow and easy to enjoy. It’s exciting, emotional and boosted by a fine, if slightly uninspiring performance from Johansson. The rest of the cast can also be described as fine, with only Juliette Binoche’s mother-like Dr. Ouélet creating any sort of lasting impact.
And this is Ghost in the Shell’s fundamental weakness. Outside of Binoche, the rest of the cast are largely forgettable and that’s a real shame considering the characters in its excellent source material were, for want of a better word, magical. Even the villain is devoid any sort of tyranny.
Thankfully though, the impressive set design and well-choreographed action sequences mask the disappointing array of characters well and steamroll this thrilling adventure to a very satisfying conclusion. It’s also accompanied by a gorgeous soundtrack by Clint Mansell and Lorne Balfe that compliments the futuristic nature of the film beautifully.
Sitting in the theatre, it felt at times like I was watching an updated version of Total Recall, and that’s no bad thing. Comparing it to a cult classic is probably what director Rupert Sanders was trying to achieve and despite its poor characters, Ghost in the Shell has every opportunity to succeed as a film we look back on in 30 years and think “hey, that’s actually pretty good”.
Overall, Ghost in the Shell is one hell of a good-looking film. Couple this with impressive special effects and a rollercoaster ride of a story and you have a big screen experience that’s great for 106 minutes, but probably won’t have any lasting impact once the end credits roll.
https://moviemetropolis.net/2017/03/31/not-without-its-faults-ghost-in-the-shell-review/