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Gareth von Kallenbach (971 KP) rated The Dark Knight (2008) in Movies
Aug 14, 2019
Riding a wave a fan expectations and anticipation as well as surrounding by the tragic death of Heath Ledger, the latest installment in Writer/Director Christopher Nolan’s Batman Series, “The Dark Knight”, has arrived. Christian Bale once again stars in the dual role of troubled billionaire playboy Bruce Wayne and the masked avenger Batman, as he attempts to bring order to Gotham City.
The film picks up shortly after the events of “Batman Begins” and finds Bruce and his trusty sidekick Alfred (Michael Caine), splitting their time between a lofty penthouse and a secret lair while Wayne Manor is being rebuilt. The streets of Gotham have become safer as thanks to Batman many of the bad elements of the city have either been arrested or driven off.
Batman has a new ally in his fight, as new District Attorney Harvey Dent, (Aaron Eckhart), is waging a personal war on crime, and has vowed to stop at nothing to bring the remaining crime bosses and their associates to justice. Bruce is unsure what to make of Dent, and is further troubled by the growing relationship between Dent and his longtime flame Rachel Dawes (Maggie Gyllenhaal).
Unknown to Batman and Dent, the biggest threat ever to face Gotham City is about to move into the limelight, as a mysterious figure known as The Joker (Heath Ledger), has risen from the ranks of violent bank robber to psychopathic mastermind, attempting to get the remaining crime lords to join him in an scheme to kill Batman and prominent heads of the city to bring utter chaos.
As the Joker’s wave of violence, death, and destruction unfolds, Batman is drawn deeper into turmoil, as he is conflicted by his desire to abandon his Batman alter-ego and leave cleaning up the city to Dent and his trusted ally James Gordon (Gary Oldman). Bruce knows that he cannot be with Rachel as long as Batman is a part of his life, and he wishes he can abandon the fight to live a more normal existence.
As the crime wave escalates and the body count starts to mount, Bruce is driven to the edge as he matches wits with his toughest foe yet, a man who seems capable of matching his every move, and seems to be always one step ahead.
What follows is a truly gripping and enjoyably dark tale of murder, deception, action, and intrigue in what is not only the best Batman film ever but simply the best superhero film ever. This is strong praise considering the solid screen versions of “Spider-Man”, “Iron-Man” and the previous “Batman Beyond”, but Nolan has crafted a true cinematic masterpiece.
The key to the film is not only the solid cast but a serious and intelligent script that allows the actors to truly shine. This is not a thinly veiled comic story where plot and character are secondary to visuals and actions; instead it is a brilliant physiological study of madness, human nature, unchecked ambition, and morality, wrapped in a truly epic story.
Nolan deftly juggles the characters and action and never allows one to overshadow the other. He does not lose sight of the fact that despite the amazing and intense actions and visuals, this is a character driven story.
Many times during the press showing of the film I marveled at the high quality of the story and solid acting in the film. The impressive cast is anchored by a truly incredible performance by Ledger as he portrays the Joker as a deeply disturbed individual who mixes genius with absolute ruthless cunning. The mannerisms of the character are such that Ledger simply becomes the demented killer and at no time appears to be an actor portraying a character, but rather the personification of the character brought to reality.
His scenes with Bale are truly memorable and underscore the vast history between the two characters that has been established over the decades, and emphasizes the fact that, in some ways, Batman and the Joker are similar beings, both troubled souls who deal with their pain in different ways.
Bale is very good at portraying the torment his character lives with day in and day out, as well as the dark and seething rage that threatens to overtake him and his constant struggle to keep it under the control. Lesser actors would be lost against the amazing performance of Ledger, but Bale more than holds his own, and provides gripping cinema at its best during his scenes with Ledger and the talented cast.
Morgan Freeman and Michael Caine bring solid support to the film as their characters provide wisdom, morality, and direction for characters that walk the thin line between good and evil. The only real disappointment in the film for me was that Maggie Gyllenhaal is not given enough to do. She ably takes over the role originated by Katie Holmes, but she is not given any chance to stand out and her moments with Bale do not allow her to further her relationship with Bruce Wayne.
Eckhart gives a solid performance as Harvey Dent and his alter ego Two Face, taking great advantage of the time he was allowed to develop Dent. My only wish would have been for Two Face to have more time to develop as his arrival seems more of an add-on than a point of plot emphasis.
That being said, the film is a true masterpiece that proves you do not have to sacrifice character development and story to deliver a solid action film. The story sets up very well for future installments and I am sure I am not alone in wanting another outing for Nolan and Bale.
The film picks up shortly after the events of “Batman Begins” and finds Bruce and his trusty sidekick Alfred (Michael Caine), splitting their time between a lofty penthouse and a secret lair while Wayne Manor is being rebuilt. The streets of Gotham have become safer as thanks to Batman many of the bad elements of the city have either been arrested or driven off.
