Search
Search results
Gareth von Kallenbach (980 KP) rated Django Unchained (2012) in Movies
Aug 7, 2019
Writer-director Quentin Tarantino has returned in a big way with “Django Unchained” his homage to spaghetti Westerns. The film stars Jamie Foxx as a slave named Django who is part of a convoy of slaves being transported through Texas two years before the start of the Civil War. Django is unaware that his life is about to take a monumental turn when his caravan encounters Dr. King Schultz (Christoph Waltz) one dark evening. Schultz wishes to purchase Django, and when his current owners make the mistake of threatening the good doctor, he quickly turns the table on them and sets Django and his fellow slaves free. Schultz reveals to Django that he is in fact a bounty hunter and needs him to help identify three potential targets. Since Django last lived at the plantation where the three targets worked as overseers, he is essential to Schultz’s hunt. Schultz offers to free Django and pay him $75.00 for his assistance and the duo set off on their mission.
Some truly action-packed and hysterical scenes later, Schultz realizes that Django is an absolute natural for the business and decides to take him on for the winter as an assistant, even going so far as to offer to share one third of his bounties with them. In return, Schultz also offers to help Django reclaim his wife who was sold to a plantation somewhere in Tennessee. Schultz rationalizes that to show up now would be extremely dangerous, therefore the duo must wait out the winter earning money before embarking on their rescue mission.
The hard work of the team pays off and they learn that Django’s wife has been sold to one of the largest plantations under the ownership of Calvin Candie (Leonardo di Caprio), a despotic plantation owner who is as greedy as he is cruel. Despite having more money than he could ever use, Calvin likes to force certain members of his slaves to fight to the death. Schultz and Django decide to use this angle as their chance to get close to Calvin so they can verify that Django’s wife is indeed at the plantation and determine what it will take to buy or obtain her freedom. This proves to be no easy task as not only is Calvin surrounded by an army hired guns, but he also has a very surly and suspicious head of a household named Stephen (Samuel L. Jackson), eyeing every move that the strangers make and questioning their actions.
What follows is a hyperkinetic storm of violence, fury, music, and color in the true Tarantino style. The director is never one to shy away from blood and violence and there are tons of it in the film. The amazing thing about it is despite being graphic and, in some cases, borderline gratuitous, it does not distract from the enjoyment of the film and its characters. The performances were absolutely amazing, especially the work of Waltz, Foxx, and diCaprio. Jackson also does very solid supporting work as does Don Johnson in his appearance as an uber-racist plantation owner. Waltz worked previously with Tarantino on “Inglorious Bastards”, and this is where the Austrian actor really gained notice by Hollywood. This time out he gives a captivating performance as the complex killer with a heart of gold.
While I understand Tarantino’s style is not for everybody, it’s hard not to be impressed with the way he is able to paint a picture, fill it with interesting and quirky characters, and quickly tear it all apart as things descend into utter chaos and destruction. You alternate between laughing, cheering, and being shocked all the way through the film’s nearly three-hour runtime. Yet rarely did the film ever seem to drag on unnecessarily. There was some loss of pacing as the characters converged on Calvin’s plantation, and some may question some of the character changes or gaps in logic in the film’s finale.
I believe this film is one of the best films of the year. It captured so much of what an action film and drama should have: interesting, complex and well-acted characters, a good story, and plenty of action. Those who are easily offended will want to take note that the language in the film is extremely rough and there is frequent uses of racials lurs, as well is derogatory comments made about the black characters in the film. While this is intended to show the mindset and lifestyle of the 1860s in which the film is set, some may find it unsettling if they go in unprepared.
That being said I can honestly say that this was the most enjoyable Tarantino film I have ever seen and could be his best work to date.
Some truly action-packed and hysterical scenes later, Schultz realizes that Django is an absolute natural for the business and decides to take him on for the winter as an assistant, even going so far as to offer to share one third of his bounties with them. In return, Schultz also offers to help Django reclaim his wife who was sold to a plantation somewhere in Tennessee. Schultz rationalizes that to show up now would be extremely dangerous, therefore the duo must wait out the winter earning money before embarking on their rescue mission.
The hard work of the team pays off and they learn that Django’s wife has been sold to one of the largest plantations under the ownership of Calvin Candie (Leonardo di Caprio), a despotic plantation owner who is as greedy as he is cruel. Despite having more money than he could ever use, Calvin likes to force certain members of his slaves to fight to the death. Schultz and Django decide to use this angle as their chance to get close to Calvin so they can verify that Django’s wife is indeed at the plantation and determine what it will take to buy or obtain her freedom. This proves to be no easy task as not only is Calvin surrounded by an army hired guns, but he also has a very surly and suspicious head of a household named Stephen (Samuel L. Jackson), eyeing every move that the strangers make and questioning their actions.
What follows is a hyperkinetic storm of violence, fury, music, and color in the true Tarantino style. The director is never one to shy away from blood and violence and there are tons of it in the film. The amazing thing about it is despite being graphic and, in some cases, borderline gratuitous, it does not distract from the enjoyment of the film and its characters. The performances were absolutely amazing, especially the work of Waltz, Foxx, and diCaprio. Jackson also does very solid supporting work as does Don Johnson in his appearance as an uber-racist plantation owner. Waltz worked previously with Tarantino on “Inglorious Bastards”, and this is where the Austrian actor really gained notice by Hollywood. This time out he gives a captivating performance as the complex killer with a heart of gold.
While I understand Tarantino’s style is not for everybody, it’s hard not to be impressed with the way he is able to paint a picture, fill it with interesting and quirky characters, and quickly tear it all apart as things descend into utter chaos and destruction. You alternate between laughing, cheering, and being shocked all the way through the film’s nearly three-hour runtime. Yet rarely did the film ever seem to drag on unnecessarily. There was some loss of pacing as the characters converged on Calvin’s plantation, and some may question some of the character changes or gaps in logic in the film’s finale.
