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Bobby Gillespie recommended John Phillips (John the Wolfking of L.A.) by John Phillips in Music (curated)
Kristy H (1252 KP) rated The Wife Who Knew Too Much in Books
Sep 17, 2020
Wild thriller that keeps you on your toes!
Tabby Girard hasn't seen Connor Ford for thirteen years, since he broke her heart as a teen. Back then he was the handsome rich kid whom she fell in love with while working at his country club. But she wasn't good enough for the Ford family, especially Connor's grandmother. Tabby quickly learns Connor is richer than ever now. He's married to Nina Levitt, a wealthy and famous woman twenty years his senior. He married for money, not love, he tells Tabby, and he's miserable. He portrays Nina as a controlling and jealous wife. But if he cheats on Nina and leaves her, their prenup dictates that Connor receives nothing. Then Nina is found dead in the pool at Windswept, her Southampton mansion, where she had just thrown her annual fourth of July party. It seems like Tabby and Connor can finally be together. But Tabby quickly grows suspicious. Was Nina's death really a suicide? And if not, does that mean she's in love with a murderer?
"I'm writing this to raise an alarm in the event of my untimely death. This is hard to admit, even to myself, let alone to the world. My husband is planning to kill me. For obvious reasons. He's in love with someone else. And he wants my money."
It's funny, the writing in this book felt simple and stilted at times. However, I cannot deny that this is a thrilling read. It's fast-paced, and I flew through the pages. Campbell kept me guessing--something that isn't always easy to do--and offered some excellent twists. Kudos to her there. Alternating perspectives between Connor and Tabby works well, as does throwing in some flashbacks from Nina. It all adds up to a very suspenseful, slightly crazy, and quite enjoyable thriller.
Best written book? No. Wild and crazy ride with lots of surprises? Yes. (And also, make better life choices, Tabby.) 3.75 stars.
"I'm writing this to raise an alarm in the event of my untimely death. This is hard to admit, even to myself, let alone to the world. My husband is planning to kill me. For obvious reasons. He's in love with someone else. And he wants my money."
It's funny, the writing in this book felt simple and stilted at times. However, I cannot deny that this is a thrilling read. It's fast-paced, and I flew through the pages. Campbell kept me guessing--something that isn't always easy to do--and offered some excellent twists. Kudos to her there. Alternating perspectives between Connor and Tabby works well, as does throwing in some flashbacks from Nina. It all adds up to a very suspenseful, slightly crazy, and quite enjoyable thriller.
Best written book? No. Wild and crazy ride with lots of surprises? Yes. (And also, make better life choices, Tabby.) 3.75 stars.
Lyndsey Gollogly (2893 KP) rated The Monster of Farewell (Blacklighters #1) in Books
Aug 28, 2019
Kickass females!
Contains spoilers, click to show
Mercury Havenworth
My mother always told me I had nothing. No place in civilized society. No moral compass. No soul...
But despite all my shortcomings, there is one thing I do have: Farewell. It's my home. My sanctuary and birthright. It's everything to me, and one day soon, I will oversee this feral matriarchy which gave me life.
The men who step through our gates see a crumbling mansion, they see a handful of women willing to bleed for a cause, but Farewell is so much more than that.
It's an empire.
MY empire.
Kessler Lawson
After eight years of incarceration, I'm a free man...for approximately two hours.
That's how long it takes to ruin my life.
Wedged between freedom and the officer who put me behind bars in the first place, I'm given a choice: Help the New Liberty Police Department infiltrate a band of criminals ruling over Farewell, Missouri...or score a one-way ticket back to prison.
With enemies on both sides, falling into bed with the boss's murderous daughter probably isn't the best idea, but there's no going back now...not after undressing the monster of Farewell.
(Warning: This book includes dark themes, offensive language, and explicit scenes that may make some readers uncomfortable. Read with caution.)
<strong>Very good</strong>
I don't know what one as expecting but I really really enjoyed it. The whole women kicking ass and the men do the "woman's work" was brilliant . The book was so well written it had a touch of violence but not to the point of being over the top, it had seriously hot sex scenes , strong female roles as well as some strong male characters it was well balanced read!
Watching Mercury develop through the book was empowering in a way. If I had one thing I thought could have bee better maybe the end not so rushed.
Highly recommend

My mother always told me I had nothing. No place in civilized society. No moral compass. No soul...
But despite all my shortcomings, there is one thing I do have: Farewell. It's my home. My sanctuary and birthright. It's everything to me, and one day soon, I will oversee this feral matriarchy which gave me life.
The men who step through our gates see a crumbling mansion, they see a handful of women willing to bleed for a cause, but Farewell is so much more than that.
It's an empire.
MY empire.
Kessler Lawson
After eight years of incarceration, I'm a free man...for approximately two hours.
That's how long it takes to ruin my life.
Wedged between freedom and the officer who put me behind bars in the first place, I'm given a choice: Help the New Liberty Police Department infiltrate a band of criminals ruling over Farewell, Missouri...or score a one-way ticket back to prison.
With enemies on both sides, falling into bed with the boss's murderous daughter probably isn't the best idea, but there's no going back now...not after undressing the monster of Farewell.
