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Zac Posen recommended Kay Thompson: From Funny Face to Eloise in Books (curated)
Michael J. Bess (2 KP) rated Thor: Ragnarok (2017) in Movies
Jul 6, 2018
Masterpiece!
Contains spoilers, click to show
This last offering before "Infinity War" basically softens the mood but we all know what's up next: Thanos' arrival. Chris Hemsworth clearly came out of his comfort zone in this film and it didn't all have to rely on him as Mark Buffalo, Tom Hiddleston, Cate Blanchett, Tessa Thompson, and the always entertaining Jeff Goldblum held their own in scenes separate and together with the God of Thunder. A must watch!!
Lindsay (1693 KP) rated Callie (The Bayou Hauntings #1) in Books
Nov 15, 2021
Callie is a good Halloween ghost storybook. If you are looking for ghosts and some secrets, this book by Bill Thompson is a good one. It is the first one in the series of “The Bayou Hauntings.” It all starts once a granddaughter comes for the reading of a will? This book is good, but it rates it 4.5 stars or Moons as it is not that ghostly.
What did Callie end up getting from her grandfather? What does her Uncle Willard want that he keeps trying to keep Callie leaving? Do we meet a little girl that comes and goes at her own will? Who could that be?
I feel this story is slow-moving and not all that ghostly until a little girl shows up, and it is stormy, making it more horror. It is mild in horror when the girl comes and goes. Callie seems confused with the riddles. I was not all scared of this ghost with the puzzles. It seems to be my mystery and secret, revealing more towards the end other than through most of the book.
Callie’s friend Mark seems more convincing and seems to have a plan, but we do not know until the little girl and Mark start making mistakes. Callie seems to catch on. Are Willard and Mark working together to get rid of Callie?
What did Callie end up getting from her grandfather? What does her Uncle Willard want that he keeps trying to keep Callie leaving? Do we meet a little girl that comes and goes at her own will? Who could that be?
I feel this story is slow-moving and not all that ghostly until a little girl shows up, and it is stormy, making it more horror. It is mild in horror when the girl comes and goes. Callie seems confused with the riddles. I was not all scared of this ghost with the puzzles. It seems to be my mystery and secret, revealing more towards the end other than through most of the book.
Callie’s friend Mark seems more convincing and seems to have a plan, but we do not know until the little girl and Mark start making mistakes. Callie seems to catch on. Are Willard and Mark working together to get rid of Callie?
Charlie Cobra Reviews (1840 KP) rated Angel Has Fallen (2019) in Movies
Jul 7, 2020
Not The Best In The Series But A Good Farewell
Angel Has Fallen is a 2019 action/thriller movie directed by Ric Roman Waugh with screenplay written by Waugh, Robert Mark Kamen and Matt Cook from story by Creighton Rothenberger and Katrin Benedikt. Producers on the film included Gerard Butler, Alan Siegel, Matt O'Toole, John Thompson, Les Weldon, and Yariv Lerner. It was produced by Millennium Media, G-Base and distributed by Lionsgate. The film stars Gerard Butler, Morgan Freeman, Jada Pinkett Smith, Piper Perabo, and Lance Reddick.
Undergoing training at a private military facility, Secret Service agent Mike Banning (Gerard Butler) finds himself hiding the fact that he's suffering from migraines, insomnia and self-medicating to deal with severe back pain. He is nominated by the President Alan Trumbull (Morgan Freeman), for the position of Secret Service Director to replace retiring Director David Gentry (Lance Reddick). An assassination attempt occurs during the President's fishing trip and his security detail is killed by armed drones, leaving only himself and Banning the sole survivors. Banning is arrested by FBI Agent Helen Thompson (Jada Pinkett Smith) after finding substantial evidence that Banning is responsible for the attack. After escaping from his captors Banning must evade his own agency and the FBI to find the real threat to the President. To save the country from imminent danger he must turn to unlikely allies and uncover the truth to clear his name.
