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Johnny Marr recommended track Gimme Danger by Iggy And The Stooges in Michigan Palace, 10/6/73 by Iggy And The Stooges in Music (curated)
Darren (1599 KP) rated Booksmart (2019) in Movies
Oct 12, 2019
Characters – Amy is the quieter of the two friends, she is planning on going to Africa for her next step, before college that would see her following the plan set in stone, she does enjoy her life without the wild parties, happy to follow the crowds, while dealing with being confidently out. Molly is the leader of the pair, she is class president and believes she is going to do better than all the other students. She does push Amy into a lot of different things and does believe they will follow a set path in life. We do meet a host of colourful characters from the high school and the teachers on this final day, that have all been a big part of the lives of the pair for years.
Performances – The film is centred on two key performances from Kaitlyn Dever and Beanie Feldstein who shows exceptional chemistry through the film, they also get to show their talents in the individual moments too, with Dever showing the awkward moments her character goes through while Feldstein shines in the over-confidence moments. Billie Lourd goes close to stealing every single scene in the movie, while the rest of the support cast are flawless.
Story – The story follows two high school friends who are ready to take the next step of their lives only to learn that they haven’t had as much fun as the other class mates and decide to spend the last night going for a party like the rest of the students, where they face life’s truths. This is a story that shows us that life needs to have fun, people will be there for people when they need them, only the pair need to learn this before it is too late. It is nice to see that the high schoolers are truly horrible to each other, while most of it is like life, you just don’t get on with everybody, but most of the time you just don’t know their story, their lives or anything about them outside rumours. Set in one 24 hour spell it also shows us just how quickly you can learn about life too.
Comedy – The comedy does come from how over the top certain characters are meant to be, without being anything you would expect to see in real life.
Settings – The film does seem to have a large-scale setting, with all the travelling the characters must do over the single night, it shows how far away the student might live from the school and shows different parties.
Scene of the Movie – Gigi’s boat moment.
That Moment That Annoyed Me – The high school only seems to have one year of students in.
Final Thoughts – This is a delightful look at how difficult for life can be for high school students, they are always trying to fit in and stay in their comfort zones, or trying to impress people, it does have the message about making sure you find time for fun in life too.
Overall: Heartfelt teen comedy.
Performances – The film is centred on two key performances from Kaitlyn Dever and Beanie Feldstein who shows exceptional chemistry through the film, they also get to show their talents in the individual moments too, with Dever showing the awkward moments her character goes through while Feldstein shines in the over-confidence moments. Billie Lourd goes close to stealing every single scene in the movie, while the rest of the support cast are flawless.
Story – The story follows two high school friends who are ready to take the next step of their lives only to learn that they haven’t had as much fun as the other class mates and decide to spend the last night going for a party like the rest of the students, where they face life’s truths. This is a story that shows us that life needs to have fun, people will be there for people when they need them, only the pair need to learn this before it is too late. It is nice to see that the high schoolers are truly horrible to each other, while most of it is like life, you just don’t get on with everybody, but most of the time you just don’t know their story, their lives or anything about them outside rumours. Set in one 24 hour spell it also shows us just how quickly you can learn about life too.
Comedy – The comedy does come from how over the top certain characters are meant to be, without being anything you would expect to see in real life.
Settings – The film does seem to have a large-scale setting, with all the travelling the characters must do over the single night, it shows how far away the student might live from the school and shows different parties.
Scene of the Movie – Gigi’s boat moment.
That Moment That Annoyed Me – The high school only seems to have one year of students in.
Final Thoughts – This is a delightful look at how difficult for life can be for high school students, they are always trying to fit in and stay in their comfort zones, or trying to impress people, it does have the message about making sure you find time for fun in life too.
Overall: Heartfelt teen comedy.
A Fascinating Tale Of Obsession, Revenge & Lies
Wow, What an absolute joy this book was to read! THE EX by Freida McFadden is a fascinating tale of obsession, revenge and lies.
Told in alternating chapters between the ex and the new girlfriend, and even though the plot is not an original one by any means as it has been tried and tested many times before, I was, nevertheless, absolutely enthralled by this novel from the very first page, which I attribute to Freida McFadden’s superb writing.
The ex, Francesca Mascolo, is Italian and is expecting to marry her adorable boyfriend, Dr Joel Broder, who works as an Emergency Room physician at the local hospital. They have been together many, many years and have travelled and worked abroad together, until one night he dumps her in a crowded restaurant, saying that their relationship didn’t work for him any more. Francesca repeatedly begs him to reconsider - she is very much in love and can’t afford to pay the rent for their flat on her own earnings.