I believe this film is one of the best films of the year. It captured so much of what an action film and drama should have: interesting, complex and well-acted characters, a good story, and plenty of action. Those who are easily offended will want to take note that the language in the film is extremely rough and there is frequent uses of racials lurs, as well is derogatory comments made about the black characters in the film. While this is intended to show the mindset and lifestyle of the 1860s in which the film is set, some may find it unsettling if they go in unprepared.
That being said I can honestly say that this was the most enjoyable Tarantino film I have ever seen and could be his best work to date.
Sassy Brit (97 KP) rated Let The Dead Keep Their Secrets in Books
Jun 5, 2019
Let The DEAD Keep Their Secrets by Rosemary Simpson brings to life New York City during the 1880s in a historical mystery. It is rich in the culture of the time with a riveting Colombo type crime. Readers know who has done it and seek clues with the characters to find the proof.
The plot opens with New York opera singer Claire Buchanan calling on the investigative services of Prudence MacKenzie and her partner, Geoffrey Hunter. Claire shows up at their door begging them to find out exactly how her twin sister, Catherine, and newborn daughter died, believing it was not from natural causes. Catherine’s husband, Aaron Sorenson, is a scoundrel and appears to be marrying women, getting them pregnant, and then having baby and mother die in childbirth. Prudence and Geoffrey find that childbirth can be dangerous to one’s health as they realize that Sorenson’s current wife may also be in danger. His motive, both the late wife and the current wife would inherit a substantial estate, which will go to him upon their death. Sorensen seems to always be in need of money to pay mounting gambling debts. As the tension mounts the investigative team is putting themselves at risk in attempting to expose the murder-for-inheritance scheme.
The author noted, “Catherine was emotionally abused. Women during that time period did not have much choice. In the Gilded Age in New York women were still property of their husbands. They were very limited to what their husbands wanted.”
One of the important clues is a photograph of the late mother and child. Simpson weaves into the story a Victorian Era custom, post-mortem photography. During these scenes readers learn of the spiritualists who believe “about the possibility of capturing an image of the soul leaving a body at the moment of death.” It was during this time that Claire senses something from her twin sister. The author commented, “During my research, I read how twins separated by birth and raised by different families still have the same likes and dislikes and can sense how each other feels.”
Through the characters people learn of the Gilded Age era, with a fascinating description of the homes, the period clothing, and the city of New York. Unlike many women of the time, Prudence is very unconventional, desiring to take the bar exam and become a litigator. For now, she is content to be an amateur sleuth to her partner, ex-Pinkerton agent Geoffrey Hunter, as she learns on the job. “I wrote Prudence being raised by a widowed father who looked at her as a replacement for a son. He did not make an exception for her being a girl and made sure she had a very well developed sharp legal mind. She is determined to make her own way even though she inherited wealth. I read that the Pinkerton Agency hired a lady detective during the Civil War and knew I wanted to make my heroine an investigator who is constantly challenged by Geoffrey.”
The hero and heroine also have flaws. The author uses events that happened during the Gilded Age paralleling them with what is happening today. Simpson explained, “Geoffrey has left his southern roots, abandoning his culture and family. He has a lot of contradictions. Prudence must struggle with her addiction to the drug laudanum. She was given it by her family doctor to help her cope with her father’s passing and then her fiancé’s death. She overcame the reliance on laudanum but not without a terrible struggle and the knowledge that she would never be entirely free of it. I parallel it with the opioid epidemic today. People became accidental addicts because they were given the drugs legally to cope with physical and emotional pain.”
The antagonist, Simpson has no redeeming qualities. He is a cold and calculating thief, a swindler, and bigamist who victimizes rich women. “I wanted to write an absolute villain. He is unscrupulous, uncaring with no conscience. He had every vile habit known. I do not write cozy mysteries, but historical noirs. My bad guys are really, really bad who cause awful things to happen.”
The author definitely had done her homework. “I want to feel I live in this world for awhile and to get the reader to feel that also. I read the New York Times Archives and fall into the rhythm of the language used, how they spoke, wrote and thought. It puts me in the mindset of the character I am writing about.” With her detailed descriptions and gripping story Simpson has also drawn the reader into the time period through an exciting and action-packed mystery.
The plot opens with New York opera singer Claire Buchanan calling on the investigative services of Prudence MacKenzie and her partner, Geoffrey Hunter. Claire shows up at their door begging them to find out exactly how her twin sister, Catherine, and newborn daughter died, believing it was not from natural causes. Catherine’s husband, Aaron Sorenson, is a scoundrel and appears to be marrying women, getting them pregnant, and then having baby and mother die in childbirth. Prudence and Geoffrey find that childbirth can be dangerous to one’s health as they realize that Sorenson’s current wife may also be in danger. His motive, both the late wife and the current wife would inherit a substantial estate, which will go to him upon their death. Sorensen seems to always be in need of money to pay mounting gambling debts. As the tension mounts the investigative team is putting themselves at risk in attempting to expose the murder-for-inheritance scheme.
The author noted, “Catherine was emotionally abused. Women during that time period did not have much choice. In the Gilded Age in New York women were still property of their husbands. They were very limited to what their husbands wanted.”
One of the important clues is a photograph of the late mother and child. Simpson weaves into the story a Victorian Era custom, post-mortem photography. During these scenes readers learn of the spiritualists who believe “about the possibility of capturing an image of the soul leaving a body at the moment of death.” It was during this time that Claire senses something from her twin sister. The author commented, “During my research, I read how twins separated by birth and raised by different families still have the same likes and dislikes and can sense how each other feels.”
Through the characters people learn of the Gilded Age era, with a fascinating description of the homes, the period clothing, and the city of New York. Unlike many women of the time, Prudence is very unconventional, desiring to take the bar exam and become a litigator. For now, she is content to be an amateur sleuth to her partner, ex-Pinkerton agent Geoffrey Hunter, as she learns on the job. “I wrote Prudence being raised by a widowed father who looked at her as a replacement for a son. He did not make an exception for her being a girl and made sure she had a very well developed sharp legal mind. She is determined to make her own way even though she inherited wealth. I read that the Pinkerton Agency hired a lady detective during the Civil War and knew I wanted to make my heroine an investigator who is constantly challenged by Geoffrey.”