Batman has a new ally in his fight, as new District Attorney Harvey Dent, (Aaron Eckhart), is waging a personal war on crime, and has vowed to stop at nothing to bring the remaining crime bosses and their associates to justice. Bruce is unsure what to make of Dent, and is further troubled by the growing relationship between Dent and his longtime flame Rachel Dawes (Maggie Gyllenhaal).
Unknown to Batman and Dent, the biggest threat ever to face Gotham City is about to move into the limelight, as a mysterious figure known as The Joker (Heath Ledger), has risen from the ranks of violent bank robber to psychopathic mastermind, attempting to get the remaining crime lords to join him in an scheme to kill Batman and prominent heads of the city to bring utter chaos.
As the Joker’s wave of violence, death, and destruction unfolds, Batman is drawn deeper into turmoil, as he is conflicted by his desire to abandon his Batman alter-ego and leave cleaning up the city to Dent and his trusted ally James Gordon (Gary Oldman). Bruce knows that he cannot be with Rachel as long as Batman is a part of his life, and he wishes he can abandon the fight to live a more normal existence.
As the crime wave escalates and the body count starts to mount, Bruce is driven to the edge as he matches wits with his toughest foe yet, a man who seems capable of matching his every move, and seems to be always one step ahead.
What follows is a truly gripping and enjoyably dark tale of murder, deception, action, and intrigue in what is not only the best Batman film ever but simply the best superhero film ever. This is strong praise considering the solid screen versions of “Spider-Man”, “Iron-Man” and the previous “Batman Beyond”, but Nolan has crafted a true cinematic masterpiece.
The key to the film is not only the solid cast but a serious and intelligent script that allows the actors to truly shine. This is not a thinly veiled comic story where plot and character are secondary to visuals and actions; instead it is a brilliant physiological study of madness, human nature, unchecked ambition, and morality, wrapped in a truly epic story.
Nolan deftly juggles the characters and action and never allows one to overshadow the other. He does not lose sight of the fact that despite the amazing and intense actions and visuals, this is a character driven story.
Many times during the press showing of the film I marveled at the high quality of the story and solid acting in the film. The impressive cast is anchored by a truly incredible performance by Ledger as he portrays the Joker as a deeply disturbed individual who mixes genius with absolute ruthless cunning. The mannerisms of the character are such that Ledger simply becomes the demented killer and at no time appears to be an actor portraying a character, but rather the personification of the character brought to reality.
His scenes with Bale are truly memorable and underscore the vast history between the two characters that has been established over the decades, and emphasizes the fact that, in some ways, Batman and the Joker are similar beings, both troubled souls who deal with their pain in different ways.
Bale is very good at portraying the torment his character lives with day in and day out, as well as the dark and seething rage that threatens to overtake him and his constant struggle to keep it under the control. Lesser actors would be lost against the amazing performance of Ledger, but Bale more than holds his own, and provides gripping cinema at its best during his scenes with Ledger and the talented cast.
Morgan Freeman and Michael Caine bring solid support to the film as their characters provide wisdom, morality, and direction for characters that walk the thin line between good and evil. The only real disappointment in the film for me was that Maggie Gyllenhaal is not given enough to do. She ably takes over the role originated by Katie Holmes, but she is not given any chance to stand out and her moments with Bale do not allow her to further her relationship with Bruce Wayne.
Eckhart gives a solid performance as Harvey Dent and his alter ego Two Face, taking great advantage of the time he was allowed to develop Dent. My only wish would have been for Two Face to have more time to develop as his arrival seems more of an add-on than a point of plot emphasis.
That being said, the film is a true masterpiece that proves you do not have to sacrifice character development and story to deliver a solid action film. The story sets up very well for future installments and I am sure I am not alone in wanting another outing for Nolan and Bale.
Daniel Boyd (1066 KP) rated The Dark Knight (2008) in Movies
Oct 31, 2017 (Updated Oct 31, 2017)
A stone cold classic at this point (2 more)
Nolan's direction
Fantastic performances all around
The Movie That Comic Book Fans Deserve
Contains spoilers, click to show
Almost 10 years on from the original release of this film, it is still the best superhero film ever made up until this point. While a few movies, such as Logan and Winter Soldier, have came close to the quality of TDK, nothing has surpassed it in the last decade. There is so much to love here, whether it is Nolan's deliberate and effective direction, Hans Zimmer's uplifting yet melancholy score, the beautifully epic cinematography provided by Wally Pfister and of course Heath Ledger's incredible, electrifying performance as the Clown Prince Of Crime.
The movie starts as it means to go on, with an awesome opening sequence introducing the Joker. It plays out like a short film that could even be viewed independently of the rest of the movie and still make complete sense. We see a group of criminals dressed in clown masks robbing a bank and offing each other one by one after they complete their part of the heist. This all builds up to the reveal of the enigmatic Joker, complete with an awesome Cesar Romero reference in the Joker's mask as well. The sequence works so well, because it shows even those who aren't comic book fans or aren't familiar with these characters, exactly what kind of villain we are dealing with.
