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Phil Leader (619 KP) rated A Game of Thrones in Books
Nov 13, 2019
I've been reviewing books online for nearly a year now... and in that time I have finished every book I have started and more-or-less enjoyed every book and given positive reviews.
But this book has put an end to that. As a fan of writers such as Joe Abercrombie who cite this series and George R R Martin as a big influence, I thought I should give this a read. After all, with so many plaudits and a hit television show it couldn't be that bad, could it.
Unfortunately it could. I liked the prologue - that was interesting to read and had some good writing and interesting characters in it. The one star is purely for this part of the book. Treat it as a short story and ignore the rest of the weighty tome and you won't go far wrong.
From this point forward nothing works. I can see that Martin was trying to inject a bit of reality and grit into fantasy, though it could be argues it had not exactly been all sunlight, dancing elves and heroes with rippling muscles for several decades so I don't see it as the massive change in direction it has been touted as in some quarters.
What we have is a succession of dreary, uninteresting characters taking part in a series of dull and stilted conversations attempting to create some sort of dramatic tension simply by existing. And then quite often there will be sex, not for any reason other than it seems this is what Martin thinks makes characters interesting. And the sex scenes are really, really awful. They read as if an over-excited 15 year old boy has written them.
The structure - where each chapter is told from the point of view of a different character - probably sounded really good on paper. But the end result is almost impossible to read as there is no continuity between sections that are dealing with the same characters, So for the first half of every chapter the reader is trying to get to grips with the new main character while also working out which kingdom they are in and how they related to the many, many other characters. It's just plain too confusing and exhausting as an actual narrative device.
And the characters themselves... I was expecting Martin to try everything possible to avoid any of the usual tropes, but no. Accepted there are no magicians, elves or pure-hearted swashbuckling heroes. But what is left is just the usual supporting cast - the bastard half brother with a grudge, the scheming dwarf, the wronged heir to the throne... there is absolutely nothing new or inventive in any of the characters.
What this book reminded me of most was the Harry Potter series. Completely derivative, averagely written and heavily marketed fantasy stories eagerly consumed by people who don't actually read fantasy. To those who do read fantasy this is such a poor relation to the other fine works that have been published in the last 30 years it's not even worth considering.
If you have never read this, don't bother. Instead do yourself a favour and pick up something that actually has something to say and contains some truly interesting characters and worlds. Joe Abercrombie or Mark Lawrence, for example.
But this book has put an end to that. As a fan of writers such as Joe Abercrombie who cite this series and George R R Martin as a big influence, I thought I should give this a read. After all, with so many plaudits and a hit television show it couldn't be that bad, could it.
Unfortunately it could. I liked the prologue - that was interesting to read and had some good writing and interesting characters in it. The one star is purely for this part of the book. Treat it as a short story and ignore the rest of the weighty tome and you won't go far wrong.
From this point forward nothing works. I can see that Martin was trying to inject a bit of reality and grit into fantasy, though it could be argues it had not exactly been all sunlight, dancing elves and heroes with rippling muscles for several decades so I don't see it as the massive change in direction it has been touted as in some quarters.
What we have is a succession of dreary, uninteresting characters taking part in a series of dull and stilted conversations attempting to create some sort of dramatic tension simply by existing. And then quite often there will be sex, not for any reason other than it seems this is what Martin thinks makes characters interesting. And the sex scenes are really, really awful. They read as if an over-excited 15 year old boy has written them.
The structure - where each chapter is told from the point of view of a different character - probably sounded really good on paper. But the end result is almost impossible to read as there is no continuity between sections that are dealing with the same characters, So for the first half of every chapter the reader is trying to get to grips with the new main character while also working out which kingdom they are in and how they related to the many, many other characters. It's just plain too confusing and exhausting as an actual narrative device.
And the characters themselves... I was expecting Martin to try everything possible to avoid any of the usual tropes, but no. Accepted there are no magicians, elves or pure-hearted swashbuckling heroes. But what is left is just the usual supporting cast - the bastard half brother with a grudge, the scheming dwarf, the wronged heir to the throne... there is absolutely nothing new or inventive in any of the characters.
What this book reminded me of most was the Harry Potter series. Completely derivative, averagely written and heavily marketed fantasy stories eagerly consumed by people who don't actually read fantasy. To those who do read fantasy this is such a poor relation to the other fine works that have been published in the last 30 years it's not even worth considering.
If you have never read this, don't bother. Instead do yourself a favour and pick up something that actually has something to say and contains some truly interesting characters and worlds. Joe Abercrombie or Mark Lawrence, for example.
BankofMarquis (1832 KP) rated The Banshees of Inisherin (2022) in Movies
Jan 13, 2023
Strong Acting aids Character Study
Back in 2008, Writer/Director Martin McDonagh scored an improbable hit with IN BRUGES, a tale of two hitmen “laying low” in…well…Bruges, Belgium while awaiting instructions from their boss. During this down time these two characters muse about the meanings of life and love in a wonderful, Oscar Nominated, character study.
15 years later, McDonagh does it again with THE BANSHEES OF INISHERIN.
