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BankofMarquis (1832 KP) rated Hellboy (2019) in Movies
Apr 14, 2019
Oh...hell, no!
HELLBOY?!? HELL NO!
I would imagine that about 90% of my readership just got what they needed out of my review with that first line and have moved on. For the rest of you, I will now explain why this reboot of HELLBOY is now the "leader in the clubhouse" for worst picture of 2019.
I was pleasantly surprised by the 2004 Guillermo del Toro helmed and written HELLBOY and was even more surprised by how good the del Toro written and helmed HELLBOY II: THE GOLD ARMY (2008) was. I think that this was because there was a driving force - and vision - from a true auteur and was a perfect combination of material and artistic staff - including Ron Perlman in the title role.
This version of HELLBOY has none of that. No vision, no driving force and a "B" performance by David Harbour in the title role. It feels like what it is - a cash grab. I blame the studio who produced this film - Summit Entertainment - for "going on the cheap" on this one.
First off, they tapped a "B Movie" Director, Neil Marshall to Direct this thing. He is known for such artistic successes as DOOMSDAY and THE DESCENT - horror flicks that were heavy on gore, short on characters and plot - and that is what he brought to this film. Why worry about characters, plot or any kind of engaging features (including Special FX) when you can show, yet again, a body getting torn apart and blood spurting all over the screen.
The studio also skimped on the performers. Instead of Perlman, Selma Blair, John Hurt and Doug Jones you get David Harbour, Daniel Dae Kim, Mila Jovovich and a sleep-walking, just give me my paycheck, Ian McShane. It's like watching the "road company" of a Broadway show. While the actors are game (with the notable exception of McShane), they are "B picture" actors, much like the Director.
And...much like the special FX. I knew, going in, that the early word on this film was not good, but that never stops me. I like to make up my own mind, so I thought I'd "pony up" for the IMAX experience to, at least, see the CGI and FX on as large a screen with as good a sound system as possible. I shouldn't have bothered, for the CGI and FX were mediocre (at best) and all the big screen and sound did was emphasize how low quality the CGI was.
And...finally...the pacing of this film is problematic, at best. This is certainly a film that was written and edited within an inch of it's life for the "short attention span" audience of today. The prevailing theory was "why linger on a plot or a character or a moment when we can quick cut to another body getting pulled in two and watch a plume of blood spurt out in a giant arc)."
There are 2 scenes in the end credits to set up the next film(s) in this series. Films that I seriously doubt will be made. If they are, I hope they pump some more money into the budget and get a creative team with some artistic vision.
A swing and a miss.
Letter Grade: C (and I'm being generous)
4 stars (out of 10) and you can take that to the Bank(ofMarquis)
I would imagine that about 90% of my readership just got what they needed out of my review with that first line and have moved on. For the rest of you, I will now explain why this reboot of HELLBOY is now the "leader in the clubhouse" for worst picture of 2019.
I was pleasantly surprised by the 2004 Guillermo del Toro helmed and written HELLBOY and was even more surprised by how good the del Toro written and helmed HELLBOY II: THE GOLD ARMY (2008) was. I think that this was because there was a driving force - and vision - from a true auteur and was a perfect combination of material and artistic staff - including Ron Perlman in the title role.
This version of HELLBOY has none of that. No vision, no driving force and a "B" performance by David Harbour in the title role. It feels like what it is - a cash grab. I blame the studio who produced this film - Summit Entertainment - for "going on the cheap" on this one.
First off, they tapped a "B Movie" Director, Neil Marshall to Direct this thing. He is known for such artistic successes as DOOMSDAY and THE DESCENT - horror flicks that were heavy on gore, short on characters and plot - and that is what he brought to this film. Why worry about characters, plot or any kind of engaging features (including Special FX) when you can show, yet again, a body getting torn apart and blood spurting all over the screen.
The studio also skimped on the performers. Instead of Perlman, Selma Blair, John Hurt and Doug Jones you get David Harbour, Daniel Dae Kim, Mila Jovovich and a sleep-walking, just give me my paycheck, Ian McShane. It's like watching the "road company" of a Broadway show. While the actors are game (with the notable exception of McShane), they are "B picture" actors, much like the Director.
And...much like the special FX. I knew, going in, that the early word on this film was not good, but that never stops me. I like to make up my own mind, so I thought I'd "pony up" for the IMAX experience to, at least, see the CGI and FX on as large a screen with as good a sound system as possible. I shouldn't have bothered, for the CGI and FX were mediocre (at best) and all the big screen and sound did was emphasize how low quality the CGI was.
And...finally...the pacing of this film is problematic, at best. This is certainly a film that was written and edited within an inch of it's life for the "short attention span" audience of today. The prevailing theory was "why linger on a plot or a character or a moment when we can quick cut to another body getting pulled in two and watch a plume of blood spurt out in a giant arc)."
There are 2 scenes in the end credits to set up the next film(s) in this series. Films that I seriously doubt will be made. If they are, I hope they pump some more money into the budget and get a creative team with some artistic vision.
A swing and a miss.
Letter Grade: C (and I'm being generous)
4 stars (out of 10) and you can take that to the Bank(ofMarquis)
Movie Metropolis (309 KP) rated The Hunger Games: Mockingjay - Part 2 (2015) in Movies
Jun 10, 2019
An emotional goodbye
Over the last three years, The Hunger Games franchise has thrilled and delighted fans and newcomers to the series with its mix of wonderful special effects, a great cast and intriguing plots.
With the second instalment, Catching Fire, proving to be the best in the series, expectations for the finale, Mockingjay Part 2 were incredibly high. But is this the end we all wanted, and more importantly deserved?
Mockingjay Part 2 picks up immediately after the events of Part 1, as Jennifer Lawrence’s Katniss Everdeen recovers from a vicious attack by her friend and on-off lover Peeta, played by Josh Hutcherson in a troubled and career-best performance.
With Katniss becoming a symbol of hope in a time of dictatorship, Lawrence marches with her friends and allies to storm the Capitol and overthrow the tyrannical President Snow, a deliciously evil Donald Sutherland.
The catch? Snow and previous Game makers have booby-trapped the Capitol with a range of sadistic tests trying to stop the rebellion in its tracks.
