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Fanny and Alexander (1982)
Fanny and Alexander (1982)
1982 | Drama, International

"Ingmar Bergman’s masterpiece was an international critical and financial success, winning four Oscars. And that was in its truncated, just-over-three-hour version. Included in this set is Bergman’s full version, made for Swedish television. Presented in four parts, it comes in at over five hours, nearly twice as long as the theatrical cut. It’s truly a marvel to behold, intricately detailing every aspect of the lives of the Ekdahl family in turn-of-the-twentieth-century Sweden. As it brilliantly charts a span of several years through the eyes of children, the film is equally detailed with its adult characters’ points of view. Equal parts joyous and tragic. A marvelous and loving tribute to Bergman’s life in the theater. Full of magical realism and stark, painful reality. A meditation on death and a celebration of life. Dickensian in nature (Dickens is said to have been a major influence on Bergman for this film). Truly unlike anything else he ever did. It recalls the great epics of David Lean, which were massive in scope while also being concerned with intimate details of the human condition and its fragility. A masterwork in either version. Watch them both and never be bored for a moment."

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ClareR (5726 KP) rated Gingerbread in Books

Apr 17, 2021  
Gingerbread
Gingerbread
Helen Oyeyemi | 2021 | Fiction & Poetry, Science Fiction/Fantasy
8
8.0 (1 Ratings)
Book Rating
My initial thought on finishing Gingerbread was “what have I just read?”
This is a meandering, imaginative tale with gingerbread at it’s heart. There are a lot of nods to fairytales, from the use of gingerbread, to the name of Harriet’s best friend: Gretel. The rags and riches stories: characters leaving their farm homes to move to the city and make their fortunes.
Magical realism is used throughout, from the way that Harriet and her mother leave their homeland of Druhastrana to move to London, to Perdita’s talking dolls, who are in fact part doll, part plant.
Moving houses, haunted houses, boys who run away just like the Gingerbread Man. This is not a linear, beginning, middle and end kind of story.
At points I wasn’t quite sure what was going on, but decided I didn’t care. It’s a joy to read, and I quite like a book that makes me work for the story, from time to time!
There was a nod to real life: a country cut off from any others (Brexit, anyone?), girls working for pretend/ little money and exploited, and illegal immigration.
There’s a lot to unpick in this, but to be honest, I just enjoyed the ride!
  
The Perfect World of Miwako Sumida
The Perfect World of Miwako Sumida
Clarissa Goenawan | 2020 | Contemporary, Fiction & Poetry, LGBTQ+
8
8.0 (1 Ratings)
Book Rating
Miwako Sumida has hanged herself, and her friends are in a state of disbelief. She had disappeared to a village in the mountains in the preceding few months, and had stayed in touch by letter with her friend Ryusei. He loved her, had told her as much, and she had repeatedly put off his advances. So after finding out about her death, Ryusei convinces another of Miwako’s friends, Chie, to go with him to the clinic in the mountains where she had been volunteering.

Whilst they are away, Ryusei’s sister, Fumi, has an unexpected visitor who asks to stay with her for a while. Fumi is clearly in a vulnerable position after the death of Miwako (who had worked for her), because she says yes.

This was such an unexpected pleasure to read. It’s a very sad story, gently told: these are all grieving, vulnerable people. When it slips in to magical realism, it didn’t seem out of place or odd, in fact these parts really helped to explain what had happened to Miwako and developed the character of Fumi. I can’t believe that I haven’t heard of Clarissa Goenawan before, and I’ll certainly be keeping an eye out for more of her books.

Many thanks to The Pigeonhole for serialising this book.
  
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