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Hazel (2934 KP) rated The Two O'Clock Boy (DI Ray Drake, #1) in Books
Jan 12, 2018
This is the debut novel for Mark Hill and, I think, a successful one and I want to thank the publisher, Little, Brown Book Group UK, and NetGalley for my copy in return for an honest review which can be found on my blog ... <a href="https://readingstuffnthings.blogspot.co.uk/2017/02/the-two-oclock-boy-by-mark-hill_4.html">Reading Stuff 'n' Things</a>.
Erika (17788 KP) rated The Lonely Island Presents: The Unauthorized Bash Brothers Experience (2019) in Movies
May 23, 2019
When I saw on instagram that The Lonely Island surprise released something on Netflix, I was kind of glad I was sick today. It's visual poetry about Mark 'McGwire' and Jose 'Canseco', mostly featuring doping. Apparently, it was supposed to somewhat resemble Beyonce's Lemonade, which I've never seen because I can't stand Beyonce.
The songs are solid Lonely Island songs, absurd and crude, as always, but hilarious. The cameos were good too, Sterling K. Brown played Sia in one song, and there were SNL and B99 actors throughout. Overall, not a bad 30 minutes for a The Lonely Island fan.
The songs are solid Lonely Island songs, absurd and crude, as always, but hilarious. The cameos were good too, Sterling K. Brown played Sia in one song, and there were SNL and B99 actors throughout. Overall, not a bad 30 minutes for a The Lonely Island fan.
LeftSideCut (3778 KP) rated The Slumber Party Massacre (1982) in Movies
Oct 10, 2020
This film has a slumber party and it also has a massacre. In that respect, The Slumber Party Massacre does exactly what is says on the tin, but actually has more to it underneath it's trashy exterior.
It may very well be another 80s slasher following in the wake of Friday the 13th, but a few things make it stick out above some of the rest.
The short 77 minute runtime means that the plot steams along at a snappy pace. The expected killer chase scenes are genuinely tense. The characters are all fairly realistic. All good stuff.
Its important to note that this film was directed by Amy Holden Jones, and written by Rita Mae Brown. The presence of two females in these usually male dominated roles is certainly noteworthy, especially in the 80s. As a result, we have female characters who aren't afraid to fight back, and who don't rely on men to save them. There's not even an obvious Final Girl candidate, any one of the main cast could have filled that role. It's refreshing to see.
However, TSPM is produced by Roger Corman, which would go someway in explaining the excessive nudity, and why the finished product is far different to what Rita Mae Brown had initially envisioned.
The practical effects are fairly minimal, but what we do get is pretty good, and there's some semi decent gore dished out by Russ Thorn, this movies antagonist. He's obviously not a patch on slasher icons such as Jason or Freddy, but he's still a weird enough dude to make his mark on the genre. (Not quite as weird as the dude who hunts snails though, what the fuck was that all about)
The Slumber Party Massacre is a straight shooting horror that may have a cheap look, but it's fun for the most part, and has some memorable slasher moments.
It may very well be another 80s slasher following in the wake of Friday the 13th, but a few things make it stick out above some of the rest.
The short 77 minute runtime means that the plot steams along at a snappy pace. The expected killer chase scenes are genuinely tense. The characters are all fairly realistic. All good stuff.
Its important to note that this film was directed by Amy Holden Jones, and written by Rita Mae Brown. The presence of two females in these usually male dominated roles is certainly noteworthy, especially in the 80s. As a result, we have female characters who aren't afraid to fight back, and who don't rely on men to save them. There's not even an obvious Final Girl candidate, any one of the main cast could have filled that role. It's refreshing to see.
However, TSPM is produced by Roger Corman, which would go someway in explaining the excessive nudity, and why the finished product is far different to what Rita Mae Brown had initially envisioned.
The practical effects are fairly minimal, but what we do get is pretty good, and there's some semi decent gore dished out by Russ Thorn, this movies antagonist. He's obviously not a patch on slasher icons such as Jason or Freddy, but he's still a weird enough dude to make his mark on the genre. (Not quite as weird as the dude who hunts snails though, what the fuck was that all about)
The Slumber Party Massacre is a straight shooting horror that may have a cheap look, but it's fun for the most part, and has some memorable slasher moments.
