CSI: Crime Scene Investigation - Season 1
6.0
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TV Season
It's all change at the Las Vegas Crime Lab following the shooting death of Holly Gribbs ("Pilot"),...
Speeches That Influenced the World
Book
Speeches that Defined the World is a collection of the most potent and memorable speeches throughout...
Zones of Control: Perspectives on Wargaming
Matthew G. Kirschenbaum, Pat Harrigan and James F. Dunnigan
Book
Games with military themes date back to antiquity, and yet they are curiously neglected in much of...
Charlie Cobra Reviews (1840 KP) rated Brightburn (2019) in Movies
Jul 7, 2020
Living in Brightburn, Kansas, Tori (Elizabeth Banks) and Kyle Breyer (David Denman), a young farm couple, struggle with conceiving a child due to fertility issues. One night, a spaceship falls from the sky near their farm. A baby boy is found inside and the couple decide to adopt him and name him Brandon. Years later, it seems Brandon (Jackson A. Dunn) is a typical young boy as he has been raised without the knowledge of his true origin. However this begins to change in very dramatic ways as the spaceship that he arrived in, hidden in a trapdoor in the barn, begins to glow and affect him disturbingly.
This movie was very much horror and with the R-rating it did not disappoint in that category. However for a superhero movie, I definitely felt it could have been better, especially when it came to the storytelling. I felt like the plot wasn't structured enough and it didn't always feel like it was going somewhere except for what it had shown through the trailers. You know, like it showed in the trailers the outcome and the journey to that outcome wasn't as fun or surprising as I thought it was going to be. The kill scenes though were very brutal, which for some reason I wasn't expecting as much, I guess because the one doing them is this super-powered 12 year old. But this was an awesome concept on a very familiar story that everyone has grown up with or heard, which is basically Superman. There are comics from DC and of Superman like Red Son Superman; where it's a "what if" Superman had landed in Russia instead of United States, and there is a Justice League animated film where instead of Superman, Kal-El, the baby that escapes Krypton is Generel Zod's child and instead of landing in Kansas he lands in New Mexico and is raised by Mexican migrant farmers. But I don't think there has been a story to explore this type of different way Superman could have grown up and it was shockingly entertaining to say the least. The mid-credits scene was really cool to see as well and know that the cinematic universe for Brightburn could expand if it does well financially. I'm thinking that it won't with stiff competition such as Aladdin and John Wick 3 but who knows. I give this film a 6/10.
The third of David Gemmell's Drenai books, this is also chronologically the first, set (as it is) centuries before the events of Legend.
I think I first read this in the mid-to-late 90s, not that long after discovering Gemmell as an author.
As an early work by Gemmell, this also has several of what-would-become-known-as his trademark: the main character of Waylander himself, for instance (who he would return to twice more in Waylander II and Hero in the Shadows) is not a clean-cut hero (perhaps more of an anti-hero), only rescuing the priest Dardalian (who would go on to have a VERY important impact on the history of the Drenai) at the very start of the novel as the renegades who are torturing that priest have also stolen Waylander's horse.
Full of powerful imagery (Waylander standing alone against the robbers in the dusk with the sun setting behind him for one, not that long after this rescue) and Gemmell's contemplation on the Source, Waylander would become - I feel - second only to Druss amongst his most popular creations.
That's not to say this is perfect: like Legend, the romance between Waylander and Danyal does seemingly come out of nowhere, although Gemmell is (was) getting better at organically growing those relationships compared to his first work.
Interpreting Qualitative Data
Book
In this fifth edition of his field-defining text, David Silverman, a true guru of qualitative...
Bleak Expectations: The Story So Far
Mark Evans, Full Cast and Anthony Head
Book
The epic Victorian comedy includes all of Pip Bin's remarkable adventures as he battles his evil...
Adrian Mole: the Collected Poems
Book
Mole Press - a brand new imprint of Penguin Books - is proud to announce the first publication of...
Matthew Krueger (10051 KP) rated The Return of the Vampire (1944) in Movies
Oct 17, 2020
The Plot: In 1918 London, Hungarian vampire Armand Tesla (Bela Lugosi) uses his servant, werewolf Andreas Obry (Matt Willis), to assist in procuring victims. When a friend of Lady Jane Ainsley (Frieda Inescort) becomes Tesla's next victim, Jane and an acquaintance stalk the vampire and kill him by driving a stake through his heart. But 23 years later, a German bomb disturbs Tesla's grave, and cemetery workers restoring the site pull the stake from his corpse, bringing him back to life to seek revenge.
The Return of the Vampire is not an official sequel to Lugosi's 1931 Universal Studios film Dracula, but the film has been interpreted by David J. Skal as an unofficial follow-up with Lugosi's character renamed only because the film was not made by Universal.
Bela Lugosi's scenes were filmed in August and September 1943, prior to his final two Monogram films. This was also the last time he would receive top billing by a major Hollywood studio.
Its a really good film.
Bidin' My Time by Chris Hillman
Album Watch
'Bidin' My Time', produced by Tom Petty and executive-produced by Herb Pedersen, captures a rarity:...
country rock