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Tim Booth recommended The Boatman's Call by Nick Cave & The Bad Seeds in Music (curated)
BookInspector (124 KP) rated The Girl Before in Books
Sep 24, 2020
I would like to begin by saying one simple word, WOW. This book left me absolutely speechless to be honest. This book is a masterpiece and I’m absolutely in love with this author. This book begins quite calm, by looking for some properties in London and introducing the characters: then - Simon and Emma and now - Jane. It tells two stories at the same time, the action which happened three years ago and the action which is happening currently. I really enjoyed that there is not story from one person’s perspective but two characters are telling their story at the same time. All the main characters are really disturbed in this book and have their own problems which influenced their personalities. There is this taste of “fifty shades of Gray” in this book; just it doesn’t flatter the book unfortunately. I really liked the way characters where untangled while you flip the pages, the way their personalities unfolded. They were not boring, one thing what I would’ve liked, is more insight into Simon's and Edward's personalities and how do they think, I would’ve liked their perspective in the book. Even though the men in this book seemed like strong and demanding ones, in the end of the day I think the women were the strong ones and the most determined ones in this book.
I found the plot original and I loved all the twists and turns which were going on in the book. Every chapter had something happening and it didn’t leave me bored. The more you go into the book, the more plot thickens, the more twists happen and it really kept me hooked. I think it was really great, that the book talked about really important topics, and the psychological aspects of eating disorders, how parents feel after still birth, parents thought about disabled children or how minimalist sees world. I’m new to minimalism and just briefly checked on it, but after reading this book I’m confused if I really want to know more… I loved that the name “the girl before” had deeper meaning than only finding out Emma’s story, it felt way deeper than it looked. The book itself is easy to read and the writing style was not difficult. The chapters are quite short so it doesn’t drag along. I really loved the ending of the book, which concluded the book really nicely but at the same time left me questioning. So to conclude, even though a lot of reviewers bashed this book, I loved this twisted, fast paced and full of suspense and psychological labyrinths creation and I recommend to try it and decide for yourself.
I found the plot original and I loved all the twists and turns which were going on in the book. Every chapter had something happening and it didn’t leave me bored. The more you go into the book, the more plot thickens, the more twists happen and it really kept me hooked. I think it was really great, that the book talked about really important topics, and the psychological aspects of eating disorders, how parents feel after still birth, parents thought about disabled children or how minimalist sees world. I’m new to minimalism and just briefly checked on it, but after reading this book I’m confused if I really want to know more… I loved that the name “the girl before” had deeper meaning than only finding out Emma’s story, it felt way deeper than it looked. The book itself is easy to read and the writing style was not difficult. The chapters are quite short so it doesn’t drag along. I really loved the ending of the book, which concluded the book really nicely but at the same time left me questioning. So to conclude, even though a lot of reviewers bashed this book, I loved this twisted, fast paced and full of suspense and psychological labyrinths creation and I recommend to try it and decide for yourself.
Felipe (17 KP) rated Chaplin (1992) in Movies
Dec 7, 2020
A modern tragedy meant to be one of the greats
Contains spoilers, click to show
Richard Attenborough delivers another masterpiece of cinematic biography and is a worthy successor to Ghandi. The structure of the film is told as a flashback while Charlie Chaplin is writing his autobiography with a fictional editor that does not exist. We see for the first time the flaws of who Chaplin is as a person and we see him confront his past in a way that is painful not unlike how it is painful when we relive moments in our lives we would rather choose to forget. However, the success of the film is how it strips the illusion of who Chaplin was and presents to us a person who is tragically flawed but who is unbale to appreciate his own genius. An example is when Chaplin's version of the invention of the Tramp is seen for what he imagined it to be an idealized moment in which the character is calling to him except for what it really was, We see the reality of the movies during this time; a hectic spur of the moment improvised invention drawn from real life. Yet we see Chaplin as the midwife to this new artform the movies and we see him develop it for what it is, the highest expression of art that stirs our imagination and makes us believe anything is possible. We even cry during Chaplin's moments of personal tragedy; the insanity and loss of his mother; repeated failed marriages; the death of his best friend, Douglas Fairbanks and finally his tragic and painful exile from America the only place he knew as home all taking place in the backdrop of the invention and evolution of cinema. However, I feel that in the end Chaplin is the one that comes out triumphant. In the last moments of the movie we see how Chaplin despairs that he feels that he has been forgotten and made irrelevant by the changing times; he feels that the weight of not only his age but the weight of the world on his shoulders and yet we see that everything he believes himself to be is completely wrong when Hollywood bestows on him the greatest honor which is not only the special Oscar but also a standing ovation. His final triumph is to be made a knight by Queen Elizabeth II, we are truly made to see that although flawed he is triumphant in the end.