The hero and heroine also have flaws. The author uses events that happened during the Gilded Age paralleling them with what is happening today. Simpson explained, “Geoffrey has left his southern roots, abandoning his culture and family. He has a lot of contradictions. Prudence must struggle with her addiction to the drug laudanum. She was given it by her family doctor to help her cope with her father’s passing and then her fiancé’s death. She overcame the reliance on laudanum but not without a terrible struggle and the knowledge that she would never be entirely free of it. I parallel it with the opioid epidemic today. People became accidental addicts because they were given the drugs legally to cope with physical and emotional pain.”
The antagonist, Simpson has no redeeming qualities. He is a cold and calculating thief, a swindler, and bigamist who victimizes rich women. “I wanted to write an absolute villain. He is unscrupulous, uncaring with no conscience. He had every vile habit known. I do not write cozy mysteries, but historical noirs. My bad guys are really, really bad who cause awful things to happen.”
The author definitely had done her homework. “I want to feel I live in this world for awhile and to get the reader to feel that also. I read the New York Times Archives and fall into the rhythm of the language used, how they spoke, wrote and thought. It puts me in the mindset of the character I am writing about.” With her detailed descriptions and gripping story Simpson has also drawn the reader into the time period through an exciting and action-packed mystery.
Kara Skinner (332 KP) rated Room Service in Books
Jun 11, 2019
Desperate Woman Gets Housekeeping Job at a Brothel
Genre: Erotic Romance
My Rating: 3 out of 5 stars
Word Count: 17,530 words
After getting conned and dumped by a traveling guitar player, Lucy is struggling to make ends meet and things only get worse when she’s laid off from her waitressing job. Her last customer– a sexy, mysterious man wearing clothes that cost five times her annual salary– leaves her a $1,000 tip out of sympathy, but that money will only last so long.
But when she gets offered a job as a housekeeper at a brothel, things are looking up. Cleaning up after sex isn’t her usual line of work, but at least she won’t have to struggle financially anymore. When she literally runs into her heavy tipper at the brothel, however, things might get a little more complicated, especially when just looking at him is enough to fill her fantasies.
I’m still not sure what to make of this book, but I definitely wish there was more of it. I’m fascinated by this high-class brothel where everything is safe and 100% consensual and everyone treats each other like old friends. There are panic buttons in every room and all of the “Room Service” workers carry panic buttons on them as well (where they carry them isn’t mentioned, unfortunately).
I’m a little uneasy about what happens if one of the staff wants to quit, though. That’s never really mentioned, and Mrs. Stark, the owner of the brothel and Iron Man’s mother, isn’t someone to cross. Are they allowed to leave as long or have they taken a blood oath?
” Just know that if you accept you will be all-in. The secrets you keep will need to go to your grave with you. We take this vow very seriously.” — Mrs. Stark
Sounds like a blood oath to me.
Lucy’s a pretty cool character. She took getting fired well and she’s pretty kind and relatable overall. But her emotions when it comes to her ex are really simplistic. She’s just enraged that he left her destitute. And she definitely has reason to be. But anger is all she’s feeling. She’s not sad that he didn’t love her enough to stick around. She’s not regretting her decision to squander her savings on his debt (and it really was her decision. He might have sweet-talked her into it, but he didn’t hold a gun to her head). There aren’t even any lingering feelings of love or any sign she loved him at all. When it comes to her past, her entire character falls flat.
Of course, she’s better than Adam Palmer, the heavy tipper we know next to nothing about so far. The description “billionaire alpha” basically sums up everything about him. Not that I really mind Adam. He was actually pretty nice to Lucy. Despite the circumstances, I didn’t sense a disturbing power imbalance between them and he seems to genuinely care about her. I wish we saw at least one scene from his point of view. It would have gone a long way to making him a real character instead of an alpha-billionaire-on-the-verge-of-manly-tears stock photo.
I have a theory that he’s the one who got her the job at the brothel, but this has yet to be confirmed. I’ll be sad if this isn’t the case.
The sex scene, was honestly more comical than sexy to me. Reading about them screaming out each others’ names while doin’ it made me giggle.
“OH ADAM,” I cried out at the top of my lungs.
For real, have you or anyone you know actually shouted your partner’s name during sex because you were so caught up in the moment? It doesn’t count if you’re faking it.
Honestly, they talked a lot for two people who were supposed to be lost in the magical sensations of expert boning. Adam could even get out full sentences.
“Fuck Lucy, you are going to make me explode and I am definitely not done with you yet.”
As you can probably guess, this story is in need of some editing. Not just for punctuation issues (not too distracting, but still there), but also for the dialogue which is about as good as the best-written porn out there. The first chapter is also just Lucy straight-up telling her backstory. It only lasts for about a page, but it kept me from getting pulled into the story immediately and kept me from connecting to Lucy.
But despite all its faults, I still enjoyed the story. I thought it was really cute and I want to see more of Lucy and Adam together.
My Rating: 3 out of 5 stars
Word Count: 17,530 words
After getting conned and dumped by a traveling guitar player, Lucy is struggling to make ends meet and things only get worse when she’s laid off from her waitressing job. Her last customer– a sexy, mysterious man wearing clothes that cost five times her annual salary– leaves her a $1,000 tip out of sympathy, but that money will only last so long.
But when she gets offered a job as a housekeeper at a brothel, things are looking up. Cleaning up after sex isn’t her usual line of work, but at least she won’t have to struggle financially anymore. When she literally runs into her heavy tipper at the brothel, however, things might get a little more complicated, especially when just looking at him is enough to fill her fantasies.
I’m still not sure what to make of this book, but I definitely wish there was more of it. I’m fascinated by this high-class brothel where everything is safe and 100% consensual and everyone treats each other like old friends. There are panic buttons in every room and all of the “Room Service” workers carry panic buttons on them as well (where they carry them isn’t mentioned, unfortunately).