Gareth von Kallenbach (965 KP) rated Car Dogs (2017) in Movies
Jul 12, 2019
One of the things that universally connects us in this world is driving. Eventually, in life, the other factor involved is buying a vehicle. Depending on your experience, it can be nerve wracking, intensely crazy or enjoyable. Almost everyone has a story about the first car they purchased. For some it is the entire process, spotting THE car or coming up against the salespeople. This common thread allows us to identify with each other. With Car Dogs, you will find yourself immersed in the world of car sales.
Mark Chamberlain (Patrick J. Adams) is a sales manager at his father’s dealership. He is in line to get his own shop once he fulfills the quota assigned by his dad. We see Mark go through his day handling purchase issues, client issues and his salespeople in the bullpen. Christian (George Lopez, playing against type) is one of the top dogs at Chamberlain. He gets assigned a fresh rookie on the day that he is busting to make his numbers. Sharon (Nia Vardalos) Is the clever sales guru that is always in competition with Christian. She plays Sharon as a tough but smart sales rep with a warm likability. George Lopez and Nia Vardalos are both well known for comedic parts and they play against type with such care that their performances are refreshingly unexpected.
Patrick J. Adams evokes the stress and pressure that he slowly builds throughout the day, taking us with him as the clock counts down to the hour of reckoning that is the sales goal of 35 cars for the day. This number is enforced by Mark’s father Malcolm (Chris Mulkey) embodying the old school stereotype of a car dealer, pushing his son in a supremely passive-aggressive dance with his brown nosing sadist sidekick Mike (Josh Hopkins).
Filmed on location in Scottsdale, Arizona. Directed by Adam Collis, taking us on a road trip that has familiar sites and unexpected surprises. Mark Edward King’s script pulls the curtain back from a world we rarely see the inner workings and shows us that even car salesmen, although can be real jerks to get the sale, are also human.
Whether you have bought or sold a car. Shopped or searched for the right one, dealt with some B.S. artist or had a fantastic experience. This movie provides the viewer with moments at a dealership that are so familiar, yet gives us a look at how they function behind the sales desk.
Mark Chamberlain (Patrick J. Adams) is a sales manager at his father’s dealership. He is in line to get his own shop once he fulfills the quota assigned by his dad. We see Mark go through his day handling purchase issues, client issues and his salespeople in the bullpen. Christian (George Lopez, playing against type) is one of the top dogs at Chamberlain. He gets assigned a fresh rookie on the day that he is busting to make his numbers. Sharon (Nia Vardalos) Is the clever sales guru that is always in competition with Christian. She plays Sharon as a tough but smart sales rep with a warm likability. George Lopez and Nia Vardalos are both well known for comedic parts and they play against type with such care that their performances are refreshingly unexpected.
Patrick J. Adams evokes the stress and pressure that he slowly builds throughout the day, taking us with him as the clock counts down to the hour of reckoning that is the sales goal of 35 cars for the day. This number is enforced by Mark’s father Malcolm (Chris Mulkey) embodying the old school stereotype of a car dealer, pushing his son in a supremely passive-aggressive dance with his brown nosing sadist sidekick Mike (Josh Hopkins).
Filmed on location in Scottsdale, Arizona. Directed by Adam Collis, taking us on a road trip that has familiar sites and unexpected surprises. Mark Edward King’s script pulls the curtain back from a world we rarely see the inner workings and shows us that even car salesmen, although can be real jerks to get the sale, are also human.
Whether you have bought or sold a car. Shopped or searched for the right one, dealt with some B.S. artist or had a fantastic experience. This movie provides the viewer with moments at a dealership that are so familiar, yet gives us a look at how they function behind the sales desk.
Hazel (2934 KP) rated Rabbit Hole in Books
Jul 20, 2021
The title of this book is absolutely perfect and after having read it, I feel like I went down a Rabbit Hole and am only just beginning to emerge!
I am a huge fan of Mark Billingham's work, particularly his Tom Thorne Series, but this is a standalone psychological thriller that explores the fractured mind of Alice Armitage and her quest to find a killer whilst an in-patient on an acute psychiatric unit.
I said I felt like I went down a Rabbit Hole and that's because the reader is immersed totally within Alice's mind; the whole of the book is written from her perspective and focusses on her trying to solve a murder whilst dealing with the mental health difficulties she and those around her are experiencing but from her point of view rather than a clinical one, i.e. simplistic, but with a bit of humour so it's not all dark and heavy going.
Alice is an unreliable narrator which had me scratching my head wondering what was actually real and what was only real from Alice's perspective. This, I think, was genius as it provided plenty of opportunities for distractions and mis-directions which worked well but mashed my head a little!