This movie was all over the place but it was good. I think i liked it better than the last one which was London Has Fallen, but not as much as the original movie Olympus Has Fallen. It was refreshing to see Gerard Butler's character Mike Banning humanized a bit in this film. The plot was a little predictable but I enjoyed the whole man on the run while trying to still do his job angle to it. Like I said the movie was kind of all over the place and didn't have the action scenes as tight as in the other films especially in the middle of the movie but it didn't matter too much overall. Fairly entertaining, it was a good movie to end the summer action movies off with. I give it a 7/10.
Undergoing training at a private military facility, Secret Service agent Mike Banning (Gerard Butler) finds himself hiding the fact that he's suffering from migraines, insomnia and self-medicating to deal with severe back pain. He is nominated by the President Alan Trumbull (Morgan Freeman), for the position of Secret Service Director to replace retiring Director David Gentry (Lance Reddick). An assassination attempt occurs during the President's fishing trip and his security detail is killed by armed drones, leaving only himself and Banning the sole survivors. Banning is arrested by FBI Agent Helen Thompson (Jada Pinkett Smith) after finding substantial evidence that Banning is responsible for the attack. After escaping from his captors Banning must evade his own agency and the FBI to find the real threat to the President. To save the country from imminent danger he must turn to unlikely allies and uncover the truth to clear his name.
This movie was all over the place but it was good. I think i liked it better than the last one which was London Has Fallen, but not as much as the original movie Olympus Has Fallen. It was refreshing to see Gerard Butler's character Mike Banning humanized a bit in this film. The plot was a little predictable but I enjoyed the whole man on the run while trying to still do his job angle to it. Like I said the movie was kind of all over the place and didn't have the action scenes as tight as in the other films especially in the middle of the movie but it didn't matter too much overall. Fairly entertaining, it was a good movie to end the summer action movies off with. I give it a 7/10.
Leanne Crabtree (480 KP) rated Raised by Wolves (Raised by Wolves, #1) in Books
Nov 18, 2019
I'll be honest. Out of all the paranormal creatures out there, shape shifters are not high on my list of favourites. I find them hard to connect to but I obviously like something about some of them as I have two werewolf series in paperback--Mercy Thompson series by Patricia Briggs and Shifters by Rachel Vincent.
This one took a little getting into. It had a very slow start, taking 50+ pages for Bryn to meet Chase, the boy who got bit by the rabid, and then another 50 or so for them to meet again under supervision this time and not without going through a lot of training to make sure she can outwit/fight Chase if things go south. Strangely, though, Bryn and Chase have a connection - a bond - something that keeps them coming together and they somehow mark each other, causing chaos in the Pack. There's also the little issue that the rabid that bit Chase is also the one that killed Bryn's parents when she was four. And that is what the rest of the book is about. Finding and killing the rabid werewolf.
It didn't really hold my attention. It was quite a lot of book for hardly anything happening. The final showdown with the rabid shifter took all of about 25 pages and seemed over far too easily.
I liked some of the secondary characters, for instance Devon. He's great; witty, protective and good in any situation. Lake was fun, if a little crazy with her guns. Chase, I haven't decided about yet. And then there's Callum. I liked him, he always had a plan.
That being said, I don't think I'll be continuing the series.
This one took a little getting into. It had a very slow start, taking 50+ pages for Bryn to meet Chase, the boy who got bit by the rabid, and then another 50 or so for them to meet again under supervision this time and not without going through a lot of training to make sure she can outwit/fight Chase if things go south. Strangely, though, Bryn and Chase have a connection - a bond - something that keeps them coming together and they somehow mark each other, causing chaos in the Pack. There's also the little issue that the rabid that bit Chase is also the one that killed Bryn's parents when she was four. And that is what the rest of the book is about. Finding and killing the rabid werewolf.
It didn't really hold my attention. It was quite a lot of book for hardly anything happening. The final showdown with the rabid shifter took all of about 25 pages and seemed over far too easily.