The Hunger Games has become renowned for a fantastic supporting cast that includes talent like Elizabeth Banks, Woody Harrelson, Stanley Tucci, the late Philip Seymour Hoffman and Julianne Moore, with the latter being particularly memorable.
Unfortunately, as is often the case with large Young Adult franchises, these fantastic actors are lost somewhat as director Francis Lawrence tries to tie up all loose ends with the main teens; Jennifer Lawrence, Josh Hutcherson and Liam Hemsworth.
The aforementioned three have been part of a love triangle so convoluted it’s difficult to remember who is in love with who, but thankfully this takes a back seat to the action, though each of the three brings enough acting credibility to make the more romantic elements bearable.
Moreover, Mockingjay Part 2 pushes the boundaries of the much-maligned 12A certificate. This is by far the most harrowing and bleak of the four films and none of its predecessors were exactly a ray of sunshine. The characters are pushed to breaking point as the realisation of the Capitol’s evil fully sinks in and the inevitable loss of life is both thrilling and utterly devastating.
The special effects have been rightly ramped up for this final instalment with District 13 and the Capitol looking truly stunning. Each of the action sequences is filmed with such confidence and this shows off the exceptional sets much better than the handy cam that plagued the first film.
Unfortunately, the need to fill a movie nearly 140 minutes in length has led to a tone that occasionally jars and drags a little too frequently. This was a problem with Part 2’s predecessor and whilst the idea to split the final book into two films works better here, the balance is still not quite right and still reeks of money-making.
However, each of the action sequences are edge of the seat stuff with an underground sewer providing the film’s most pulse-racing and dramatic scenes. There’s a whiff of Ridley Scott’s Alien in Francis Lawrence’s direction throughout this extended set piece.
Overall, The Hunger Games series has ended on a high. From its beautiful cinematography to an exceptional main and supporting cast, director Francis Lawrence, who has been with the series since Catching Fire, has managed to craft a harrowing end to a group of films whose influence will be felt for many years to come.
https://moviemetropolis.net/2015/11/22/an-emotional-goodbye-the-hunger-games-mockingjay-part-2-review/
With the second instalment, Catching Fire, proving to be the best in the series, expectations for the finale, Mockingjay Part 2 were incredibly high. But is this the end we all wanted, and more importantly deserved?
Mockingjay Part 2 picks up immediately after the events of Part 1, as Jennifer Lawrence’s Katniss Everdeen recovers from a vicious attack by her friend and on-off lover Peeta, played by Josh Hutcherson in a troubled and career-best performance.
With Katniss becoming a symbol of hope in a time of dictatorship, Lawrence marches with her friends and allies to storm the Capitol and overthrow the tyrannical President Snow, a deliciously evil Donald Sutherland.
The catch? Snow and previous Game makers have booby-trapped the Capitol with a range of sadistic tests trying to stop the rebellion in its tracks.
The Hunger Games has become renowned for a fantastic supporting cast that includes talent like Elizabeth Banks, Woody Harrelson, Stanley Tucci, the late Philip Seymour Hoffman and Julianne Moore, with the latter being particularly memorable.
Unfortunately, as is often the case with large Young Adult franchises, these fantastic actors are lost somewhat as director Francis Lawrence tries to tie up all loose ends with the main teens; Jennifer Lawrence, Josh Hutcherson and Liam Hemsworth.
The aforementioned three have been part of a love triangle so convoluted it’s difficult to remember who is in love with who, but thankfully this takes a back seat to the action, though each of the three brings enough acting credibility to make the more romantic elements bearable.
Moreover, Mockingjay Part 2 pushes the boundaries of the much-maligned 12A certificate. This is by far the most harrowing and bleak of the four films and none of its predecessors were exactly a ray of sunshine. The characters are pushed to breaking point as the realisation of the Capitol’s evil fully sinks in and the inevitable loss of life is both thrilling and utterly devastating.
The special effects have been rightly ramped up for this final instalment with District 13 and the Capitol looking truly stunning. Each of the action sequences is filmed with such confidence and this shows off the exceptional sets much better than the handy cam that plagued the first film.
Unfortunately, the need to fill a movie nearly 140 minutes in length has led to a tone that occasionally jars and drags a little too frequently. This was a problem with Part 2’s predecessor and whilst the idea to split the final book into two films works better here, the balance is still not quite right and still reeks of money-making.
However, each of the action sequences are edge of the seat stuff with an underground sewer providing the film’s most pulse-racing and dramatic scenes. There’s a whiff of Ridley Scott’s Alien in Francis Lawrence’s direction throughout this extended set piece.
Overall, The Hunger Games series has ended on a high. From its beautiful cinematography to an exceptional main and supporting cast, director Francis Lawrence, who has been with the series since Catching Fire, has managed to craft a harrowing end to a group of films whose influence will be felt for many years to come.
https://moviemetropolis.net/2015/11/22/an-emotional-goodbye-the-hunger-games-mockingjay-part-2-review/
Lilyn G - Sci-Fi & Scary (91 KP) rated Battleship (2012) in Movies
Feb 7, 2018
Pure cheesy, gooey fun
Battleship is a guilty pleasure of mine. It’s pure cheesy fun. It’s got a great cast of actors who over-act their butts off in it. Pretty much everything in the movie is delightfully overdone. It might not be the most intellectually stimulating film, but if you need an excuse for popcorn and beer it’s perfect. It has a bit of a Starship Troopers feel to it, what with the bad dialogue and the aliens that look like bugs. Hell, it’s even got the token slightly odd-looking red-headed guy being a mouth-off.
It’s pretty much the perfect B-movie, except we got lucky this time and had decent actors and enough money for good special effects. I loved watching the alien ships moving around and getting ready to fire at things. I’m always able to get completely into the film and nothing about the CGI throws me off at all. The dialogue might be horrible, but the action is perfectly paced. It takes me about 40 minutes longer than the movie actually is to finish watching it. Simply because I go back and re-wind and re-watch my favorite parts constantly. And yes, it does have some proper battleship game scenes that will make you grin with nostalgia if you used to love the game.
Liam Neeson’s role isn’t much, but he gives the appropriate note of seriousness to the film. He really just has a bit role though. Alexander Skarsgård does a good job as Stone Hopper (and what kind of name is that?!). He’s the serious older brother, and the true hero that does everything he can. Rhianna didn’t exactly do a bang up job, but she sold her emotions rather well at a few key parts. Taylor Kitsch certainly does a great job as coming across as an immature punk who needs some sense knocked into him.