On the other hand though, there is a lot here for long time fans of Batman comics as well. A good amount of plot elements in the movie were taken from one of my favourite Batman stories ever written: The Long Halloween. Things such as the Harvey Dent working with Jim Gordon and Batman to prevent crime to then go on to show his eventual transformation into the totally unhinged Two-Face. The character design for the characters is also clearly inspired by a comic by Brian Azzarello and Lee Bermejo, simply titled: Joker. Lastly, the ending of the movie shares similar elements to the ending of The Dark Knight Returns graphic novel, in that they both end with Batman being framed for a murder he didn't commit and having to go into hiding and retire from crime fighting.
Overall, this is a perfect movie in my opinion. It is an astonishing achievement for a comic book movie and it is a great crime epic in its own right as well. The performances across the board are great, with Heath Ledger being the obvious standout and absolutely stealing every single scene that he appears in. The technical elements of the movie are great and it is just a fantastic cinematic experience all around. I first saw the movie in IMAX and that definitely was the premium way to initially experience this movie, but no matter what format you watch it on, its hard to deny that it is a masterpiece.
The movie starts as it means to go on, with an awesome opening sequence introducing the Joker. It plays out like a short film that could even be viewed independently of the rest of the movie and still make complete sense. We see a group of criminals dressed in clown masks robbing a bank and offing each other one by one after they complete their part of the heist. This all builds up to the reveal of the enigmatic Joker, complete with an awesome Cesar Romero reference in the Joker's mask as well. The sequence works so well, because it shows even those who aren't comic book fans or aren't familiar with these characters, exactly what kind of villain we are dealing with.
On the other hand though, there is a lot here for long time fans of Batman comics as well. A good amount of plot elements in the movie were taken from one of my favourite Batman stories ever written: The Long Halloween. Things such as the Harvey Dent working with Jim Gordon and Batman to prevent crime to then go on to show his eventual transformation into the totally unhinged Two-Face. The character design for the characters is also clearly inspired by a comic by Brian Azzarello and Lee Bermejo, simply titled: Joker. Lastly, the ending of the movie shares similar elements to the ending of The Dark Knight Returns graphic novel, in that they both end with Batman being framed for a murder he didn't commit and having to go into hiding and retire from crime fighting.
Overall, this is a perfect movie in my opinion. It is an astonishing achievement for a comic book movie and it is a great crime epic in its own right as well. The performances across the board are great, with Heath Ledger being the obvious standout and absolutely stealing every single scene that he appears in. The technical elements of the movie are great and it is just a fantastic cinematic experience all around. I first saw the movie in IMAX and that definitely was the premium way to initially experience this movie, but no matter what format you watch it on, its hard to deny that it is a masterpiece.
Movie Metropolis (309 KP) rated The Revenant (2015) in Movies
Jun 11, 2019
Typical Oscar Fodder
There are two types of film critic when it comes to the Academy Awards. Those who enjoy the glamour that the Oscars bring every spring and those who despise what the awards mean for film. I’m in the latter camp, I find them out of touch with what movie-watching audiences enjoy and feel an overhaul is necessary to reflect that.
That’s not to say the Oscars reward bad films of course. Not at all. I do feel however that they, on the whole, reward technical brilliance, rather than the deeper aspects of movie-making and forget to include mass-market crowd-pleasers for fear of cheapening the ceremony.
The film everyone is talking about this year is The Revenant. With an incredible 12 nominations, it’s the one to watch in 2016. But is it actually any good?
With Birdman director Alejandro G. Iñárritu at the helm, it promises more of the exceptional performances and technical perfection he brought to that film, and that’s exactly what you get.
Leonardo DiCaprio, nominated for yet another Academy Award, stars as Hugh Glass, a hunter left for dead by his supposed comrades after a vicious bear attack leaves him gravely injured. He is supported by man-of-the-moment Tom Hardy, nominated for a Best Supporting Actor award, and British rising star Will Poulter (The Maze Runner).
DiCaprio’s Glass is a commanding presence throughout The Revenant as he tracks down those who betrayed him. With little English dialogue, it’s impressive that he is able to convey such emotion, but he does so perfectly. He’s certainly worthy of his Oscar nod, but whether or not he will be fifth time lucky remains to be seen.
Elsewhere, the cinematography that Iñárritu uses is nothing short of breath-taking. Beautiful lingering shots of snow-capped mountains, icy waterfalls and baron forests all make for a documentary-level of awe and it’s here where the film succeeds the most.
Unfortunately, the rest of The Revenant falls a little flat. The story is incredibly pedestrian considering the film’s 156 minute running time and whilst the cast are all excellent, the material is a little staid ranging from the ordinary, to the bizarre. One scene in particular had me remembering The Empire Strikes Back of all films.
