"A masterpiece. Kubrick is one of the most fascinating directors of all time. The fact that this movie sits alongside 2001: A Space Odyssey and The Shining in his filmography is mind-boggling. Peter Sellers was so understated. This movie constantly reminds me how comedy is funnier when you ground it in real circumstances. The more dramatic the stakes, the more you can mine laughs out of people who have to squirm through those situations. I still try to emulate Kubrick’s sense of editing and composition. I patterned a war room scene in Get Smart after the one in Strangelove."

"Okay, so number two, can I choose another Stanley Kubrick? Number two is A Clockwork Orange. I just think it’s just visually an absolute masterpiece. Again, the central performance is incredible. I just love these performances that you get with these lead actors that are so on the brink of madness. They’re violent, they’re unpredictable and scary, and I just love that sequence where it’s operatic in A Clockwork Orange, when they’re beating each other up, and it’s the classical music. I love that. The Singin’ in the Rain, singing that song is deeply disturbing. I think he’s just a complete master."

"To Kill a Mockingbird just gets better with age. I’ve read Harper Lee’s masterpiece over and over again. It’s a great read at age 11 and 23 and 35. Recently, at 42, I took it on vacation to read again. Age changes the book, like a painting that changes when you look at it from different angles. I used to spend all my time thinking of Scout. Now I spend most of my time focused on Atticus and Tom and Boo Radley. It’s timeless and perfect; I can’t wait to share a copy with my daughters. Especially with my daughter named Harper."

"Both of these films are in the box set America Lost and Found: The BBS Story, which is a masterpiece. It’s too bad companies like BBS don’t exist anymore. These two films capture loneliness and melancholy in a way that affects me deeply, yet they also have humor and beautiful open endings. There are moments in the performances in The Last Picture Show—Cloris Leachman’s final scene with Timothy Bottoms, or Ben Johnson’s scene at the water tank, just to name a few—that are stunning. The film also has incredible mood and feeling, and sometimes that’s more important than anything."

"My top four films are the ones I will be (or already have been) revisiting and pulling ideas, inspiration, and innovation from. “Under the Silver Lake” is undoubtably the movie of the year; it is the most (only?) unique attempt at reconsidering the rules of storytelling, both written and visual. Of course, it was “dumped” into only two theaters, given the tiniest sliver of support, and will have to work to find the audience it deserves. Nothing says “2019” to me more than an out-and-out gonzo masterpiece that most people probably don’t even know was released."

"My top four films are the ones I will be (or already have been) revisiting and pulling ideas, inspiration, and innovation from. “Under the Silver Lake” is undoubtably the movie of the year; it is the most (only?) unique attempt at reconsidering the rules of storytelling, both written and visual. Of course, it was “dumped” into only two theaters, given the tiniest sliver of support, and will have to work to find the audience it deserves. Nothing says “2019” to me more than an out-and-out gonzo masterpiece that most people probably don’t even know was released."

"My top four films are the ones I will be (or already have been) revisiting and pulling ideas, inspiration, and innovation from. “Under the Silver Lake” is undoubtably the movie of the year; it is the most (only?) unique attempt at reconsidering the rules of storytelling, both written and visual. Of course, it was “dumped” into only two theaters, given the tiniest sliver of support, and will have to work to find the audience it deserves. Nothing says “2019” to me more than an out-and-out gonzo masterpiece that most people probably don’t even know was released."

"My top four films are the ones I will be (or already have been) revisiting and pulling ideas, inspiration, and innovation from. “Under the Silver Lake” is undoubtably the movie of the year; it is the most (only?) unique attempt at reconsidering the rules of storytelling, both written and visual. Of course, it was “dumped” into only two theaters, given the tiniest sliver of support, and will have to work to find the audience it deserves. Nothing says “2019” to me more than an out-and-out gonzo masterpiece that most people probably don’t even know was released."

"This dark, fast-paced novel is a visionary masterpiece. It’s populated by hackers and cyberpunks, Gibson’s creations that have since become fixtures in the electronic matrix. I first read the book in the mid-1990s, when the Internet was beginning to wrap itself around all of us, and I read it with increasing excitement—but not without some difficulty. Gibson doesn’t bother to explain his terms or lead the reader by the hand through the puzzling dislocations of his futuristic landscape. Neuromancer is pulp fiction, but it’s guided by a hip wisdom about a baffling phenomenon that was only beginning to take shape."

"My favourite series of all time, I’m not kidding, is True Detective season one, it’s my favourite. I just rewatch it all the time. Matthew McConaughey is so good in that show, it’s incredible. It’s dark, (but) kind of ethereal too. There’s something so mystical and magical about it. Because you don’t quite know what’s real, what’s tangible, and what’s some horrifying fantasy. I think what keeps that show separated from every other kind of crime show is that it has this kind of magical ability to be dreamy, too. It’s just gorgeous, it’s a masterpiece."