Cassie Donovan is the new girl, twenty-six-years-old and runs a small, used book-store called Bookland, that she inherited from her grandparents Grandma Bea & Grandpa Marv, when she was twenty-two. Her best friend, Zoe Malloy is also her business partner and they were room-mates at college. Cassie offered her a share in Bookland for some help with running Bookland. Cassie is the accountant and Zoe, who has a degree in Communication, manages the sales. Bookland is in a bit of financial trouble and the girls haven’t yet managed to drag it out of the financial hole it was in when Cassie took over. Zoe is gorgeous with bobbed jet black hair, red lipstick and black nails and glowing personality. She’s chatty, everyone’s friend, and kind to the homeless.
Cassie’s not interested in dating, she’s too busy trying to keep Bookland afloat. And all of her most recent dating endeavours have been bitterly disappointing.
Joel is in his mid-thirties and is very much a “Hot Doctor.” He has vivid blue eyes, a lovely smile, an attractive laugh, and lovely biceps. Joel and Cassie first meet in Bookland and Joel is so sexy that Cassie starts to waver about not dating. He is as attracted to Cassie as she is to him.
I loved that Joel is a bit of a romantic and that there is a connection between the two of them straight-away. One of the best bits of the book is following how their romance develops, however, everyone has a past and some people are keeping secrets and hiding their emotions …
I really liked Freida McFadden’s character development and her straightforward writing style. She managed to create exactly the right amount of suspense to keep the story interesting so that I felt that I needed to read just one more chapter.
Freida McFadden writes with great flair, which helped to make this novel as wonderful as it is. This book will be extremely enjoyable for anyone who loves a good psychological thriller. Overall, THE EX is a highly recommended, incredibly entertaining story with a surprising and fulfilling ending.
{Thank you to Hidden Gems and Freida McFadden for the free copy of this novel and for giving me the opportunity to provide an honest review.}
Told in alternating chapters between the ex and the new girlfriend, and even though the plot is not an original one by any means as it has been tried and tested many times before, I was, nevertheless, absolutely enthralled by this novel from the very first page, which I attribute to Freida McFadden’s superb writing.
The ex, Francesca Mascolo, is Italian and is expecting to marry her adorable boyfriend, Dr Joel Broder, who works as an Emergency Room physician at the local hospital. They have been together many, many years and have travelled and worked abroad together, until one night he dumps her in a crowded restaurant, saying that their relationship didn’t work for him any more. Francesca repeatedly begs him to reconsider - she is very much in love and can’t afford to pay the rent for their flat on her own earnings.
Cassie Donovan is the new girl, twenty-six-years-old and runs a small, used book-store called Bookland, that she inherited from her grandparents Grandma Bea & Grandpa Marv, when she was twenty-two. Her best friend, Zoe Malloy is also her business partner and they were room-mates at college. Cassie offered her a share in Bookland for some help with running Bookland. Cassie is the accountant and Zoe, who has a degree in Communication, manages the sales. Bookland is in a bit of financial trouble and the girls haven’t yet managed to drag it out of the financial hole it was in when Cassie took over. Zoe is gorgeous with bobbed jet black hair, red lipstick and black nails and glowing personality. She’s chatty, everyone’s friend, and kind to the homeless.
Cassie’s not interested in dating, she’s too busy trying to keep Bookland afloat. And all of her most recent dating endeavours have been bitterly disappointing.
Joel is in his mid-thirties and is very much a “Hot Doctor.” He has vivid blue eyes, a lovely smile, an attractive laugh, and lovely biceps. Joel and Cassie first meet in Bookland and Joel is so sexy that Cassie starts to waver about not dating. He is as attracted to Cassie as she is to him.
I loved that Joel is a bit of a romantic and that there is a connection between the two of them straight-away. One of the best bits of the book is following how their romance develops, however, everyone has a past and some people are keeping secrets and hiding their emotions …
I really liked Freida McFadden’s character development and her straightforward writing style. She managed to create exactly the right amount of suspense to keep the story interesting so that I felt that I needed to read just one more chapter.
Freida McFadden writes with great flair, which helped to make this novel as wonderful as it is. This book will be extremely enjoyable for anyone who loves a good psychological thriller. Overall, THE EX is a highly recommended, incredibly entertaining story with a surprising and fulfilling ending.
{Thank you to Hidden Gems and Freida McFadden for the free copy of this novel and for giving me the opportunity to provide an honest review.}
Kristy H (1252 KP) rated Playing with Matches in Books
Mar 10, 2019
Good read, especially for those young & dating
Sasha Goldberg's plans as a writer are quickly derailed when her boss tells her he doesn't have the funds to hire her on after her graduation. She's stuck--in New York City--without a Plan B. When she sees a job listing for a matchmaker, she's intrigued. Sasha's secret is that her parents met through a kind of matchmaker: her father chose her mom through a catalog and paid for her to come to the United States from Russia. Of course, it didn't exactly work out (they're divorced), but Sasha uses the story to get hired on at Bliss, an exclusive NYC matchmaking service. She's hopeful the job will tide her over while she waits for a writing gig. And, she thinks, she has to know something about love, since she's successfully with her boyfriend, Jonathan, who works around-the-clock in his Wall Street gig. But matchmaking isn't as easy as it looks--it's a lot of stressful Tinder swiping and tracking down potential mates in random ways--and it becomes even more complicated when Sasha develops a crush on one of her client's matches. One of the firm's rules is that matches are off-limits. Sasha's struggling: can she keep it all together?