I liked some of the secondary characters, for instance Devon. He's great; witty, protective and good in any situation. Lake was fun, if a little crazy with her guns. Chase, I haven't decided about yet. And then there's Callum. I liked him, he always had a plan.
That being said, I don't think I'll be continuing the series.
LeftSideCut (3778 KP) rated Thor: Ragnarok (2017) in Movies
Mar 5, 2021
I've got a lot a love for the first Thor movie, but like many others, the second one is probably my least favourite of the whole franchise. So, when one of the mightiest Avengers threatens to become stale, what is the solution? Taika fucking Waititi is the solution.
One of my favourite working directors helming an MCU film is exciting indeed, and manages to deliver a film that injects new life into the Thor series, manages to fit in with other chapters of the franchise without feeling too alien, but still has liberal splashings of Waititi's trademark wit throughout.
The comedy in this entry is thick and fast, but everything lands just right. It's fair to say that it's taken a leaf out the Guardians of the Galaxy playbook, but manages to come across smoother and feel more refined in it's humour than Vol. 2.
Chris Hemsworth, Tom Hiddleston, Anthony Hopkins, Mark Ruffalo and Idris Elba are back and as good as ever with MCU newcomers Cate Blanchett, carving a memorable figure as this movies big bad Hela (who I really hope we see again at somepoint), Tessa Thompson as the badass Valkyrie, a wonderful Jeff Goldblum as secondary villain Grandmaster (another that I hope we see again), and Karl Urban as The Executioner. It's a well put together cast.
It's packed full of comic shit too, with references to Man Thing, Beta Ray Bill, and Bi Beast, a tie in appearance from Doctor Strange, the first appearance of Surtur, and Hulk rampaging through Asgard. It has relentlessly entertaining set pieces and an 80s synth style soundtrack that tops everything wonderfully.
Not much to complain about here - easily the best of the Thor trilogy and a solid entry into the wider MCU.
One of my favourite working directors helming an MCU film is exciting indeed, and manages to deliver a film that injects new life into the Thor series, manages to fit in with other chapters of the franchise without feeling too alien, but still has liberal splashings of Waititi's trademark wit throughout.
The comedy in this entry is thick and fast, but everything lands just right. It's fair to say that it's taken a leaf out the Guardians of the Galaxy playbook, but manages to come across smoother and feel more refined in it's humour than Vol. 2.
Chris Hemsworth, Tom Hiddleston, Anthony Hopkins, Mark Ruffalo and Idris Elba are back and as good as ever with MCU newcomers Cate Blanchett, carving a memorable figure as this movies big bad Hela (who I really hope we see again at somepoint), Tessa Thompson as the badass Valkyrie, a wonderful Jeff Goldblum as secondary villain Grandmaster (another that I hope we see again), and Karl Urban as The Executioner. It's a well put together cast.
It's packed full of comic shit too, with references to Man Thing, Beta Ray Bill, and Bi Beast, a tie in appearance from Doctor Strange, the first appearance of Surtur, and Hulk rampaging through Asgard. It has relentlessly entertaining set pieces and an 80s synth style soundtrack that tops everything wonderfully.
Not much to complain about here - easily the best of the Thor trilogy and a solid entry into the wider MCU.
Bob Mann (459 KP) rated Bridget Jones's Baby (2016) in Movies
Sep 29, 2021
Come the F*** on Bridget… who’s the Daddy?
The world’s favourite lonely-hearts diarist is back. Bridget (Renée Zellweger) once again starts the film ‘all by herself’, haunted by occasional meetings with ex-flame Mark D’Arcy (Colin Firth) – now married to Camilla (Agni Scott) – and facing the natural discomfort of the early funeral of another friend who has died way too young. And at 43, Bridget’s biological clock is also ticking towards parental midnight.
