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Movie Metropolis (309 KP) rated The BFG (2016) in Movies
Jun 10, 2019
Spielberg, where are you?
Roald Dahl’s inspiring novels have had a chequered history when it comes to turning them into films. Danny DeVito’s Matilda is widely regarded as one of the best adaptations, with Tim Burton’s Charlie & the Chocolate Factory rendered a monstrosity by fans of the author and movie critics alike.
So when Steven Spielberg was announced as director of The BFG, my personal favourite of all Dahl’s novels, I was equal parts pleased and wary. Could my favourite filmmaker really do this amazing book justice?
Partially is the short answer. Spielberg proves a safe pair of hands as usual, but it lacks his trademark flair, losing the darker, more brooding elements of the source material in the process.
Ten-year-old Sophie (Ruby Barnhill) experiences the adventure of a lifetime when she meets the Big Friendly Giant (Mark Rylance). Naturally scared at first, she soon realizes that the 24-foot behemoth is actually gentle and charming. As their friendship grows, Sophie’s presence attracts the unwanted attention of Bloodbottler, Fleshlumpeater and other giants. After traveling to London, Sophie and the BFG must convince the Queen to help them get rid of all the bad giants once and for all.
Casting wise, The BFG is practically spot on with Mark Rylance being exceptional in the titular role. It was always going to be hard to fill the shoes of David Jason, who tackled the character in the 1989 TV film, but he is perfect; getting the mannerisms and voice down to a tee. The motion capture used to render Rylance’s face onto the giant is breath-taking and some of the best I’ve seen. Elsewhere, Ruby Barnhill certainly has the look of Sophie, but lacks the acting finesse of some child actors.
The cinematography is both beautiful and at times hard to stomach. The opening sequence in which Sophie is taken from her bed to Giant Country is stunning, climaxing in a first-person view of the far-away land. Unfortunately, Spielberg’s avoidance of shaky cam lends an almost video-game feel to the scene that proves nauseating after a few minutes.
The BFG also suffers when both its main characters share a close-up. In particular, when Sophie is being carried by the giant, the motions look continuously jerky and spoil an otherwise impeccably rendered film – you can see where the $140million was spent.
Unfortunately, John Williams’ score lacks any sort of punch and feels sorely out of place in certain parts of the film. This is even more unusual considering the pairing of Spielberg and Williams has given us greats like Jurassic Park, E.T. and Indiana Jones.
Nevertheless, this is a sweet film that children and adults should enjoy. The themes of friendship and loneliness can resonate with all generations and a packed-out cinema proves just what a draw Roald Dahl still is to this day.
Overall, The BFG is everything most families will want from a summer holiday blockbuster. It’s sugary sweet, with great special effects, engaging acting and a wonderful story that follows its source material reasonably well. However, for Spielberg fans, it’s puzzling because the director’s presence feels a little lost. There’s a lot to like, but not a lot to love.
https://moviemetropolis.net/2016/07/28/spielberg-where-are-you-the-bfg-review/
So when Steven Spielberg was announced as director of The BFG, my personal favourite of all Dahl’s novels, I was equal parts pleased and wary. Could my favourite filmmaker really do this amazing book justice?
Partially is the short answer. Spielberg proves a safe pair of hands as usual, but it lacks his trademark flair, losing the darker, more brooding elements of the source material in the process.
Ten-year-old Sophie (Ruby Barnhill) experiences the adventure of a lifetime when she meets the Big Friendly Giant (Mark Rylance). Naturally scared at first, she soon realizes that the 24-foot behemoth is actually gentle and charming. As their friendship grows, Sophie’s presence attracts the unwanted attention of Bloodbottler, Fleshlumpeater and other giants. After traveling to London, Sophie and the BFG must convince the Queen to help them get rid of all the bad giants once and for all.
Casting wise, The BFG is practically spot on with Mark Rylance being exceptional in the titular role. It was always going to be hard to fill the shoes of David Jason, who tackled the character in the 1989 TV film, but he is perfect; getting the mannerisms and voice down to a tee. The motion capture used to render Rylance’s face onto the giant is breath-taking and some of the best I’ve seen. Elsewhere, Ruby Barnhill certainly has the look of Sophie, but lacks the acting finesse of some child actors.