This is one of those books where I find myself going into it warily, because you just know things are going to come crashing down, and you (me) are not 100% sure you want to be there for all of it. It's not a secret (it's in the book description) that Sasha and Jonathan break up and that she gets into a relationship with Adam, one of her client's matches. For some reason, I often have an issue with these sorts of books where the character just makes bad choices: Sasha makes no attempt to avoid what will be an inevitable downfall with Adam, so I found myself cringing as she made a string of poor decisions.
That's not to say Sasha isn't an engaging character. This book is very readable, and I certainly liked Sasha and reading about her life. However, I can't lie:I probably am a little older than the target audience for this novel. It offers a fun and engaging look at the dating scene in New York, but there wasn't a lot I could relate to. I felt protective of Sasha, not empathetic to her, if that makes any sense. Honestly, the book just made me feel relieved I no longer have to date or deal with basically anything Sasha had to endure during the course of this novel.
Still, Orenstein does a good job at capturing Sasha's voice and what it's like to be a young twenty-something trying to survive in the city. Sasha's relationship with her best friend Caroline and her mom are well-done. I didn't think there was as much overall about matchmaking as a job as I'd hoped--it seemed to be a lot of Tinder swiping and chatting--so that was a little bit of a bummer, but there was enough to know it's a job I'd never want!
Overall, if you're young and still dating, you'll probably really enjoy this book--especially if you live in a city. If not, some of its essence may be a bit lost of you, but you'll still like Orenstein's witty writing and the arc of Sasha's struggles.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
This is one of those books where I find myself going into it warily, because you just know things are going to come crashing down, and you (me) are not 100% sure you want to be there for all of it. It's not a secret (it's in the book description) that Sasha and Jonathan break up and that she gets into a relationship with Adam, one of her client's matches. For some reason, I often have an issue with these sorts of books where the character just makes bad choices: Sasha makes no attempt to avoid what will be an inevitable downfall with Adam, so I found myself cringing as she made a string of poor decisions.
That's not to say Sasha isn't an engaging character. This book is very readable, and I certainly liked Sasha and reading about her life. However, I can't lie:I probably am a little older than the target audience for this novel. It offers a fun and engaging look at the dating scene in New York, but there wasn't a lot I could relate to. I felt protective of Sasha, not empathetic to her, if that makes any sense. Honestly, the book just made me feel relieved I no longer have to date or deal with basically anything Sasha had to endure during the course of this novel.
Still, Orenstein does a good job at capturing Sasha's voice and what it's like to be a young twenty-something trying to survive in the city. Sasha's relationship with her best friend Caroline and her mom are well-done. I didn't think there was as much overall about matchmaking as a job as I'd hoped--it seemed to be a lot of Tinder swiping and chatting--so that was a little bit of a bummer, but there was enough to know it's a job I'd never want!
Overall, if you're young and still dating, you'll probably really enjoy this book--especially if you live in a city. If not, some of its essence may be a bit lost of you, but you'll still like Orenstein's witty writing and the arc of Sasha's struggles.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
Darren (1599 KP) rated This Is England (2007) in Movies
Dec 2, 2019
Verdict: Gritty, Hard Hitting Reality Check
Story: This is England starts as young boy Shaun (Turgoose) is struggling with the death of his father in conflict in 1983, he gets picked on at school, he doesn’t fit in, until a group of skinheads led by Woody (Gilgun) welcoming him into their circle of friends for an afternoon of trouble, while his mother Cynth (Hartley) isn’t completely happy with this group, she does see him being happy for the first time in years.
When the other leader of the group Combo (Graham) gets out of prisons, he brings a more aggressive nature to what the gang wants to be, despite Woody, just wanting it to be friends hanging out.
Thoughts on This is England
Characters – Shaun is a 12-year-old boy that has suffered with the loss of his own father’s death in the Falklands, he gets bullied by the other school kids and has always just been left feeling alone in the world. The only people that let him in are Woody and the gang of skin heads who just want to hang out and soon gets drawn into a darker side by the more aggressive leaders of the gang. Combo is the older leader of the gang that doesn’t hold back with his hatred to other races in his country, he will fight anybody who goes again his gang too, being a horrendous role model for Shaun. Cynth is the mother of Shaun, she wants to see her son enjoying his life more but is getting worried about his own life choices. Woody is the member of the skin head gang that invites Shaun into the gang, he wants to help him fight back against the bullies, by offering somebody to hang out with.