(Warning: This book includes dark themes, offensive language, and explicit scenes that may make some readers uncomfortable. Read with caution.)
<strong>Very good</strong>
I don't know what one as expecting but I really really enjoyed it. The whole women kicking ass and the men do the "woman's work" was brilliant . The book was so well written it had a touch of violence but not to the point of being over the top, it had seriously hot sex scenes , strong female roles as well as some strong male characters it was well balanced read!
Watching Mercury develop through the book was empowering in a way. If I had one thing I thought could have bee better maybe the end not so rushed.
Highly recommend

Purple Phoenix Games (2266 KP) rated Scooby-Doo: Escape from the Haunted Mansion in Tabletop Games
Dec 1, 2020
YES! A Scooby-Doo game! AND it’s an escape room style game? I am so fired up to play this! This was my line of thinking as I received this game in the mail. Scooby-Doo is one of my favorite cartoon shows from my youth, and name a better episode than the Harlem Globetrotters episode. I’ll wait. So with a winning design team of Jay Cormier and Sen-Foong Lim (of the excellent Belfort game) this should be a giant hit, right?
Like I mentioned, Scooby-Doo: Escape from the Haunted Mansion is an escape room style board game with the tag of, “A Coded Chronicles Game.” This is a series of similar style games coming to us from the publisher using different IPs. This review will be lots different than our others because I do not wish to provide any spoilers, so I am eliminating my typical “messy components” shot at the end. I have also smudged the entire second photo so as not to give away anything. On to the review.
DISCLAIMER: We were provided a copy of this game for the purposes of this review. This is a retail copy of the game, so what you see in these photos is exactly what would be received in your box. I do not intend to cover every single rule included in the rulebook, but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. For more in depth rules, you may purchase a copy online or from your FLGS. -T
To setup, read the rulebook, and turn to the proper paragraph number in the starting booklet. Each Mystery, Inc. character (“the gang”) has their own booklet with paragraphs and instructions inside. If you have ever played a game like Tales of the Arabian Nights you will know the style. The entry in the booklet will instruct players how to setup the first map tile and set the stage for the plot of the game.
This game features gameplay with no “turns,” so any person may choose to control a character from the gang and have them take some action. The possible actions that can be taken by the gang are: Velma may Research something, Shaggy can Eat stuff, Daphne Uses things, Scoob Smells, and Fred Investigates. Each character is assigned a single-digit number to be combined with items on the map tiles to arrive at a four-digit paragraph number. Find the number in the respective booklet and read aloud to the rest of the players. If successful, more map tiles may be added, or other things (being vague on purpose).
Should the entry not exist or instruct you to otherwise, players will need to “eat a Scooby Snack” by crossing off or reducing the total number of Snacks each time. We used another publisher’s pin to move along the track at the end of the rulebook because I didn’t feel like finding a coin.
As players progress through the game they will be presented with several challenges to figure out together. Half way through the game is a break time between Chapters 1 & 2. We were able to play this game over two nights utilizing the break.
At the end of Chapter 2 the game ends. If the players can successfully solve the case, they win! Alternately, if playing with academics, the rulebook provides a scale of VPs corresponding to the number of Scooby Snacks remaining. Whichever end-game method is chosen, the game is over and can be passed along to another household or gamer friend. That’s right, this is a one-shot escape room game. Only cheaters would go through it a second time…
Components. I cannot speak about many of the components, but I will evaluate what you see in the above photo. The rulebook and subsequent character booklets are all fine, but are curved as a result of how they sit in the box. The box itself is a strange design that you do not see with many board games. It’s not at all bad, just different. The cards are good, the map tiles are thin cardstock, and I can’t really discuss the Secret Envelopes. My biggest gripe about the game is the character standees. They are a long strip of thin stock that is folded in half, then the ends flared to make an inverted T shape. I mean, it’s fine, but this game could have done with a plastic stand for a sturdier standee to fit inside, or even basic miniatures. These standees that are included fall over all the time and when touched, even a little, flop on the table like a “professional” soccer player.
The gameplay, however, is very cool and I enjoyed my playthrough quite a bit. I very much enjoy one-shot games and despise when they ask you to destroy different components. No thanks, says me. Luckily, Scooby-Doo is able to be reset and given or sold to another person. I like that.
I also really enjoyed exploring the Haunted Mansion and trying to outwit the different challenges the game presented. This is not a particularly super difficult game to master, but will certainly give players a couple of fun hours of play with a group of animated childhood friends. For the nostalgia alone I would suggest this one, but there is also a pretty darn good game here. I have zero experience with the other Coded Chronicles Game from The Op (using The Shining), so I don’t know if I would enjoy it or not, but I loved Scooby-Doo and I adored my time with him. Purple Phoenix Games gives this one a meddling 12 / 18. If you are looking for a game you can circulate through your gamer friend network and enjoy the theme, then check out Scooby-Doo: Escape from the Haunted Mansion. It is cute, fun, and gives the ol’ noggin a workout. Also, privately message or email me and let me know if you figured out the correct ending. I did not.