This wasn't an easy book to read and I have a feeling it won't appeal to everyone but if you want to read something a bit different, I would recommend but be prepared to join Alice in the Rabbit Hole.
Many thanks to Little, Brown Book Group UK and NetGalley for my copy in return for an unbiased and unedited review.
I am a huge fan of Mark Billingham's work, particularly his Tom Thorne Series, but this is a standalone psychological thriller that explores the fractured mind of Alice Armitage and her quest to find a killer whilst an in-patient on an acute psychiatric unit.
I said I felt like I went down a Rabbit Hole and that's because the reader is immersed totally within Alice's mind; the whole of the book is written from her perspective and focusses on her trying to solve a murder whilst dealing with the mental health difficulties she and those around her are experiencing but from her point of view rather than a clinical one, i.e. simplistic, but with a bit of humour so it's not all dark and heavy going.
Alice is an unreliable narrator which had me scratching my head wondering what was actually real and what was only real from Alice's perspective. This, I think, was genius as it provided plenty of opportunities for distractions and mis-directions which worked well but mashed my head a little!
This wasn't an easy book to read and I have a feeling it won't appeal to everyone but if you want to read something a bit different, I would recommend but be prepared to join Alice in the Rabbit Hole.
Many thanks to Little, Brown Book Group UK and NetGalley for my copy in return for an unbiased and unedited review.
I am a huge fan of Mark Billingham and of his character, Tom Thorne, and have avidly followed the series and so I was absolutely thrilled to see a prequel was available which went back to the beginning in 1996 when "portable" phones are a novelty, smoking in pubs was the norm and England weren't doing too badly in the Euro's!
Tom is a young Detective Sergeant going through a bit of a rough patch after separating from his wife and experiencing recurring nightmares of an old case when along comes every persons worst nightmare ... the abduction of a little boy from a local park. The book follows the investigation into the abduction where everyone is a suspect and the mystery deepens when the body of one of those suspects turns up, quickly followed by the body of the boy's father.
This is a tense read written mainly from the perspectives of Tom, Cat (mother of the abducted child) and Kieron (the abducted child); the pace built up as the investigation progressed and I loved it. I particularly enjoyed meeting the characters that I have grown to love at the beginnings of their relationship with a particular highlight being the first meeting between Tom and Phil Hendricks which made me literally laugh out loud.
I would most definitely recommend this book and you don't have to have read any of the others in the series as this makes a really good starting point for those of you who haven't discovered the delight that is Tom Thorne and who have clearly been living under a rock!!
I was extremely lucky to have won a copy of this book via a Facebook competition but thanks also to Little, Brown Book Group via NetGalley for an e-copy in return for an unbiased and honest review.
Tom is a young Detective Sergeant going through a bit of a rough patch after separating from his wife and experiencing recurring nightmares of an old case when along comes every persons worst nightmare ... the abduction of a little boy from a local park. The book follows the investigation into the abduction where everyone is a suspect and the mystery deepens when the body of one of those suspects turns up, quickly followed by the body of the boy's father.
This is a tense read written mainly from the perspectives of Tom, Cat (mother of the abducted child) and Kieron (the abducted child); the pace built up as the investigation progressed and I loved it. I particularly enjoyed meeting the characters that I have grown to love at the beginnings of their relationship with a particular highlight being the first meeting between Tom and Phil Hendricks which made me literally laugh out loud.
I would most definitely recommend this book and you don't have to have read any of the others in the series as this makes a really good starting point for those of you who haven't discovered the delight that is Tom Thorne and who have clearly been living under a rock!!
I was extremely lucky to have won a copy of this book via a Facebook competition but thanks also to Little, Brown Book Group via NetGalley for an e-copy in return for an unbiased and honest review.
Charlie Cobra Reviews (1840 KP) rated Godzilla: King of the Monsters (2019) in Movies
Jul 7, 2020
Hail To The King Baby
Godzilla: King of The Monsters is a 2019 monster movie directed by Michael Dougherty and written by Dougherty, Zach Shields, and Max Borenstein. It was produced by Legendary Pictures and distributed by Warner Bros. Pictures. The film was dedicated to the original Godzilla suit performer Haruo Nakajima and executive producer Yoshimitsu Banno. The movie stars Kyle Chandler, Vera Farmiga, Millie Bobby Brown, Ken Watanabe and Zhang Ziyi.