Performances – Thomas Turgoose in the leading role is fantastic as we see just how he is dealing with his own grief in all the wrong places. Stephen Graham steals the show with his hyper aggressive character, while the rest of the cast do make us feel like we are watching mates hanging out.
Story – The story here follows a 12-year-old boy that ends up joining a skinhead gang after he struggles to find a way to deal with the grief in his life from his father’s death. The story does tackle just how difficult grief could be for the children of the victims of war, with Shaun having his school friends pick on him because of his father’s death, which in todays, not the 80s wouldn’t be acceptable in anyway, with everybody being more supportive. The idea of joining the gang and just how the gang soon starts to consume his life, effecting his behaviour shows how being given the wrong lines to follow will not make life any easier. We do see how the world has changed since the 80s and how the skinhead culture should never be forced onto anybody.
Crime – The crime world we get placed into here it, involves the violent behaviour of the skinhead gangs to anybody that doesn’t fit into their profile.
Settings – The film is set in the midlands of the UK which does show the neighbours that would have been struggling in the 1980s.
Scene of the Movie – The first day out with the gang.
That Moment That Annoyed Me – 12-year-old dating an 18-year-old seems weird.
Final Thoughts – This film does show the violence being pushed onto people if they can’t deal with grief when they have nobody else in their lives.
Overall: Violent Drama.
Story: This is England starts as young boy Shaun (Turgoose) is struggling with the death of his father in conflict in 1983, he gets picked on at school, he doesn’t fit in, until a group of skinheads led by Woody (Gilgun) welcoming him into their circle of friends for an afternoon of trouble, while his mother Cynth (Hartley) isn’t completely happy with this group, she does see him being happy for the first time in years.
When the other leader of the group Combo (Graham) gets out of prisons, he brings a more aggressive nature to what the gang wants to be, despite Woody, just wanting it to be friends hanging out.
Thoughts on This is England
Characters – Shaun is a 12-year-old boy that has suffered with the loss of his own father’s death in the Falklands, he gets bullied by the other school kids and has always just been left feeling alone in the world. The only people that let him in are Woody and the gang of skin heads who just want to hang out and soon gets drawn into a darker side by the more aggressive leaders of the gang. Combo is the older leader of the gang that doesn’t hold back with his hatred to other races in his country, he will fight anybody who goes again his gang too, being a horrendous role model for Shaun. Cynth is the mother of Shaun, she wants to see her son enjoying his life more but is getting worried about his own life choices. Woody is the member of the skin head gang that invites Shaun into the gang, he wants to help him fight back against the bullies, by offering somebody to hang out with.
Performances – Thomas Turgoose in the leading role is fantastic as we see just how he is dealing with his own grief in all the wrong places. Stephen Graham steals the show with his hyper aggressive character, while the rest of the cast do make us feel like we are watching mates hanging out.
Story – The story here follows a 12-year-old boy that ends up joining a skinhead gang after he struggles to find a way to deal with the grief in his life from his father’s death. The story does tackle just how difficult grief could be for the children of the victims of war, with Shaun having his school friends pick on him because of his father’s death, which in todays, not the 80s wouldn’t be acceptable in anyway, with everybody being more supportive. The idea of joining the gang and just how the gang soon starts to consume his life, effecting his behaviour shows how being given the wrong lines to follow will not make life any easier. We do see how the world has changed since the 80s and how the skinhead culture should never be forced onto anybody.
Crime – The crime world we get placed into here it, involves the violent behaviour of the skinhead gangs to anybody that doesn’t fit into their profile.
Settings – The film is set in the midlands of the UK which does show the neighbours that would have been struggling in the 1980s.
Scene of the Movie – The first day out with the gang.
That Moment That Annoyed Me – 12-year-old dating an 18-year-old seems weird.
Final Thoughts – This film does show the violence being pushed onto people if they can’t deal with grief when they have nobody else in their lives.
Overall: Violent Drama.
Lyndsey Gollogly (2893 KP) rated Defiance (Rise of the Iliri #3) in Books
Mar 3, 2020
Contains spoilers, click to show
HER ONLY CHOICE IS TO CHANGE HER WORLD…
Salryc Luxx has come a long way in just four years, from slave to conscript, to elite Black Blade assassin, rising rapidly as her extraordinary abilities are revealed. Promoted to lieutenant after capturing a valuable shipment of metals and laying waste to the invading force, she and Cyno, her partner (in war and love), have been entrusted with a dangerous mission: to assassinate the King of Anglia and the five nobles in line for the throne, leaving the path to ascension clear for their own leader.