Like I mentioned, Scooby-Doo: Escape from the Haunted Mansion is an escape room style board game with the tag of, “A Coded Chronicles Game.” This is a series of similar style games coming to us from the publisher using different IPs. This review will be lots different than our others because I do not wish to provide any spoilers, so I am eliminating my typical “messy components” shot at the end. I have also smudged the entire second photo so as not to give away anything. On to the review.
DISCLAIMER: We were provided a copy of this game for the purposes of this review. This is a retail copy of the game, so what you see in these photos is exactly what would be received in your box. I do not intend to cover every single rule included in the rulebook, but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. For more in depth rules, you may purchase a copy online or from your FLGS. -T
To setup, read the rulebook, and turn to the proper paragraph number in the starting booklet. Each Mystery, Inc. character (“the gang”) has their own booklet with paragraphs and instructions inside. If you have ever played a game like Tales of the Arabian Nights you will know the style. The entry in the booklet will instruct players how to setup the first map tile and set the stage for the plot of the game.
This game features gameplay with no “turns,” so any person may choose to control a character from the gang and have them take some action. The possible actions that can be taken by the gang are: Velma may Research something, Shaggy can Eat stuff, Daphne Uses things, Scoob Smells, and Fred Investigates. Each character is assigned a single-digit number to be combined with items on the map tiles to arrive at a four-digit paragraph number. Find the number in the respective booklet and read aloud to the rest of the players. If successful, more map tiles may be added, or other things (being vague on purpose).
Should the entry not exist or instruct you to otherwise, players will need to “eat a Scooby Snack” by crossing off or reducing the total number of Snacks each time. We used another publisher’s pin to move along the track at the end of the rulebook because I didn’t feel like finding a coin.
As players progress through the game they will be presented with several challenges to figure out together. Half way through the game is a break time between Chapters 1 & 2. We were able to play this game over two nights utilizing the break.
At the end of Chapter 2 the game ends. If the players can successfully solve the case, they win! Alternately, if playing with academics, the rulebook provides a scale of VPs corresponding to the number of Scooby Snacks remaining. Whichever end-game method is chosen, the game is over and can be passed along to another household or gamer friend. That’s right, this is a one-shot escape room game. Only cheaters would go through it a second time…
Components. I cannot speak about many of the components, but I will evaluate what you see in the above photo. The rulebook and subsequent character booklets are all fine, but are curved as a result of how they sit in the box. The box itself is a strange design that you do not see with many board games. It’s not at all bad, just different. The cards are good, the map tiles are thin cardstock, and I can’t really discuss the Secret Envelopes. My biggest gripe about the game is the character standees. They are a long strip of thin stock that is folded in half, then the ends flared to make an inverted T shape. I mean, it’s fine, but this game could have done with a plastic stand for a sturdier standee to fit inside, or even basic miniatures. These standees that are included fall over all the time and when touched, even a little, flop on the table like a “professional” soccer player.
The gameplay, however, is very cool and I enjoyed my playthrough quite a bit. I very much enjoy one-shot games and despise when they ask you to destroy different components. No thanks, says me. Luckily, Scooby-Doo is able to be reset and given or sold to another person. I like that.
I also really enjoyed exploring the Haunted Mansion and trying to outwit the different challenges the game presented. This is not a particularly super difficult game to master, but will certainly give players a couple of fun hours of play with a group of animated childhood friends. For the nostalgia alone I would suggest this one, but there is also a pretty darn good game here. I have zero experience with the other Coded Chronicles Game from The Op (using The Shining), so I don’t know if I would enjoy it or not, but I loved Scooby-Doo and I adored my time with him. Purple Phoenix Games gives this one a meddling 12 / 18. If you are looking for a game you can circulate through your gamer friend network and enjoy the theme, then check out Scooby-Doo: Escape from the Haunted Mansion. It is cute, fun, and gives the ol’ noggin a workout. Also, privately message or email me and let me know if you figured out the correct ending. I did not.
Heather Cranmer (2721 KP) rated Dollhouse (Dark Carousel #1) in Books
Oct 29, 2020
I had been in a book funk for awhile, so when someone recommended Dollhouse by Anya Allyn, I thought I'd give it a try. It seemed right up my alley, and luckily, I wasn't disappointed!
I loved the plot of Dollhouse! Cassie, Evan, Aisha, and Lacey are all friends from school. One day they venture out in the forest. Aisha leaves the group and ventures further into the forest. The three others look for Aisha, but it's like she's vanished. With the cops not being able to find Aisha and Evan being accused of her disappearance, Lacy, Evan, and Cassie go back to the forest to look for her. They find a huge mansion and decide to go in it to search for Aisha. However, what they find is a secret passage that leads into a real life dollhouse where the girls are all forced to look like dolls to appease Jessamine, the leader of the dolls and toys. Getting in was easy, but getting out will be the hard part.