The intriguing plot that Iñárritu brought to Birdman is nowhere to be seen here and as the film reaches its mightily predictable conclusion, it runs out of steam. There’s only so much landscape, however beautiful, that you can throw at an audience.
Overall, The Revenant is a technical masterpiece, flanked by impressive performances from Leonardo DiCaprio and Will Poulter in particular, but the story just isn’t there. It may have a dozen award nominations to its name, but in this case, it’s nothing more than style over substance.
https://moviemetropolis.net/2016/01/17/typical-oscar-fodder-the-revenant-review/
That’s not to say the Oscars reward bad films of course. Not at all. I do feel however that they, on the whole, reward technical brilliance, rather than the deeper aspects of movie-making and forget to include mass-market crowd-pleasers for fear of cheapening the ceremony.
The film everyone is talking about this year is The Revenant. With an incredible 12 nominations, it’s the one to watch in 2016. But is it actually any good?
With Birdman director Alejandro G. Iñárritu at the helm, it promises more of the exceptional performances and technical perfection he brought to that film, and that’s exactly what you get.
Leonardo DiCaprio, nominated for yet another Academy Award, stars as Hugh Glass, a hunter left for dead by his supposed comrades after a vicious bear attack leaves him gravely injured. He is supported by man-of-the-moment Tom Hardy, nominated for a Best Supporting Actor award, and British rising star Will Poulter (The Maze Runner).
DiCaprio’s Glass is a commanding presence throughout The Revenant as he tracks down those who betrayed him. With little English dialogue, it’s impressive that he is able to convey such emotion, but he does so perfectly. He’s certainly worthy of his Oscar nod, but whether or not he will be fifth time lucky remains to be seen.
Elsewhere, the cinematography that Iñárritu uses is nothing short of breath-taking. Beautiful lingering shots of snow-capped mountains, icy waterfalls and baron forests all make for a documentary-level of awe and it’s here where the film succeeds the most.
Unfortunately, the rest of The Revenant falls a little flat. The story is incredibly pedestrian considering the film’s 156 minute running time and whilst the cast are all excellent, the material is a little staid ranging from the ordinary, to the bizarre. One scene in particular had me remembering The Empire Strikes Back of all films.
The intriguing plot that Iñárritu brought to Birdman is nowhere to be seen here and as the film reaches its mightily predictable conclusion, it runs out of steam. There’s only so much landscape, however beautiful, that you can throw at an audience.
Overall, The Revenant is a technical masterpiece, flanked by impressive performances from Leonardo DiCaprio and Will Poulter in particular, but the story just isn’t there. It may have a dozen award nominations to its name, but in this case, it’s nothing more than style over substance.
https://moviemetropolis.net/2016/01/17/typical-oscar-fodder-the-revenant-review/
Kristy H (1252 KP) rated The Identicals in Books
Feb 1, 2018
Harper and Tabitha Frost--identical twins--grew up thick as thieves, the best of friends. But their parents' divorce at seventeen cruelly separated the girls, with each being allocated to a parent and sent off to live with them on a separate island. Harper goes with their more laid-back father, Billy, to Martha's Vineyard, while Tabitha goes with their formidable and exacting mother, renowned fashion designer Eleanor Roxie-Frost. The twins' relationship is then further destroyed by a tragic event in early adulthood. They've barely spoken since, and it's only the death of their father that forces them to reluctantly reunite on the Vineyard for Billy's memorial service. It also allows Harper a chance to see her popular but rebellious teenage niece, Ainsley, who is struggling under Tabitha's freestyle, lax parenting. Harper and Tabitha are set in their ways--and resolute about never forming a friendship. Can Billy's death change the way the twins feel, or is it too late?
I've read a handful of Hilderbrand's novels by now and many of her books have a similar, beachy feel, often with a focus on twins (this makes more sense now, knowing that Hilderbrand is herself a twin) and wayward teens. There's always rampant gossip on Nantucket, which is her usual locale, yet you'll always be left wanting to visit (and in this case, the Vineyard as well). Things are typically a bit predictable and there's always a romance or two thrown in.
Still, this book especially peaked my interest as I have (young) twin daughters. I was pleasantly surprised by the plot and quite captivated by the book. It's a perfect beach read. Obviously you're not going to find a literary masterpiece, but if you're looking for escape, it's perfect. The plot is exciting, the characters complex enough (and up to their elbows in trouble), and the summery location makes you feel as if you're at the beach, experiencing the crazy gossip as it happens. I found myself quite drawn to all the characters--which doesn't always happen in novels like this--and especially liked headstrong teenage Ainsley and poor Harper, who just can't seem to get her life together.
Sure, things happen rather as anticipated at times and some of the characters' changes are pretty foreseeable. But they are a fun group and the supporting cast really adds depth to the story. The epilogue is a cute addition, as well. Overall, this is a pleasant, entertaining beach read and a step above many in the genre.