That’s one side of the story. The other is that she and Cyno have been assigned this suicide mission as Parliament’s first pass at removing the iliri taint from the military. Either way, without the strength of allies, the Conglomerate of Free Citizens cannot turn back the invaders, whose goal is to wipe out the whole iliri species, so Sal and Cyno are the only hope of ending the continental war devastating their species. Traveling for months, they are so far away from their home base that they’re beyond the mental link that connects the pack. They remain committed to their mission—and to each other, but… unhappily disturbed. They can only hope their separation from the pack bring them closer together. But the danger is, in the absence of the pack, their bond will wither.
A kind deed, helping what they take to be a wounded animal, leads to the discovery of their true nature, to strengthening and re-energizing their pack, and to a surprising alliance that offers hope for the future. The wounded animal, they learn, is a graour wolf, a species of ferocious warriors with language and traits nearly identical to iliri. When two of them ask to join her pack, Sal recruits them as Black Blades and the iliri are no longer the only dog in the fight for iliri freedom.
But Anglia is nothing like the Conglomerate of Free Citizens. Anglians discriminate based on gender, not species. Iliri are thought to be just a myth--until Sal shows her face. To convince the king and his council that yes, a woman really can be a soldier, she's going to have to make her own rules. The enemy is moving. She doesn't have time to deal with outdated court manners.
As the defiance of an entire species rises up in her, she really has no choice—she’ll just have to change the world.
Women readers will thrill to the reverse harem idea that pushes the boundaries of epic fantasy in this second world series that may remind some of Avatar without the scary beasts; or even Game Of Thrones, but happier, with more color—and a dazzling female protagonist. Fans of Anne McCaffrey’s Dragonriders of Pern will find Sal’s planet Ogun a thrilling destination for their next fantasy fix
They just keep getting better! Sal and Cyno are out on their own and they are kicking up a storm! We get to meet the Graour who the Iliri are descended from! We get a chance to see a whole new world building. I love the new characters and you are with them every step of the way on the battlefield it's also such a good feeling when the black blades are all back together and loving their new pack mates. It was only a matter of time before Cyno became her number 1 I'm glad Blaec took it well. Looking forward to book 4!
Salryc Luxx has come a long way in just four years, from slave to conscript, to elite Black Blade assassin, rising rapidly as her extraordinary abilities are revealed. Promoted to lieutenant after capturing a valuable shipment of metals and laying waste to the invading force, she and Cyno, her partner (in war and love), have been entrusted with a dangerous mission: to assassinate the King of Anglia and the five nobles in line for the throne, leaving the path to ascension clear for their own leader.
That’s one side of the story. The other is that she and Cyno have been assigned this suicide mission as Parliament’s first pass at removing the iliri taint from the military. Either way, without the strength of allies, the Conglomerate of Free Citizens cannot turn back the invaders, whose goal is to wipe out the whole iliri species, so Sal and Cyno are the only hope of ending the continental war devastating their species. Traveling for months, they are so far away from their home base that they’re beyond the mental link that connects the pack. They remain committed to their mission—and to each other, but… unhappily disturbed. They can only hope their separation from the pack bring them closer together. But the danger is, in the absence of the pack, their bond will wither.
A kind deed, helping what they take to be a wounded animal, leads to the discovery of their true nature, to strengthening and re-energizing their pack, and to a surprising alliance that offers hope for the future. The wounded animal, they learn, is a graour wolf, a species of ferocious warriors with language and traits nearly identical to iliri. When two of them ask to join her pack, Sal recruits them as Black Blades and the iliri are no longer the only dog in the fight for iliri freedom.
But Anglia is nothing like the Conglomerate of Free Citizens. Anglians discriminate based on gender, not species. Iliri are thought to be just a myth--until Sal shows her face. To convince the king and his council that yes, a woman really can be a soldier, she's going to have to make her own rules. The enemy is moving. She doesn't have time to deal with outdated court manners.
As the defiance of an entire species rises up in her, she really has no choice—she’ll just have to change the world.
Women readers will thrill to the reverse harem idea that pushes the boundaries of epic fantasy in this second world series that may remind some of Avatar without the scary beasts; or even Game Of Thrones, but happier, with more color—and a dazzling female protagonist. Fans of Anne McCaffrey’s Dragonriders of Pern will find Sal’s planet Ogun a thrilling destination for their next fantasy fix
They just keep getting better! Sal and Cyno are out on their own and they are kicking up a storm! We get to meet the Graour who the Iliri are descended from! We get a chance to see a whole new world building. I love the new characters and you are with them every step of the way on the battlefield it's also such a good feeling when the black blades are all back together and loving their new pack mates. It was only a matter of time before Cyno became her number 1 I'm glad Blaec took it well. Looking forward to book 4!