The world building was done beautifully. I felt like I was right there beside each character as the plot unfolded as well as the emotions each character would feel. While the book started out slow, it wasn't long before the action quickly picked up, and I couldn't wait to find out what happened next. There were a couple of times where the pacing became a bit too quick during the action unfolding where I felt a bit lost with what was going on, but the pacing quickly corrected itself. There are a few plot twists that I never saw coming, and there are a few that are semi-predictable. However, I enjoyed everything as well as trying to figure out what was going on. I feel that Dollhouse could be read as a standalone, but as it's a series, it's best to read all the books in the Dark Carousel series if you need one hundred percent closure and more back story.
I loved each and every character featured in Dollhouse. Each character had enough backstory to be fleshed out very well. I believe every character also acted their appropriate age. Cassie was such a strong lead character, and I admired her tenacity to do whatever it took to find a way out. Her loyalty to her friends was noble, and her resolve to not give up was an inspiration. Evan was another character that had the same traits as Cassie. He wanted to protect the girls and didn't care what would happen to himself. I wouldn't say he was reckless though. Missouri and Philly were my favorite characters even though they weren't the main ones. Missouri wanted to protect everyone, and I loved how much of a mother figure she was to little Philly. Jessamine was an awesome antagonist. I loved reading about her so much, and I also loved trying to figure out her backstory. (The bulk of Jessamine's backstory is featured in the second book of the series, Paper Dolls.) There were times when I actually felt sorry for Jessamine, but she was quite selfish. I would have loved to learn more about how Donovan (the man who lived in the mansion the living dollhouse was in) fits into the whole narrative, but perhaps that will be explained throughout the rest of the series. Another thing I really loved about Dollhouse was that the stuffed animals and the wooden clown came to life and were beyond life sized. I felt that was a pretty awesome (and spooky) touch.
Trigger warnings for Dollhouse include fear, kidnapping, some violence, ghosts, druggings, death, and murder.
Overall, Dollhouse was a fantastic fast-paced read that I didn't want to put down. Once the pacing picks up, it's easy to devour in just one setting with its fantastic cast of characters and great narrative. I would definitely recommend Dollhouse by Anya Allyn to those aged 14 and older who love to get lost in a spooky well written story.
I loved the plot of Dollhouse! Cassie, Evan, Aisha, and Lacey are all friends from school. One day they venture out in the forest. Aisha leaves the group and ventures further into the forest. The three others look for Aisha, but it's like she's vanished. With the cops not being able to find Aisha and Evan being accused of her disappearance, Lacy, Evan, and Cassie go back to the forest to look for her. They find a huge mansion and decide to go in it to search for Aisha. However, what they find is a secret passage that leads into a real life dollhouse where the girls are all forced to look like dolls to appease Jessamine, the leader of the dolls and toys. Getting in was easy, but getting out will be the hard part.
The world building was done beautifully. I felt like I was right there beside each character as the plot unfolded as well as the emotions each character would feel. While the book started out slow, it wasn't long before the action quickly picked up, and I couldn't wait to find out what happened next. There were a couple of times where the pacing became a bit too quick during the action unfolding where I felt a bit lost with what was going on, but the pacing quickly corrected itself. There are a few plot twists that I never saw coming, and there are a few that are semi-predictable. However, I enjoyed everything as well as trying to figure out what was going on. I feel that Dollhouse could be read as a standalone, but as it's a series, it's best to read all the books in the Dark Carousel series if you need one hundred percent closure and more back story.
I loved each and every character featured in Dollhouse. Each character had enough backstory to be fleshed out very well. I believe every character also acted their appropriate age. Cassie was such a strong lead character, and I admired her tenacity to do whatever it took to find a way out. Her loyalty to her friends was noble, and her resolve to not give up was an inspiration. Evan was another character that had the same traits as Cassie. He wanted to protect the girls and didn't care what would happen to himself. I wouldn't say he was reckless though. Missouri and Philly were my favorite characters even though they weren't the main ones. Missouri wanted to protect everyone, and I loved how much of a mother figure she was to little Philly. Jessamine was an awesome antagonist. I loved reading about her so much, and I also loved trying to figure out her backstory. (The bulk of Jessamine's backstory is featured in the second book of the series, Paper Dolls.) There were times when I actually felt sorry for Jessamine, but she was quite selfish. I would have loved to learn more about how Donovan (the man who lived in the mansion the living dollhouse was in) fits into the whole narrative, but perhaps that will be explained throughout the rest of the series. Another thing I really loved about Dollhouse was that the stuffed animals and the wooden clown came to life and were beyond life sized. I felt that was a pretty awesome (and spooky) touch.
Trigger warnings for Dollhouse include fear, kidnapping, some violence, ghosts, druggings, death, and murder.
Overall, Dollhouse was a fantastic fast-paced read that I didn't want to put down. Once the pacing picks up, it's easy to devour in just one setting with its fantastic cast of characters and great narrative. I would definitely recommend Dollhouse by Anya Allyn to those aged 14 and older who love to get lost in a spooky well written story.
Hazel (1853 KP) rated The Butterfly Summer in Books
Dec 7, 2018
<i>I received this book for free through Goodreads First Reads.