It’s interesting to note, whatever your reasoning for it might be, that the aliens don’t really seem to be overly destructive in Battleship. Everything they do seems very tactical and deliberate. They have the firepower to lay waste to everything, but they seem to be more able disabling and containment. At one point, when one of the destroyers put away its weapons, the alien ship lowers its weapons too. People die, but not nearly as many as you would expect. Given other events in the movie, I feel like they were trying to take over with as little damage as possible. Maybe they needed humans for slave labor?
Cool Tidbits: The wounded warriors you see in the rehabilitation center scene in Battleship? Actual wounded warriors. The old vets referenced in regards to the USS Missouri are vets that served on that ship. And Mick – who is completely awesome – is also played by a vet. Props to the producers of this movie for making sure to include so many veterans in it. I totally cheered near the end of the movie when all the veterans do the slow hero walk and it’s clear they’re ready to help.
Overall, Battleship is just a fun popcorn movie that doesn’t deserve the razzing it gets. As long as you don’t go into it expecting something highly intellectual or some ground-breaking work, you’ll enjoy yourself.
It’s pretty much the perfect B-movie, except we got lucky this time and had decent actors and enough money for good special effects. I loved watching the alien ships moving around and getting ready to fire at things. I’m always able to get completely into the film and nothing about the CGI throws me off at all. The dialogue might be horrible, but the action is perfectly paced. It takes me about 40 minutes longer than the movie actually is to finish watching it. Simply because I go back and re-wind and re-watch my favorite parts constantly. And yes, it does have some proper battleship game scenes that will make you grin with nostalgia if you used to love the game.
Liam Neeson’s role isn’t much, but he gives the appropriate note of seriousness to the film. He really just has a bit role though. Alexander Skarsgård does a good job as Stone Hopper (and what kind of name is that?!). He’s the serious older brother, and the true hero that does everything he can. Rhianna didn’t exactly do a bang up job, but she sold her emotions rather well at a few key parts. Taylor Kitsch certainly does a great job as coming across as an immature punk who needs some sense knocked into him.
It’s interesting to note, whatever your reasoning for it might be, that the aliens don’t really seem to be overly destructive in Battleship. Everything they do seems very tactical and deliberate. They have the firepower to lay waste to everything, but they seem to be more able disabling and containment. At one point, when one of the destroyers put away its weapons, the alien ship lowers its weapons too. People die, but not nearly as many as you would expect. Given other events in the movie, I feel like they were trying to take over with as little damage as possible. Maybe they needed humans for slave labor?
Cool Tidbits: The wounded warriors you see in the rehabilitation center scene in Battleship? Actual wounded warriors. The old vets referenced in regards to the USS Missouri are vets that served on that ship. And Mick – who is completely awesome – is also played by a vet. Props to the producers of this movie for making sure to include so many veterans in it. I totally cheered near the end of the movie when all the veterans do the slow hero walk and it’s clear they’re ready to help.
Overall, Battleship is just a fun popcorn movie that doesn’t deserve the razzing it gets. As long as you don’t go into it expecting something highly intellectual or some ground-breaking work, you’ll enjoy yourself.
BankofMarquis (1832 KP) rated Hereditary (2018) in Movies
Jun 28, 2018
Laughable
For me, the hardest genre of film to get right is horror. In short order the filmmaker needs to set up the premise and "rules of engagement" of the world that is being presented and then execute incredulous situations and predicaments in such a way that are plausible and tense.
Only a small amount (let's say 10% to be generous) gets this balance right. 80% of the time, they fall short and either the film is boring or (more often) turns into a "gore-fest". And...in the bottom 10% are the films where they miss so spectacularly that you are entertained by how ridiculous and over-the-top things are.
Such is the case with Ari Aster's HEREDITARY, a film that was billed as a "tense, thriller with unthinkable family tragedy that veers into the realm of the Supernatural".
I would bill it as "stupid".
Starring the usually reliable Toni Collette as Annie, a miniature-model artist (people in these types of films usually have occupations that make no sense) who's relationship with her mother is strained - at best. She is married to Steve (Gabriel Byrne - far removed from his USUAL SUSPECTS days), and has 2 children, Peter (Alex Wolff) and Charlie (Milly Shapiro). They had another child who has passed away. When Annie's mother dies, Annie starts to discover disturbing secrets about her mother and her family's heritage.
I won't say more - for I would spoil things - but the film starts promisingly enough - and there's an unexpected, tragic death that I thought was handled interestingly enough and I had positive hopes for the rest of the film - but the scenarios and escalating events of this film build on each other from there, one more ridiculous than the other. I kept wanting to scream to the screen - "call the authorities", which would have ended things right there, but this being a film, no one ever does.
As I stated, Toni Collette is, usually, a sign of quality in a movie...but not here. She (and Byrne) are listed as Executive Producers of this film (which means, I think, they gave up parts of their salaries for % points in this film - good luck getting any money out of that). Her Annie is melodramatic and over-the-top - and CRAZY - almost from the start, so when she starts getting REALLY melodramatic and C-R-A-Z-Y, it is laughable. Gabriel Byrne walks through this film looking like he is wondering where the Craft Services truck is, giving a "minimalist" performance (read: he mailed it in). And the two kids are haunting...in their blankness and blandness.
But...it is the ever increasing bizarre events that had me howling with laughter in my seat (as opposed to squirming in terror). I would spoil things if I mentioned them, but I didn't buy any of it. Writer/Director Aster just kept throwing one event even more "weird" and bizarre than preceding one. I actually said to my buddy sitting next to me at one point, "who is that old, fat, naked guy, and where did he come from"?
I think that says it all.
I'm sure there was probably a good movie in here someplace, this wasn't it.
Letter Grade: C (for the opening 1/2 hour or so and the "unexpected death" that was executed well).
4 stars (out of 10) and you can take it - or leave it - to the Bank(ofMarquis)
Only a small amount (let's say 10% to be generous) gets this balance right. 80% of the time, they fall short and either the film is boring or (more often) turns into a "gore-fest". And...in the bottom 10% are the films where they miss so spectacularly that you are entertained by how ridiculous and over-the-top things are.
