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The Midnight Sky (2020)
6.6
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This post-apocalyptic tale follows Augustine, a lonely scientist in the Arctic, as he races to stop...
Marvel's Agents of S.H.I.E.L.D. - Season 3
7.2
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TV Season
Marvel's Agents of S.H.I.E.L.D.” returns for an action-packed third season, with Director Phil...
Multi-Domain Master Data Management: Advanced MDM and Data Governance in Practice
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Multi-Domain Master Data Management delivers practical guidance and specific instruction to help...
Merissa (11800 KP) rated Bridging Hope (Bridging Hearts #1) in Books
Apr 3, 2024
BRIDGING HOPE is the first novella in the Bridging Hearts series. We start with Pierce - a workaholic who has ended up in the last place he ever expected... his childhood home. It doesn't hold any happy memories as he was physically abused by his father. When his sister dies though, he steps up to the mark for his niece and nephew. The complication arises when his sister puts Dalton, an ex-boyfriend, down as guardian for them though. Can the two of them work together for the sake of the children?
For a shorter-length story, this one packs a punch. The world- and character-building are clear and concise, giving plenty of details about the farm, the children, and the MCs. Pierce gets his priorities mixed up at one point, but this just makes him more realistic. I loved how Dalton was the steady one, who had dreams but wasn't afraid to either put them on hold for the sake of the children or make it work around them.
A great story that I enjoyed and have no hesitation in recommending.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Mar 20, 2024
For a shorter-length story, this one packs a punch. The world- and character-building are clear and concise, giving plenty of details about the farm, the children, and the MCs. Pierce gets his priorities mixed up at one point, but this just makes him more realistic. I loved how Dalton was the steady one, who had dreams but wasn't afraid to either put them on hold for the sake of the children or make it work around them.
A great story that I enjoyed and have no hesitation in recommending.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Mar 20, 2024
LeftSideCut (3778 KP) rated Hot Fuzz (2007) in Movies
Aug 3, 2019
An instant classic
Hot Fuzz is a glorious film, plain and simple.
It's funny, it's crude, it's gory, it's just plain ridiculous at times, and it's very British...
Anyone who lives here in England can confirm - this country is full of little villages and towns where something just seems a bit...off. just like the films village, Sandford.
As Sgt. Angel starts to uncover a sinister conspiracy underneath the idyllic town, Hot Fuzz effortlessly weaves quick humour, with a creeping sense of dread, just like it's predecessor, Shaun of the Dead.
The fantastic trio of Simon Pegg, Nick Frost, and director Edgar Wright hit all the right comedic notes once again, and the film is riddled with famous faces from the British comedy scene.
It evens features once-James-Bond Timothy Dalton, just being generally awesome and villainous.
The climatic battle, (that likes fun at the silliness of the action genre) is good fun, but it doesn't quite hit the mark that Shaun of the Dead does.
It's still a great film though, I'd implore anyone to give it a go.
It's funny, it's crude, it's gory, it's just plain ridiculous at times, and it's very British...
Anyone who lives here in England can confirm - this country is full of little villages and towns where something just seems a bit...off. just like the films village, Sandford.
As Sgt. Angel starts to uncover a sinister conspiracy underneath the idyllic town, Hot Fuzz effortlessly weaves quick humour, with a creeping sense of dread, just like it's predecessor, Shaun of the Dead.
The fantastic trio of Simon Pegg, Nick Frost, and director Edgar Wright hit all the right comedic notes once again, and the film is riddled with famous faces from the British comedy scene.
It evens features once-James-Bond Timothy Dalton, just being generally awesome and villainous.
The climatic battle, (that likes fun at the silliness of the action genre) is good fun, but it doesn't quite hit the mark that Shaun of the Dead does.
It's still a great film though, I'd implore anyone to give it a go.
Leanne Crabtree (480 KP) rated Present Perfect (Perfect, #1) in Books
Jan 6, 2021
Holy crap!
This book is good but in the put-you-through-the-wringer-continuously kinda way. I was an emotional wreck for what was probably half the book and that's not good when you need to keep reading to find out what's going to happen between Tweet and Noah.
I think they both broke my heart at one bit or another in this and both for very different reasons
I certainly wasn't expecting the life altering thing that happened around the 65-70% mark and it threw me for a loop. Totally. Irrevocably. That was when the tears came in earnest and I had to put it down to calm myself down because I was getting a headache and didn't like where it was going.
But at the same time, that "thing" and meeting Dalton made her realise what she was doing and that she isn't going to be around forever and it gave her the push she needed and I was so happy. And then we got put back through the wringer and I almost gave up, not wanting to finish this if it wasn't going to be happy. I finished it though and *sighs* it didn't end badly.
Christ! Even writing this I cant see through my tears :')
This book is good but in the put-you-through-the-wringer-continuously kinda way. I was an emotional wreck for what was probably half the book and that's not good when you need to keep reading to find out what's going to happen between Tweet and Noah.
I think they both broke my heart at one bit or another in this and both for very different reasons
I certainly wasn't expecting the life altering thing that happened around the 65-70% mark and it threw me for a loop. Totally. Irrevocably. That was when the tears came in earnest and I had to put it down to calm myself down because I was getting a headache and didn't like where it was going.
But at the same time, that "thing" and meeting Dalton made her realise what she was doing and that she isn't going to be around forever and it gave her the push she needed and I was so happy. And then we got put back through the wringer and I almost gave up, not wanting to finish this if it wasn't going to be happy. I finished it though and *sighs* it didn't end badly.
