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A small town divided by prejudice. A secret that won't remain silent... The stunning new novel...
Merissa (12684 KP) rated Shadow Healer (Blood Shadows #3) in Books
Jul 27, 2023
SHADOW HEALER brings to a thrilling conclusion this amazing series that I have loved from the very first word. James and Riley have both made mistakes but will their love be strong enough to conquer their fears?
James - oh, boy. This man about broke my heart. He has made a multitude of mistakes, some of them absolutely horrible, but he has paid in so many ways. From a broken boy seeking love and acceptance to the man he is today, some things just don't change, no matter what. For James, it was his love for those around him, and how he will do anything to protect them.
Riley is a loner and not through choice. She has searched for friendship and acceptance, finding both in James' arms before he left her. She is determined to see things through and then intends to leave and start afresh someplace new. It takes someone looking in from the outside to point out that Riley has been holding back, putting up walls in an attempt to not get hurt. I could understand her reasoning and actions, even if I didn't like them.
Together, these two need to work together against the bigger threat - Gordon. What a character he is! A slimy piece of work and that's at his best. He is supported by the Council who are all as bad as he is. Weak and hungry for power is not a good combination.
This is a real page-turner with lots of emotions flooding the pages. My eyes leaked on more than one occasion - sometimes because I was happy, and other times not. I thought the ending was simply superb, giving me all I needed. I really hope this isn't the last we see of this world. Jennie Lynn Roberts is a one-click author for me and I HIGHLY recommend her latest masterpiece.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jul 26, 2023
James - oh, boy. This man about broke my heart. He has made a multitude of mistakes, some of them absolutely horrible, but he has paid in so many ways. From a broken boy seeking love and acceptance to the man he is today, some things just don't change, no matter what. For James, it was his love for those around him, and how he will do anything to protect them.
Riley is a loner and not through choice. She has searched for friendship and acceptance, finding both in James' arms before he left her. She is determined to see things through and then intends to leave and start afresh someplace new. It takes someone looking in from the outside to point out that Riley has been holding back, putting up walls in an attempt to not get hurt. I could understand her reasoning and actions, even if I didn't like them.
Together, these two need to work together against the bigger threat - Gordon. What a character he is! A slimy piece of work and that's at his best. He is supported by the Council who are all as bad as he is. Weak and hungry for power is not a good combination.
This is a real page-turner with lots of emotions flooding the pages. My eyes leaked on more than one occasion - sometimes because I was happy, and other times not. I thought the ending was simply superb, giving me all I needed. I really hope this isn't the last we see of this world. Jennie Lynn Roberts is a one-click author for me and I HIGHLY recommend her latest masterpiece.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jul 26, 2023
Alice (12 KP) rated Red Sister in Books
Jul 3, 2018
<i>Many thanks to Mark for providing me a copy of this book in exchange for an honest review </i>
Original review can be found on my blog Raptureinbooks <a href="http://wp.me/p5y0lX-1I9">here</a href>
<blockquote>It is important, when killing a nun, to bring an army of sufficient size.</blockquote>
I know they say to never judge a book by its cover but first impressions are everything. The above quote is the first line written in <i>Red Sister</i> - Mark Lawrence's newest masterpiece. I don't use the term lightly.
For those of you who haven't read his work before - know this: it will change how you read fantasy for the better. There's a really apt line in this book for this sentiment:
<blockquote>...a book is as dangerous as any journey you might take. The person who closes the back cover may not be the same one that opened the front one. </blockquote>
For those of you who have, you know his main characters are the ultimate in anti-heroes. All male, all rough, all the epitome of badassery. <i>Red Sister</i> is the first with a strong - and I mean strong -all female cast.
From the first instance you know this book is going to be top of the scale of epicness, <i>Red Sister</i> will draw you in within moments of opening the pages.