The Butterfly Summer</i> is the latest novel by the Sunday Times bestselling author Harrier Evans. It is a story full of mystery and secrets that, although primarily set in 2011, whizzes back and forth in time. In London 2011 the narrator, Nina Parr, a young divorced woman of 25, is living with her mother and stepfather in the house she grew up in. In 1986 her father went on an expedition to Venezuela in search of the Glasswinged butterfly where he supposedly met his fate, thus never returned. However, after a brief but strange encounter with a confused old lady, Nina questions the truth about her father’s death.
Other mysteries begin to crop up from this moment forth. Nina hears of a woman named Teddy who she apparently looks like, and learns that the mansion from her favourite childhood book is a real place. But how are these things connected to Nina’s father?
As Nina begins to unravel her previously unaware of family secrets, the reader also learns more about Teddy – her past, her experiences and her connection with a house called Keepsake.
To begin with <i>The Butterfly Summer </i>was exciting and refreshing, the cryptic storyline pulling you in and not letting go. However from the midway point it began to considerably slow down and become rather dull, stale. Nina is such an interesting character that, by contrast, the snippets (rather extensive ones) about Teddy’s past were difficult to plow through.
One thing to commend the author on – although others may disagree – is the limit she put on romantic affairs. For me there was just the right amount of reference to these relationships to provoke the feeling of heartbrokenness yet not to detract from the main storyline.
For those who enjoy women’s fiction of a similar nature (e.g. Jill Mansell, perhaps) <i>The Butterfly Summer </i>is definitely a book to look out for. For me however, even though the first half I really enjoyed (four stars out of five), I had begun to work out the remaining mysteries myself and found the latter half less exciting.
The Butterfly Summer</i> is the latest novel by the Sunday Times bestselling author Harrier Evans. It is a story full of mystery and secrets that, although primarily set in 2011, whizzes back and forth in time. In London 2011 the narrator, Nina Parr, a young divorced woman of 25, is living with her mother and stepfather in the house she grew up in. In 1986 her father went on an expedition to Venezuela in search of the Glasswinged butterfly where he supposedly met his fate, thus never returned. However, after a brief but strange encounter with a confused old lady, Nina questions the truth about her father’s death.
Other mysteries begin to crop up from this moment forth. Nina hears of a woman named Teddy who she apparently looks like, and learns that the mansion from her favourite childhood book is a real place. But how are these things connected to Nina’s father?
As Nina begins to unravel her previously unaware of family secrets, the reader also learns more about Teddy – her past, her experiences and her connection with a house called Keepsake.
To begin with <i>The Butterfly Summer </i>was exciting and refreshing, the cryptic storyline pulling you in and not letting go. However from the midway point it began to considerably slow down and become rather dull, stale. Nina is such an interesting character that, by contrast, the snippets (rather extensive ones) about Teddy’s past were difficult to plow through.
One thing to commend the author on – although others may disagree – is the limit she put on romantic affairs. For me there was just the right amount of reference to these relationships to provoke the feeling of heartbrokenness yet not to detract from the main storyline.
For those who enjoy women’s fiction of a similar nature (e.g. Jill Mansell, perhaps) <i>The Butterfly Summer </i>is definitely a book to look out for. For me however, even though the first half I really enjoyed (four stars out of five), I had begun to work out the remaining mysteries myself and found the latter half less exciting.
JT (287 KP) rated Ready or Not (2019) in Movies
Mar 3, 2020
Original story (1 more)
Solid tension
White wedding goes full bloodshed
Grace (Samara Weaving) is about to marry the man of her dreams, Alex Le Domas (Mark O’Brien). But her new in-laws, as it turns out, are going to be a real nightmare.
After a long sweeping shot through a gothic house 30-years earlier which sets up the back story to what is going to unfold, Grace is tasked with drawing a card from a mysterious mechanical box.
The premise is simple, whatever game is on the card she has to play in order to be accepted into the family – a tradition which must be accepted.
Innocently believing that it is just a harmless game of Hide-and-Seek Grace sets off to hide. The family, however, arming themselves with a variety of antique weaponry, must kill poor Grace before sunrise or they will all perish.
The family is an eclectic mix of batshit crazed parents, eccentric grandparents, troublesome daughters and drunken sons. When merged they come across as a psychopath’s answer to the Keystone Cops, all flair but no clue whatsoever.
Ready or Not manages to balance horror and comedy nicely. It is gory when it needs to be with several grotesque and humorous scenes that will leave viewers squirming in their seats.
The remainder of the film is a tense game of cat and mouse with Grace now realising what the real motives of the family are. She must hold her nerve to see out the night and make it to morning.
The setting is perfect for this type of caper and the gothic mansion provides plenty of twists and turns; from secret doors and passages to outhouses filled with decaying corpses.
Grace turns from the bride in white to the bride in blood as she battles the family – the tension rarely lets up for a second. Ready or Not gets just about everything spot on and it never suffers from horror cliches or boredom.
Weaving gives a good account of herself as a modern-day scream queen turned badass, running around in a torn wedding dress and trainers dispelling the myth ‘till death do us part‘.
After a long sweeping shot through a gothic house 30-years earlier which sets up the back story to what is going to unfold, Grace is tasked with drawing a card from a mysterious mechanical box.