Working to track down and study Titans (giant-God like monsters) for the organization Monarch, Paleobiologist Emma Russell (Vera Farmiga) and her daughter Madison (Millie Bobby Brown) witness the birth of a giant larva monster named Mothra. The monster is hostile until Emma uses a device called "Orca", which only Titans can hear, to calm it down until eco-terrorists attack, led by Alan Jonah (Charles Dance) and kidnap both her and her daughter. Monarch scientists and soldiers approach Mark (Kyle Chandler), Emma's ex-husband, to track them down and soon they are headed towards Antarctica, where Jonah intends to free a Titan encased in ice called "Monster Zero".
This movie had classic Godzilla flick written all over it and it did not disappoint. The visual effects were awesome, from the way the monsters looked, to the blasts they utilized and even things like explosions were all top notch. The music was also outstanding, as many classic Godzilla themes made a comeback including Mothra's theme. The action sequences far exceeded those of it's predecessor Godzilla 2014, There was plenty of monster battles to make this a fan favorite for years to come. Now I do have to agree with some of the critics and say that the storyline was a little thin and predictable but that didn't stop the film from being enjoyable. And some critics complained about underdeveloped human characters, but in all honesty, the human characters are not why the fans are going to see this movie. I thought the main cast of characters had enough development, it's just that compared to a normal Godzilla film or even the last one, there were a lot of secondary characters or supporting cast. Which to me personally, made the film feel more full. This movie checked a lot of my boxes for what I've come to expect in a Godzilla/giant monster movie and made me happy when I watched it in theaters. It had its down time in certain parts and slow building scenes or moments where it seemed the audience in consensus chose to use that time to run to the restroom and back. But other than that and some predictable plot points and character actions this movie was great.
Working to track down and study Titans (giant-God like monsters) for the organization Monarch, Paleobiologist Emma Russell (Vera Farmiga) and her daughter Madison (Millie Bobby Brown) witness the birth of a giant larva monster named Mothra. The monster is hostile until Emma uses a device called "Orca", which only Titans can hear, to calm it down until eco-terrorists attack, led by Alan Jonah (Charles Dance) and kidnap both her and her daughter. Monarch scientists and soldiers approach Mark (Kyle Chandler), Emma's ex-husband, to track them down and soon they are headed towards Antarctica, where Jonah intends to free a Titan encased in ice called "Monster Zero".
This movie had classic Godzilla flick written all over it and it did not disappoint. The visual effects were awesome, from the way the monsters looked, to the blasts they utilized and even things like explosions were all top notch. The music was also outstanding, as many classic Godzilla themes made a comeback including Mothra's theme. The action sequences far exceeded those of it's predecessor Godzilla 2014, There was plenty of monster battles to make this a fan favorite for years to come. Now I do have to agree with some of the critics and say that the storyline was a little thin and predictable but that didn't stop the film from being enjoyable. And some critics complained about underdeveloped human characters, but in all honesty, the human characters are not why the fans are going to see this movie. I thought the main cast of characters had enough development, it's just that compared to a normal Godzilla film or even the last one, there were a lot of secondary characters or supporting cast. Which to me personally, made the film feel more full. This movie checked a lot of my boxes for what I've come to expect in a Godzilla/giant monster movie and made me happy when I watched it in theaters. It had its down time in certain parts and slow building scenes or moments where it seemed the audience in consensus chose to use that time to run to the restroom and back. But other than that and some predictable plot points and character actions this movie was great.
Zuky the BookBum (15 KP) rated Heather, the Totality in Books
Mar 15, 2018
<b>2.5 stars</b>
I can understand the negatives reviews for this book because it was underwhelming.
People are complaining about the writing style but it didnt bother me that much. I guess this just felt like a slightly bulked out storyboard for a TV show, which would make sense as the author wrote Mad Men.
Some people think there is no character development in this novella, but I cant say I agree. Mark and Karen are well described throughout the book and though you dont get much history into each character, you learn enough about them as they grow older together and have a child. Same goes for Bobby. Heather, on the other hand, is more difficult to get to know. We didnt really get the chance to learn much about her.
I honestly feel like this book was a little above my level of understanding and maybe I didnt get the bigger picture, but to me this just felt like a slow story of overbearing, selfish parents, their confused golden child, and the obsession of a disturbed man. I know Im probably getting this all wrong but hey, what can you do.