I’m a little uneasy about what happens if one of the staff wants to quit, though. That’s never really mentioned, and Mrs. Stark, the owner of the brothel and Iron Man’s mother, isn’t someone to cross. Are they allowed to leave as long or have they taken a blood oath?
” Just know that if you accept you will be all-in. The secrets you keep will need to go to your grave with you. We take this vow very seriously.” — Mrs. Stark
Sounds like a blood oath to me.
Lucy’s a pretty cool character. She took getting fired well and she’s pretty kind and relatable overall. But her emotions when it comes to her ex are really simplistic. She’s just enraged that he left her destitute. And she definitely has reason to be. But anger is all she’s feeling. She’s not sad that he didn’t love her enough to stick around. She’s not regretting her decision to squander her savings on his debt (and it really was her decision. He might have sweet-talked her into it, but he didn’t hold a gun to her head). There aren’t even any lingering feelings of love or any sign she loved him at all. When it comes to her past, her entire character falls flat.
Of course, she’s better than Adam Palmer, the heavy tipper we know next to nothing about so far. The description “billionaire alpha” basically sums up everything about him. Not that I really mind Adam. He was actually pretty nice to Lucy. Despite the circumstances, I didn’t sense a disturbing power imbalance between them and he seems to genuinely care about her. I wish we saw at least one scene from his point of view. It would have gone a long way to making him a real character instead of an alpha-billionaire-on-the-verge-of-manly-tears stock photo.
I have a theory that he’s the one who got her the job at the brothel, but this has yet to be confirmed. I’ll be sad if this isn’t the case.
The sex scene, was honestly more comical than sexy to me. Reading about them screaming out each others’ names while doin’ it made me giggle.
“OH ADAM,” I cried out at the top of my lungs.
For real, have you or anyone you know actually shouted your partner’s name during sex because you were so caught up in the moment? It doesn’t count if you’re faking it.
Honestly, they talked a lot for two people who were supposed to be lost in the magical sensations of expert boning. Adam could even get out full sentences.
“Fuck Lucy, you are going to make me explode and I am definitely not done with you yet.”
As you can probably guess, this story is in need of some editing. Not just for punctuation issues (not too distracting, but still there), but also for the dialogue which is about as good as the best-written porn out there. The first chapter is also just Lucy straight-up telling her backstory. It only lasts for about a page, but it kept me from getting pulled into the story immediately and kept me from connecting to Lucy.
But despite all its faults, I still enjoyed the story. I thought it was really cute and I want to see more of Lucy and Adam together.
Darren (1599 KP) rated A Walk Among the Tombstones (2014) in Movies
Jun 20, 2019
Story: A Walk Among the Tombstones starts by in 1991 we meet Matt Scudder (Neeson) a nonsense detective who while having his morning Irish coffee ends up going into a shootout. Flash forward to 1999 Matt is now a private investigator and when a former junkie Peter Kristo (Holbrook) invites him to meet his brother Kenny (Stevens) for a job. Kenny’s wife was kidnapped with the ransom paid and murdered; he wants Matt to bring him the names of the people responsible. Matt rejects the offer wisely because it would involving working with a drug trafficker but Kenny won’t take no for an answer.
Kenny tales the story of what happened and how gruesome the murder was, this brings Matt into the case to track down the people responsible. Using all his skills he starts the investigation by questioning the locals. The killers prove to be professionals who cover their tracks when committing their crimes. When it becomes apparent they have been doing this for years Matt finds himself investigating cold cases. Tracking down the leads he does come up with a potential name and a place he could meet them, but nothing could prepare him for the nature of the men.
A Walk Among the Tombstones starts very nicely with the broken protagonist trying to make up for something he could never actually make up for, it is hidden from us but we do see he has personal problems. The whole drug dealers being targeting by serial killers also works nicely, giving us a chance to keep guessing on whether it is actually a large scale revenge type thriller than Matt is stuck in the middle off. It goes downhill slowly because of the pace and then turning it into the simple idea that they are just two killers doing it for fun. It is sad because this had a lot of potential from the start but in the end just fizzles out. (6/10)
Actor Review
Liam Neeson: Matt Scudder a private detective who against his better judgment ends up investigating serial killers who enjoy nothing more than kidnapping and killing their victim even if they get their money. He is a former detective who has been recovering from his alcoholism which cost him his job. Liam does do a good job in the role and goes away from the new action star he has created. (7/10)
matt
Dan Stevens: Kenny Kristo drug trafficker whose wife was killed and hires Matt to find the people responsible for it, it will mean risking his connection to help expose the truth. Dan does a good job as the mobster out for revenge for a crime that is personal rather than work related. (7/10)
kenny
Support Cast: A Walk Among the Tombstones has a supporting cast that includes the two killers who are very much evil in what they do, we have other mobsters who are the victims of those killers and we also have a street wise kid trying to help Mark out. They all help the story flow along very well.
Director Review: Scott Frank – Scott does a solid job directing this to make it an interesting thriller with a very dark side to it. (6/10)
Crime: A Walk Among the Tombstones enters into the crime world without going too far over the top with its double crossing, instead focusing on one angle the whole way through. (7/10)
Mystery: A Walk Among the Tombstones does keep you guessing to what would be the motives of the characters creating a nice mystery about the story. (8/10)
Thriller: A Walk Among the Tombstones starts off pulling you in especially when you hear about the murdered wife but afterwards slight starts to fade away. (7/10)
Settings: A Walk Among the Tombstones creates a world that is similar to 1999 New York. (7/10)
Suggestion: A Walk Among the Tombstones is one to try and the fans of Neeson will be watching this, it might not keep everyone happy because it isn’t as dark as its source material. (Try It)
Best Part: The shock of what Kenny finds in the boot of that car.
Worst Part: Falls away by the end.