The cinematography is both beautiful and at times hard to stomach. The opening sequence in which Sophie is taken from her bed to Giant Country is stunning, climaxing in a first-person view of the far-away land. Unfortunately, Spielberg’s avoidance of shaky cam lends an almost video-game feel to the scene that proves nauseating after a few minutes.
The BFG also suffers when both its main characters share a close-up. In particular, when Sophie is being carried by the giant, the motions look continuously jerky and spoil an otherwise impeccably rendered film – you can see where the $140million was spent.
Unfortunately, John Williams’ score lacks any sort of punch and feels sorely out of place in certain parts of the film. This is even more unusual considering the pairing of Spielberg and Williams has given us greats like Jurassic Park, E.T. and Indiana Jones.
Nevertheless, this is a sweet film that children and adults should enjoy. The themes of friendship and loneliness can resonate with all generations and a packed-out cinema proves just what a draw Roald Dahl still is to this day.
Overall, The BFG is everything most families will want from a summer holiday blockbuster. It’s sugary sweet, with great special effects, engaging acting and a wonderful story that follows its source material reasonably well. However, for Spielberg fans, it’s puzzling because the director’s presence feels a little lost. There’s a lot to like, but not a lot to love.
https://moviemetropolis.net/2016/07/28/spielberg-where-are-you-the-bfg-review/
Gareth von Kallenbach (971 KP) rated The Social Network (2010) in Movies
Aug 8, 2019
It’s hard to find anyone who doesn’t know about Facebook. On any given day, at least 250 million active users log on to Facebook and spend over 700 billion minutes per month updating their status, posting pictures or playing casual games. So dominant is this social network, the name itself is both a brand and a verb. Who would have thought that sharing inanities about what we’re currently thinking, eating, reading, watching with our friends would garner such interest? In the new movie The Social Network, director David Fincher sets out to show how, from the very humblest beginnings, Facebook became the juggernaut that it is today.
In 2003, after a debate and breakup with his girlfriend, fueled by his frustration at his exclusion from the social elite, Harvard undergrad and computer programming genius, Mark Zuckerberg, sits at his computer one night and changes the face of the internet. In just a few hours Zuckerberg, deftly played by Jesse Eisenberg, circumvents the firewalls and security of Harvard and creates a website that allows visitors to rate the ladies of the campus. Within a few hours, the thousands of hits crash the vaunted computer network of the university.
While Harvard staff was not impressed with his efforts, it certainly caught the attention of his fellow students, most notably the Winklevoss brothers, who seek out Zuckerberg with the intention of creating an exclusive website for Harvard students. While seemingly mulling over the proposal of the new site, Zuckerberg rapidly, and obsessively, develops his own. The early version of what would eventually become Facebook soon becomes a campus sensation, much to the dismay of the Winklevoss brothers.
Andrew Garfield plays Zuckerberg’s friend Eduardo Severin who funds Zuckerberg’s efforts. Facebook rapidly became the height of social hipness as its exclusivity widened to more colleges and universities. College students across the country created profiles and quickly spread news of the site simply by word of mouth. Or rather word of email. The success of Facebook soon gains the attention of Sean Parker, played by Justin Timberlake. Parker had risen to prominence as the creator of the popular file sharing site Napster and was eager to become involved with the growing success of Facebook. While Mark is fascinated and inspired by Sean’s slick style, Eduardo isn’t impressed and is highly suspicious of Sean’s motives as well as his shady reputation. As the trailers and posters have touted, you can’t get to 500 million friends without making a few enemies. Jealousy feeds insecurities that feed accusations that eventually lead to lawsuits.
Eisenberg is fantastic as the egotistical, neurotic, and highly intelligent Mark Zuckerberg, but the true breakout performance of the film has to be that of Andrew Garfield, who has been cast to play Spiderman in the next trilogy of the very popular film series. The British actor who was born and raised in Los Angeles has an understated charisma and appears very capable of becoming a leading man. He infuses Eduardo with class and humanism as he tries to be the friend Zuckerberg doesn’t think he needs.
The film is told largely through flashbacks during a deposition hearing between the parties involved in the lawsuits. Director Fincher skillfully allows his characters to drive the film, letting the story unfold in telling scenes, giving the characters ample room to shine without becoming preachy or resorting to grandstanding.
The characters, despite their flaws, do come across as very believable and sympathetic, even though it’s difficult to imagine going from students to inventors of a pop culture phenomenon, to billionaires in just a few short years. Very few corporations that become dominant in their industry do so without critics, challengers, and those that claim they were responsible for whatever success a company gained.