I enjoyed Bobbys monologue, even though it was filled with sick and depraved rape imaginings. I guess because he was the only character that had any character, it made his part of the story worth reading. Other than that, it was pretty boring.
I agree with reviewers who said this felt cut off all of a sudden, because it does just seem to end out of nowhere, and in a pretty dull manner.
This novel reminded me of Hubert Selby Jrs work. Depressing, bleak, dark and slow. (But with worse characters and a less captivating plot).
<i>Thanks to Netgalley and Little, Brown and Company for giving me the opportunity to read this in exchange for an honest review.</i>
I can understand the negatives reviews for this book because it was underwhelming.
People are complaining about the writing style but it didnt bother me that much. I guess this just felt like a slightly bulked out storyboard for a TV show, which would make sense as the author wrote Mad Men.
Some people think there is no character development in this novella, but I cant say I agree. Mark and Karen are well described throughout the book and though you dont get much history into each character, you learn enough about them as they grow older together and have a child. Same goes for Bobby. Heather, on the other hand, is more difficult to get to know. We didnt really get the chance to learn much about her.
I honestly feel like this book was a little above my level of understanding and maybe I didnt get the bigger picture, but to me this just felt like a slow story of overbearing, selfish parents, their confused golden child, and the obsession of a disturbed man. I know Im probably getting this all wrong but hey, what can you do.
I enjoyed Bobbys monologue, even though it was filled with sick and depraved rape imaginings. I guess because he was the only character that had any character, it made his part of the story worth reading. Other than that, it was pretty boring.
I agree with reviewers who said this felt cut off all of a sudden, because it does just seem to end out of nowhere, and in a pretty dull manner.
This novel reminded me of Hubert Selby Jrs work. Depressing, bleak, dark and slow. (But with worse characters and a less captivating plot).
<i>Thanks to Netgalley and Little, Brown and Company for giving me the opportunity to read this in exchange for an honest review.</i>
Gareth von Kallenbach (965 KP) rated Godzilla: King of the Monsters (2019) in Movies
Jun 19, 2019
Picking up after the events of the previous film; “Godzilla: King of the Monsters” deals with a world trying to assess what to do with the presence of the giant Titans. The Monarch Corporation wants the creatures studied and has established locales to study the ones they have found currently hibernating. The U.S. Government wants them destroyed as they do not want repeats of the destruction that was previously caused by Godzilla.
Dr. Emma Russell (Vera Farmiga) and her daughter Madison (Millie Bobbie Brown) have developed a device known as Orca that will allow them to communicate with the creatures using specific sonic frequencies.
After a successful test under duress; the duo are captured by a ruthless Eco Terrorist group who want to use the giant creatures for their own objectives.
This leads to a chase around the world with Monarch attempting to stop them and with Emma’s ex-husband Mark (Kyle Chandler) deeply involved though he is deeply divided as he blames Godzilla for the loss of their son.
When a gigantic creature is freed; Godzilla faces his greatest challenge as there is a race against time to save the world.
While the film has some very impressive visual effects, the film drags as aside from a couple of brief encounters; the audience is required to sit through roughly 90 minutes of plodding story to get to the action which is roughly only the last 15-20 minutes of the film.
The human characters were very disinteresting and many of the international cast looked at times like they were sleepwalking though their lines as they seemed to have a real lack of passion for what they were given to work with.
The human characters were also very annoying and I found myself hoping that they would be taken out by the creatures as I had no connection to them and they did not inspire any sympathy.
While it may possibly appeal to hardcore fans, this was a miss for me as there simply was not enough creature action to counter-balance having to sit through the human characters and plodding plot to get to the good stuff.
http://sknr.net/2019/05/29/godzilla-king-of-the-monsters/
Dr. Emma Russell (Vera Farmiga) and her daughter Madison (Millie Bobbie Brown) have developed a device known as Orca that will allow them to communicate with the creatures using specific sonic frequencies.
After a successful test under duress; the duo are captured by a ruthless Eco Terrorist group who want to use the giant creatures for their own objectives.
This leads to a chase around the world with Monarch attempting to stop them and with Emma’s ex-husband Mark (Kyle Chandler) deeply involved though he is deeply divided as he blames Godzilla for the loss of their son.
When a gigantic creature is freed; Godzilla faces his greatest challenge as there is a race against time to save the world.