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: No
Similar Too: Cold in July
Oscar Chances: No
Box Office: $53 Million
Budget: $28 Million
Runtime: 1 Hour 54 Minutes
Tagline: People are afraid of all the wrong things.
Overall: A Thriller That Hits Hard Early but Tires Near the End
https://moviesreview101.com/2015/01/26/a-walk-among-the-tombstones-2014/
Kenny tales the story of what happened and how gruesome the murder was, this brings Matt into the case to track down the people responsible. Using all his skills he starts the investigation by questioning the locals. The killers prove to be professionals who cover their tracks when committing their crimes. When it becomes apparent they have been doing this for years Matt finds himself investigating cold cases. Tracking down the leads he does come up with a potential name and a place he could meet them, but nothing could prepare him for the nature of the men.
A Walk Among the Tombstones starts very nicely with the broken protagonist trying to make up for something he could never actually make up for, it is hidden from us but we do see he has personal problems. The whole drug dealers being targeting by serial killers also works nicely, giving us a chance to keep guessing on whether it is actually a large scale revenge type thriller than Matt is stuck in the middle off. It goes downhill slowly because of the pace and then turning it into the simple idea that they are just two killers doing it for fun. It is sad because this had a lot of potential from the start but in the end just fizzles out. (6/10)
Actor Review
Liam Neeson: Matt Scudder a private detective who against his better judgment ends up investigating serial killers who enjoy nothing more than kidnapping and killing their victim even if they get their money. He is a former detective who has been recovering from his alcoholism which cost him his job. Liam does do a good job in the role and goes away from the new action star he has created. (7/10)
matt
Dan Stevens: Kenny Kristo drug trafficker whose wife was killed and hires Matt to find the people responsible for it, it will mean risking his connection to help expose the truth. Dan does a good job as the mobster out for revenge for a crime that is personal rather than work related. (7/10)
kenny
Support Cast: A Walk Among the Tombstones has a supporting cast that includes the two killers who are very much evil in what they do, we have other mobsters who are the victims of those killers and we also have a street wise kid trying to help Mark out. They all help the story flow along very well.
Director Review: Scott Frank – Scott does a solid job directing this to make it an interesting thriller with a very dark side to it. (6/10)
Crime: A Walk Among the Tombstones enters into the crime world without going too far over the top with its double crossing, instead focusing on one angle the whole way through. (7/10)
Mystery: A Walk Among the Tombstones does keep you guessing to what would be the motives of the characters creating a nice mystery about the story. (8/10)
Thriller: A Walk Among the Tombstones starts off pulling you in especially when you hear about the murdered wife but afterwards slight starts to fade away. (7/10)
Settings: A Walk Among the Tombstones creates a world that is similar to 1999 New York. (7/10)
Suggestion: A Walk Among the Tombstones is one to try and the fans of Neeson will be watching this, it might not keep everyone happy because it isn’t as dark as its source material. (Try It)
Best Part: The shock of what Kenny finds in the boot of that car.
Worst Part: Falls away by the end.
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: No
Similar Too: Cold in July
Oscar Chances: No
Box Office: $53 Million
Budget: $28 Million
Runtime: 1 Hour 54 Minutes
Tagline: People are afraid of all the wrong things.
Overall: A Thriller That Hits Hard Early but Tires Near the End
https://moviesreview101.com/2015/01/26/a-walk-among-the-tombstones-2014/
Ross (3284 KP) rated The Liar's Key in Books
Mar 30, 2018
Reading Mark Lawrence books, while seeing the outpouring of adoration for his works on facebook and goodreads, is quite a complicated situation to find yourself in.
I love Mark Lawrence's writing style - that is, his flowing prose and sense of humour. I love the world of the Broken Empire - a post-apocalyptic version of the world after the use of nuclear weapons (all very much implied) and where the sea level has risen, changing the geography of Europe. I like most of the characters (in that I like all aspects of some of them and some aspects of the rest of them if that makes sense).
The tricky thing is, I have mixed feelings about the way Lawrence lays his books out - to my understanding he has a high level idea of the plot but then just ... writes. He just lets it happen. Now, this isn't a car crash like it might sound, there are enough hints and pointers strewn throughout the book (or trilogy) to make it all hang together, but at times things happen that just don't quite feel right. I'm not sure if its a deus ex machine type thing or just his characters being spontaneous, but at times I found that the right thing happens despite no suggestions this should be so. Characters making illogical decisions etc.
This has been the case throughout all 5 of his books I have read now and it is starting to become an irritant. The thing is, I tend to enjoy the overall story and am glad I have read them, it's just that at times I don't enjoy the journey.
That was very much the case here - the book is considerably longer than its predecessor but without any tangible benefit from that extra word count. The first half of the book is quite a slow boring journey and except for meeting two new characters/companions and some minor plot points, there is very little purpose to it. Snorri, my favourite character from the Prince of Fools, is almost absent here - just a massive, injured, sulking lump. This puts the focus on Jalan, our thoroughly detestable narrator.
The second half sees Jalan separate from the group and head home, only to run off once again, almost without reason. There then follows a very dull section of the book where he seems to be getting ahead at last, making money on the derivatives exchange (makes Phantom Menace trade quota discussions seem positively riveting).
The conclusion of the book is excellent and points to an exciting third book.
I love Mark Lawrence's writing style - that is, his flowing prose and sense of humour. I love the world of the Broken Empire - a post-apocalyptic version of the world after the use of nuclear weapons (all very much implied) and where the sea level has risen, changing the geography of Europe. I like most of the characters (in that I like all aspects of some of them and some aspects of the rest of them if that makes sense).
The tricky thing is, I have mixed feelings about the way Lawrence lays his books out - to my understanding he has a high level idea of the plot but then just ... writes. He just lets it happen. Now, this isn't a car crash like it might sound, there are enough hints and pointers strewn throughout the book (or trilogy) to make it all hang together, but at times things happen that just don't quite feel right. I'm not sure if its a deus ex machine type thing or just his characters being spontaneous, but at times I found that the right thing happens despite no suggestions this should be so. Characters making illogical decisions etc.