The premise is simple, whatever game is on the card she has to play in order to be accepted into the family – a tradition which must be accepted.
Innocently believing that it is just a harmless game of Hide-and-Seek Grace sets off to hide. The family, however, arming themselves with a variety of antique weaponry, must kill poor Grace before sunrise or they will all perish.
The family is an eclectic mix of batshit crazed parents, eccentric grandparents, troublesome daughters and drunken sons. When merged they come across as a psychopath’s answer to the Keystone Cops, all flair but no clue whatsoever.
Ready or Not manages to balance horror and comedy nicely. It is gory when it needs to be with several grotesque and humorous scenes that will leave viewers squirming in their seats.
The remainder of the film is a tense game of cat and mouse with Grace now realising what the real motives of the family are. She must hold her nerve to see out the night and make it to morning.
The setting is perfect for this type of caper and the gothic mansion provides plenty of twists and turns; from secret doors and passages to outhouses filled with decaying corpses.
Grace turns from the bride in white to the bride in blood as she battles the family – the tension rarely lets up for a second. Ready or Not gets just about everything spot on and it never suffers from horror cliches or boredom.
Weaving gives a good account of herself as a modern-day scream queen turned badass, running around in a torn wedding dress and trainers dispelling the myth ‘till death do us part‘.
Excellent slow-burn mystery
In the third book in the Hester Thursby series, Hester and her friend, Detective Angela White are attending a gala for Prescott University when they are told that someone has broken into the university owners' fancy mansion overlooking Jamaica Pond. Angela agrees to drop by out of courtesy, but once there, they are not sure that Jennifer Matson is telling the truth about what happened that evening. Then Prescott's general manager, Maxine, asks Hester to investigate some missing alumni, calling on Hester's renowned research skills. As Hester starts digging into the for-profit university, she unearths a tragedy that has long shadowed Jennifer and the family, financial issues, and more. But when one of the missing students she was looking into turns up dead, things turn dark, quickly.
I love Hill's Hester Thursby series. They are such intelligent and well-thought out mysteries. This wasn't my favorite of the group, but it was still incredibly well done and enjoyable. The topic of for-profit universities seemed timely and was quite interesting. Maxine made some awful choices, but I didn't envy her job running Prescott University, either.
Overall, the Matsons were a pretty terrible family shrouded in secrets and lies. Hill does an excellent job depicting this wealthy family and all the deception they've built up around them. Money certainly can't buy happiness. This is a slow build mystery, with a slightly different feel, and you have to give yourself time to acclimate to the characters and rhythm of the story. If you do, you'll be rewarded with an intriguing tale. It may not be non-stop action, but Hill writes an excellent tale of a twisted family. It's one that will keep you guessing until the end.
I also recommend reading the first two books, as there's some progress in Morgan and Hester's relationship here (and honestly, not enough Kate), but the book does stand-alone. You'll be missing two great reads, though, if you skip the first two.
I received a copy of this book from Kensington Books and Netgalley in return for an unbiased review.
In the third book in the Hester Thursby series, Hester and her friend, Detective Angela White are attending a gala for Prescott University when they are told that someone has broken into the university owners' fancy mansion overlooking Jamaica Pond. Angela agrees to drop by out of courtesy, but once there, they are not sure that Jennifer Matson is telling the truth about what happened that evening. Then Prescott's general manager, Maxine, asks Hester to investigate some missing alumni, calling on Hester's renowned research skills. As Hester starts digging into the for-profit university, she unearths a tragedy that has long shadowed Jennifer and the family, financial issues, and more. But when one of the missing students she was looking into turns up dead, things turn dark, quickly.
I love Hill's Hester Thursby series. They are such intelligent and well-thought out mysteries. This wasn't my favorite of the group, but it was still incredibly well done and enjoyable. The topic of for-profit universities seemed timely and was quite interesting. Maxine made some awful choices, but I didn't envy her job running Prescott University, either.
Overall, the Matsons were a pretty terrible family shrouded in secrets and lies. Hill does an excellent job depicting this wealthy family and all the deception they've built up around them. Money certainly can't buy happiness. This is a slow build mystery, with a slightly different feel, and you have to give yourself time to acclimate to the characters and rhythm of the story. If you do, you'll be rewarded with an intriguing tale. It may not be non-stop action, but Hill writes an excellent tale of a twisted family. It's one that will keep you guessing until the end.
I also recommend reading the first two books, as there's some progress in Morgan and Hester's relationship here (and honestly, not enough Kate), but the book does stand-alone. You'll be missing two great reads, though, if you skip the first two.
I received a copy of this book from Kensington Books and Netgalley in return for an unbiased review.
LeftSideCut (3778 KP) rated Resident Evil: Welcome to Raccoon City (2021) in Movies
Dec 4, 2021
Well then, colour me surprised because I didn't absolutely hate this.