It follows the story of Nona Grey- an eight year old girl saved from the noose by an unlikely saviour - a nun - Abbess Glass, leader of the Sweet Mercy Convent. Nona becomes a novice nun and begins her journey to becoming a Red Sister- a nun skilled in combat. At first the book can feel a little like you've stepped backwards in time to where children are bought and sold on the road, where the Church has almost absolute power and where little girls do not become killer nuns; however as the story progresses and Nona's back story is revealed to us piece by piece I found my original thoughts to be utter bullshit because frankly the plot is outstanding.
I'll hold my hand up and say I've never read a book about nuns before but Red Sister has ruined me for any other.
As signature with Mark's work, Red Sister has the perfect balance between seriousness and humour with some brilliant descriptions of the most simplest of things:
<blockquote>...and a quill. This latter gave the impression that the bird from which it was taken had died of some wasting disease, falling from its perch into a dirty puddle before being run over by several carts and finally thoroughly chewed by a hungry cat.</blockquote>
The dialogue was witty and the right tone for what is ultimately a group of girls in boarding school who both love and hate each other and what they do on a daily basis. The friendships made at Sweet Mercy are friendships built to last through the toughest of scenarios, literally through thick and thin. Nona's past catches up with her frequently and she is tested to her highest limits and on occasion shoved over that limit.
<blockquote>"Trust is the most insidious of poisons." </blockquote>
There are some harsh lessons to be learned in <i>Red Sister</i> and not just the physical ones - of which there are many. The plot is thick with action, betrayal, uncanny abilities and supernatural old world bloodlines that show through in current generations that haven't been seen since the first tribes settled in Abeth; with prophecies galore and the odd psycho, bare knuckle fighting in the pits and justice is wrought.
The revelations are spectacular and revealed in unexpected ways that have totally done them justice. The writing style of Mark Lawrence is once more on point with the right amount of length for each chapter; the supernatural demon element was written in a great way. Overall, it was a masterpiece of the genre and deserves all the stars.
<i>Red Sister</i> has been one of the highlights of my year so far and it is outstanding. I've tried not to give anything away which is hard cause I want to give all the spoilers! I'll leave you with a parting quote that sums up the book nicely.
<blockquote>"Words are steps along a path: The important thing is to get where you're going."</blockquote>
Original review can be found on my blog Raptureinbooks <a href="http://wp.me/p5y0lX-1I9">here</a href>
<blockquote>It is important, when killing a nun, to bring an army of sufficient size.</blockquote>
I know they say to never judge a book by its cover but first impressions are everything. The above quote is the first line written in <i>Red Sister</i> - Mark Lawrence's newest masterpiece. I don't use the term lightly.
For those of you who haven't read his work before - know this: it will change how you read fantasy for the better. There's a really apt line in this book for this sentiment:
<blockquote>...a book is as dangerous as any journey you might take. The person who closes the back cover may not be the same one that opened the front one. </blockquote>
For those of you who have, you know his main characters are the ultimate in anti-heroes. All male, all rough, all the epitome of badassery. <i>Red Sister</i> is the first with a strong - and I mean strong -all female cast.
From the first instance you know this book is going to be top of the scale of epicness, <i>Red Sister</i> will draw you in within moments of opening the pages.
It follows the story of Nona Grey- an eight year old girl saved from the noose by an unlikely saviour - a nun - Abbess Glass, leader of the Sweet Mercy Convent. Nona becomes a novice nun and begins her journey to becoming a Red Sister- a nun skilled in combat. At first the book can feel a little like you've stepped backwards in time to where children are bought and sold on the road, where the Church has almost absolute power and where little girls do not become killer nuns; however as the story progresses and Nona's back story is revealed to us piece by piece I found my original thoughts to be utter bullshit because frankly the plot is outstanding.
I'll hold my hand up and say I've never read a book about nuns before but Red Sister has ruined me for any other.