Such is the case with Ari Aster's HEREDITARY, a film that was billed as a "tense, thriller with unthinkable family tragedy that veers into the realm of the Supernatural".
I would bill it as "stupid".
Starring the usually reliable Toni Collette as Annie, a miniature-model artist (people in these types of films usually have occupations that make no sense) who's relationship with her mother is strained - at best. She is married to Steve (Gabriel Byrne - far removed from his USUAL SUSPECTS days), and has 2 children, Peter (Alex Wolff) and Charlie (Milly Shapiro). They had another child who has passed away. When Annie's mother dies, Annie starts to discover disturbing secrets about her mother and her family's heritage.
I won't say more - for I would spoil things - but the film starts promisingly enough - and there's an unexpected, tragic death that I thought was handled interestingly enough and I had positive hopes for the rest of the film - but the scenarios and escalating events of this film build on each other from there, one more ridiculous than the other. I kept wanting to scream to the screen - "call the authorities", which would have ended things right there, but this being a film, no one ever does.
As I stated, Toni Collette is, usually, a sign of quality in a movie...but not here. She (and Byrne) are listed as Executive Producers of this film (which means, I think, they gave up parts of their salaries for % points in this film - good luck getting any money out of that). Her Annie is melodramatic and over-the-top - and CRAZY - almost from the start, so when she starts getting REALLY melodramatic and C-R-A-Z-Y, it is laughable. Gabriel Byrne walks through this film looking like he is wondering where the Craft Services truck is, giving a "minimalist" performance (read: he mailed it in). And the two kids are haunting...in their blankness and blandness.
But...it is the ever increasing bizarre events that had me howling with laughter in my seat (as opposed to squirming in terror). I would spoil things if I mentioned them, but I didn't buy any of it. Writer/Director Aster just kept throwing one event even more "weird" and bizarre than preceding one. I actually said to my buddy sitting next to me at one point, "who is that old, fat, naked guy, and where did he come from"?
I think that says it all.
I'm sure there was probably a good movie in here someplace, this wasn't it.
Letter Grade: C (for the opening 1/2 hour or so and the "unexpected death" that was executed well).
4 stars (out of 10) and you can take it - or leave it - to the Bank(ofMarquis)
Gareth von Kallenbach (980 KP) rated Titanfall - Expedition in Video Games
Jun 19, 2019
Fans of Titanfall can celebrate the release of three new maps in the brand-new Titanfall Expedition DLC. The collection retails for $9.99 but is available for $24.99 for those who wish to save some money and purchase all three of the planned content packs ahead of time at a reduced price.
While the collection does not offer anything new in terms of gameplay modes, weaponry, or significant upgrades, what it does offer is three new highly enjoyable and highly detailed maps which can be played in both attrition and variety pack modes.
Attrition is the classic Team Death Match where essentially if it moves, shoot it, while the variety pack is like having the game on iTunes shuffle as you could be playing Capture the Flag one moment and attrition the next.
Swamplands is the first pack that I played and this is an interesting mix of combat in the Temple as well as within a swamp as the name would suggest. With plenty of roots, trees, and various to hide it could be a sniper’s delight but for those stealthy enough to take advantage the cloaking abilities you can point your opponents and rack up some impressive streaks. I found that alternating between my Wingman side arm and machine gun work very well and I was not against using some up-close melee combat to finish enemies off.
For me setting my Titan in auto mode was the best option due to some tricky terrain that time could create bottlenecks and leave your Titan a sitting duck.
Wagames takes the best of Titanfall’s industrial maps and combines them into a combat simulator complete with holographic displays and environments. There were some Tron-esque elements to the landscaping and I love the elevated platforms it allowed me to take out enemies arriving via dropship below and pouncing down upon them and enemy Titans that passed by. With a nice mix of street combat as well as rooftop and building interiors this is ideal for run and gun gameplay enthusiasts such as myself.
Runoff is the final map and the least unique of the new offerings. That being said it is extremely well designed in that the feature of the map is that it is best suited for gamers who were on the move. Set in a water filtration plant, everything from Walks and towers, to ditches and drains make up this environment and the ability to leap from one environment into the water is very enjoyable.
There is a nice mix between close quarter and ranged combat and having a nice variety in your combat areas does allow for a welcome change of pace.
While none of the new maps are certain to be items that push you over the top if you’re already on the fence about purchasing the game, remember you are essentially paying $3.33 per map, less if you purchase a season pass. So in summary, while it is not necessary to have it certainly adds to the enjoyment level of the game in that you get three new diverse and enjoyable environments in which to test your skills at a very affordable price which makes it very easy for me to recommend.
The collection is available for the PC, Xbox One, and Xbox 360 versions of the game.
http://sknr.net/2014/06/02/titanfal-expedition/
While the collection does not offer anything new in terms of gameplay modes, weaponry, or significant upgrades, what it does offer is three new highly enjoyable and highly detailed maps which can be played in both attrition and variety pack modes.
Attrition is the classic Team Death Match where essentially if it moves, shoot it, while the variety pack is like having the game on iTunes shuffle as you could be playing Capture the Flag one moment and attrition the next.
Swamplands is the first pack that I played and this is an interesting mix of combat in the Temple as well as within a swamp as the name would suggest. With plenty of roots, trees, and various to hide it could be a sniper’s delight but for those stealthy enough to take advantage the cloaking abilities you can point your opponents and rack up some impressive streaks. I found that alternating between my Wingman side arm and machine gun work very well and I was not against using some up-close melee combat to finish enemies off.
For me setting my Titan in auto mode was the best option due to some tricky terrain that time could create bottlenecks and leave your Titan a sitting duck.
Wagames takes the best of Titanfall’s industrial maps and combines them into a combat simulator complete with holographic displays and environments. There were some Tron-esque elements to the landscaping and I love the elevated platforms it allowed me to take out enemies arriving via dropship below and pouncing down upon them and enemy Titans that passed by. With a nice mix of street combat as well as rooftop and building interiors this is ideal for run and gun gameplay enthusiasts such as myself.
Runoff is the final map and the least unique of the new offerings. That being said it is extremely well designed in that the feature of the map is that it is best suited for gamers who were on the move. Set in a water filtration plant, everything from Walks and towers, to ditches and drains make up this environment and the ability to leap from one environment into the water is very enjoyable.