While The Social Network does not overtly place blame, the light it shines on Zuckerberg isn’t altogether flattering. Surprisingly, the film does not go to the extreme with tech talk. It instead focuses on the relationship between the characters and how they handled the drastic and sudden changes in their lives brought on by a simple program called Face Mash, which became the basis for Facebook.
Strong supporting work in the film combined with the great performances of the lead characters makes The Social Network”a very solid and entertaining film that, for my money, is one of the better films of the year.
While it would be easy to jump to judgment and brand many in the film as egotistical rich people who should be grateful for what they have, I remembered that absolute power corrupts absolutely and I wondered just how well any of us in the audience would react if we were ever faced with a similar situation.
In 2003, after a debate and breakup with his girlfriend, fueled by his frustration at his exclusion from the social elite, Harvard undergrad and computer programming genius, Mark Zuckerberg, sits at his computer one night and changes the face of the internet. In just a few hours Zuckerberg, deftly played by Jesse Eisenberg, circumvents the firewalls and security of Harvard and creates a website that allows visitors to rate the ladies of the campus. Within a few hours, the thousands of hits crash the vaunted computer network of the university.
While Harvard staff was not impressed with his efforts, it certainly caught the attention of his fellow students, most notably the Winklevoss brothers, who seek out Zuckerberg with the intention of creating an exclusive website for Harvard students. While seemingly mulling over the proposal of the new site, Zuckerberg rapidly, and obsessively, develops his own. The early version of what would eventually become Facebook soon becomes a campus sensation, much to the dismay of the Winklevoss brothers.
Andrew Garfield plays Zuckerberg’s friend Eduardo Severin who funds Zuckerberg’s efforts. Facebook rapidly became the height of social hipness as its exclusivity widened to more colleges and universities. College students across the country created profiles and quickly spread news of the site simply by word of mouth. Or rather word of email. The success of Facebook soon gains the attention of Sean Parker, played by Justin Timberlake. Parker had risen to prominence as the creator of the popular file sharing site Napster and was eager to become involved with the growing success of Facebook. While Mark is fascinated and inspired by Sean’s slick style, Eduardo isn’t impressed and is highly suspicious of Sean’s motives as well as his shady reputation. As the trailers and posters have touted, you can’t get to 500 million friends without making a few enemies. Jealousy feeds insecurities that feed accusations that eventually lead to lawsuits.
Eisenberg is fantastic as the egotistical, neurotic, and highly intelligent Mark Zuckerberg, but the true breakout performance of the film has to be that of Andrew Garfield, who has been cast to play Spiderman in the next trilogy of the very popular film series. The British actor who was born and raised in Los Angeles has an understated charisma and appears very capable of becoming a leading man. He infuses Eduardo with class and humanism as he tries to be the friend Zuckerberg doesn’t think he needs.
The film is told largely through flashbacks during a deposition hearing between the parties involved in the lawsuits. Director Fincher skillfully allows his characters to drive the film, letting the story unfold in telling scenes, giving the characters ample room to shine without becoming preachy or resorting to grandstanding.
The characters, despite their flaws, do come across as very believable and sympathetic, even though it’s difficult to imagine going from students to inventors of a pop culture phenomenon, to billionaires in just a few short years. Very few corporations that become dominant in their industry do so without critics, challengers, and those that claim they were responsible for whatever success a company gained.
While The Social Network does not overtly place blame, the light it shines on Zuckerberg isn’t altogether flattering. Surprisingly, the film does not go to the extreme with tech talk. It instead focuses on the relationship between the characters and how they handled the drastic and sudden changes in their lives brought on by a simple program called Face Mash, which became the basis for Facebook.
Strong supporting work in the film combined with the great performances of the lead characters makes The Social Network”a very solid and entertaining film that, for my money, is one of the better films of the year.
While it would be easy to jump to judgment and brand many in the film as egotistical rich people who should be grateful for what they have, I remembered that absolute power corrupts absolutely and I wondered just how well any of us in the audience would react if we were ever faced with a similar situation.
Kaz (232 KP) rated The Finisher (Vega Jane #1) in Books
Nov 5, 2019
I'm a fan of Fantasy and Sci-fi and, in a recent conversation with a friend on the subject of reading, they recommended and lent me, the 'Vega Jane' Series.