You can read my review of Hilderbrand's novel THE RUMOR <a href="https://www.goodreads.com/book/show/23341607-the-rumor">here</a>;.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a>; ~ <a href="https://www.instagram.com/justacatandabook/">Instagram</a>; </center>
I've read a handful of Hilderbrand's novels by now and many of her books have a similar, beachy feel, often with a focus on twins (this makes more sense now, knowing that Hilderbrand is herself a twin) and wayward teens. There's always rampant gossip on Nantucket, which is her usual locale, yet you'll always be left wanting to visit (and in this case, the Vineyard as well). Things are typically a bit predictable and there's always a romance or two thrown in.
Still, this book especially peaked my interest as I have (young) twin daughters. I was pleasantly surprised by the plot and quite captivated by the book. It's a perfect beach read. Obviously you're not going to find a literary masterpiece, but if you're looking for escape, it's perfect. The plot is exciting, the characters complex enough (and up to their elbows in trouble), and the summery location makes you feel as if you're at the beach, experiencing the crazy gossip as it happens. I found myself quite drawn to all the characters--which doesn't always happen in novels like this--and especially liked headstrong teenage Ainsley and poor Harper, who just can't seem to get her life together.
Sure, things happen rather as anticipated at times and some of the characters' changes are pretty foreseeable. But they are a fun group and the supporting cast really adds depth to the story. The epilogue is a cute addition, as well. Overall, this is a pleasant, entertaining beach read and a step above many in the genre.
You can read my review of Hilderbrand's novel THE RUMOR <a href="https://www.goodreads.com/book/show/23341607-the-rumor">here</a>;.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a>; ~ <a href="https://www.instagram.com/justacatandabook/">Instagram</a>; </center>
Darren (1599 KP) rated Alien (1979) in Movies
Jun 20, 2019
Story: It would be fair to say when this came out it was brilliant and stand alone on the type of film. Now the story has been copied, pinched from and used to the death. This paved the way for the truly trapped horror films because the space mission means it’s the ship of nothing. The twist that comes half way through offers a surprise and of cause the mood of the film changes drastically when the alien makes its first appearance. (10/10)
Actor Review: Sigourney Weaver – Ripley, just part of the crew really but steps up when the alien starts wreaking havoc. In a role that will be remembered as one of the best and most iconic in sci-fi history this performance will never be forgotten. Breakout Performance Award, Iconic Performance Award, Star Performance Award (10/10)
ripley
Actor Review: Tom Skerritt – Captain Dallas puts the team together to investigate the planet but has to step up when they don’t come back alone. Good performance showing leadership in time of panic. (9/10)
Actor Review: Ian Holm – Ash the science officer who is very distant as well as keeping a big secret from the rest of the crew. Good performance from Holm that opened a door for a twist in films that people actually have to think about. (9/10)
holm
Actor Review: John Hurt – Kane gets a creature stuck on his face before looking like making a full recovery only to make film history. This character has one of the most iconic sci-fi horror deaths in history. Unluckiest Character Award (9/10)
hurt
Director Review: Ridley Scott – Creates a world that no one saw coming and shows brilliant direction to create atmosphere throughout. (10/10)
Horror: There is no escape from a creature you have never met. (10/10)
Sci-Fi: Redefines the sci-fi genre to use true horror. (10/10)
Special Effects: Stunning special effects that even after 30 plus years still haven’t dated. (10/10)
Believability: We don’t know what is really in space until we go deeper enough. (5/10)
Chances of Tears: No (0/10)
Settings: When it comes to horror you need great location isolation is the best as we know the characters have nowhere to run, this offers that making the setting perfect. (10/10)
Suggestion: Most films can come and go and gain a few fans, this is not one of them it is one of the first films people will say when you say sci-fi. This makes it a must watch and when you do you will be reward but I expect most of you have already seen it so watch it again. (Watch)
Best Part: Alien first reveal.
Kill Of The Film: Kane
Trivia: The original title was Space Beast.
Oscar Chances: Won for Best Effects.
Chances of Sequel: Has three direct sequels and a couple of versus films.