Proving that enormous ditzyness and lack of talent need not be an impediment to a successful career, Bridget is now a top TV floor manager on a cable news station, anchored by friend Miranda (an excellent Sarah Solemani). In an effort to shake Bridget out of her malaise, Miranda takes her to a music festival (featuring some fun cameos!) where she has a one-night-stand with the delectable (speaking at least for all the women in my audience) Jack (Patrick Dempsey). Following another one-night-stand with D’Arcy and finding herself pregnant, a comedy of farce follows with one expectant mother and two prospective fathers competing for Bridget’s affections.
OK. So it’s not bloody Shakespeare. But it is an extremely well-crafted comedy, and as a British rom-com it significantly out-does many of the efforts of the rom-com king – Richard Curtis – in recent years. As a series its just amazing how many of the original cast have been reunited after 2004’s rather lacklustre “Bridget Jones: Edge of Reason”. Particularly effective are Bridget’s parents, played by the delectably Tory Gemma Jones and the ever-perfect Jim Broadbent. And Bridget’s trio of irreverent friends: Shazzer (Sally Phillips), Jude (Shirley Henderson) and Tom (James Callis) are all back. All are either well into parenthood or have impending parenthood, adding to the pressure on Bridget’s aching ovaries.
New to the cast, and brilliant in every scene she’s in, is the ever-radiant Emma Thompson as Bridget’s doctor. Is there any actress in the movies today that can deliver a comic line better-timed than Thompson? I doubt it. Just superb. And Thompson also co-wrote the screenplay, together with Bridget author Helen Fielding and – an unlikely contributor – Ali G collaborator Dan Mazer. All contribute to a sizzling script – not based on Fielding’s poorly received story – that zips along and makes the 123 minute run-time fly by. My one reservation would be – despite the film being set in the current day – lapses into internet memes like Hitler Cats and song crazes that are at least five years out of date. But I forgive that for the Colin Firth ‘Gangnam’ line, for me the funniest in the whole film.
Zellweger looks fantastic, pulling off the 4 year age difference from her character with ease. And isn’t it wonderful to see a middle-aged character as the centre of a rom-com for once? Hollywood would be well to remember that romance is not restricted to the 20-somethings. Certainly the packed cinema – filled with probably 90% (well oiled) women – certainly thought so, in what was a raucous and entertaining showing!
The music is superbly supported by an epic soundtrack of well-chosen tracks from Ellie Goulding, Years and Years, Jess Glynne, Lily Allen (with very funny adult content!) and classic oldies, all wrappered with nice themes by the brilliant and underrated Craig “Love Actually” Armstrong.
Sharon Maguire – the director of the original “Diary” – has delivered here a fun, absorbing and enormously entertaining piece of fluff that deserves to do well. And it has in the UK, making $11M in its opening weekend here and playing to packed showings. However – incomprehensibly – it has bombed in the US with only $8M coming in. Hopefully it might prove a bit of a sleeper hit there: come on America… we go to see all of the rubbish rom-coms you send over here, and this is way better than most of those!
This was a film I was determined to be sniffy about with my rating. But as a) I enjoyed it very much and b) a packed audience of women can’t be wrong…
Proving that enormous ditzyness and lack of talent need not be an impediment to a successful career, Bridget is now a top TV floor manager on a cable news station, anchored by friend Miranda (an excellent Sarah Solemani). In an effort to shake Bridget out of her malaise, Miranda takes her to a music festival (featuring some fun cameos!) where she has a one-night-stand with the delectable (speaking at least for all the women in my audience) Jack (Patrick Dempsey). Following another one-night-stand with D’Arcy and finding herself pregnant, a comedy of farce follows with one expectant mother and two prospective fathers competing for Bridget’s affections.
OK. So it’s not bloody Shakespeare. But it is an extremely well-crafted comedy, and as a British rom-com it significantly out-does many of the efforts of the rom-com king – Richard Curtis – in recent years. As a series its just amazing how many of the original cast have been reunited after 2004’s rather lacklustre “Bridget Jones: Edge of Reason”. Particularly effective are Bridget’s parents, played by the delectably Tory Gemma Jones and the ever-perfect Jim Broadbent. And Bridget’s trio of irreverent friends: Shazzer (Sally Phillips), Jude (Shirley Henderson) and Tom (James Callis) are all back. All are either well into parenthood or have impending parenthood, adding to the pressure on Bridget’s aching ovaries.