As signature with Mark's work, Red Sister has the perfect balance between seriousness and humour with some brilliant descriptions of the most simplest of things:
<blockquote>...and a quill. This latter gave the impression that the bird from which it was taken had died of some wasting disease, falling from its perch into a dirty puddle before being run over by several carts and finally thoroughly chewed by a hungry cat.</blockquote>
The dialogue was witty and the right tone for what is ultimately a group of girls in boarding school who both love and hate each other and what they do on a daily basis. The friendships made at Sweet Mercy are friendships built to last through the toughest of scenarios, literally through thick and thin. Nona's past catches up with her frequently and she is tested to her highest limits and on occasion shoved over that limit.
<blockquote>"Trust is the most insidious of poisons." </blockquote>
There are some harsh lessons to be learned in <i>Red Sister</i> and not just the physical ones - of which there are many. The plot is thick with action, betrayal, uncanny abilities and supernatural old world bloodlines that show through in current generations that haven't been seen since the first tribes settled in Abeth; with prophecies galore and the odd psycho, bare knuckle fighting in the pits and justice is wrought.
The revelations are spectacular and revealed in unexpected ways that have totally done them justice. The writing style of Mark Lawrence is once more on point with the right amount of length for each chapter; the supernatural demon element was written in a great way. Overall, it was a masterpiece of the genre and deserves all the stars.
<i>Red Sister</i> has been one of the highlights of my year so far and it is outstanding. I've tried not to give anything away which is hard cause I want to give all the spoilers! I'll leave you with a parting quote that sums up the book nicely.
<blockquote>"Words are steps along a path: The important thing is to get where you're going."</blockquote>
Bob Mann (459 KP) rated Coco (2017) in Movies
Sep 29, 2021
An animated masterpiece? I should Coco!
I had no great expectations of this film. In fact, I honestly went to see it solely because – with the lazy multiplex habit of milking films like Jedi, Jumanji and (God help us) Pitch Perfect 3 – this was the only film at my local cinemas that I hadn’t seen. But wow… just wow!
For this is a masterpiece, and with the Oscar nominations released yesterday, it almost seems a crime that it wasn’t included in the Best Picture list (it must surely follow its Golden Globes win and snatch the Best Animated film category… although I admit that “Loving Vincent” clearly looks like it took a lot more work!).
Miguel (voiced by Anthony Gonzalez) lives in the quaint Mexican village of Santa Cecilia with his extended shoe-making family, including his grandmother Abuelita (Renée Victor) and his wizened old great-grandmother Coco (Ana Ofelia Murguía, via a brilliant piece of animation). Coco was a child from a broken home, with music being the cause of all the trouble, and this has led to a multi-generational ban that Abuelita polices with fierce passion. Unfortunately, Miguel “has the music in him”, idolising the – now deceased – singing sensation and matinee idol Ernesto de la Cruz (Benjamin Bratt, “Doctor Strange“). Desperate to perform in the Piazza talent contest, held during the evening of the “Day of the Dead” festival, Miguel takes destiny into his own hands…. which might prove fatal as he is dragged, alive and kicking, into the ‘land of the dead’.
The film is a thing of beauty. Some of the scenes: notably the candlelit graveyard, the “petal bridge” and the first sight of the land of the dead are done with such majesty and art that they take your breath away. Literally jaw dropping! (Try to make sure you see it on the big screen). So there are similarities here with “Blade Runner 2049” which also had images that could easily grace the walls of any art gallery in the world.
Where the film deviates from “Blade Runner” though is the original story by Lee Unkrich (who also directs), Adrian Molina (who co-directs), Jason Katz and Matthew Aldrich. Whereas the sci-fi reboot was a bit flaccid, story-wise, Coco develops in a surprisingly non-linear way. The story you think you are on suddenly does unexpected switchbacks and gets very deep indeed.
Deep? But this is a kids film right? Well, no, not really. Sure it has a lot of fun skeleton action, in the style of the re-constituting Olaf from “Frozen”, and a cute but mangy dog with a ridiculously long tongue. But the themes exposed here are FAR from childish. They encompass family, ambition, work/life balance, death and remembrance in such a fashion that parents exposing the film to young kids (I would think, up to 7 or 8 years old) should be ready with sensitive answers to “Mummy/Daddy, why…” questions so as to avoid significant anxiety and nightmares. The relationship between Miguel and his grandmother Abuelita, switching from violent outbursts to sudden loving hugs, might – I think – also confuse and disturb young children. Its UK certificate is “PG”, not “U”, for good reason.