While the film has some very impressive visual effects, the film drags as aside from a couple of brief encounters; the audience is required to sit through roughly 90 minutes of plodding story to get to the action which is roughly only the last 15-20 minutes of the film.
The human characters were very disinteresting and many of the international cast looked at times like they were sleepwalking though their lines as they seemed to have a real lack of passion for what they were given to work with.
The human characters were also very annoying and I found myself hoping that they would be taken out by the creatures as I had no connection to them and they did not inspire any sympathy.
While it may possibly appeal to hardcore fans, this was a miss for me as there simply was not enough creature action to counter-balance having to sit through the human characters and plodding plot to get to the good stuff.
http://sknr.net/2019/05/29/godzilla-king-of-the-monsters/
Bob Mann (459 KP) rated The Guernsey Literary and Potato Peel Pie Society (2018) in Movies
Sep 29, 2021
“Contented with little, wishing for more”.
Here’s a curious little British film that has some merit, both as an entertainment vehicle and as a history lesson.
Set in a split-timeline between 1941 and 1946, the film tells the story of Juliet Ashton (Lily James, “Darkest Hour“, “Baby Driver“), a young British writer who seems all at sea emotion-wise following the war. She is struggling to fit in with her high-society London life, and can’t seem to put her heart into either her publishing commitments, much to the frustration of her publisher Sidney (Matthew Goode, “The Imitation Game“, “Stoker“), or her boyfriend Mark (Glen Powell, “Hidden Figures“), the dashing and well-off American army officer.
Into this mix drops a letter out of the blue from Guernsey from a pig-farmer called Dawsey Adams (Michiel Huisman, “The Age of Adeline“, “Game of Thrones”), which leads her on a trail of discovery into the mysterious back-story of the strangely named book club. The secrets of the tightly-knit St Peter Port community, and what really happened during the Nazi occupation, come progressively to light as Juliet digs deeper.
Much as “Their Finest” shone a light on the rather invisible war efforts of the British propaganda film industry, so here we get an interesting and (I believe) relatively untapped view of the historical background of the German occupation of the Channel Islands. How many viewers I wonder, especially those outside of the UK, knew that the Nazis occupied “British” territory* during the war?
(* Well, strictly speaking, the Channel Islands are a “crown dependency” rather than being part of the UK per se).
Story-wise the screenplay splits the drama between:
the love triangle (which I almost took to be a love square at the start of the film… and to be honest I’m still not 100% sure!) between the main protagonists and;
the mystery surrounding Guernsey’s Elizabeth McKenna (Jessica Brown Findlay, “The Riot Club”, Lady Sybil from Downton Abbey).
In the first instance, you would need to be pretty dim I think, particularly if you’ve seen the trailer already, not to work out where the story is going to head! (Although, to be fair, I thought that about “Their Finest” and was woefully wrong!). I found this all rather paint-by-numbers stuff, but livened up immensely by a scene between James and Powell and a bottle of champagne which is wonderfully and refreshingly pulled off.
The second strand of the story is slightly more intriguing and provides the opportunity to see the wonderful Jessica Brown Findlay in action: it is just disappointing that she actually features so little in the film, and also disappointing that, at a crucial dramatic moment, the action moves “off-stage”. I wanted to see more of that story.
In terms of casting, Susie Figgis must have had a TERRIBLE job in casting Juliet: “Gemma Arterton not available…. hmmm… who else would fit…. think… think… think… think dammit….! Ah, yes!!” Lily James might be in danger of becoming typecast as a 40’s-style love interest. But she just fits the bill in terms of looks and mannerisms SO perfectly.
Elsewhere in the cast, Penelope Wilton (“The Second Best Exotic Marigold Hotel“, “The BFG“) is superb as the deeply damaged Amelia; Tom Courtenay is 300% better than in his last movie outing as the cranky old postmaster; and TV’s Katherine Parkinson impresses greatly as the kooky gin-swilling Isola Pribby. All in all this is a fine ensemble cast. (With James, Goode, Wilton and Brown Findlay there, it must have also felt like a “Downton Abbey” reunion party!)
I’d also like to say that the Guernsey scenery was gloriously filmed, but as this article suggests, most of it was actually filmed in glorious Devon instead! Given the Guernsey Tourist Board have been going overboard (at least in the Southampton area) on film tie-in advertising, this feels rather like false representation! But I’m sure its equally lovely!