New to the cast, and brilliant in every scene she’s in, is the ever-radiant Emma Thompson as Bridget’s doctor. Is there any actress in the movies today that can deliver a comic line better-timed than Thompson? I doubt it. Just superb. And Thompson also co-wrote the screenplay, together with Bridget author Helen Fielding and – an unlikely contributor – Ali G collaborator Dan Mazer. All contribute to a sizzling script – not based on Fielding’s poorly received story – that zips along and makes the 123 minute run-time fly by. My one reservation would be – despite the film being set in the current day – lapses into internet memes like Hitler Cats and song crazes that are at least five years out of date. But I forgive that for the Colin Firth ‘Gangnam’ line, for me the funniest in the whole film.
Zellweger looks fantastic, pulling off the 4 year age difference from her character with ease. And isn’t it wonderful to see a middle-aged character as the centre of a rom-com for once? Hollywood would be well to remember that romance is not restricted to the 20-somethings. Certainly the packed cinema – filled with probably 90% (well oiled) women – certainly thought so, in what was a raucous and entertaining showing!
The music is superbly supported by an epic soundtrack of well-chosen tracks from Ellie Goulding, Years and Years, Jess Glynne, Lily Allen (with very funny adult content!) and classic oldies, all wrappered with nice themes by the brilliant and underrated Craig “Love Actually” Armstrong.
Sharon Maguire – the director of the original “Diary” – has delivered here a fun, absorbing and enormously entertaining piece of fluff that deserves to do well. And it has in the UK, making $11M in its opening weekend here and playing to packed showings. However – incomprehensibly – it has bombed in the US with only $8M coming in. Hopefully it might prove a bit of a sleeper hit there: come on America… we go to see all of the rubbish rom-coms you send over here, and this is way better than most of those!
This was a film I was determined to be sniffy about with my rating. But as a) I enjoyed it very much and b) a packed audience of women can’t be wrong…
Gareth von Kallenbach (965 KP) rated Cruella (2021) in Movies
May 26, 2021
Back in 1961; Disney adapted the 1056 Novel The Hundred and One Dalmatians and in doing so; crafted a beloved animated classic and introduced the world at large to Cruella De Vil. The film has not only endured but has spawned television series, a direct to video sequel, merchandise, and two live-action versions.
Despite being delayed due to the Pandemic; Disney has scheduled the much-anticipated “Cruella” for release and I am happy to announce that the film is a Wickedly Delicious new entry into the series.
The story follows young Estella as she and her mom plan to start a new life in London in the 1960s. When tragedy strikes, the young girl finds herself on the streets and working a life of crime and grift with fellow street kids Jasper and Horace.
Flash forward to the 1970s and Estella (Emma Stone) toils away in a store cleaning while hoping for her shot in the world of fashion. When fate arrives and places Estella in the path of vain, self-centered, and vicious fashion magnate The Baroness (Emma Thompson); who hires Estella to begin her career in fashion.
The savage way The Baroness treats those around her intimidates Estella but her friends Jasper (Joel Fry) and Horace (Paul Walter Hauser); see this as an opportunity to rob from The Baroness and this places them at odds with Estella as her designs start to gain traction.
When situations clarify and things begin to evolve into a mission of revenge; Estella transforms into Cruella which had long been the name associated with the darker side of her personality.
Cruella takes the fashion world by storm for her innovative looks, bold designs, and theatrical events which upstage the Baroness at major fashion events.
With her sales and reputation in decline, The Baroness declares war on Cruella which sets a dark and sinister series of events into motion which drives the film into darker content then one may expect from a Disney film.
The cast is very strong as Stone and Thompson are amazing as they are both wicked and captivating without ever going to far over the top or extreme with their characters. The supporting cast is great as well as Fry who was hysterical in the series Plebs brings a depth to Jasper which takes him above just being a stumbling sidekick.