So be prepared to cry. If you are anything like me, there will be a point in this film where you are desperately trying to recall the faces and voices of all of those people in your life that you have lost over the years. And some of the final jolts in this film will leave you almost as drained (almost!) as the start of “Up”.
As befits the subject matter there is a great score, with a mariachi feel, by Michael Giacchino, including a nice rendition of “When You Wish Upon A Star” over the Disney castle production logo. And there are some great songs, including the pivotal “Remember Me” which is now Oscar nominated.
Passport control at Heathrow was never like this.
Watch out for some nice cameo voice performances as well: Cheech Marin (from Cheech and Chong) plays the ‘border control’ officer, and Pixar regular John Ratzenberger (Hamm in “Toy Story”) turns up again playing Juan Ortodoncia, a character whose dentist fondly remembers him (LOL)!
With John Lasseter recently dragged into the #metoo scandal, and taking 6 months off to ponder on his “missteps”, one hopes this will not knock Pixar off its track too much. For with this evidence the studio shouldn’t keep trying to milk existing “Incredibles” and “Toy Story” franchises, but come up with more original entertainments like this. Because, for me, this rises into my top-three favourite Pixar films of all time (along with Toy Story and Wall-E).
For this is a masterpiece, and with the Oscar nominations released yesterday, it almost seems a crime that it wasn’t included in the Best Picture list (it must surely follow its Golden Globes win and snatch the Best Animated film category… although I admit that “Loving Vincent” clearly looks like it took a lot more work!).
Miguel (voiced by Anthony Gonzalez) lives in the quaint Mexican village of Santa Cecilia with his extended shoe-making family, including his grandmother Abuelita (Renée Victor) and his wizened old great-grandmother Coco (Ana Ofelia Murguía, via a brilliant piece of animation). Coco was a child from a broken home, with music being the cause of all the trouble, and this has led to a multi-generational ban that Abuelita polices with fierce passion. Unfortunately, Miguel “has the music in him”, idolising the – now deceased – singing sensation and matinee idol Ernesto de la Cruz (Benjamin Bratt, “Doctor Strange“). Desperate to perform in the Piazza talent contest, held during the evening of the “Day of the Dead” festival, Miguel takes destiny into his own hands…. which might prove fatal as he is dragged, alive and kicking, into the ‘land of the dead’.
The film is a thing of beauty. Some of the scenes: notably the candlelit graveyard, the “petal bridge” and the first sight of the land of the dead are done with such majesty and art that they take your breath away. Literally jaw dropping! (Try to make sure you see it on the big screen). So there are similarities here with “Blade Runner 2049” which also had images that could easily grace the walls of any art gallery in the world.
Where the film deviates from “Blade Runner” though is the original story by Lee Unkrich (who also directs), Adrian Molina (who co-directs), Jason Katz and Matthew Aldrich. Whereas the sci-fi reboot was a bit flaccid, story-wise, Coco develops in a surprisingly non-linear way. The story you think you are on suddenly does unexpected switchbacks and gets very deep indeed.
Deep? But this is a kids film right? Well, no, not really. Sure it has a lot of fun skeleton action, in the style of the re-constituting Olaf from “Frozen”, and a cute but mangy dog with a ridiculously long tongue. But the themes exposed here are FAR from childish. They encompass family, ambition, work/life balance, death and remembrance in such a fashion that parents exposing the film to young kids (I would think, up to 7 or 8 years old) should be ready with sensitive answers to “Mummy/Daddy, why…” questions so as to avoid significant anxiety and nightmares. The relationship between Miguel and his grandmother Abuelita, switching from violent outbursts to sudden loving hugs, might – I think – also confuse and disturb young children. Its UK certificate is “PG”, not “U”, for good reason.