Book one started with great promise. Vega Jane and the rest of the characters were very well formed and I liked the initial underlining feminist message, running throughout the story.
However, I found many problems with this novel. Firstly, the writing was a major problem for me, particularly the vocabulary that was used by the characters.
Wormwood is supposedly a fictional place, on an unknown planet. So it didn't come to surprise, that the characters used a fictional language.
The problem with that was, when a character used a fictional word, as a reader, you had to hazard a guess at to what the characters were talking about. Also, made up words were used, where they weren't particularly necessary. For example, ''Lights' were 'days' and 'slivers' were 'time'. For me, it wasn't entirely necessary to use alternative words for these things and this vocabulary was being thrown in, to try and make the setting of the story, more interesting. I would have preferred the use of fictitious words for some of the more exotic things, found in the environment of Wormwood.
Also to confuse things even further, more modern words like 'bloke' were used, which gave this weird mish mash, between the modern and the fantasy world, the book took place in. I think what David Baldacci was trying to do, was to make the situation and characters more relatable to its predominately teenage audience. What this combination of language actually did, was to cause me to step out of the world that was being created, rather than being drawn into it.
The plot was generally good. Although, as Vega was learning more about her powers, there were no real explanations as to why she had them. I know this is a series and I suppose that during the course of the novels, there will be more explanation, but I felt like something should have been explained.
Also, Vega inexplicably finds weapons at the exact times she needs them, without any explanation about where they came from. It was as if David Baldacci found Vega in a tight spot, so he decided to drop weapons from the sky. For me, that wasn't logical and was a bit lazy on the writer's part.
I did enjoy the tension which ran through the book and that kept me reading until the very end. I was fully prepared, as I neared the end of book one, to continue reading the rest of the series. However, the last three chapters totally put me off reading the rest of the books, for several reasons.
Firstly, Vega Jane was a strong female character, who had guts and fought to survive. So it was totally out of character, at the end, for her to start worrying about what she looked like and what boys thought of her. To me, that totally contradicted the message that the rest of the book was trying to send.
Also the resolution to the novel, like some of the other elements in this book, seemed to come from no where. I felt totally disappointed at the weak ending.
This novel had interesting promise and a great female protagonist, but it missed the mark entirely for me.
If you like reading fantasy novels, with strong female characters, I wouldn't suggest reading this. Read the 'Hunger Games' Trilogy instead.
Book one started with great promise. Vega Jane and the rest of the characters were very well formed and I liked the initial underlining feminist message, running throughout the story.
However, I found many problems with this novel. Firstly, the writing was a major problem for me, particularly the vocabulary that was used by the characters.
Wormwood is supposedly a fictional place, on an unknown planet. So it didn't come to surprise, that the characters used a fictional language.
The problem with that was, when a character used a fictional word, as a reader, you had to hazard a guess at to what the characters were talking about. Also, made up words were used, where they weren't particularly necessary. For example, ''Lights' were 'days' and 'slivers' were 'time'. For me, it wasn't entirely necessary to use alternative words for these things and this vocabulary was being thrown in, to try and make the setting of the story, more interesting. I would have preferred the use of fictitious words for some of the more exotic things, found in the environment of Wormwood.
Also to confuse things even further, more modern words like 'bloke' were used, which gave this weird mish mash, between the modern and the fantasy world, the book took place in. I think what David Baldacci was trying to do, was to make the situation and characters more relatable to its predominately teenage audience. What this combination of language actually did, was to cause me to step out of the world that was being created, rather than being drawn into it.
The plot was generally good. Although, as Vega was learning more about her powers, there were no real explanations as to why she had them. I know this is a series and I suppose that during the course of the novels, there will be more explanation, but I felt like something should have been explained.
Also, Vega inexplicably finds weapons at the exact times she needs them, without any explanation about where they came from. It was as if David Baldacci found Vega in a tight spot, so he decided to drop weapons from the sky. For me, that wasn't logical and was a bit lazy on the writer's part.
I did enjoy the tension which ran through the book and that kept me reading until the very end. I was fully prepared, as I neared the end of book one, to continue reading the rest of the series. However, the last three chapters totally put me off reading the rest of the books, for several reasons.
Firstly, Vega Jane was a strong female character, who had guts and fought to survive. So it was totally out of character, at the end, for her to start worrying about what she looked like and what boys thought of her. To me, that totally contradicted the message that the rest of the book was trying to send.