Mark Strong also does great work and elevated all the scenes in which he was in with his strong presence. While at first I wondered if we really needed to have this part of Cruella’s life told; the story is engaging and the cast is fantastic which makes this movie dark and delightful.
While elements of it may not be ideal for younger viewers; the story was captivating and the performances were amazingly engaging.
The film ran about two hours and 10 minutes and seemed a bit long in one segment but the film does regroup brings the story home. There is a mid-credit scene audiences will want to stay for as it was an unexpected and very charming nod to what is to come and is not to be missed.
It will be interesting to see if the film is the hit that I expect it to be if Disney will consider more films in the series as it would be amazing to see this cast return for further wickedly dark adventures.
4 stars out of 5
Despite being delayed due to the Pandemic; Disney has scheduled the much-anticipated “Cruella” for release and I am happy to announce that the film is a Wickedly Delicious new entry into the series.
The story follows young Estella as she and her mom plan to start a new life in London in the 1960s. When tragedy strikes, the young girl finds herself on the streets and working a life of crime and grift with fellow street kids Jasper and Horace.
Flash forward to the 1970s and Estella (Emma Stone) toils away in a store cleaning while hoping for her shot in the world of fashion. When fate arrives and places Estella in the path of vain, self-centered, and vicious fashion magnate The Baroness (Emma Thompson); who hires Estella to begin her career in fashion.
The savage way The Baroness treats those around her intimidates Estella but her friends Jasper (Joel Fry) and Horace (Paul Walter Hauser); see this as an opportunity to rob from The Baroness and this places them at odds with Estella as her designs start to gain traction.
When situations clarify and things begin to evolve into a mission of revenge; Estella transforms into Cruella which had long been the name associated with the darker side of her personality.
Cruella takes the fashion world by storm for her innovative looks, bold designs, and theatrical events which upstage the Baroness at major fashion events.
With her sales and reputation in decline, The Baroness declares war on Cruella which sets a dark and sinister series of events into motion which drives the film into darker content then one may expect from a Disney film.
The cast is very strong as Stone and Thompson are amazing as they are both wicked and captivating without ever going to far over the top or extreme with their characters. The supporting cast is great as well as Fry who was hysterical in the series Plebs brings a depth to Jasper which takes him above just being a stumbling sidekick.
Mark Strong also does great work and elevated all the scenes in which he was in with his strong presence. While at first I wondered if we really needed to have this part of Cruella’s life told; the story is engaging and the cast is fantastic which makes this movie dark and delightful.
While elements of it may not be ideal for younger viewers; the story was captivating and the performances were amazingly engaging.
The film ran about two hours and 10 minutes and seemed a bit long in one segment but the film does regroup brings the story home. There is a mid-credit scene audiences will want to stay for as it was an unexpected and very charming nod to what is to come and is not to be missed.
It will be interesting to see if the film is the hit that I expect it to be if Disney will consider more films in the series as it would be amazing to see this cast return for further wickedly dark adventures.
4 stars out of 5
Ryan Hill (152 KP) rated Thor: Ragnarok (2017) in Movies
May 11, 2019
The humour
Chris Hemsworth as Thor
Tom Hiddleston as Loki
Mark Ruffalo as Bruce Banner/The Hulk
Taika Waititi as Korg
Cate Blanchett as Hela
Jeff Goldblum's Grandmaster is a God send (1 more)
Tessa Thompson as Valkiyrie
The Action was awesome specifically Hulk vs Thor and the final bridge battle
The synth score
"Piss off Ghost"
Perhaps, the most entertaining and enjoyable movie in the MCU since Iron Man?
There’s so many reasons why I enjoy Thor: Ragnarok, but it has to start with the direction and vision of Taika Waititi. He’s a genre changer in the comic book man movie universe. From his Kiwi sense of humor, to the choice in mood music, to the simply fun action sequences; Thor: Ragnarok is a two hour smile that would make it appear I had Botox injections, since my facial expression stayed happy.