Overall: Masterpiece classic must see
https://moviesreview101.com/2014/02/12/alien-1979/
Actor Review: Sigourney Weaver – Ripley, just part of the crew really but steps up when the alien starts wreaking havoc. In a role that will be remembered as one of the best and most iconic in sci-fi history this performance will never be forgotten. Breakout Performance Award, Iconic Performance Award, Star Performance Award (10/10)
ripley
Actor Review: Tom Skerritt – Captain Dallas puts the team together to investigate the planet but has to step up when they don’t come back alone. Good performance showing leadership in time of panic. (9/10)
Actor Review: Ian Holm – Ash the science officer who is very distant as well as keeping a big secret from the rest of the crew. Good performance from Holm that opened a door for a twist in films that people actually have to think about. (9/10)
holm
Actor Review: John Hurt – Kane gets a creature stuck on his face before looking like making a full recovery only to make film history. This character has one of the most iconic sci-fi horror deaths in history. Unluckiest Character Award (9/10)
hurt
Director Review: Ridley Scott – Creates a world that no one saw coming and shows brilliant direction to create atmosphere throughout. (10/10)
Horror: There is no escape from a creature you have never met. (10/10)
Sci-Fi: Redefines the sci-fi genre to use true horror. (10/10)
Special Effects: Stunning special effects that even after 30 plus years still haven’t dated. (10/10)
Believability: We don’t know what is really in space until we go deeper enough. (5/10)
Chances of Tears: No (0/10)
Settings: When it comes to horror you need great location isolation is the best as we know the characters have nowhere to run, this offers that making the setting perfect. (10/10)
Suggestion: Most films can come and go and gain a few fans, this is not one of them it is one of the first films people will say when you say sci-fi. This makes it a must watch and when you do you will be reward but I expect most of you have already seen it so watch it again. (Watch)
Best Part: Alien first reveal.
Kill Of The Film: Kane
Trivia: The original title was Space Beast.
Oscar Chances: Won for Best Effects.
Chances of Sequel: Has three direct sequels and a couple of versus films.
Overall: Masterpiece classic must see
https://moviesreview101.com/2014/02/12/alien-1979/
Emma @ The Movies (1786 KP) rated Late Night (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Show me Emma Thompson in a trailer and I'll show you a film that's going to the top of my must-see list. Comedy, drama, she can do it all, and as Katherine Newbury she got to do a bit of both.
Katherine is losing her TV show after years of being a late night icon. Where she wants serious and respectable guests, viewers tastes are edging ever closer to internet and pop culture celebs. She needs some fresh and relevant content, but the team is lacking fresh blood and the ideas just aren't coming.
Molly longs for a change of pace from working at the plants and she takes a chance and gets herself an opportunity to interview for the writing team. Pressured by Katherine to get results, Brad hires Molly to start on the entirely male team despite her less than popular when she takes the place of their recently fired colleague.
Mindy Kaling has done a great job on the script for Late Night, it's funny but still manages to transition to more serious moments. The characters all make great connections and Katherine and Molly are particularly fun together once Molly is able to break the tough shell of Katherine. The only slight quibble about it is that a couple of times I felt things didn't need to be there, but those scenes still worked well.
The story may be a new take, but it's a tale as old as time in this sort of comedy. It's predictable but in a way that you love because the chemistry on screen is so good and the outcome is genuinely what you want.
Emma Thompson on screen is a delight, there's even one point where we see her contemplating and she looks like a Jack Vettriano. The woman is a masterpiece. She can play anything (well, apart from a yeti, but that was more to do with the terrible scripting) and the role of Katherine really does come to life in her hands.
Kaling as Molly is a delight to see. Her always upbeat nature and genuine love for what she's doing shines through bringing a beautiful partnership out between her and Katherine.
The supporting cast is full of faces you'll recognise and all of them help this light-hearted comedy becomes something that genuinely made me smile.
Late Night was an unsurprising hit with me, when you have so many great things it's very difficult to create something bad.
What you should do
Have you looked at the news or Twitter today and sighed at just how depressing the world can be? If yes, go and see Late Night for a great mood lifter. If no, go and see Late Night for a great mood lifter.
Movie thing you wish you could take home
That suit Katherine wears right at the end of the movie... amazing.
Katherine is losing her TV show after years of being a late night icon. Where she wants serious and respectable guests, viewers tastes are edging ever closer to internet and pop culture celebs. She needs some fresh and relevant content, but the team is lacking fresh blood and the ideas just aren't coming.
Molly longs for a change of pace from working at the plants and she takes a chance and gets herself an opportunity to interview for the writing team. Pressured by Katherine to get results, Brad hires Molly to start on the entirely male team despite her less than popular when she takes the place of their recently fired colleague.
Mindy Kaling has done a great job on the script for Late Night, it's funny but still manages to transition to more serious moments. The characters all make great connections and Katherine and Molly are particularly fun together once Molly is able to break the tough shell of Katherine. The only slight quibble about it is that a couple of times I felt things didn't need to be there, but those scenes still worked well.
The story may be a new take, but it's a tale as old as time in this sort of comedy. It's predictable but in a way that you love because the chemistry on screen is so good and the outcome is genuinely what you want.
Emma Thompson on screen is a delight, there's even one point where we see her contemplating and she looks like a Jack Vettriano. The woman is a masterpiece. She can play anything (well, apart from a yeti, but that was more to do with the terrible scripting) and the role of Katherine really does come to life in her hands.