Christ! Even writing this I cant see through my tears :')
Bob Mann (459 KP) rated Censor (2021) in Movies
Sep 3, 2021
Niamh Algar is fabulous (1 more)
Novel story and great direction
A genuinely original story (at last!)
Positives:
- I often whinge on about there being no novelty in movies anymore, with everything being derivative of everything else. Well here's a case for the defence. There have been movies before about the mental effect of working in the horror movie business (Toby Jones in "Berberian Sound Studio" comes to mind). But none (as far as I'm aware) from the viewpoint of a film censor. This novelty gave the movie the scope to go in a number of different directions - including as a historical drama. But it focuses on a study of how loss and grief can suddenly emerge in dramatic ways even after many years. Director Prano Bailey-Bond co-wrote this and directs it with such verve that she is very much added to my "one to watch" list for writer-directors.
- Irish actress Niamh Algar is just brilliant here, reminiscent of Morfydd Clark's fantastic performance in "Saint Maud" (not the only parallel to be drawn in this review). The acting during the dramatic conclusion is utterly chilling.
- While the ending of the movie might be polarising, I loved it. No spoilers, but it's one of my favourite endings of any movie so far this year. It reminded me strongly of the ending of "Saint Maud".
- The editing is by Mark Towns (who also did "Saint Maud"). And it's bloody marvellous, particularly during that finale! While it doesn't shy away from showing some pretty horrible stuff, Towns shows much of this subliminally in the edit (shades of the "Psycho" shower scene). This probably helped with its certification (of which more later).
- The music by Emilie Levienaise-Farrouch is quirky and fitting for the movie. I loved the jaunty end-title music.
- Has one of the best impalings since Timothy Dalton fell on that model church spire in "Hot Fuzz"!
Negatives:
- While Algar is utterly fabulous, I was less convinced by the acting of some of her fellow censors in the office. Some of this felt a bit wooden to me.
Summary Thoughts on "Censor": The workings of the UK film censors have always fascinated me, and here's a novel insight into their work during a very difficult period in their history: the National Viewers and Listener's Association, headed by the fearsome Mary Whitehouse, was up in arms at the potential damage to people's (and particularly children's) mental wellbeing from the influx of "video nasties" arriving in homes on VHS tapes. The film needs to be applauded for coming up with such a novel storyline.
What I found surprising (and ironic) is that this got away with only a "15" certificate. Editor Mark Towns suggested to me, in a private communication on Twitter, that the BBFC rated it thus due to the "context" in which the violence was set. But I remember the first 'X' film I saw. It was Brian De Palma's "The Fury", which (from memory) was purely rated as such for the final scene in which John Cassavetes's character explodes in a gory fountain. Judging from "Censor"'s "15" certificate, things have become significantly more permissive in recent years!
(For the full graphical review check out onemannsmovies on the web, facebook and (for the video review) Tiktok. Thanks)
- I often whinge on about there being no novelty in movies anymore, with everything being derivative of everything else. Well here's a case for the defence. There have been movies before about the mental effect of working in the horror movie business (Toby Jones in "Berberian Sound Studio" comes to mind). But none (as far as I'm aware) from the viewpoint of a film censor. This novelty gave the movie the scope to go in a number of different directions - including as a historical drama. But it focuses on a study of how loss and grief can suddenly emerge in dramatic ways even after many years. Director Prano Bailey-Bond co-wrote this and directs it with such verve that she is very much added to my "one to watch" list for writer-directors.
- Irish actress Niamh Algar is just brilliant here, reminiscent of Morfydd Clark's fantastic performance in "Saint Maud" (not the only parallel to be drawn in this review). The acting during the dramatic conclusion is utterly chilling.
- While the ending of the movie might be polarising, I loved it. No spoilers, but it's one of my favourite endings of any movie so far this year. It reminded me strongly of the ending of "Saint Maud".
- The editing is by Mark Towns (who also did "Saint Maud"). And it's bloody marvellous, particularly during that finale! While it doesn't shy away from showing some pretty horrible stuff, Towns shows much of this subliminally in the edit (shades of the "Psycho" shower scene). This probably helped with its certification (of which more later).
- The music by Emilie Levienaise-Farrouch is quirky and fitting for the movie. I loved the jaunty end-title music.
- Has one of the best impalings since Timothy Dalton fell on that model church spire in "Hot Fuzz"!
Negatives:
- While Algar is utterly fabulous, I was less convinced by the acting of some of her fellow censors in the office. Some of this felt a bit wooden to me.
Summary Thoughts on "Censor": The workings of the UK film censors have always fascinated me, and here's a novel insight into their work during a very difficult period in their history: the National Viewers and Listener's Association, headed by the fearsome Mary Whitehouse, was up in arms at the potential damage to people's (and particularly children's) mental wellbeing from the influx of "video nasties" arriving in homes on VHS tapes. The film needs to be applauded for coming up with such a novel storyline.
What I found surprising (and ironic) is that this got away with only a "15" certificate. Editor Mark Towns suggested to me, in a private communication on Twitter, that the BBFC rated it thus due to the "context" in which the violence was set. But I remember the first 'X' film I saw. It was Brian De Palma's "The Fury", which (from memory) was purely rated as such for the final scene in which John Cassavetes's character explodes in a gory fountain. Judging from "Censor"'s "15" certificate, things have become significantly more permissive in recent years!
(For the full graphical review check out onemannsmovies on the web, facebook and (for the video review) Tiktok. Thanks)
Colossatron: Massive World Threat
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AN EXPLOSIVE NEW GAME FROM THE CREATORS OF FRUIT NINJA AND JETPACK JOYRIDE! Colossatron: Massive...