Thor is one of my favorite characters in the MCU and I like the way the fat has been chewed off in his movies. Less memorable characters are disposed of, and screen time is given to the characters you want to see. Jeff Goldblum’s Grandmaster is a gift from God. Loki is Loki and who doesn’t love Loki? Tessa Thompson’s Valkyrie has a lot of depth. Cate Blanchett’s Hela might be in the top 5 in baddest of bad MCU villains, and puts the D in dysfunctional families. Plus, Idris Elba’s Heimdall deserved his own movie, and perhaps the number one scene stealer, and one of the reasons why this movie is truly special is Taika Waititi’s Korg. Who knew a CGI rock could be so hilarious? His voice is infectious, and I want to see more of Korg.
Hulk and Banner are both used just right. The synth-pop score makes me want to dance a boogie groove. Thor’s flaw is there’s too many interesting storylines, which causes the film to jump some from character to character. Watching Chris Hemsworth ham it up as Thor is what these types of movies should be all about. Putting the F back in fun and having a helluva time in the process doing so.
There’s so many reasons why I enjoy Thor: Ragnarok, but it has to start with the direction and vision of Taika Waititi. He’s a genre changer in the comic book man movie universe. From his Kiwi sense of humor, to the choice in mood music, to the simply fun action sequences; Thor: Ragnarok is a two hour smile that would make it appear I had Botox injections, since my facial expression stayed happy.
Thor is one of my favorite characters in the MCU and I like the way the fat has been chewed off in his movies. Less memorable characters are disposed of, and screen time is given to the characters you want to see. Jeff Goldblum’s Grandmaster is a gift from God. Loki is Loki and who doesn’t love Loki? Tessa Thompson’s Valkyrie has a lot of depth. Cate Blanchett’s Hela might be in the top 5 in baddest of bad MCU villains, and puts the D in dysfunctional families. Plus, Idris Elba’s Heimdall deserved his own movie, and perhaps the number one scene stealer, and one of the reasons why this movie is truly special is Taika Waititi’s Korg. Who knew a CGI rock could be so hilarious? His voice is infectious, and I want to see more of Korg.
Hulk and Banner are both used just right. The synth-pop score makes me want to dance a boogie groove. Thor’s flaw is there’s too many interesting storylines, which causes the film to jump some from character to character. Watching Chris Hemsworth ham it up as Thor is what these types of movies should be all about. Putting the F back in fun and having a helluva time in the process doing so.
Movie Metropolis (309 KP) rated Bridget Jones's Baby (2016) in Movies
Jun 11, 2019
No Big Bloomers?
Bridget Jones’s Diary is a classic example of the perfect British rom-com. Upon its release in 2001, yes 15 years ago, it catapulted Renée Zellweger into the public eye and made household names of its other stars.
Its sequel, The Edge of Reason, on the other hand was a dramatic fall from grace, with a lowly 27% approval rating on Rotten Tomatoes. Since then, the series has fallen into a dormant state with talks of another sequel doing the rounds since as early as 2004.
Fast-forward 12 years and the prayers of fans the world over have finally been answered. However, the comedy genre has moved on from the warm, fuzzy rom-coms of the past and in its place are the foul-mouthed female-led films of the present. But does Bridget Jones’s Baby get the balance right? Or is it a good decade too late?
Breaking up with Mark Darcy (Colin Firth) leaves Bridget Jones (Renée Zellweger) over 40 and single again. Feeling that she has everything under control, Jones decides to focus on her career as a top news producer. Suddenly, her love life comes back from the dead when she meets a handsome American named Jack (Patrick Dempsey). Things couldn’t be better, until Bridget discovers that she is pregnant. From then on, the befuddled mum-to-be must figure out if the proud dad is Mark or Jack.
The casting choices throughout the film are spot on and it’s a pleasure to see Colin Firth back on the big screen. His quintessentially British persona has been a highlight of both previous films and it’s no exception here. Patrick Dempsey’s turn as the dashing American stallion is sheer perfection and both he and Firth remain intensely likeable as the movie progresses, despite their obvious flaws.