Debbiereadsbook (1110 KP) rated Close to Home (Sawyer's Ferry #4) in Books
Jun 28, 2019
my fav of the four!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 4 in the Sawyers Ferry series, but you don't NEED to read the other books for this one to make sense. The previous stories come before this in time, and the previous characters pop up here too. But, you know? two 5 stars and a 4star read from me, so why not, eh?
Witt somehow manages to get himself a beating, and by some miracle, drives himself to the only place he feels safe: Sawyers Ferry. His boss did not like it when Witt said no. Mason is struggling at his place with his house mates family visiting, so when Logan and Jackson ask Mason to move into their place to keep an eye on the still recovering Witt, he jumps at the chance to not only get out his house, but to get to know the shy man a whole lot better. Something about Witt pulls at Mason, and he can't figure out what, not yet. But when Witt's boss turns up in town, Mason figures it out real quick. Witt is HIS and Mason will do everything he can to protect him.
So, book 4 and this carries a far darker story line. Witt has been working with a bully, and managed to, up to now, avoid any serious confrontation but when Witt says no to more overtime, that confrontation happens and Witt suffers at the hands of his boss. How he managed to get as far as the ferry, he will never know, but Logan and Jackson are there, they will help him. Then Mason is in the house, and Witt doesn't quite know what to do about the man who seemed to have invaded his dreams somewhere along the way.
Mason works with Barrett at the Copper Creek Brewery. He met Witt some time ago, the smaller shy man trying to almost hide in the sofa. But Mason noticed, he noticed a lot about Witt. Visiting Witt at the hospital bought all kinds of rage out of Mason, and all kinds of other feelings he didn't want to examine just yet. Being able to look after Witt when Logan and Jackson go out of town is just the best thing.
Slowly, Witt comes out of himself. He is painfully shy, and Mason so darn gentle with him, it was a delight to see Witt break his shell. And when Witt decides to take the plunge and take what he wants, or rather WHO he wants, ooooeeee that was so hawt!
It was great fun watching these two dance around each other for a huge part of the book! Mason admitted his feelings to Barrett and Frnakie quite early, but Witt took a while to get there. Neither man was sure what the other was feeling!
Brody pops up, and Mason's best friend. He has a short in this series, Laguna, which is availble for free from Profilicworks. And I do mean SHORT! 34 pages is all, but I do know that Ms Ashwood will be writing Brody and Beckett's full story shortly! Can't wait for that, I tell ya!
I just got back off my holidays, and I read this on the plane. Fabulous way to pass a 4 hour flight!
5 full and shiny stars!
**same worded review will appear elsewhere**
This is book 4 in the Sawyers Ferry series, but you don't NEED to read the other books for this one to make sense. The previous stories come before this in time, and the previous characters pop up here too. But, you know? two 5 stars and a 4star read from me, so why not, eh?
Witt somehow manages to get himself a beating, and by some miracle, drives himself to the only place he feels safe: Sawyers Ferry. His boss did not like it when Witt said no. Mason is struggling at his place with his house mates family visiting, so when Logan and Jackson ask Mason to move into their place to keep an eye on the still recovering Witt, he jumps at the chance to not only get out his house, but to get to know the shy man a whole lot better. Something about Witt pulls at Mason, and he can't figure out what, not yet. But when Witt's boss turns up in town, Mason figures it out real quick. Witt is HIS and Mason will do everything he can to protect him.
So, book 4 and this carries a far darker story line. Witt has been working with a bully, and managed to, up to now, avoid any serious confrontation but when Witt says no to more overtime, that confrontation happens and Witt suffers at the hands of his boss. How he managed to get as far as the ferry, he will never know, but Logan and Jackson are there, they will help him. Then Mason is in the house, and Witt doesn't quite know what to do about the man who seemed to have invaded his dreams somewhere along the way.
Mason works with Barrett at the Copper Creek Brewery. He met Witt some time ago, the smaller shy man trying to almost hide in the sofa. But Mason noticed, he noticed a lot about Witt. Visiting Witt at the hospital bought all kinds of rage out of Mason, and all kinds of other feelings he didn't want to examine just yet. Being able to look after Witt when Logan and Jackson go out of town is just the best thing.
Slowly, Witt comes out of himself. He is painfully shy, and Mason so darn gentle with him, it was a delight to see Witt break his shell. And when Witt decides to take the plunge and take what he wants, or rather WHO he wants, ooooeeee that was so hawt!
It was great fun watching these two dance around each other for a huge part of the book! Mason admitted his feelings to Barrett and Frnakie quite early, but Witt took a while to get there. Neither man was sure what the other was feeling!
Brody pops up, and Mason's best friend. He has a short in this series, Laguna, which is availble for free from Profilicworks. And I do mean SHORT! 34 pages is all, but I do know that Ms Ashwood will be writing Brody and Beckett's full story shortly! Can't wait for that, I tell ya!
