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Malcolm Keeley
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MK
Malcolm Keeping
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The Point of No Return
9.0
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How far would you go to find the truth? After more than a decade of being in prison for the...
History of Artists' Film and Video in Britain
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In recent years the use of film and video by British artists has come to widespread public...
Bob Mann (459 KP) rated Bombshell (2019) in Movies
Jan 26, 2020
Power-house female lead roles, times 3. (1 more)
John Lithgow (who should have got a supporting actor nom)
Sleazy old Fox.
This is a curious one. I wonder whether the audience reaction to this one will polarize along gender lines as it did for my wife and I? For I thought this one was "good, but nothing special"... but the illustrious Mrs Movie Man thought it was excellent and would be "memorable".
The movie is based on the true story of the first "Me Too" case against a prominent man in power. Before Harvey Weinstein (allegedly!) there was Roger Ailes (John Lithgow), CEO of the Fox Network. Under the shadowy gaze of the Murdoch brothers (Ben Lawson and Josh Lawson), Ailes rules Fox with a rod of iron. Unfortunately, it's Ailes' - ahem - 'rod of iron' that is part of the problem.
Three women are at the centre of the drama. Megyn Kelly (Charlize Theron) is a leading anchorwoman, fighting her own battles in a man's world. She is currently in trouble with 50% of the US population for taking a firm stand on-screen against Trump's treatment of women; Gretchen Carlson (Nicole Kidman) is a broadcaster approaching her 50's and being shunted progressively towards the door, via afternoon shows, in favour of 'younger models'; Kayla Pospisil (Margot Robbie) is a keen new-starter, ambitious and keen as mustard to impress her bosses, including Ailes.
The three women seldom interact (a scene in a lift is a study in awkwardness) but are all on different stages of the same journey.
I clearly saw a review which referenced the movie as being "Adam McKay-like" since I went in assuming that McKay ("Vice", "The Big Short") was the director of this one. For that reason, I was puzzled. Yes, there were occasions where the actors broke the 4th wall; and there were little visual tricks (a burned in Fox logo for example) that entertained. But it wasn't the close-to-the-edge roller-coaster of innovation that I have come to expect from a McKay film.
When the titles rolled, it was an "Aha" moment! Actually, the director is the Austin Powers director Jay Roach. Not that he hasn't done drama as well: he did the Bryan Cranston vehicle "Trumbo" a few years back. And another MacKay link is the writer: the screenplay is by Charles Randolph, the writer of "The Big Short".
The leading ladies in this really are leading, with Charlize Theron picking up a well-deserved Best Actress Oscar nomination and Margot Robbie getting the Best Supporting nom. Theron is brilliant in everything she does, and here she is chameleon-like in disappearing into her character. I wasn't as sure about Robbie early in the film, but an excruciating "twirl" for Ailes is brilliantly done and an emotional scene during a date is Oscar-reel worthy.
Great supporting turns come from "The West Wing's" Allison Janney and from Kate McKinnon. McKinnon was the most annoying thing in "Yesterday", as the brash US agent, but here she is effective as the lesbian friend of Kayla.
Holding up the male end (as it were) is a fantastic performance from John Lithgow (surprisingly overlooked during the awards season) and Malcolm McDowell delivering an uncanny Rupert Murdoch.
Overall, the "Me Too" movement has created an earthquake in popular culture. Many more movies featuring strong female leads have appeared in the last few years, and that's great. This is a reminder of the time before that, when men openly used their power to force unwanted sex on employees. And its horrifying and disconcerting to watch.
And it was a good movie. But it just wasn't a "wow" movie for me. A female audience will by definition have more experience of this than a male one. Perhaps there is a sense of 'collective guilt' that we blokes need to work through. And perhaps that's a subconscious reason why I didn't 100% engage with the film. (Though I'd like to make it perfectly clear that I don't have any skeletons in that particular closet!)
(For the graphical review, please check out the review on One Mann's Movies here - https://bob-the-movie-man.com/2020/01/24/one-manns-movies-film-review-bombshell-2020/).
The movie is based on the true story of the first "Me Too" case against a prominent man in power. Before Harvey Weinstein (allegedly!) there was Roger Ailes (John Lithgow), CEO of the Fox Network. Under the shadowy gaze of the Murdoch brothers (Ben Lawson and Josh Lawson), Ailes rules Fox with a rod of iron. Unfortunately, it's Ailes' - ahem - 'rod of iron' that is part of the problem.
Three women are at the centre of the drama. Megyn Kelly (Charlize Theron) is a leading anchorwoman, fighting her own battles in a man's world. She is currently in trouble with 50% of the US population for taking a firm stand on-screen against Trump's treatment of women; Gretchen Carlson (Nicole Kidman) is a broadcaster approaching her 50's and being shunted progressively towards the door, via afternoon shows, in favour of 'younger models'; Kayla Pospisil (Margot Robbie) is a keen new-starter, ambitious and keen as mustard to impress her bosses, including Ailes.
The three women seldom interact (a scene in a lift is a study in awkwardness) but are all on different stages of the same journey.
I clearly saw a review which referenced the movie as being "Adam McKay-like" since I went in assuming that McKay ("Vice", "The Big Short") was the director of this one. For that reason, I was puzzled. Yes, there were occasions where the actors broke the 4th wall; and there were little visual tricks (a burned in Fox logo for example) that entertained. But it wasn't the close-to-the-edge roller-coaster of innovation that I have come to expect from a McKay film.