Set in the 1920s in the fictional Island of Inisherin (off the coast of Ireland), BANSHEES reunites Writer/Director McDonagh with his two stars of the previous film - Brendan Gleeson (“Mad Eye” Mooney in the Harry Potter films) and Colin Farrell (unrecognizable as The Penguin in the recent BATMAN movie) - and the resultant character study is just as interesting and intriguing to watch in a setting just as interesting…and breath-takingly beautifully bleak.
McDonagh, more than likely, will be nominated (as he was with IN BRUGES) for his screenplay for this film - it IS Oscar worthy - but for me, he was better as the Director of this character study, pointing his camera with a keen eye and surety in what he wanted to show all the while letting the performers and the countryside tell the story.
Both lead performers (and the Supporting Actors) are perfectly cast. Farrell, as Padraic,is the protagonist - a simple man who just wants to be able to go to the pub everyday and have conversation with his best friend, Colm (Gleeson) who, one day, proclaims that he no longer wants to be friends with Padraic. Padraic, then spends the rest of the film trying to understand why this is so, what happened and what he can do to make amends.
Farrell will earn an Oscar nomination for his portrayal of the simple (but not simple-minded) Padraic who is having a hard time grappling with deeper issues seeping into his simple life. Farrell has really grown into a fine actor and he (at this point in time) has to be considered on of the FrontRunners for the Best Actor Oscar for his work in this film.
Just as good is Gleeson as Colm, the recalcitrant, stoic friend who stubbornly wants nothing to do with Padraic. In lesser hands, this character could have come off as “one-note” being, simply, an immovable object in the way of Padraic’s irresistible force, but in Gleeson’s skilled hands, Colm has layers and depth that seep out through the cracks of his stoney facade. I would not be surprised if Gleeson, too, is nominated for an Oscar (probably in the Supporting category).
These two are capably assisted by Kerry Condon (Stacey Ehrmantraut in BETTER CAUL SAUL) and Barry Keoghn (DUNKIRK) as Padraic’s sister and a friend of both Padraic and Colm (respectively). Both bring their “A” games to this film and truly show the meaning of the term “Supporting” in “Supporting Performance”.
Special mention needs to be made for the Cinematography of Ben Davis (GUARDIANS OF THE GALAXY) who brings beauty to the bleak, stark and harsh Irish countryside. This cinematography is, actually, another character of this piece and brings strong emotional support to the performances.
Not the fastest moving film you will ever see, THE BANSHEES OF INISHERIN is an interesting, intriguing - and beautifully shot - character study that will stay with you long after the film ends.
Letter Grade: A-
8 Stars (out of 10) and you can take that to the Bank(ofMarquis)
15 years later, McDonagh does it again with THE BANSHEES OF INISHERIN.
Set in the 1920s in the fictional Island of Inisherin (off the coast of Ireland), BANSHEES reunites Writer/Director McDonagh with his two stars of the previous film - Brendan Gleeson (“Mad Eye” Mooney in the Harry Potter films) and Colin Farrell (unrecognizable as The Penguin in the recent BATMAN movie) - and the resultant character study is just as interesting and intriguing to watch in a setting just as interesting…and breath-takingly beautifully bleak.
McDonagh, more than likely, will be nominated (as he was with IN BRUGES) for his screenplay for this film - it IS Oscar worthy - but for me, he was better as the Director of this character study, pointing his camera with a keen eye and surety in what he wanted to show all the while letting the performers and the countryside tell the story.
Both lead performers (and the Supporting Actors) are perfectly cast. Farrell, as Padraic,is the protagonist - a simple man who just wants to be able to go to the pub everyday and have conversation with his best friend, Colm (Gleeson) who, one day, proclaims that he no longer wants to be friends with Padraic. Padraic, then spends the rest of the film trying to understand why this is so, what happened and what he can do to make amends.
Farrell will earn an Oscar nomination for his portrayal of the simple (but not simple-minded) Padraic who is having a hard time grappling with deeper issues seeping into his simple life. Farrell has really grown into a fine actor and he (at this point in time) has to be considered on of the FrontRunners for the Best Actor Oscar for his work in this film.
Just as good is Gleeson as Colm, the recalcitrant, stoic friend who stubbornly wants nothing to do with Padraic. In lesser hands, this character could have come off as “one-note” being, simply, an immovable object in the way of Padraic’s irresistible force, but in Gleeson’s skilled hands, Colm has layers and depth that seep out through the cracks of his stoney facade. I would not be surprised if Gleeson, too, is nominated for an Oscar (probably in the Supporting category).
These two are capably assisted by Kerry Condon (Stacey Ehrmantraut in BETTER CAUL SAUL) and Barry Keoghn (DUNKIRK) as Padraic’s sister and a friend of both Padraic and Colm (respectively). Both bring their “A” games to this film and truly show the meaning of the term “Supporting” in “Supporting Performance”.
Special mention needs to be made for the Cinematography of Ben Davis (GUARDIANS OF THE GALAXY) who brings beauty to the bleak, stark and harsh Irish countryside. This cinematography is, actually, another character of this piece and brings strong emotional support to the performances.
Not the fastest moving film you will ever see, THE BANSHEES OF INISHERIN is an interesting, intriguing - and beautifully shot - character study that will stay with you long after the film ends.
Letter Grade: A-
8 Stars (out of 10) and you can take that to the Bank(ofMarquis)