This has been the case throughout all 5 of his books I have read now and it is starting to become an irritant. The thing is, I tend to enjoy the overall story and am glad I have read them, it's just that at times I don't enjoy the journey.
That was very much the case here - the book is considerably longer than its predecessor but without any tangible benefit from that extra word count. The first half of the book is quite a slow boring journey and except for meeting two new characters/companions and some minor plot points, there is very little purpose to it. Snorri, my favourite character from the Prince of Fools, is almost absent here - just a massive, injured, sulking lump. This puts the focus on Jalan, our thoroughly detestable narrator.
The second half sees Jalan separate from the group and head home, only to run off once again, almost without reason. There then follows a very dull section of the book where he seems to be getting ahead at last, making money on the derivatives exchange (makes Phantom Menace trade quota discussions seem positively riveting).
The conclusion of the book is excellent and points to an exciting third book.
Lilyn G - Sci-Fi & Scary (91 KP) rated Monster Hunter International in Books
Jun 2, 2018
One book - I'm hooked!
Well, heck. That’s just what I needed. Another bloody series to get hooked on. If the second book is as good as the first, I’ll be well and truly hooked. So, honestly, I’m kind of hoping the second book sucks a bit so I can get off this fan train and save myself some money.
So, in case that first paragraph wasn’t very clear: I loved Monster Hunter International. I was hooked from the beginning, and happily went along for the whole crazy, monster-killing ride. It was just different enough to keep me interested. Oliver Wyman did a great job with the narration. His regular reading voice is soothing, and his voices are very different from each other. He never made me wince like some readers (ie: the guy who read King’s IT) do.
I’m not a gun nut. Not really. I mean, I don’t currently own one. I don’t see the need for automatic rifles. Blah, blah, blah. I do, however, like to shoot them and I like book and screen violence. Therefore, the sheer amount of shoot-em-ups and physical thumpings that went on in this book made me very happy. Pitt, Holly, and Harbinger (and the plot) were just a happy bonus.
One of the things that surprised me was that Monster Hunter International hit what would normally be a climax and cliffhanger scene with about six hours left to go in the audio. After how intense that particular scene was, I wondered how Correia could go on for six more hours. But, I trusted him, and his ass-kicking game had been strong so far, so I listened on. He managed quite well.
This book hit all the high points for me. The main character (Pitt) wasn’t perfect, wasn’t even sure of himself, didn’t feel like he was God’s gift to women, etc. Julie seemed a bit too perfect, but she didn’t have a lot of screen time, so she was easy to forget about. Holly and Trip were great side-kicks. However, Harbinger was the one that won me over. I spent half the novel going “Okay, something’s definitely not right about him? What..” and then when it was revealed, I was totally “HOLY CRAP!” Because I did not expect that.
I am telling you right now, if Harbinger dies in one of the Monster Hunter International books, I will immediately stop reading the series.
Epic fights, interesting story, fun characters, and a great narrator all combined to make Monster Hunter International a clear winner. Highly recommend this book!
So, in case that first paragraph wasn’t very clear: I loved Monster Hunter International. I was hooked from the beginning, and happily went along for the whole crazy, monster-killing ride. It was just different enough to keep me interested. Oliver Wyman did a great job with the narration. His regular reading voice is soothing, and his voices are very different from each other. He never made me wince like some readers (ie: the guy who read King’s IT) do.
I’m not a gun nut. Not really. I mean, I don’t currently own one. I don’t see the need for automatic rifles. Blah, blah, blah. I do, however, like to shoot them and I like book and screen violence. Therefore, the sheer amount of shoot-em-ups and physical thumpings that went on in this book made me very happy. Pitt, Holly, and Harbinger (and the plot) were just a happy bonus.
One of the things that surprised me was that Monster Hunter International hit what would normally be a climax and cliffhanger scene with about six hours left to go in the audio. After how intense that particular scene was, I wondered how Correia could go on for six more hours. But, I trusted him, and his ass-kicking game had been strong so far, so I listened on. He managed quite well.
This book hit all the high points for me. The main character (Pitt) wasn’t perfect, wasn’t even sure of himself, didn’t feel like he was God’s gift to women, etc. Julie seemed a bit too perfect, but she didn’t have a lot of screen time, so she was easy to forget about. Holly and Trip were great side-kicks. However, Harbinger was the one that won me over. I spent half the novel going “Okay, something’s definitely not right about him? What..” and then when it was revealed, I was totally “HOLY CRAP!” Because I did not expect that.
I am telling you right now, if Harbinger dies in one of the Monster Hunter International books, I will immediately stop reading the series.
Epic fights, interesting story, fun characters, and a great narrator all combined to make Monster Hunter International a clear winner. Highly recommend this book!
Louise (64 KP) rated The Raven Boys in Books
Jul 2, 2018
This book is quite a big deal in the book community at the moment, it appears everyone is reading it and loving it!.... apart from ME! So I don't hate this book and I don't love it..... it was just MEH! Here's why:
Blue was annoying, she has been told by her mother, aunts and other psychics that her first true love will die when she kisses him, to me the idea of this was like ummmm the mum is just saying this so she doesn't kiss any boys at all.
Throughout the whole book she is sort of starting a relationship with Adam the less privileged of the Raven boys although she has seen Gansey's future which is bleak you can tell she doesn't know who decide to fall in love with and it's just annoying, because she know's they will die if she does, it just gets a bit tedious.
Adam is the less privileged of the Raven boys, he is a local boy studying hard and paying his own way through private school and has a pretty rough time with an abusive father (I am starting to see a trend *rolls eyes*). He appears very genuine, not wanting hand outs and to make something of himself.
Ronan is a boy who has some issues, his father was killed on the doorstep of their house. Since then he is a very angry young man, who wants to vent his anger on his brother and not complete his studies, Ronan definitely grew on me by the end of it and has a softer side to him.