I'm a big fan of the Resident Evil games. So much so that the entirety of the original movie franchise actively annoyed me with every passing entry. This reboot makes a decent effort to stay faithful to the source material, and that alone commands some semblance of respect. The general atmosphere is very Resident Evil, many of the set pieces seem familiar, but there's just something missing. The cast boasts some great talent - Donal Logue, Hannah John-Kamen, and Neal McDonough are amongst the ranks - but all of them seem to be doing the best they can with a poor script, a script which is pretty much all the characters saying their names to eachother, and spouting exposition like there's no tomorrow. There's also the issue of the narrative content. Honestly, I'm just longing for a straight up adaption of the first game, a minimilast tense-as-hell thriller set in the original mansion. Welcome to Raccoon City sort of delivers in that respect, but also opts to cram in the plot of the second game, and even smatterings of the third. For a film that seems to be setting up a new series, that's a whole lot of content to burn through in one film. It results in a narrative that comes across as choppy. There's a little too much going on for it to flow properly. I also hated how Leon Kennedy was portrayed as a big dumb fuck. Show the man some respect! On top of this, the CGI is pretty damn atrocious throughout. The practical effects here and there look genuinely great, but there's a lot of undercooked effects work that managed to pull me out proceedings, especially in the final set piece.
Despite its shortcomings however, WTRC is a pretty entertaining video game adaption. It can be underwhelming at times, but it's aesthetic is pretty spot on, and it's so far removed from the initial film series that I can't help but kind of dig it, and I'll happily take it over any of those movies. Genuinely hoping a sequel happens.
I'm a big fan of the Resident Evil games. So much so that the entirety of the original movie franchise actively annoyed me with every passing entry. This reboot makes a decent effort to stay faithful to the source material, and that alone commands some semblance of respect. The general atmosphere is very Resident Evil, many of the set pieces seem familiar, but there's just something missing. The cast boasts some great talent - Donal Logue, Hannah John-Kamen, and Neal McDonough are amongst the ranks - but all of them seem to be doing the best they can with a poor script, a script which is pretty much all the characters saying their names to eachother, and spouting exposition like there's no tomorrow. There's also the issue of the narrative content. Honestly, I'm just longing for a straight up adaption of the first game, a minimilast tense-as-hell thriller set in the original mansion. Welcome to Raccoon City sort of delivers in that respect, but also opts to cram in the plot of the second game, and even smatterings of the third. For a film that seems to be setting up a new series, that's a whole lot of content to burn through in one film. It results in a narrative that comes across as choppy. There's a little too much going on for it to flow properly. I also hated how Leon Kennedy was portrayed as a big dumb fuck. Show the man some respect! On top of this, the CGI is pretty damn atrocious throughout. The practical effects here and there look genuinely great, but there's a lot of undercooked effects work that managed to pull me out proceedings, especially in the final set piece.
Despite its shortcomings however, WTRC is a pretty entertaining video game adaption. It can be underwhelming at times, but it's aesthetic is pretty spot on, and it's so far removed from the initial film series that I can't help but kind of dig it, and I'll happily take it over any of those movies. Genuinely hoping a sequel happens.
Darren (1599 KP) rated 28 Days Later (2002) in Movies
Jun 20, 2019
Verdict: Modern Zombie Gem
Story: 28 Days Later starts by showing a group of activists breaking into a laboratory where chimps are forced to watch some of the most gruesome sites in human history. This was designed to create pure rage and when the chimps are released an epidemic starts. 28 Days Later (title drop) we meet Jim (Murphy) who wakes up in a hospital, alone he searches looking for help but the hospital, streets and everywhere is empty. Wonder around the empty London Jim finds a church filled with infected that chase him before getting save by Mark (Huntley) and Selena (Harris) who also fill in the blanks of what happened.
Jim finds out the harsh reality of the world now but meeting Frank (Gleeson) and his daughter Hannah (Burns) gives them a chance to go to a radio signal left by the military. The group soon find the military holding up in a mansion lead by Major Henry West (Eccleston) but not everything is as it seems.
28 Days Later brings the modern infected zombie film to life in one of the best story ideas we have seen. It is good to see a story that the infection can only be spread rather than you turn when you die which is big change to all we have seen. The journey itself is been there seen that but what we get is a revenge film with infected around once we meet the military. This shows us that the enemy could come from all direction and our characters are never going to be safe in the world now. This is easily one of the best zombie based films in recent years. (9/10)
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Actor Review
Cillian Murphy: Jim waking up alone in a hospital he wonders the empty city before being found by other survivors, with a group he heads to the military safe zone where he ends up having to fight to save the rest of his group from not only infected but the soldiers. Cillian gives a great performance and this put him on the map for bigger roles. (9/10)
jim
Naomie Harris: Selena the nonsense survivor who takes no prisoners which we see from the moment her fellow survivor gets infected. Naomie gives a good performance showing that she was always going to be in bigger films. (8/10)
Brendan Gleeson: Frank caring father who has waited for support before taking his daughter to a radio signal he has been hearing. This character may only be a supporting character but his final moments are one of the most memorable turns in this genre history. Brendan does a good job in what is just a supporting performance. (8/10)
Christopher Eccleston: Major Henry West who is running the military unit that has been calling for the survivors but his motives are not what they seem. Christopher gives a good performance in the role. (7/10)
Support Cast: 28 Days Later doesn’t have the biggest supporting cast we have a couple of other survivors as well as the soldiers in the military unit. They all help as they show us what the characters are capable off.