There is a nice mix between close quarter and ranged combat and having a nice variety in your combat areas does allow for a welcome change of pace.
While none of the new maps are certain to be items that push you over the top if you’re already on the fence about purchasing the game, remember you are essentially paying $3.33 per map, less if you purchase a season pass. So in summary, while it is not necessary to have it certainly adds to the enjoyment level of the game in that you get three new diverse and enjoyable environments in which to test your skills at a very affordable price which makes it very easy for me to recommend.
The collection is available for the PC, Xbox One, and Xbox 360 versions of the game.
http://sknr.net/2014/06/02/titanfal-expedition/
Gareth von Kallenbach (980 KP) rated Avengers: Infinity War (2018) in Movies
Jun 19, 2019
Summer movies often hype themselves as spectacular events not to be missed and their ad campaigns use words like “epic”, “spectacle”, and “smash” as ways to build the hype to increase advanced box office sales.
The summer 2018 film season kicks off in a big way with “Avengers: Infinity War” and it is the rare summer film that exceeds is lofty expectations and delivers a crowning achievement for the Marvel Cinematic Universe.
When Thanos (Josh Brolin), embarks on a deadly campaign to find and possess the Infinity Stones, he leaves a path of death and destruction in his path. When his pursuit leading him to Earth, Bruce Banner (Mark Ruffalo), and Doctor Strange (Benedict Cumberbatch), who enlist a reluctant Tony Stark (Robert Downey Jr.), to the cause just as the minions of Thanos arrive.
With The Avengers fractured and scattered following the events of “Captain America: Civil War” the teams find themselves dealing with the threat in various groups as fate steps in to divide many key members of the team. This allows for a great entry by the Guardians of the Galaxy and allows the film to take a very enjoyable path. Essentially the movie weaves separate storylines into one cohesive and very satisfying epic. You have a story with the Guardians as well as one with many of the key Avengers, as well as others with characters old and new. As such it is like a Guardians, Avengers, and Marvel film all rolled into one and each one supports the other very well yet has the charm and identity you would expect. While the tone is very dark as you would expect with literally half of the known universe facing destruction, there is also some solid humor in the film that never once undermines the story or pacing.
Naturally the effects are stunning as you would expect as Marvel has put a significant amount of money into the film and it shows in every eye-popping action sequence.
What really impressed me the most was that the Russo Brothers never let the FX of the film overshadow the characters and with a very large cast, it was nice to see everyone got their moment and you did not see members of the cast trying to one up each other.
There are some real surprise moments along the way and the action is easily the best of any Marvel film to date. Many fans had expressed disappointment with “Avengers: Age of Ultron” for me this film is significantly better than the prior film and is everything that a Marvel fan would want in a film.
I was also surprised by how well Thanos was portrayed as while you hopefully will not agree with his deductions and methods; you could actually understand his motivations and it help him transcend from the usual megalomaniacs which are so common in films of his type. I am really looking forward to seeing what comes next and make sure you stay through the credits for a bonus scene.
Believe the hype, “Avengers: Infinity War” is an epic not to be missed and is an example of what a summer event film should be.
http://sknr.net/2018/04/24/avengers-infinity-war/
The summer 2018 film season kicks off in a big way with “Avengers: Infinity War” and it is the rare summer film that exceeds is lofty expectations and delivers a crowning achievement for the Marvel Cinematic Universe.
When Thanos (Josh Brolin), embarks on a deadly campaign to find and possess the Infinity Stones, he leaves a path of death and destruction in his path. When his pursuit leading him to Earth, Bruce Banner (Mark Ruffalo), and Doctor Strange (Benedict Cumberbatch), who enlist a reluctant Tony Stark (Robert Downey Jr.), to the cause just as the minions of Thanos arrive.
With The Avengers fractured and scattered following the events of “Captain America: Civil War” the teams find themselves dealing with the threat in various groups as fate steps in to divide many key members of the team. This allows for a great entry by the Guardians of the Galaxy and allows the film to take a very enjoyable path. Essentially the movie weaves separate storylines into one cohesive and very satisfying epic. You have a story with the Guardians as well as one with many of the key Avengers, as well as others with characters old and new. As such it is like a Guardians, Avengers, and Marvel film all rolled into one and each one supports the other very well yet has the charm and identity you would expect. While the tone is very dark as you would expect with literally half of the known universe facing destruction, there is also some solid humor in the film that never once undermines the story or pacing.
Naturally the effects are stunning as you would expect as Marvel has put a significant amount of money into the film and it shows in every eye-popping action sequence.
What really impressed me the most was that the Russo Brothers never let the FX of the film overshadow the characters and with a very large cast, it was nice to see everyone got their moment and you did not see members of the cast trying to one up each other.
There are some real surprise moments along the way and the action is easily the best of any Marvel film to date. Many fans had expressed disappointment with “Avengers: Age of Ultron” for me this film is significantly better than the prior film and is everything that a Marvel fan would want in a film.
I was also surprised by how well Thanos was portrayed as while you hopefully will not agree with his deductions and methods; you could actually understand his motivations and it help him transcend from the usual megalomaniacs which are so common in films of his type. I am really looking forward to seeing what comes next and make sure you stay through the credits for a bonus scene.
Believe the hype, “Avengers: Infinity War” is an epic not to be missed and is an example of what a summer event film should be.
http://sknr.net/2018/04/24/avengers-infinity-war/
Gareth von Kallenbach (980 KP) rated The Incredible Burt Wonderstone (2013) in Movies
Jun 19, 2019
Back in the early 1980s, a young boy who found himself without friends and tormented by bullies was about to have an unexpected and life-changing experience. Alone on his birthday, the young boy opens his one gift from his mom and is delighted to find a magic kit and instructional video by reknowned magician Lance Holloway (Alan Arkin). His early attempts at magic gain him a new friend and the two become inseparable through their love and practice of magic.
Flash forward, and the two friends are now all the rage in the world of magic. Burt Wonderstone (Steve Carrell), and Anton Marvelton (Steve Buscemi), have packed their theater night after night with a dazzling mix of music, showmanship, and magic. Not only does this keep their boss (James Gandolfini) happy, but it allows Burt to enjoy all of the perks of being a Las Vegas headliner: fame, fortune, and women.