So be prepared to cry. If you are anything like me, there will be a point in this film where you are desperately trying to recall the faces and voices of all of those people in your life that you have lost over the years. And some of the final jolts in this film will leave you almost as drained (almost!) as the start of “Up”.
As befits the subject matter there is a great score, with a mariachi feel, by Michael Giacchino, including a nice rendition of “When You Wish Upon A Star” over the Disney castle production logo. And there are some great songs, including the pivotal “Remember Me” which is now Oscar nominated.
Passport control at Heathrow was never like this.
Watch out for some nice cameo voice performances as well: Cheech Marin (from Cheech and Chong) plays the ‘border control’ officer, and Pixar regular John Ratzenberger (Hamm in “Toy Story”) turns up again playing Juan Ortodoncia, a character whose dentist fondly remembers him (LOL)!
With John Lasseter recently dragged into the #metoo scandal, and taking 6 months off to ponder on his “missteps”, one hopes this will not knock Pixar off its track too much. For with this evidence the studio shouldn’t keep trying to milk existing “Incredibles” and “Toy Story” franchises, but come up with more original entertainments like this. Because, for me, this rises into my top-three favourite Pixar films of all time (along with Toy Story and Wall-E).
Darren (1599 KP) rated The Abyss (1989) in Movies
Jun 20, 2019
Story: The story focus on many different vision people have of something happening, we have the military view, the scientist view and the everyday workers view. Each one if different because each shows fear, interest or curiosity of the unknown. Everything comes together nicely without leaving you asking any questions, which in today’s film industry is a normal to get you coming back for more. This was ground breaking for its time and will always be considered a classic. (9/10)
Actor Review
Ed Harris: Bud the lead engineer on the underwater oil rig, he knows how to handle his team to get the most out of them and has all their respect. The whole team supports him over his ex-wife Lindsey, he is also one of the most experienced divers and believes in what he can see. Good performance from Harris showing he was going to be a lead actor for years to come. (9/10)
Mary Elizabeth Mastrantonio: Lindsey ex-wife to Bud and creator of the underwater rig system, she is more interested in investigating what is going on rather than just blowing it up and hoping for the best. Good performance in a difficult role which needed her character to be hated. (8/10)
Director Review: James Cameron – Cameron has been behind some of the most ground breaking films in history and this is right up there with his best. (9/10)
Sci-Fi: A sci-fi film that isn’t about a bleak future or space travel, this really is a rarity in the business. (9/10)
Settings: The isolation adds tension from start to finish. (10/10)
Suggestion: I think this is a film that everyone should see at least once in their life time, it will surprise you the quality even after 25 years. (Watch)
Best Part: The water creature investigating the rig.
Worst Part: It can seem long.
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: Yes
Oscar Chances: Won an Oscar for Visual Effects.
Box Office: $90 Million
Budget: $69 Million
Runtime: 2 Hours 26 Minutes
Tagline: A place on Earth more awesome than anywhere in space.
Overall: A Forgotten Masterpiece
https://moviesreview101.com/2014/08/16/the-abyss-1989/
Actor Review
Ed Harris: Bud the lead engineer on the underwater oil rig, he knows how to handle his team to get the most out of them and has all their respect. The whole team supports him over his ex-wife Lindsey, he is also one of the most experienced divers and believes in what he can see. Good performance from Harris showing he was going to be a lead actor for years to come. (9/10)
Mary Elizabeth Mastrantonio: Lindsey ex-wife to Bud and creator of the underwater rig system, she is more interested in investigating what is going on rather than just blowing it up and hoping for the best. Good performance in a difficult role which needed her character to be hated. (8/10)
Director Review: James Cameron – Cameron has been behind some of the most ground breaking films in history and this is right up there with his best. (9/10)
Sci-Fi: A sci-fi film that isn’t about a bleak future or space travel, this really is a rarity in the business. (9/10)
Settings: The isolation adds tension from start to finish. (10/10)
Suggestion: I think this is a film that everyone should see at least once in their life time, it will surprise you the quality even after 25 years. (Watch)
Best Part: The water creature investigating the rig.