Gansey is the leader of the gang, with money, sophistication and an insatiable desire to find they Ley lines and wake the Raven king. He appears to act much older than his years, but a very mysterious character I don't know why but I can't explain him, his moods seem to change all the time.
The book was very slow to start with it was only the last third that it started getting interesting for me, the twist in the book did have my jaw on the floor......WTF!! that was the best bit.
There are fantasy elements to the book but not heavy. The world building in the book was well done and the character development was very strong. Stiefvater did a good job and her writing is very easy to read.
Do I continue with the series? Does it get better? Please tell me I am not the only one that had these thoughts.
Overall I rated this 3.5 stars out of 5
Blue was annoying, she has been told by her mother, aunts and other psychics that her first true love will die when she kisses him, to me the idea of this was like ummmm the mum is just saying this so she doesn't kiss any boys at all.
Throughout the whole book she is sort of starting a relationship with Adam the less privileged of the Raven boys although she has seen Gansey's future which is bleak you can tell she doesn't know who decide to fall in love with and it's just annoying, because she know's they will die if she does, it just gets a bit tedious.
Adam is the less privileged of the Raven boys, he is a local boy studying hard and paying his own way through private school and has a pretty rough time with an abusive father (I am starting to see a trend *rolls eyes*). He appears very genuine, not wanting hand outs and to make something of himself.
Ronan is a boy who has some issues, his father was killed on the doorstep of their house. Since then he is a very angry young man, who wants to vent his anger on his brother and not complete his studies, Ronan definitely grew on me by the end of it and has a softer side to him.
Gansey is the leader of the gang, with money, sophistication and an insatiable desire to find they Ley lines and wake the Raven king. He appears to act much older than his years, but a very mysterious character I don't know why but I can't explain him, his moods seem to change all the time.
The book was very slow to start with it was only the last third that it started getting interesting for me, the twist in the book did have my jaw on the floor......WTF!! that was the best bit.
There are fantasy elements to the book but not heavy. The world building in the book was well done and the character development was very strong. Stiefvater did a good job and her writing is very easy to read.
Do I continue with the series? Does it get better? Please tell me I am not the only one that had these thoughts.
Overall I rated this 3.5 stars out of 5
Ivana A. | Diary of Difference (1171 KP) rated The Night Raid in Books
Aug 21, 2018
| <a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>; |
If you are a fan of drama, history, romance, World War II related books, heartwarming read and words that will make you laugh and cry at the same time - The Night Raid from Clare Harvey is the perfect book for you.
In the time of the World War II, in a factory in England, women work their way to earn a bit of money for themselves and their families. All of these women have their own stories and their own secrets.
When a woman comes to the factory to paint the ladies working the night shift, a lot of secrets will reveal itself. The stories of love, broken hearts, never-haves, hopes and dreams for the future will be painted on that canvas.
Full with passion, mystery, warmness and moments that will stay with you forever, Clare Harvey captures all of these and more in this amazing book.
She describes the characters in a unique way, she gives them life and meaning, and in a page or two you will already be inside their world, going through their happiness and pain.
This book was quite fast paced - in the meaning of, the story goes on smoothly, and there aren’t any sideway streets where you can get lost into. It was easy to keep track of what is happening from the very first beginning and easy to stay on track as well.
Clare managed to capture the World War II period in England quite well. I would never know how it was then, of course, but by reading the book, I could find myself being there, stuck in that time, stuck with those principles that we don’t believe in now. Stuck in a time where people believed that if a woman becomes pregnant during her working time, she has to either give up the baby, or live in a house full of other women that ended up the same way as her. Stuck in a time where gender equality is not a thing, and how could it be?
I would definitely recommend this book to every one of you, because it is a perfect blend of history and romance, of sadness and happiness, and of such powerful women that fought against all odds to survive and achieve in what they believed in!
If you are a fan of drama, history, romance, World War II related books, heartwarming read and words that will make you laugh and cry at the same time - The Night Raid from Clare Harvey is the perfect book for you.
In the time of the World War II, in a factory in England, women work their way to earn a bit of money for themselves and their families. All of these women have their own stories and their own secrets.
When a woman comes to the factory to paint the ladies working the night shift, a lot of secrets will reveal itself. The stories of love, broken hearts, never-haves, hopes and dreams for the future will be painted on that canvas.
Full with passion, mystery, warmness and moments that will stay with you forever, Clare Harvey captures all of these and more in this amazing book.
She describes the characters in a unique way, she gives them life and meaning, and in a page or two you will already be inside their world, going through their happiness and pain.
This book was quite fast paced - in the meaning of, the story goes on smoothly, and there aren’t any sideway streets where you can get lost into. It was easy to keep track of what is happening from the very first beginning and easy to stay on track as well.
Clare managed to capture the World War II period in England quite well. I would never know how it was then, of course, but by reading the book, I could find myself being there, stuck in that time, stuck with those principles that we don’t believe in now. Stuck in a time where people believed that if a woman becomes pregnant during her working time, she has to either give up the baby, or live in a house full of other women that ended up the same way as her. Stuck in a time where gender equality is not a thing, and how could it be?
I would definitely recommend this book to every one of you, because it is a perfect blend of history and romance, of sadness and happiness, and of such powerful women that fought against all odds to survive and achieve in what they believed in!
Merissa (13952 KP) rated Hall Pass For Life in Books
Oct 16, 2018
Hall Pass For Life by Dorothea Lynne
Hall Pass for Life is the first book by Dorothea Lynne I have read. This is a contemporary romance with dark theme - a young woman trapped in a loveless marriage to an older man. Although he is happy to have multiple affairs during their marriage, he is insistent upon controlling every aspect of her. This doesn't stop him from arranging for a week's getaway for her with a younger man so he can have his mistress in their home.
Thea has turned forty and has no idea where her life is going. Her husband, Malcolm, won't allow her to work, constantly criticises her, and yet isn't prepared to divorce her just yet - even though is far too old for his tastes. Liam is a singer and is 25 years old. He isn't sure what to make of the arrangement, but for the amount of money being given to a charity, he will be friendly for the week.