Ten years later it’s a different story for the two friends. While they still have a very popular show, creative differences between the two have arisen and Burt has become a very pompous and self-centered individual. He treats those around him with utter disdain and has driven off numerous assistants due to his behavior. The latest to join his group is Jane (Olivia Wilde), whom Burt sees as nothing more than a person to assist on stage to make him look good, and to succumb to his charms after the show. When a new street magician named (Jim Carrey), starts to become garner attention with his new and shocking routines, Burt and Anton’s routine is suddenly looking very stale in comparison. Anton devises a new trick to be played out in public that he hopes will propel the duo to a fresh and hip image, but sadly things go horribly wrong and the best friends have a bitter falling out. Literally.
Burt attempts to go on with the show alone, but his ego will not allow him to acknowledge the fact that Anton was a big part of the show and that the act depends on both of them. With his career suddenly over and with no money, Burt hits rock bottom and must find a way to regain his former glory. In doing so he will have to reinvent himself and undergo a magical transformation of his own.
The movie is an absolute delight and is so much more enjoyable and funnier than the trailers imply. Carrell has pulled off his best movie since “The 40 Year Old Virgin”, and infuses Burt with a likeability and sense of wonder despite his narcissism. Buscemi and Arkin are great in their supporting roles and Carrey seems to be enjoying every minute of playing the film’s bad guy as he gives a performance that while restrained when compared to some of his more over the top roles works very well with the ensemble cast.
The film is an unexpected find as it is a comedy that does not pander to base humor to get laughs and instead uses situational comedy and the characters to tell a charming story sprinkled with some solid laughs along the way, especially in the final moments of the film.
http://sknr.net/2013/03/15/the-incredible-burt-wonderstone/
Flash forward, and the two friends are now all the rage in the world of magic. Burt Wonderstone (Steve Carrell), and Anton Marvelton (Steve Buscemi), have packed their theater night after night with a dazzling mix of music, showmanship, and magic. Not only does this keep their boss (James Gandolfini) happy, but it allows Burt to enjoy all of the perks of being a Las Vegas headliner: fame, fortune, and women.
Ten years later it’s a different story for the two friends. While they still have a very popular show, creative differences between the two have arisen and Burt has become a very pompous and self-centered individual. He treats those around him with utter disdain and has driven off numerous assistants due to his behavior. The latest to join his group is Jane (Olivia Wilde), whom Burt sees as nothing more than a person to assist on stage to make him look good, and to succumb to his charms after the show. When a new street magician named (Jim Carrey), starts to become garner attention with his new and shocking routines, Burt and Anton’s routine is suddenly looking very stale in comparison. Anton devises a new trick to be played out in public that he hopes will propel the duo to a fresh and hip image, but sadly things go horribly wrong and the best friends have a bitter falling out. Literally.
Burt attempts to go on with the show alone, but his ego will not allow him to acknowledge the fact that Anton was a big part of the show and that the act depends on both of them. With his career suddenly over and with no money, Burt hits rock bottom and must find a way to regain his former glory. In doing so he will have to reinvent himself and undergo a magical transformation of his own.
The movie is an absolute delight and is so much more enjoyable and funnier than the trailers imply. Carrell has pulled off his best movie since “The 40 Year Old Virgin”, and infuses Burt with a likeability and sense of wonder despite his narcissism. Buscemi and Arkin are great in their supporting roles and Carrey seems to be enjoying every minute of playing the film’s bad guy as he gives a performance that while restrained when compared to some of his more over the top roles works very well with the ensemble cast.
The film is an unexpected find as it is a comedy that does not pander to base humor to get laughs and instead uses situational comedy and the characters to tell a charming story sprinkled with some solid laughs along the way, especially in the final moments of the film.
http://sknr.net/2013/03/15/the-incredible-burt-wonderstone/
Darren (1599 KP) rated 8 Mile (2002) in Movies
Jun 20, 2019
Contains spoilers, click to show
Story: 8 Mile starts as we head to Detroit to follow Jimmy B-Rabbit Smith (Eminem) as along with his friends David ‘Future’ Porter (Phifer) Cheddar Bob (Jones), Sol George (Miller) are trying to make an impact in the raping world, this world is dominated by the black community though he does have the skills.
The world is filled with gangs that are out for control, Jimmy must deal with his mother Stephanie (Basinger) and her problems as well as meeting a new love in Alex (Murphy), we follow as he is desperate to get out of the town which has held back man before.
Thoughts on 8 Mile
Characters – Jimmy B-Rabbit Smith is a young man who aspires to be a rapper, he is from the wrong side of town in Detroit, where he is given a chance to prove himself in the underground rap battle world, where any wrong move could be his last move with the gangs around him. He has the close friends that will watch his back, while working a dead-end job for any money he can get. Stephanie Smith is the mother of Rabbit, she is dating an aggressive man around he sons age and struggling to pay the rent to keep the roof over her daughter’s head. She does try to do the best things but has her own personal demons holding her back. David is the closest friend to Jimmy, he offers him the chance he wants to reach the next level but also needs to be the one to stop him making the mistakes in his life. Alex is the new romance in Jimmy’s life, she dreams of leaving too, to become a model which helps the to connect on a level unlike what Jimmy is used to.
Performances – Eminem is strong in this leading role, there are a few moments where he does look lost, one second too long for fight sequences, but the emotional levels he shows good. Kim Basinger is good in her role which shows that we have the most experience from her. Mekhi Phifer continued his rise in the early 2000s with this performance where he shows his ability to blend into any film. the whole cast performers well through the film with talent that went onto bigger things.
Story – The story shows the struggles of a young man trying to break into the world of rapping in the mean streets of Detroit, he is from the wrong side of the town and the gangs are always dangerous. Seeing the struggles for everyday life is very interesting to see unfold, however I was expecting something different with more rap battles. If you are a fan of the underground rap scene this will be a story that you want to watch.
Music – The music in the film starts with a battle rap and I was expecting more as the song Lose yourself did win Best Oscar Song.
Settings – The film shows us just how difficult growing up in Detroit can be, we feel the tension and feeling of abandonment the city is feeling.
Scene of the Movie – Battle rap.
That Moment That Annoyed Me – Not enough rapping.
Final Thoughts – This is a look at the mean streets of Detroit in the battle rap world where every corner could be dangerous.