Of course, praise must go to Renée Zellweger who, despite 12 years in between filming, manages to channel that iconic character like it was yesterday. She may look different to how we all remember her, but as soon as she speaks, it’s impossible not to feel at home.
Elsewhere, Emma Thompson, Jim Broadbent and Celia Imrie all pop up from time to time with the former providing Bridget Jones’s Baby with some of its best comedic moments. Her character is sharp and very well written indeed.
It would be very easy to go picking around the plot; criticising its blatant lack of originality, but that’s not what director Sharon Maguire was aiming for. Instead, she cleverly crafts a film that remains faithful to its predecessors, all the while introducing a new generation of comedy fans to the titular character.
What does this mean? Well, it toes the line quite well between the heart-warming qualities of the original and the over-the-top hilarity of films like Bridesmaids and Spy. This may not sit well with some die-hard fans of the series, but it’s sure to be a winner for the more modern movie-goer.
Overall, Bridget Jones’s Baby is better than it ever had the right to be. It’s nostalgic, beautifully sweet, ridiculous, over-the-top and quite frankly, absolutely hilarious. I haven’t laughed that much in years, it’s a must see for fans and newcomers alike.
https://moviemetropolis.net/2016/09/17/no-big-bloomers-bridget-joness-baby-review/
Its sequel, The Edge of Reason, on the other hand was a dramatic fall from grace, with a lowly 27% approval rating on Rotten Tomatoes. Since then, the series has fallen into a dormant state with talks of another sequel doing the rounds since as early as 2004.
Fast-forward 12 years and the prayers of fans the world over have finally been answered. However, the comedy genre has moved on from the warm, fuzzy rom-coms of the past and in its place are the foul-mouthed female-led films of the present. But does Bridget Jones’s Baby get the balance right? Or is it a good decade too late?
Breaking up with Mark Darcy (Colin Firth) leaves Bridget Jones (Renée Zellweger) over 40 and single again. Feeling that she has everything under control, Jones decides to focus on her career as a top news producer. Suddenly, her love life comes back from the dead when she meets a handsome American named Jack (Patrick Dempsey). Things couldn’t be better, until Bridget discovers that she is pregnant. From then on, the befuddled mum-to-be must figure out if the proud dad is Mark or Jack.
The casting choices throughout the film are spot on and it’s a pleasure to see Colin Firth back on the big screen. His quintessentially British persona has been a highlight of both previous films and it’s no exception here. Patrick Dempsey’s turn as the dashing American stallion is sheer perfection and both he and Firth remain intensely likeable as the movie progresses, despite their obvious flaws.
Of course, praise must go to Renée Zellweger who, despite 12 years in between filming, manages to channel that iconic character like it was yesterday. She may look different to how we all remember her, but as soon as she speaks, it’s impossible not to feel at home.
Elsewhere, Emma Thompson, Jim Broadbent and Celia Imrie all pop up from time to time with the former providing Bridget Jones’s Baby with some of its best comedic moments. Her character is sharp and very well written indeed.
It would be very easy to go picking around the plot; criticising its blatant lack of originality, but that’s not what director Sharon Maguire was aiming for. Instead, she cleverly crafts a film that remains faithful to its predecessors, all the while introducing a new generation of comedy fans to the titular character.
What does this mean? Well, it toes the line quite well between the heart-warming qualities of the original and the over-the-top hilarity of films like Bridesmaids and Spy. This may not sit well with some die-hard fans of the series, but it’s sure to be a winner for the more modern movie-goer.
Overall, Bridget Jones’s Baby is better than it ever had the right to be. It’s nostalgic, beautifully sweet, ridiculous, over-the-top and quite frankly, absolutely hilarious. I haven’t laughed that much in years, it’s a must see for fans and newcomers alike.
https://moviemetropolis.net/2016/09/17/no-big-bloomers-bridget-joness-baby-review/