Also the resolution to the novel, like some of the other elements in this book, seemed to come from no where. I felt totally disappointed at the weak ending.
This novel had interesting promise and a great female protagonist, but it missed the mark entirely for me.
If you like reading fantasy novels, with strong female characters, I wouldn't suggest reading this. Read the 'Hunger Games' Trilogy instead.
American Dreamer: My Life in Fashion & Business
Peter Knobler and Tommy Hilfiger
Book
In this tale of grit and glamour, setbacks and comebacks, business and pop culture icon Tommy...
Holby City - Series 19
6.1
Rate It
TV Show
The series was created by Tony McHale and Mal Young as a spin-off from the established BBC medical...
Drama
Stories of Prophets in Islam - Islamic Stories, Muslim Stories, Quran and Hadith
Book and Education
App
Praise be to Allah (Swt) and Peace & Blessings be upon his messenger Prophet Muhammad (Pbuh). In...
Charlie Cobra Reviews (1840 KP) rated Angel Has Fallen (2019) in Movies
Jul 7, 2020
Not The Best In The Series But A Good Farewell
Angel Has Fallen is a 2019 action/thriller movie directed by Ric Roman Waugh with screenplay written by Waugh, Robert Mark Kamen and Matt Cook from story by Creighton Rothenberger and Katrin Benedikt. Producers on the film included Gerard Butler, Alan Siegel, Matt O'Toole, John Thompson, Les Weldon, and Yariv Lerner. It was produced by Millennium Media, G-Base and distributed by Lionsgate. The film stars Gerard Butler, Morgan Freeman, Jada Pinkett Smith, Piper Perabo, and Lance Reddick.
Undergoing training at a private military facility, Secret Service agent Mike Banning (Gerard Butler) finds himself hiding the fact that he's suffering from migraines, insomnia and self-medicating to deal with severe back pain. He is nominated by the President Alan Trumbull (Morgan Freeman), for the position of Secret Service Director to replace retiring Director David Gentry (Lance Reddick). An assassination attempt occurs during the President's fishing trip and his security detail is killed by armed drones, leaving only himself and Banning the sole survivors. Banning is arrested by FBI Agent Helen Thompson (Jada Pinkett Smith) after finding substantial evidence that Banning is responsible for the attack. After escaping from his captors Banning must evade his own agency and the FBI to find the real threat to the President. To save the country from imminent danger he must turn to unlikely allies and uncover the truth to clear his name.
This movie was all over the place but it was good. I think i liked it better than the last one which was London Has Fallen, but not as much as the original movie Olympus Has Fallen. It was refreshing to see Gerard Butler's character Mike Banning humanized a bit in this film. The plot was a little predictable but I enjoyed the whole man on the run while trying to still do his job angle to it. Like I said the movie was kind of all over the place and didn't have the action scenes as tight as in the other films especially in the middle of the movie but it didn't matter too much overall. Fairly entertaining, it was a good movie to end the summer action movies off with. I give it a 7/10.
Undergoing training at a private military facility, Secret Service agent Mike Banning (Gerard Butler) finds himself hiding the fact that he's suffering from migraines, insomnia and self-medicating to deal with severe back pain. He is nominated by the President Alan Trumbull (Morgan Freeman), for the position of Secret Service Director to replace retiring Director David Gentry (Lance Reddick). An assassination attempt occurs during the President's fishing trip and his security detail is killed by armed drones, leaving only himself and Banning the sole survivors. Banning is arrested by FBI Agent Helen Thompson (Jada Pinkett Smith) after finding substantial evidence that Banning is responsible for the attack. After escaping from his captors Banning must evade his own agency and the FBI to find the real threat to the President. To save the country from imminent danger he must turn to unlikely allies and uncover the truth to clear his name.
This movie was all over the place but it was good. I think i liked it better than the last one which was London Has Fallen, but not as much as the original movie Olympus Has Fallen. It was refreshing to see Gerard Butler's character Mike Banning humanized a bit in this film. The plot was a little predictable but I enjoyed the whole man on the run while trying to still do his job angle to it. Like I said the movie was kind of all over the place and didn't have the action scenes as tight as in the other films especially in the middle of the movie but it didn't matter too much overall. Fairly entertaining, it was a good movie to end the summer action movies off with. I give it a 7/10.
