"Perhaps the volume that influenced me most was called The Miracle of Life. I spent hours poring over the small print of those magical pages. It was not a book written for children, but I was absolutely absorbed as I learned about the diversity of life on earth, the age of the dinosaurs, evolution and Charles Darwin, the early explorers and naturalists — and the amazing variety and adaptations of the animals around the world."

"Angels inhabit the earth and long to be human because the pain and love of mortality is beautiful. Wim Wenders mixes color with black and white, dialogue with voice-over, aerial with handheld cinematography, and the historical with the magical in this intimate, poetic vision of ordinary life. This film came out when I was in college and was so new and fresh that many of us saw it on a weekly basis."

"This one is stupid but it’s not. Those [directors], man. What [they] did with color, it’s almost like color didn’t exist before [that]. Color was around a couple years, but that darn movie made it pop. They dance with it. They danced with sound, danced with music, danced with the metaphors of the theme of the movie. I like when it all comes together, and they did a great job with that. Magical."

"It’s everything! This film also captures an exciting time in American classical ballet. It’s like it’s frozen in time, this magical period in the late ’70s and early ’80s when ballet dancers were rock stars. I loved it even more later in life because, once I moved to New York, I ended up living with Isabel Brown, whose life the story it’s loosely based on. Her daughter, Leslie, stars in the movie opposite Mikhail Baryshnikov."