Overall: The rap world unfolded.
https://moviesreview101.com/2019/02/27/abc-film-challenge-oscar-nomination-8-mile-2002/
The world is filled with gangs that are out for control, Jimmy must deal with his mother Stephanie (Basinger) and her problems as well as meeting a new love in Alex (Murphy), we follow as he is desperate to get out of the town which has held back man before.
Thoughts on 8 Mile
Characters – Jimmy B-Rabbit Smith is a young man who aspires to be a rapper, he is from the wrong side of town in Detroit, where he is given a chance to prove himself in the underground rap battle world, where any wrong move could be his last move with the gangs around him. He has the close friends that will watch his back, while working a dead-end job for any money he can get. Stephanie Smith is the mother of Rabbit, she is dating an aggressive man around he sons age and struggling to pay the rent to keep the roof over her daughter’s head. She does try to do the best things but has her own personal demons holding her back. David is the closest friend to Jimmy, he offers him the chance he wants to reach the next level but also needs to be the one to stop him making the mistakes in his life. Alex is the new romance in Jimmy’s life, she dreams of leaving too, to become a model which helps the to connect on a level unlike what Jimmy is used to.
Performances – Eminem is strong in this leading role, there are a few moments where he does look lost, one second too long for fight sequences, but the emotional levels he shows good. Kim Basinger is good in her role which shows that we have the most experience from her. Mekhi Phifer continued his rise in the early 2000s with this performance where he shows his ability to blend into any film. the whole cast performers well through the film with talent that went onto bigger things.
Story – The story shows the struggles of a young man trying to break into the world of rapping in the mean streets of Detroit, he is from the wrong side of the town and the gangs are always dangerous. Seeing the struggles for everyday life is very interesting to see unfold, however I was expecting something different with more rap battles. If you are a fan of the underground rap scene this will be a story that you want to watch.
Music – The music in the film starts with a battle rap and I was expecting more as the song Lose yourself did win Best Oscar Song.
Settings – The film shows us just how difficult growing up in Detroit can be, we feel the tension and feeling of abandonment the city is feeling.
Scene of the Movie – Battle rap.
That Moment That Annoyed Me – Not enough rapping.
Final Thoughts – This is a look at the mean streets of Detroit in the battle rap world where every corner could be dangerous.
Overall: The rap world unfolded.
https://moviesreview101.com/2019/02/27/abc-film-challenge-oscar-nomination-8-mile-2002/
Gareth von Kallenbach (980 KP) rated Syriana (2005) in Movies
Aug 14, 2019
Oil, is perhaps the most precious natural resource on the planet and also one of the most controversial. It powers industry and the economies of many nations, yet the regions that contain the largest amounts are often the most unstable, and this instability often results from the influences of the very nations that purchase the oil.
It is a tenuous situation where buyer and seller are wary of one another and at times regard the other as a necessary evil. The money paid for the oil has made suppliers and handlers rich and powerful, but many on the outside of this privileged circle believe that greed has caused both sides to lose focus on what is most important for the people of their nations.
In the film Syriana viewers follow the paths of different people from various walks of life who for the most part do not know one another, yet are all linked by the same cause, oil.
There is the C.I.A. agent Bob Barnes (George Clooney), who spends time in locales such as Iran and Beirut eliminating threats to national security.
A lawyer, (Jeffrey Wright), who is caught in the middle as he attempts to find, and if need be eliminate damaging material that can prevent a pending merger between two oil companies.
There is the grieving energy analyst Bryan Woodman (Matt Damon), who deals with his loss by siding up with a powerful Prince, (Alexander Siddig), even at the alienation of his family.
There is also a displaced Pakistani worker who after losing his job when a Chinese company acquires the refinery where he worked, falls in with a group of radicals with a militant agenda.
The above is just a small sampling of the characters as there are numerous business, political, and Middle Eastern citizens who all play very prominent parts in the story.
The main focus of the film is not only to illustrate the connectivity between the characters but to show how politics and big business influence policy in oil rich nations and how through secret deals, political intrigue, and treachery policy in and towards the same oil producing nations are set into place and maintained.
While this is not much of a shock to people who follow the news, it is the way that director Stephen Gaghan uses ordinary and in some ways unremarkable people to tell the story and how it affects those who deal with oil.
Even those who are supposed the big players are often simply being played by forces outside their control in a world where reality and perceptions are often miles apart. The complex nature of the story is actually a model of simplicity as cause and effect, as well as the ability of big business to influence lawmakers is what drives the film.
The cast is strong especially Clooney and Siddig who make their characters sympathetic while at the same time captivating. The contrast of the men who are a Prince and an agent, yet whose destinies often cause them to walk along the same paths is amazing.
Syriana is an amazing film that is so complex in its simplicity. The basic message is very clear, yet the layers that must be uncovered like a tangled web of lies in telling the story is a far reaching journey that will shock and anger most viewers.
Some may find fault with a so called liberal agenda to the film, but politics aside, Syriana is a very captivating and entertaining film that makes you think.
It is a tenuous situation where buyer and seller are wary of one another and at times regard the other as a necessary evil. The money paid for the oil has made suppliers and handlers rich and powerful, but many on the outside of this privileged circle believe that greed has caused both sides to lose focus on what is most important for the people of their nations.
In the film Syriana viewers follow the paths of different people from various walks of life who for the most part do not know one another, yet are all linked by the same cause, oil.
There is the C.I.A. agent Bob Barnes (George Clooney), who spends time in locales such as Iran and Beirut eliminating threats to national security.
A lawyer, (Jeffrey Wright), who is caught in the middle as he attempts to find, and if need be eliminate damaging material that can prevent a pending merger between two oil companies.
There is the grieving energy analyst Bryan Woodman (Matt Damon), who deals with his loss by siding up with a powerful Prince, (Alexander Siddig), even at the alienation of his family.
There is also a displaced Pakistani worker who after losing his job when a Chinese company acquires the refinery where he worked, falls in with a group of radicals with a militant agenda.
The above is just a small sampling of the characters as there are numerous business, political, and Middle Eastern citizens who all play very prominent parts in the story.
The main focus of the film is not only to illustrate the connectivity between the characters but to show how politics and big business influence policy in oil rich nations and how through secret deals, political intrigue, and treachery policy in and towards the same oil producing nations are set into place and maintained.