So in summary, it’s a thoughtful period piece, with some great acting performances and well-directed by Mike Newell (still most famous for “Four Weddings and a Funeral”). I enjoyed it but I felt it moved at a GLACIAL pace, taking over two hours to unfold, and I thought a few editing nips and tucks on the long lingering looks and leisurely strolls could have given it most impetus. But to be fair, my wife and cinema buddy for this film thought it was PERFECTLY paced, giving the story the space it needed for the drama and Juliet’s state of mind to unfold. In fact she gave it “5 Mads” as her rating… top marks! For me though a very creditable…
Set in a split-timeline between 1941 and 1946, the film tells the story of Juliet Ashton (Lily James, “Darkest Hour“, “Baby Driver“), a young British writer who seems all at sea emotion-wise following the war. She is struggling to fit in with her high-society London life, and can’t seem to put her heart into either her publishing commitments, much to the frustration of her publisher Sidney (Matthew Goode, “The Imitation Game“, “Stoker“), or her boyfriend Mark (Glen Powell, “Hidden Figures“), the dashing and well-off American army officer.
Into this mix drops a letter out of the blue from Guernsey from a pig-farmer called Dawsey Adams (Michiel Huisman, “The Age of Adeline“, “Game of Thrones”), which leads her on a trail of discovery into the mysterious back-story of the strangely named book club. The secrets of the tightly-knit St Peter Port community, and what really happened during the Nazi occupation, come progressively to light as Juliet digs deeper.
Much as “Their Finest” shone a light on the rather invisible war efforts of the British propaganda film industry, so here we get an interesting and (I believe) relatively untapped view of the historical background of the German occupation of the Channel Islands. How many viewers I wonder, especially those outside of the UK, knew that the Nazis occupied “British” territory* during the war?
(* Well, strictly speaking, the Channel Islands are a “crown dependency” rather than being part of the UK per se).
Story-wise the screenplay splits the drama between:
the love triangle (which I almost took to be a love square at the start of the film… and to be honest I’m still not 100% sure!) between the main protagonists and;
the mystery surrounding Guernsey’s Elizabeth McKenna (Jessica Brown Findlay, “The Riot Club”, Lady Sybil from Downton Abbey).
In the first instance, you would need to be pretty dim I think, particularly if you’ve seen the trailer already, not to work out where the story is going to head! (Although, to be fair, I thought that about “Their Finest” and was woefully wrong!). I found this all rather paint-by-numbers stuff, but livened up immensely by a scene between James and Powell and a bottle of champagne which is wonderfully and refreshingly pulled off.
The second strand of the story is slightly more intriguing and provides the opportunity to see the wonderful Jessica Brown Findlay in action: it is just disappointing that she actually features so little in the film, and also disappointing that, at a crucial dramatic moment, the action moves “off-stage”. I wanted to see more of that story.
In terms of casting, Susie Figgis must have had a TERRIBLE job in casting Juliet: “Gemma Arterton not available…. hmmm… who else would fit…. think… think… think… think dammit….! Ah, yes!!” Lily James might be in danger of becoming typecast as a 40’s-style love interest. But she just fits the bill in terms of looks and mannerisms SO perfectly.
Elsewhere in the cast, Penelope Wilton (“The Second Best Exotic Marigold Hotel“, “The BFG“) is superb as the deeply damaged Amelia; Tom Courtenay is 300% better than in his last movie outing as the cranky old postmaster; and TV’s Katherine Parkinson impresses greatly as the kooky gin-swilling Isola Pribby. All in all this is a fine ensemble cast. (With James, Goode, Wilton and Brown Findlay there, it must have also felt like a “Downton Abbey” reunion party!)
I’d also like to say that the Guernsey scenery was gloriously filmed, but as this article suggests, most of it was actually filmed in glorious Devon instead! Given the Guernsey Tourist Board have been going overboard (at least in the Southampton area) on film tie-in advertising, this feels rather like false representation! But I’m sure its equally lovely!
So in summary, it’s a thoughtful period piece, with some great acting performances and well-directed by Mike Newell (still most famous for “Four Weddings and a Funeral”). I enjoyed it but I felt it moved at a GLACIAL pace, taking over two hours to unfold, and I thought a few editing nips and tucks on the long lingering looks and leisurely strolls could have given it most impetus. But to be fair, my wife and cinema buddy for this film thought it was PERFECTLY paced, giving the story the space it needed for the drama and Juliet’s state of mind to unfold. In fact she gave it “5 Mads” as her rating… top marks! For me though a very creditable…