Kaling as Molly is a delight to see. Her always upbeat nature and genuine love for what she's doing shines through bringing a beautiful partnership out between her and Katherine.
The supporting cast is full of faces you'll recognise and all of them help this light-hearted comedy becomes something that genuinely made me smile.
Late Night was an unsurprising hit with me, when you have so many great things it's very difficult to create something bad.
What you should do
Have you looked at the news or Twitter today and sighed at just how depressing the world can be? If yes, go and see Late Night for a great mood lifter. If no, go and see Late Night for a great mood lifter.
Movie thing you wish you could take home
That suit Katherine wears right at the end of the movie... amazing.
Emma @ The Movies (1786 KP) rated Alone For Christmas (2013) in Movies
Dec 15, 2019
UK DVD release title, Bone Alone.
Shopping in Tesco each week involves a traditional visit to the DVD aisle to look for bargains and new releases. At this time of year that also means some quality seasonal content that you've never heard of before... and so I give you, Bone Alone!
When Bone gets in trouble for the antics of his little brother Columbus he's banished to a dogsitter as the family go off for the holidays.
Bone, with the help of the other dogs, makes an escape after he realises his home is in danger. A group of burglars have their sights set on their valuables, but this is Bone's house and he has to defend it.
Its original title was Alone For Christmas, let's face it though, that's just not as good as Bone Alone. Is it a rip off of Home Alone featuring dogs or is it porn... who knows?!
The first thing you will notice about Bone Alone is the absolutely ridiculous effects used to animate the dog's mouths, it's truly awful, but thankfully it's easily forgotten once you get into it because... dare I say it? This film is pretty entertaining.
Add some dogs to a film and you've got me keen, get those dogs to execute a Home Alone plan on some unscrupulous baddies? Sold! Bone does not let his lack of opposable thumbs stop him making his house a fortress that even Kevin would be proud of. Honestly, I don't know how he thought of some of them, I'll be adding them to my own battle plan options shortly.
We've obviously got quality acting from the canine contingent, especially from our lead actors, Hooligan and Torpedo playing Bone and Columbus. Plus there are lots of little cameos from other floofy talents.
The human cast is classic TV movie, acting that's just cheesy enough that the film appears to not take itself too seriously. It's headed up by one of TV's favourite dads, David DeLuise, and as always he's the right sort of amusing to make the role work. The villains have your favourite traits but out of the three of them my favourite was definitely Phil played by John Kenward, he's the adorable buffoon that you really kind of feel for in the whole thing.
Generally the cast isn't made up of people you'd recognise, but then you spot Kevin Sorbo... I don't know what he's channelling when it comes to this role but it's not entirely good. There's a whole section of his story that I zoned out of, that was probably the only part of this masterpiece that I didn't get along with.
Bone Alone is a really fun film because it's equal parts ridiculous and amusing. I can't say there's much in it that's going to make cinematic history but I liked it and that's really all that matters.
Originally posted on: http://emmaatthemovies.blogspot.com/2019/12/bone-alone-movie-review.html
When Bone gets in trouble for the antics of his little brother Columbus he's banished to a dogsitter as the family go off for the holidays.
Bone, with the help of the other dogs, makes an escape after he realises his home is in danger. A group of burglars have their sights set on their valuables, but this is Bone's house and he has to defend it.
Its original title was Alone For Christmas, let's face it though, that's just not as good as Bone Alone. Is it a rip off of Home Alone featuring dogs or is it porn... who knows?!
The first thing you will notice about Bone Alone is the absolutely ridiculous effects used to animate the dog's mouths, it's truly awful, but thankfully it's easily forgotten once you get into it because... dare I say it? This film is pretty entertaining.
Add some dogs to a film and you've got me keen, get those dogs to execute a Home Alone plan on some unscrupulous baddies? Sold! Bone does not let his lack of opposable thumbs stop him making his house a fortress that even Kevin would be proud of. Honestly, I don't know how he thought of some of them, I'll be adding them to my own battle plan options shortly.
We've obviously got quality acting from the canine contingent, especially from our lead actors, Hooligan and Torpedo playing Bone and Columbus. Plus there are lots of little cameos from other floofy talents.
The human cast is classic TV movie, acting that's just cheesy enough that the film appears to not take itself too seriously. It's headed up by one of TV's favourite dads, David DeLuise, and as always he's the right sort of amusing to make the role work. The villains have your favourite traits but out of the three of them my favourite was definitely Phil played by John Kenward, he's the adorable buffoon that you really kind of feel for in the whole thing.
Generally the cast isn't made up of people you'd recognise, but then you spot Kevin Sorbo... I don't know what he's channelling when it comes to this role but it's not entirely good. There's a whole section of his story that I zoned out of, that was probably the only part of this masterpiece that I didn't get along with.
Bone Alone is a really fun film because it's equal parts ridiculous and amusing. I can't say there's much in it that's going to make cinematic history but I liked it and that's really all that matters.