While this is not much of a shock to people who follow the news, it is the way that director Stephen Gaghan uses ordinary and in some ways unremarkable people to tell the story and how it affects those who deal with oil.
Even those who are supposed the big players are often simply being played by forces outside their control in a world where reality and perceptions are often miles apart. The complex nature of the story is actually a model of simplicity as cause and effect, as well as the ability of big business to influence lawmakers is what drives the film.
The cast is strong especially Clooney and Siddig who make their characters sympathetic while at the same time captivating. The contrast of the men who are a Prince and an agent, yet whose destinies often cause them to walk along the same paths is amazing.
Syriana is an amazing film that is so complex in its simplicity. The basic message is very clear, yet the layers that must be uncovered like a tangled web of lies in telling the story is a far reaching journey that will shock and anger most viewers.
Some may find fault with a so called liberal agenda to the film, but politics aside, Syriana is a very captivating and entertaining film that makes you think.
Gareth von Kallenbach (980 KP) rated The Longest Yard (2005) in Movies
Aug 14, 2019
Continuing the current trend of remakes, Adam Sandler’s Happy Madison production company set their sights on remaking the classic prison football film The Longest Yard. Like most projects that Sandler puts his Midas touch upon, this too has some moments of true gold.
The film stars Adam Sandler as Paul Crewe, a former NFL star quarterback who was banned from the league after allegedly throwing a game. As the film opens, Crewe is spending his time as a boy toy for a snobby socialite who is happy to capitalize on being seen with him, and parading Paul through various promotional ventures.
After reaching his breaking point, Paul lashes back by “borrowing” her car and leading several police officers on a high speed, and drunken chase through the streets. The resulting carnage is not only captured on live television, but awards Paul a three year prison term.
Upon arriving in the remote prison location, Crewe is introduced to Warden Hazen (James Cromwell), who attempts to recruit Crewe to help him with his semi-pro team. Crewe declines as he was urged to forcibly by Captain of the Guards Captain Knauer (William Fitchtner).
Paul eventually meets a helpful inmate known as Caretaker (Chris Rock), who shows him the ropes of prison life, and becomes a good friend for Crewe, who certainly needs friends, as there are more than a few guards and prisoners who lost money on the game he through years ago.
In time, Crew is forced by the Warden to organize a team of prisoners for a tune up game with the guards. In a series of comedic moments, Paul and Caretaker have to take drastic measures in order to organize a team from the prisoners including a game of basketball that is rougher than most games Paul had to face on the playing fields of the NFL.
Onboard to assist Paul is Coach Nate Scarborough (Burt Reynolds), who provides a much needed spark and wisdom to the team and as a former football great, allows Paul to unload some of the burden of getting the team and himself ready to play.
Of course there will be some subterfuge afoot, and the guards are not about to allow the prisoners any sense of hope, which all leads to a very funny series of point/counterpoint moves on the part of both teams to undermine the other.
When news of the game gets out, it is not long before ESPN 2 wants to televise the return of Paul Crewe, and the game soon becomes a national showcase. Since Warden Hazen has political aspirations, the outcome of the game in his favor becomes paramount forcing him to increase the pressure, and forces Paul to make a very important choice.
While the film follows the basic premise of the original, it has been updated to take advantage of modern humor and fine supporting cast. Many ex-NFL players ranging from Brian Bosworth, Michael Irvin, Bill Romanowski, and Bill Goldberg are in the film as well as wrestlers Steve Austin, Kevin Nash, and rapper Nelly.
While some may say the film is predictable, Sandler and the supporting cast do a great job in mixing humor with some of the more serious issues of prison life which results in a film that masterfully mixes humor, sports action, and human drama to create one of the better sports films in recent memory.
The film stars Adam Sandler as Paul Crewe, a former NFL star quarterback who was banned from the league after allegedly throwing a game. As the film opens, Crewe is spending his time as a boy toy for a snobby socialite who is happy to capitalize on being seen with him, and parading Paul through various promotional ventures.
After reaching his breaking point, Paul lashes back by “borrowing” her car and leading several police officers on a high speed, and drunken chase through the streets. The resulting carnage is not only captured on live television, but awards Paul a three year prison term.
Upon arriving in the remote prison location, Crewe is introduced to Warden Hazen (James Cromwell), who attempts to recruit Crewe to help him with his semi-pro team. Crewe declines as he was urged to forcibly by Captain of the Guards Captain Knauer (William Fitchtner).
Paul eventually meets a helpful inmate known as Caretaker (Chris Rock), who shows him the ropes of prison life, and becomes a good friend for Crewe, who certainly needs friends, as there are more than a few guards and prisoners who lost money on the game he through years ago.
In time, Crew is forced by the Warden to organize a team of prisoners for a tune up game with the guards. In a series of comedic moments, Paul and Caretaker have to take drastic measures in order to organize a team from the prisoners including a game of basketball that is rougher than most games Paul had to face on the playing fields of the NFL.
Onboard to assist Paul is Coach Nate Scarborough (Burt Reynolds), who provides a much needed spark and wisdom to the team and as a former football great, allows Paul to unload some of the burden of getting the team and himself ready to play.
Of course there will be some subterfuge afoot, and the guards are not about to allow the prisoners any sense of hope, which all leads to a very funny series of point/counterpoint moves on the part of both teams to undermine the other.
When news of the game gets out, it is not long before ESPN 2 wants to televise the return of Paul Crewe, and the game soon becomes a national showcase. Since Warden Hazen has political aspirations, the outcome of the game in his favor becomes paramount forcing him to increase the pressure, and forces Paul to make a very important choice.
While the film follows the basic premise of the original, it has been updated to take advantage of modern humor and fine supporting cast. Many ex-NFL players ranging from Brian Bosworth, Michael Irvin, Bill Romanowski, and Bill Goldberg are in the film as well as wrestlers Steve Austin, Kevin Nash, and rapper Nelly.
While some may say the film is predictable, Sandler and the supporting cast do a great job in mixing humor with some of the more serious issues of prison life which results in a film that masterfully mixes humor, sports action, and human drama to create one of the better sports films in recent memory.
BankofMarquis (1832 KP) Apr 15, 2019
Daniel Boyd (1066 KP) Apr 16, 2019