Matthew Krueger (10051 KP) rated Star Wars: Episode V – The Empire Strikes Back (1980) in Movies
May 6, 2020 (Updated May 6, 2020)
May The Force Be With You: The Middle
Empire Strikes Back- i heard that this movie is peoples, all time greatest/best sequel and the best movie out of the oringal trilogy. To me, no. Episode 4 and 6 are better. Their are excellent sences like.. the battle at Hoth, when Han gets Frozen and the battle between Dark Vader and Luke. The rest of the movie is slow and boring.
The plot: The adventure continues in this "Star Wars" sequel. Luke Skywalker (Mark Hamill), Han Solo (Harrison Ford), Princess Leia (Carrie Fisher) and Chewbacca (Peter Mayhew) face attack by the Imperial forces and its AT-AT walkers on the ice planet Hoth. While Han and Leia escape in the Millennium Falcon, Luke travels to Dagobah in search of Yoda. Only with the Jedi master's help will Luke survive when the dark side of the Force beckons him into the ultimate duel with Darth Vader (David Prowse).
To me their are better movie sequels than this one like.. "Back To The Future Part II", "Lord of The Rings: The Two Towers", "The Dark Knight", "Captain America: The Winter Soilder", "Toy Story 2", "Terminator 2: Judgement Day" and "Aliens". All of these sequels are 10x better than Empire Strikes Back.
AFI's 100 Years...100 Movies – Nominated
AFI's 100 Years...100 Thrills – Nominated
AFI's 100 Years...100 Heroes and Villains:
Darth Vader – No. 3 Villain
AFI's 100 Years...100 Movie Quotes:
"I am your father." – Nominated
"Do, or do not. There is no try." – Nominated
AFI's 100 Years...100 Movies (10th
Anniversary Edition) – Nominated.
Darth Vader was ranked as the third-greatest film villain of all time in the American Film Institute's 2003 list of the 100 greatest heroes and villains, and Wizard magazine selected the ending of The Empire Strikes Back as the greatest cliffhanger of all time.
The line "No, I am your father" is often misquoted as "Luke, I am your father." The line was selected as one of the 400 nominees for the American Film Institute's 100 Years... 100 Movie Quotes, a list of the greatest American film quotes.
I think Empire Strikes Back, even though its good. Its overrated and hyped up, to the point were its not just not as good as people say it is.
Like i said its good, but not excellent.
The plot: The adventure continues in this "Star Wars" sequel. Luke Skywalker (Mark Hamill), Han Solo (Harrison Ford), Princess Leia (Carrie Fisher) and Chewbacca (Peter Mayhew) face attack by the Imperial forces and its AT-AT walkers on the ice planet Hoth. While Han and Leia escape in the Millennium Falcon, Luke travels to Dagobah in search of Yoda. Only with the Jedi master's help will Luke survive when the dark side of the Force beckons him into the ultimate duel with Darth Vader (David Prowse).
To me their are better movie sequels than this one like.. "Back To The Future Part II", "Lord of The Rings: The Two Towers", "The Dark Knight", "Captain America: The Winter Soilder", "Toy Story 2", "Terminator 2: Judgement Day" and "Aliens". All of these sequels are 10x better than Empire Strikes Back.
AFI's 100 Years...100 Movies – Nominated
AFI's 100 Years...100 Thrills – Nominated
AFI's 100 Years...100 Heroes and Villains:
Darth Vader – No. 3 Villain
AFI's 100 Years...100 Movie Quotes:
"I am your father." – Nominated
"Do, or do not. There is no try." – Nominated
AFI's 100 Years...100 Movies (10th
Anniversary Edition) – Nominated.
Darth Vader was ranked as the third-greatest film villain of all time in the American Film Institute's 2003 list of the 100 greatest heroes and villains, and Wizard magazine selected the ending of The Empire Strikes Back as the greatest cliffhanger of all time.
The line "No, I am your father" is often misquoted as "Luke, I am your father." The line was selected as one of the 400 nominees for the American Film Institute's 100 Years... 100 Movie Quotes, a list of the greatest American film quotes.
I think Empire Strikes Back, even though its good. Its overrated and hyped up, to the point were its not just not as good as people say it is.
Like i said its good, but not excellent.
I'm Not Dying With You Tonight
Kimberly Jones and Gilly Segal
Book
"An absolute page turner, I'm Not Dying with You Tonight is a compelling and powerful novel that is...