Originally posted on: http://emmaatthemovies.blogspot.com/2019/12/bone-alone-movie-review.html
Gareth von Kallenbach (971 KP) rated The Equalizer (2014) in Movies
Aug 6, 2019
I’m not going to waste ANY time getting started with this one. No, you’re not daydreaming. Denzel Washington has teamed-up again with director Antoine Fuqua and once again, they’ve created another outstanding masterpiece of a movie. In fact, the film has seen such postive reviews so far that there’s already talk of a sequal and even a possible franchise. After seeing the film myself, I would not be surprised in the least if
these rumors were true. A sequel would certainly be one worth the wait.
Based on the T.V. show of the same name which ran from 1985 to 1989 and starred Edward Woodward, the movie adaption of “The Equalizer” stars Denzel Washington, Chloe Grace
Moretz, Marton Csokas, David Harbour, Haley Bennett, Melissa Leo, and Bill Pullman.
Directed by Antoine Fuqua (Training Day, The Replacement Killers), “The Equalizer” premiered at the Toronto International Film Festival on September 6th and is set for it’s
U.S. premiere on Friday the 26th.
Denzel Washington portrays McCall, a man who has recently settled down to begin a new life quietly putting his mysterious past behind him. By day, he manages a large hardware store.
His nights are spent in quiet solitude with the exception of his visits to the 24-hour diner for tea down the street from his home where he befriends Teri (Moretz), an aspiring singer forced to work as a callgirl for a group of violent Russian mobsters based in Boston.
One night Teri goes missing and McCall learns that she was severly beaten by her pimp. Unable to sit by and watch the life of his friend ruined and perhaps ended, McCall emerges from his self-imposed retirement and armed with his ‘deadly skillset’ sets out to seek revenge anyone who preys upon the weak and finds his desire for justice reawakened.
“Are The Odds Against You? Need Help? Call The Equalizer”
I’m going to call this one right now: 4 out of 5 stars. Honestly, I really couldn’t find anything about the film I DIDN’T like. Sometimes the film slowed down, then it was like a switch was hit and it speed right back up but it was always good.
When the film did move to a slow pace, it was only to give ‘insight’ into the mindset of the McCall character. Particularly in the beginning when you’re learning about him.
It’s almost immediately inferred that he’s trying put his mysterious past behind him and settle into his new, quiet life. When McCall’s friend Teri is placed in jeopordy though, it’s like listening to the engine of a race car being started and primed. You know trouble is about to go down and McCall is going to be the one who ‘deals’ with that trouble.
The film is violent. Definitely too violent for the kids. It does deliver though. A “do unto others” film, if you will. Denzel depicts the ultimate interpretation of the phrase ‘What goes around, comes around” and does it with style.
these rumors were true. A sequel would certainly be one worth the wait.
Based on the T.V. show of the same name which ran from 1985 to 1989 and starred Edward Woodward, the movie adaption of “The Equalizer” stars Denzel Washington, Chloe Grace
Moretz, Marton Csokas, David Harbour, Haley Bennett, Melissa Leo, and Bill Pullman.
Directed by Antoine Fuqua (Training Day, The Replacement Killers), “The Equalizer” premiered at the Toronto International Film Festival on September 6th and is set for it’s
U.S. premiere on Friday the 26th.
Denzel Washington portrays McCall, a man who has recently settled down to begin a new life quietly putting his mysterious past behind him. By day, he manages a large hardware store.
His nights are spent in quiet solitude with the exception of his visits to the 24-hour diner for tea down the street from his home where he befriends Teri (Moretz), an aspiring singer forced to work as a callgirl for a group of violent Russian mobsters based in Boston.
One night Teri goes missing and McCall learns that she was severly beaten by her pimp. Unable to sit by and watch the life of his friend ruined and perhaps ended, McCall emerges from his self-imposed retirement and armed with his ‘deadly skillset’ sets out to seek revenge anyone who preys upon the weak and finds his desire for justice reawakened.
“Are The Odds Against You? Need Help? Call The Equalizer”
I’m going to call this one right now: 4 out of 5 stars. Honestly, I really couldn’t find anything about the film I DIDN’T like. Sometimes the film slowed down, then it was like a switch was hit and it speed right back up but it was always good.
When the film did move to a slow pace, it was only to give ‘insight’ into the mindset of the McCall character. Particularly in the beginning when you’re learning about him.
It’s almost immediately inferred that he’s trying put his mysterious past behind him and settle into his new, quiet life. When McCall’s friend Teri is placed in jeopordy though, it’s like listening to the engine of a race car being started and primed. You know trouble is about to go down and McCall is going to be the one who ‘deals’ with that trouble.
The film is violent. Definitely too violent for the kids. It does deliver though. A “do unto others” film, if you will. Denzel depicts the ultimate interpretation of the phrase ‘What goes around, comes around” and does it with style.