Director Review: Danny Boyle – Danny does a great job directing this zombie classic that is easily one of the best in the genre. (9/10)
Horror: 28 Days Later uses plenty of horror elements with survival horror shinning through. (10/10)
Music: 28 Days Later uses brilliant scores to build the tension up through the scenes. (9/10)
Settings: 28 Days Later uses the settings really well to show how empty busy places could be when the world comes to an end. (9/10)
Special Effects: 28 Days Later uses great special effects with the infected creation. (9/10)
Suggestion: 28 Days Later is one to watch for every horror fan out there. (Horror Fans Watch)
Best Part: Suspense building.
Worst Part: Nothing
Action Scene Of The Film: Jim breaks into the mansion
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Kill Of The Film: Frank
Scariest Scene: Jim’s returns home
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: Has one sequel with talks of another always around.
Post Credits Scene: There is the alternative ending
Oscar Chances: No
Box Office: $82 Million
Budget: $8 Million
Runtime: 1 Hour 53 Minutes
Tagline: His fear began when he woke up alone. His terror began when he realised he wasn’t.
Trivia: The scene where Jim and Selena celebrate with Frank and Hannah was shot on September 11, 2001. Danny Boyle said it felt extremely strange to shoot a celebratory scene on that particular day.
Overall: Brilliant Infected Film
https://moviesreview101.com/2015/03/14/28-days-later-2002/
Story: 28 Days Later starts by showing a group of activists breaking into a laboratory where chimps are forced to watch some of the most gruesome sites in human history. This was designed to create pure rage and when the chimps are released an epidemic starts. 28 Days Later (title drop) we meet Jim (Murphy) who wakes up in a hospital, alone he searches looking for help but the hospital, streets and everywhere is empty. Wonder around the empty London Jim finds a church filled with infected that chase him before getting save by Mark (Huntley) and Selena (Harris) who also fill in the blanks of what happened.
Jim finds out the harsh reality of the world now but meeting Frank (Gleeson) and his daughter Hannah (Burns) gives them a chance to go to a radio signal left by the military. The group soon find the military holding up in a mansion lead by Major Henry West (Eccleston) but not everything is as it seems.
28 Days Later brings the modern infected zombie film to life in one of the best story ideas we have seen. It is good to see a story that the infection can only be spread rather than you turn when you die which is big change to all we have seen. The journey itself is been there seen that but what we get is a revenge film with infected around once we meet the military. This shows us that the enemy could come from all direction and our characters are never going to be safe in the world now. This is easily one of the best zombie based films in recent years. (9/10)
REPORT THIS AD
Actor Review
Cillian Murphy: Jim waking up alone in a hospital he wonders the empty city before being found by other survivors, with a group he heads to the military safe zone where he ends up having to fight to save the rest of his group from not only infected but the soldiers. Cillian gives a great performance and this put him on the map for bigger roles. (9/10)
jim
Naomie Harris: Selena the nonsense survivor who takes no prisoners which we see from the moment her fellow survivor gets infected. Naomie gives a good performance showing that she was always going to be in bigger films. (8/10)
Brendan Gleeson: Frank caring father who has waited for support before taking his daughter to a radio signal he has been hearing. This character may only be a supporting character but his final moments are one of the most memorable turns in this genre history. Brendan does a good job in what is just a supporting performance. (8/10)
Christopher Eccleston: Major Henry West who is running the military unit that has been calling for the survivors but his motives are not what they seem. Christopher gives a good performance in the role. (7/10)
Support Cast: 28 Days Later doesn’t have the biggest supporting cast we have a couple of other survivors as well as the soldiers in the military unit. They all help as they show us what the characters are capable off.
Director Review: Danny Boyle – Danny does a great job directing this zombie classic that is easily one of the best in the genre. (9/10)
Horror: 28 Days Later uses plenty of horror elements with survival horror shinning through. (10/10)
Music: 28 Days Later uses brilliant scores to build the tension up through the scenes. (9/10)
Settings: 28 Days Later uses the settings really well to show how empty busy places could be when the world comes to an end. (9/10)
Special Effects: 28 Days Later uses great special effects with the infected creation. (9/10)
Suggestion: 28 Days Later is one to watch for every horror fan out there. (Horror Fans Watch)
Best Part: Suspense building.
Worst Part: Nothing
Action Scene Of The Film: Jim breaks into the mansion
REPORT THIS AD
Kill Of The Film: Frank
Scariest Scene: Jim’s returns home
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: Has one sequel with talks of another always around.
Post Credits Scene: There is the alternative ending
Oscar Chances: No
Box Office: $82 Million
Budget: $8 Million
Runtime: 1 Hour 53 Minutes
Tagline: His fear began when he woke up alone. His terror began when he realised he wasn’t.
Trivia: The scene where Jim and Selena celebrate with Frank and Hannah was shot on September 11, 2001. Danny Boyle said it felt extremely strange to shoot a celebratory scene on that particular day.
Overall: Brilliant Infected Film
https://moviesreview101.com/2015/03/14/28-days-later-2002/