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Gareth von Kallenbach (980 KP) rated The Dark Knight (2008) in Movies
Aug 14, 2019
Riding a wave a fan expectations and anticipation as well as surrounding by the tragic death of Heath Ledger, the latest installment in Writer/Director Christopher Nolan’s Batman Series, “The Dark Knight”, has arrived. Christian Bale once again stars in the dual role of troubled billionaire playboy Bruce Wayne and the masked avenger Batman, as he attempts to bring order to Gotham City.
The film picks up shortly after the events of “Batman Begins” and finds Bruce and his trusty sidekick Alfred (Michael Caine), splitting their time between a lofty penthouse and a secret lair while Wayne Manor is being rebuilt. The streets of Gotham have become safer as thanks to Batman many of the bad elements of the city have either been arrested or driven off.
Batman has a new ally in his fight, as new District Attorney Harvey Dent, (Aaron Eckhart), is waging a personal war on crime, and has vowed to stop at nothing to bring the remaining crime bosses and their associates to justice. Bruce is unsure what to make of Dent, and is further troubled by the growing relationship between Dent and his longtime flame Rachel Dawes (Maggie Gyllenhaal).
Unknown to Batman and Dent, the biggest threat ever to face Gotham City is about to move into the limelight, as a mysterious figure known as The Joker (Heath Ledger), has risen from the ranks of violent bank robber to psychopathic mastermind, attempting to get the remaining crime lords to join him in an scheme to kill Batman and prominent heads of the city to bring utter chaos.
As the Joker’s wave of violence, death, and destruction unfolds, Batman is drawn deeper into turmoil, as he is conflicted by his desire to abandon his Batman alter-ego and leave cleaning up the city to Dent and his trusted ally James Gordon (Gary Oldman). Bruce knows that he cannot be with Rachel as long as Batman is a part of his life, and he wishes he can abandon the fight to live a more normal existence.
As the crime wave escalates and the body count starts to mount, Bruce is driven to the edge as he matches wits with his toughest foe yet, a man who seems capable of matching his every move, and seems to be always one step ahead.
What follows is a truly gripping and enjoyably dark tale of murder, deception, action, and intrigue in what is not only the best Batman film ever but simply the best superhero film ever. This is strong praise considering the solid screen versions of “Spider-Man”, “Iron-Man” and the previous “Batman Beyond”, but Nolan has crafted a true cinematic masterpiece.
The key to the film is not only the solid cast but a serious and intelligent script that allows the actors to truly shine. This is not a thinly veiled comic story where plot and character are secondary to visuals and actions; instead it is a brilliant physiological study of madness, human nature, unchecked ambition, and morality, wrapped in a truly epic story.
Nolan deftly juggles the characters and action and never allows one to overshadow the other. He does not lose sight of the fact that despite the amazing and intense actions and visuals, this is a character driven story.
Many times during the press showing of the film I marveled at the high quality of the story and solid acting in the film. The impressive cast is anchored by a truly incredible performance by Ledger as he portrays the Joker as a deeply disturbed individual who mixes genius with absolute ruthless cunning. The mannerisms of the character are such that Ledger simply becomes the demented killer and at no time appears to be an actor portraying a character, but rather the personification of the character brought to reality.
His scenes with Bale are truly memorable and underscore the vast history between the two characters that has been established over the decades, and emphasizes the fact that, in some ways, Batman and the Joker are similar beings, both troubled souls who deal with their pain in different ways.
Bale is very good at portraying the torment his character lives with day in and day out, as well as the dark and seething rage that threatens to overtake him and his constant struggle to keep it under the control. Lesser actors would be lost against the amazing performance of Ledger, but Bale more than holds his own, and provides gripping cinema at its best during his scenes with Ledger and the talented cast.
Morgan Freeman and Michael Caine bring solid support to the film as their characters provide wisdom, morality, and direction for characters that walk the thin line between good and evil. The only real disappointment in the film for me was that Maggie Gyllenhaal is not given enough to do. She ably takes over the role originated by Katie Holmes, but she is not given any chance to stand out and her moments with Bale do not allow her to further her relationship with Bruce Wayne.