Worst Part: It can seem long.
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: Yes
Oscar Chances: Won an Oscar for Visual Effects.
Box Office: $90 Million
Budget: $69 Million
Runtime: 2 Hours 26 Minutes
Tagline: A place on Earth more awesome than anywhere in space.
Overall: A Forgotten Masterpiece
https://moviesreview101.com/2014/08/16/the-abyss-1989/
Neon's Nerd Nexus (360 KP) created a post
Dec 23, 2019
Phil Leader (619 KP) rated The Rembrandt Secret in Books
Nov 25, 2019
The Rembrandt Secret is a thriller set in the closed and secretive art world. Set during a recession when many dealers and galleries are struggling, the gruesome murder of respected gallery owner Owen Ziegler threatens to reveal a secret that could rock the art world to its foundations.
As a thriller this book works really well; the secret itself (unsurprisingly involving the Dutch Old Master Rembrandt) is revealed fairly early on which means the book can concentrate on what it does best - instilling a sense of paranoia in both the hero (Owen's son Marshall) and the reader trying to work out who the murderer is.
The world of art is also a good choice for this kind of taut thriller; since everyone is trying to find that one previously unacknowledged masterpiece worth millions before their neighbour does nobody trusts anyone else. Marshill did not follow his father into the world of art and so is viewed with even more distrust.
A whole cast of eccentric characters appear, some of which could have a motive, most of them hiding some sort of underhand connection to the victim. As Marshal tries to make sense not only of his father's death but of the strange circles he moved in the secrets come to light one by one - and the body count rises. Someone is eliminating everyone who knows the Rembrandt Secret, including Marshall.
Although I know next to nothing about how the art world works (and I am assuming the portrayal is broadly accurate) it didn't lessen my enjoyment of the book. The plot is not filled with action by any means but instead is driven by the characters, every conversation feeling like the participants are carefully navigating their way thought it trying to gain advantage from the other. I did guess the 'who' in the whodunnit around half way through but it was more of an educated guess than anything concrete so was still fairly suprised when I was proved correct.
There is a lot of conversation about art which didn't interest me much but did add flavour and texture to the book, but it did get a little frustrating sometimes when it didn't have any bearing on moving the plot forward.
Overall I enjoyed this a lot and if I see another of Connor's books I will pick it up and no doubt enjoy reading that too.
As a thriller this book works really well; the secret itself (unsurprisingly involving the Dutch Old Master Rembrandt) is revealed fairly early on which means the book can concentrate on what it does best - instilling a sense of paranoia in both the hero (Owen's son Marshall) and the reader trying to work out who the murderer is.
The world of art is also a good choice for this kind of taut thriller; since everyone is trying to find that one previously unacknowledged masterpiece worth millions before their neighbour does nobody trusts anyone else. Marshill did not follow his father into the world of art and so is viewed with even more distrust.
A whole cast of eccentric characters appear, some of which could have a motive, most of them hiding some sort of underhand connection to the victim. As Marshal tries to make sense not only of his father's death but of the strange circles he moved in the secrets come to light one by one - and the body count rises. Someone is eliminating everyone who knows the Rembrandt Secret, including Marshall.
Although I know next to nothing about how the art world works (and I am assuming the portrayal is broadly accurate) it didn't lessen my enjoyment of the book. The plot is not filled with action by any means but instead is driven by the characters, every conversation feeling like the participants are carefully navigating their way thought it trying to gain advantage from the other. I did guess the 'who' in the whodunnit around half way through but it was more of an educated guess than anything concrete so was still fairly suprised when I was proved correct.
There is a lot of conversation about art which didn't interest me much but did add flavour and texture to the book, but it did get a little frustrating sometimes when it didn't have any bearing on moving the plot forward.
Overall I enjoyed this a lot and if I see another of Connor's books I will pick it up and no doubt enjoy reading that too.
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