I just got back off my holidays, and I read this on the plane. Fabulous way to pass a 4 hour flight!
5 full and shiny stars!
**same worded review will appear elsewhere**
Lottie disney bookworm (1056 KP) rated The Mermaid, the Witch and the Sea in Books
Sep 20, 2020
Thank you to Netgalley and Walker books for providing this ARC in exchange for an honest review.
I chose this book simply based on the synopsis and the gorgeous cover art. I expected it to be a standard YA read, perhaps edging on middle grade but wow was I wrong! This novel contains all the gritty bits of a Pirate’s life and is as far from Neverland pirates and mermaids as you can get.
The Mermaid, the Witch and the Sea centres around the relationship between a high-born, queer, Japanese-inspired noblewoman, Evelyn and a pirate named Florian who is secretly a girl named Flora, disguising themself in order to gain the respect of their crew mates.
Evelyn and Florian instantly capture the heart of the reader. They are such an unlikely match and from completely different worlds but the way that Maggie Tokuda-Hall throws these two characters together and alternates chapters between their perspectives is so compelling. The secret attraction and the pining between Evelyn and Florian can literally be felt through the pages. These two are guaranteed to stay with you long after the book is finished.
In fact, the majority of Tokuda-Hall’s cast of characters are so well developed: we have Rake, the first mate who is a very closed character and keeps his own intentions close to his chest for most of the novel. We have a gender-fluid Pirate Supreme, an imperialist noblewoman who can kick ass and Flora’s brother Alfie, a tortured soul whose traumatic past is alluded to often.
The portrayal of mermaids in the novel is nothing short of inspired: hunted and captured for the properties their blood possesses, mermaids are quite ugly when imprisoned by pirates. These mythical creatures that are renowned for their beauty are only conventionally beautiful in the presence of their loving mother: The Sea. The Sea in turn will do whatever she can to protect her children, and will always reward those who help.
The other pirates are, as you would expect, a group of shady characters but they do not fade into the background at all. Tokuda-Hall reveals right from the beginning the true intentions of this crew and it creates an underlying tension throughout the whole voyage upon The Dove. The twists, secrets and revelations onboard that ship are captivating and create a page-turning first half of the book.
I will say that during the middle of the book, mainly during “The Witch” section, the pace slowed dramatically and it just didn’t flow as much.
I almost wanted more treachery and more suspense from the witch, more struggle by Evelyn and, dare I say, more pining from Evelyn and Florian. Their relationship up to this point had been so intense and slow burning that it almost seemed to cool a little.
I also feel that not quite enough was made of Evelyn’s discovery about the real reason behind her voyage. It was almost a convenient way for that side of her story to be resolved. Similarly, with Florian/Flora; their evolution from Pirate to Witch seemed quite acceptable and tame.
These factors, in my opinion, affected the ending of the novel where everything seemed quite rushed in its efforts to tie up all loose ends. Please don’t misunderstand, I LOVED the ending and how Evelyn and Flora/Florian finished their journey. I even shed a few tears. However, it was the lead up to this that just seemed too convenient and too quick.
Overall this is a wonderfully dark pirate novel that instantly creates a world full of magic and wonder whilst tackling the issues of identity, colonialism, homophobia, poverty and rape. A world where gender-fluid and queer characters fight against injustice alongside endangered mermaids and the Sea is to be respected almost as a deity.
I cannot believe that this is merely Maggie Tokuda-Hall’s debut novel! I cannot wait to see where she takes us next!
I chose this book simply based on the synopsis and the gorgeous cover art. I expected it to be a standard YA read, perhaps edging on middle grade but wow was I wrong! This novel contains all the gritty bits of a Pirate’s life and is as far from Neverland pirates and mermaids as you can get.
The Mermaid, the Witch and the Sea centres around the relationship between a high-born, queer, Japanese-inspired noblewoman, Evelyn and a pirate named Florian who is secretly a girl named Flora, disguising themself in order to gain the respect of their crew mates.
Evelyn and Florian instantly capture the heart of the reader. They are such an unlikely match and from completely different worlds but the way that Maggie Tokuda-Hall throws these two characters together and alternates chapters between their perspectives is so compelling. The secret attraction and the pining between Evelyn and Florian can literally be felt through the pages. These two are guaranteed to stay with you long after the book is finished.
In fact, the majority of Tokuda-Hall’s cast of characters are so well developed: we have Rake, the first mate who is a very closed character and keeps his own intentions close to his chest for most of the novel. We have a gender-fluid Pirate Supreme, an imperialist noblewoman who can kick ass and Flora’s brother Alfie, a tortured soul whose traumatic past is alluded to often.