Eckhart gives a solid performance as Harvey Dent and his alter ego Two Face, taking great advantage of the time he was allowed to develop Dent. My only wish would have been for Two Face to have more time to develop as his arrival seems more of an add-on than a point of plot emphasis.
That being said, the film is a true masterpiece that proves you do not have to sacrifice character development and story to deliver a solid action film. The story sets up very well for future installments and I am sure I am not alone in wanting another outing for Nolan and Bale.
The film picks up shortly after the events of “Batman Begins” and finds Bruce and his trusty sidekick Alfred (Michael Caine), splitting their time between a lofty penthouse and a secret lair while Wayne Manor is being rebuilt. The streets of Gotham have become safer as thanks to Batman many of the bad elements of the city have either been arrested or driven off.
Batman has a new ally in his fight, as new District Attorney Harvey Dent, (Aaron Eckhart), is waging a personal war on crime, and has vowed to stop at nothing to bring the remaining crime bosses and their associates to justice. Bruce is unsure what to make of Dent, and is further troubled by the growing relationship between Dent and his longtime flame Rachel Dawes (Maggie Gyllenhaal).
Unknown to Batman and Dent, the biggest threat ever to face Gotham City is about to move into the limelight, as a mysterious figure known as The Joker (Heath Ledger), has risen from the ranks of violent bank robber to psychopathic mastermind, attempting to get the remaining crime lords to join him in an scheme to kill Batman and prominent heads of the city to bring utter chaos.
As the Joker’s wave of violence, death, and destruction unfolds, Batman is drawn deeper into turmoil, as he is conflicted by his desire to abandon his Batman alter-ego and leave cleaning up the city to Dent and his trusted ally James Gordon (Gary Oldman). Bruce knows that he cannot be with Rachel as long as Batman is a part of his life, and he wishes he can abandon the fight to live a more normal existence.
As the crime wave escalates and the body count starts to mount, Bruce is driven to the edge as he matches wits with his toughest foe yet, a man who seems capable of matching his every move, and seems to be always one step ahead.
What follows is a truly gripping and enjoyably dark tale of murder, deception, action, and intrigue in what is not only the best Batman film ever but simply the best superhero film ever. This is strong praise considering the solid screen versions of “Spider-Man”, “Iron-Man” and the previous “Batman Beyond”, but Nolan has crafted a true cinematic masterpiece.
The key to the film is not only the solid cast but a serious and intelligent script that allows the actors to truly shine. This is not a thinly veiled comic story where plot and character are secondary to visuals and actions; instead it is a brilliant physiological study of madness, human nature, unchecked ambition, and morality, wrapped in a truly epic story.
Nolan deftly juggles the characters and action and never allows one to overshadow the other. He does not lose sight of the fact that despite the amazing and intense actions and visuals, this is a character driven story.
Many times during the press showing of the film I marveled at the high quality of the story and solid acting in the film. The impressive cast is anchored by a truly incredible performance by Ledger as he portrays the Joker as a deeply disturbed individual who mixes genius with absolute ruthless cunning. The mannerisms of the character are such that Ledger simply becomes the demented killer and at no time appears to be an actor portraying a character, but rather the personification of the character brought to reality.
His scenes with Bale are truly memorable and underscore the vast history between the two characters that has been established over the decades, and emphasizes the fact that, in some ways, Batman and the Joker are similar beings, both troubled souls who deal with their pain in different ways.
Bale is very good at portraying the torment his character lives with day in and day out, as well as the dark and seething rage that threatens to overtake him and his constant struggle to keep it under the control. Lesser actors would be lost against the amazing performance of Ledger, but Bale more than holds his own, and provides gripping cinema at its best during his scenes with Ledger and the talented cast.
Morgan Freeman and Michael Caine bring solid support to the film as their characters provide wisdom, morality, and direction for characters that walk the thin line between good and evil. The only real disappointment in the film for me was that Maggie Gyllenhaal is not given enough to do. She ably takes over the role originated by Katie Holmes, but she is not given any chance to stand out and her moments with Bale do not allow her to further her relationship with Bruce Wayne.
Eckhart gives a solid performance as Harvey Dent and his alter ego Two Face, taking great advantage of the time he was allowed to develop Dent. My only wish would have been for Two Face to have more time to develop as his arrival seems more of an add-on than a point of plot emphasis.
That being said, the film is a true masterpiece that proves you do not have to sacrifice character development and story to deliver a solid action film. The story sets up very well for future installments and I am sure I am not alone in wanting another outing for Nolan and Bale.