When the titles rolled, it was an "Aha" moment! Actually, the director is the Austin Powers director Jay Roach. Not that he hasn't done drama as well: he did the Bryan Cranston vehicle "Trumbo" a few years back. And another MacKay link is the writer: the screenplay is by Charles Randolph, the writer of "The Big Short".
The leading ladies in this really are leading, with Charlize Theron picking up a well-deserved Best Actress Oscar nomination and Margot Robbie getting the Best Supporting nom. Theron is brilliant in everything she does, and here she is chameleon-like in disappearing into her character. I wasn't as sure about Robbie early in the film, but an excruciating "twirl" for Ailes is brilliantly done and an emotional scene during a date is Oscar-reel worthy.
Great supporting turns come from "The West Wing's" Allison Janney and from Kate McKinnon. McKinnon was the most annoying thing in "Yesterday", as the brash US agent, but here she is effective as the lesbian friend of Kayla.
Holding up the male end (as it were) is a fantastic performance from John Lithgow (surprisingly overlooked during the awards season) and Malcolm McDowell delivering an uncanny Rupert Murdoch.
Overall, the "Me Too" movement has created an earthquake in popular culture. Many more movies featuring strong female leads have appeared in the last few years, and that's great. This is a reminder of the time before that, when men openly used their power to force unwanted sex on employees. And its horrifying and disconcerting to watch.
And it was a good movie. But it just wasn't a "wow" movie for me. A female audience will by definition have more experience of this than a male one. Perhaps there is a sense of 'collective guilt' that we blokes need to work through. And perhaps that's a subconscious reason why I didn't 100% engage with the film. (Though I'd like to make it perfectly clear that I don't have any skeletons in that particular closet!)
(For the graphical review, please check out the review on One Mann's Movies here - https://bob-the-movie-man.com/2020/01/24/one-manns-movies-film-review-bombshell-2020/).
Emma @ The Movies (1786 KP) rated Herself (2020) in Movies
Oct 6, 2020
I was keen to see this from recommendations I'd spotted online, but I wasn't overly enthused by the description... boy am I glad that the internet has great taste in movies.
Sandra is trying to keep her life together for her two daughters after she escapes from her abusive husband. Feeling isolated, overworked and living in a terrible situation Sandra has an off the wall idea that seems like a pipe dream. With the help of those around her she makes a true home for her girls and regains pieces of herself she'd lost.
Herself has some very serious topics in it, domestic violence and childhood trauma being at the top of the list, so that's definitely something to keep in mind if you're thinking of watching it. These topics are very effectively done and those feelings jumped out and affected me in a way I really didn't expect... I cried through a significant amount of the film, so probably just as well I was sitting in my living room and not a crowded cinema.
An interesting discovery on this was that one of the writers was Clare Dunne who plays the lead role of Sandra. I don't know what the process was between her and Malcolm Campbell but that involvement undoubtedly helps Dunne relay the true intent of the script, which I felt was incredibly well written.
Dunne's performance blew me away, barely minutes into the film you realise just what you're in for, it was such a brutal switch that my jaw nearly hit the floor. At every tense moment Dunne's acting is flawless and she conveys the emotions to a T. She does it so well that you get caught up in her anxiety, I found myself waiting for the bad things she was living in fear of and it was agonising... in a good way.
Along with her performance they use footage so well to help convey the story. When Sandra has an anxiety attack they cut clips into the scene, the quick changing back and forth between memory and present day brings the unsettling familiarity of panic and brings about a deeply emotional moment in the film. It might not conjure the exact same feeling as your own personal anxiety attack but it was closer than any other films I've seen it in.
Herself is a strong reminder that the vulnerable have the power within them to overcome anything through the right support and people who care. And sadly, it also reminds us that the system is a little messed up. I'm so pleased that I got the opportunity to see this, it's a well crafted film and I can say without a doubt it's already one of the highlights of this year's LFF.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/10/herself-movie-review.html
Sandra is trying to keep her life together for her two daughters after she escapes from her abusive husband. Feeling isolated, overworked and living in a terrible situation Sandra has an off the wall idea that seems like a pipe dream. With the help of those around her she makes a true home for her girls and regains pieces of herself she'd lost.
Herself has some very serious topics in it, domestic violence and childhood trauma being at the top of the list, so that's definitely something to keep in mind if you're thinking of watching it. These topics are very effectively done and those feelings jumped out and affected me in a way I really didn't expect... I cried through a significant amount of the film, so probably just as well I was sitting in my living room and not a crowded cinema.
An interesting discovery on this was that one of the writers was Clare Dunne who plays the lead role of Sandra. I don't know what the process was between her and Malcolm Campbell but that involvement undoubtedly helps Dunne relay the true intent of the script, which I felt was incredibly well written.
Dunne's performance blew me away, barely minutes into the film you realise just what you're in for, it was such a brutal switch that my jaw nearly hit the floor. At every tense moment Dunne's acting is flawless and she conveys the emotions to a T. She does it so well that you get caught up in her anxiety, I found myself waiting for the bad things she was living in fear of and it was agonising... in a good way.
Along with her performance they use footage so well to help convey the story. When Sandra has an anxiety attack they cut clips into the scene, the quick changing back and forth between memory and present day brings the unsettling familiarity of panic and brings about a deeply emotional moment in the film. It might not conjure the exact same feeling as your own personal anxiety attack but it was closer than any other films I've seen it in.
Herself is a strong reminder that the vulnerable have the power within them to overcome anything through the right support and people who care. And sadly, it also reminds us that the system is a little messed up. I'm so pleased that I got the opportunity to see this, it's a well crafted film and I can say without a doubt it's already one of the highlights of this year's LFF.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/10/herself-movie-review.html