Both Thea and Liam get more than they bargain for, and will fight for their lives together, no matter what Malcolm throws at them.
I loved the premise of this story, although I don't particularly like first person, present tense, which is how this book is written. I found it to be quite confusing over who was speaking in places, and had to read further down to see who responded to figure it out. Personally speaking, I also found the constant nicknames and terms of endearments to be quite monotonous. Yes, it is cute occasionally, but to use them in 85% of the sentences... The only reason I can think of for the constant use was to help the reader know who was talking, which didn't work when they weren't used.
The story itself moved along at a fair pace, albeit a bit jerky in places. Some of the words and actions of various characters didn't seem quite 'real', as though the timing was off slightly. I think this is a standalone book, although the ending has possibly been left open for a follow up.
Anyway, for me, this book didn't quite hit the mark, although it was still a good story. I am absolutely positive that others will love this book, and devour every word. It just didn't work on all levels for me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Thea has turned forty and has no idea where her life is going. Her husband, Malcolm, won't allow her to work, constantly criticises her, and yet isn't prepared to divorce her just yet - even though is far too old for his tastes. Liam is a singer and is 25 years old. He isn't sure what to make of the arrangement, but for the amount of money being given to a charity, he will be friendly for the week.
Both Thea and Liam get more than they bargain for, and will fight for their lives together, no matter what Malcolm throws at them.
I loved the premise of this story, although I don't particularly like first person, present tense, which is how this book is written. I found it to be quite confusing over who was speaking in places, and had to read further down to see who responded to figure it out. Personally speaking, I also found the constant nicknames and terms of endearments to be quite monotonous. Yes, it is cute occasionally, but to use them in 85% of the sentences... The only reason I can think of for the constant use was to help the reader know who was talking, which didn't work when they weren't used.
The story itself moved along at a fair pace, albeit a bit jerky in places. Some of the words and actions of various characters didn't seem quite 'real', as though the timing was off slightly. I think this is a standalone book, although the ending has possibly been left open for a follow up.
Anyway, for me, this book didn't quite hit the mark, although it was still a good story. I am absolutely positive that others will love this book, and devour every word. It just didn't work on all levels for me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Gareth von Kallenbach (980 KP) rated Office Christmas Party (2016) in Movies
Jun 19, 2019
Josh Parker (Jason Bateman) is a man with many things on his mind. He has just finalized a divorce which has cost him his house, tons of money, and his confidence. Known for bunting instead of swinging away, Josh heads to his office to move on with his life as Christmas approaches.
His lead programmer Tracey (Olivia Munn) constantly reminds him of his playing it safe mentality to the point where she fed up with him and his ways.
Thankfully for Josh his boss Clay (T.J. Miller), values him and even though he is a goof who happened to be given the office by his late father who started the company, things are looking up.
That is until Interim CEO Carol (Jennifer Aniston) arrives and makes no effort to hide her disdain for her brother Clay, nor the company not meeting her expectations.
Carol quickly tells Josh and Clay that they will have to downsize if they want to stay open and in a very unpopular move, eliminates bonuses and the office Christmas Party.
Since the movie is called “Office Christmas Party”, you know that Carol’s request will fall on deaf ears as Clay convinces his sister that they are about to close a major client (Courtney B. Vance), and as such will have the deal set before she lands in London later that evening.
With nothing to go on aside from desperation, Clay puts the lovable but highly eccentric office into overdrive to create a party unlike any other so they can land the contract needed to stay in business.
When the party arrives one series of epic misadventures and mishaps after another arises which threatens to sink the company and everyone involved once and for all.
The film follows a fairly linear and somewhat predictable path but the strong cast does a great job and Kate McKinnon as the ultra-weird H.R. lead steals several of the scenes in which she is in. Bateman plays pretty much the same character that he has played in most of his recent work as the everyman that tries to make the best of the bad situation and Miller is pretty much recycling the same character he plays on Silicon Valley. That being said, there are plenty of laughs if you do not mind the very bawdy humor and Directors Josh Gordon and Will Speck keep things moving at a steady pace with laughs throughout the film.
While it is likely not going to be a holiday classic, “Office Christmas Party”, is a very fun and enjoyable diversion.
http://sknr.net/2016/12/09/office-christmas-party/
His lead programmer Tracey (Olivia Munn) constantly reminds him of his playing it safe mentality to the point where she fed up with him and his ways.
Thankfully for Josh his boss Clay (T.J. Miller), values him and even though he is a goof who happened to be given the office by his late father who started the company, things are looking up.
That is until Interim CEO Carol (Jennifer Aniston) arrives and makes no effort to hide her disdain for her brother Clay, nor the company not meeting her expectations.
Carol quickly tells Josh and Clay that they will have to downsize if they want to stay open and in a very unpopular move, eliminates bonuses and the office Christmas Party.
Since the movie is called “Office Christmas Party”, you know that Carol’s request will fall on deaf ears as Clay convinces his sister that they are about to close a major client (Courtney B. Vance), and as such will have the deal set before she lands in London later that evening.
With nothing to go on aside from desperation, Clay puts the lovable but highly eccentric office into overdrive to create a party unlike any other so they can land the contract needed to stay in business.
When the party arrives one series of epic misadventures and mishaps after another arises which threatens to sink the company and everyone involved once and for all.
The film follows a fairly linear and somewhat predictable path but the strong cast does a great job and Kate McKinnon as the ultra-weird H.R. lead steals several of the scenes in which she is in. Bateman plays pretty much the same character that he has played in most of his recent work as the everyman that tries to make the best of the bad situation and Miller is pretty much recycling the same character he plays on Silicon Valley. That being said, there are plenty of laughs if you do not mind the very bawdy humor and Directors Josh Gordon and Will Speck keep things moving at a steady pace with laughs throughout the film.
While it is likely not going to be a holiday classic, “Office Christmas Party”, is a very fun and enjoyable diversion.
http://sknr.net/2016/12/09/office-christmas-party/