The portrayal of mermaids in the novel is nothing short of inspired: hunted and captured for the properties their blood possesses, mermaids are quite ugly when imprisoned by pirates. These mythical creatures that are renowned for their beauty are only conventionally beautiful in the presence of their loving mother: The Sea. The Sea in turn will do whatever she can to protect her children, and will always reward those who help.
The other pirates are, as you would expect, a group of shady characters but they do not fade into the background at all. Tokuda-Hall reveals right from the beginning the true intentions of this crew and it creates an underlying tension throughout the whole voyage upon The Dove. The twists, secrets and revelations onboard that ship are captivating and create a page-turning first half of the book.
I will say that during the middle of the book, mainly during “The Witch” section, the pace slowed dramatically and it just didn’t flow as much.
I almost wanted more treachery and more suspense from the witch, more struggle by Evelyn and, dare I say, more pining from Evelyn and Florian. Their relationship up to this point had been so intense and slow burning that it almost seemed to cool a little.
I also feel that not quite enough was made of Evelyn’s discovery about the real reason behind her voyage. It was almost a convenient way for that side of her story to be resolved. Similarly, with Florian/Flora; their evolution from Pirate to Witch seemed quite acceptable and tame.
These factors, in my opinion, affected the ending of the novel where everything seemed quite rushed in its efforts to tie up all loose ends. Please don’t misunderstand, I LOVED the ending and how Evelyn and Flora/Florian finished their journey. I even shed a few tears. However, it was the lead up to this that just seemed too convenient and too quick.
Overall this is a wonderfully dark pirate novel that instantly creates a world full of magic and wonder whilst tackling the issues of identity, colonialism, homophobia, poverty and rape. A world where gender-fluid and queer characters fight against injustice alongside endangered mermaids and the Sea is to be respected almost as a deity.
I cannot believe that this is merely Maggie Tokuda-Hall’s debut novel! I cannot wait to see where she takes us next!
Jesters_folly (230 KP) rated The Queens Corgi (2019) in Movies
Jul 13, 2019
Contains spoilers, click to show
The Queens Corgi is an animated children's movie about Rex, the Queen's favourite who, after a disastrous visit from Donald Trump, is tricked into leaving the palace and winds up in the dog pound. This is a common formula in children’s movies both animated and live action and I'm sure most of us can guess what happens next, Rex tries to get back home and, on the way makes some friends and falls in love. So when my daughter wanted to see it I though I'd be in for a funny, possibly sad film. God I was wrong. There is so much wrong with this film and it all seems to go wrong from the scene where Donald Trump visits the Queen and I really wish I could say my problems were politically motivated but unfortunately the film was just that bad.
The character of Trump was reduced to a stereotypical American tourist with Melania passing comments about the size of Donald’s (big) hands being one of the things that attracted her to him.
The problems really start when Melania and the Queen decided it will be a good idea to breed their respective corgis. Melania's Corgi, Mitzi, who is made up in heave eye shadow and lipstick is instantly judged and disliked by all the Queens corgis (both Male and female). Melania's Corgi then passes judgment on all the corgis until she comes to Rex who she decided she wants. The two dogs are then left in a room together after being told by Trump to grab him by the pups.
Now I just want to make the following clear:
1) I've seen plenty of movies where the (normally timid/nerdy) male character is hit on by the strong scary bully female and this normally for comedy value. Although these scenes could be seen as problematic they are normally played for laughs.
2) I understand that dog breeders do choose dogs and put them together to mate. However, as the animals in this film are given human personality's the situation is different.
So when the two dogs are left in the room we are treated to long scene where Mitzi tries to get Rex to mate with her, because Rex wants none of it Mitzi chases him around the room, grabs him, stops him from leaving and generally won’t take no for an answer. This is not done playfully.
Later in the film, Rex is in a dog pound, one of his cell mates starts listing the rules of the pound, rule one, there is no fight club. Now, this may have been ok if it was a one time throw away line, kids films often have little jokes for adults. However, it's not a throw away line, it's used more than once, including the first time the dogs are at a fight club. Yes, the top dog, called Butch, keeps order by making any dog he doesn't like fight. We see a dog carried off on stretcher, Rex is almost thrown into a fire and is only saved when Butch is knock out in one punch which also knocks out half his teeth.
Of course Rex and his new friends make it back to the palace and beat the main villain who is sent off with Trump and Mitzi. Remember non of the palace dogs liked Mitzi and she has all already said she doesn't understand the word no so this has implications for Charlie’s futures. It's ok though because he's the bad guy (not).
So we have a children's film with dog fights, attempted rape, implied rape, judging on appearance and a dull story, that seem find the line between children’s jokes and the adult ones the only reason I'm giving this one star is because it avoids getting political with Trump.
The character of Trump was reduced to a stereotypical American tourist with Melania passing comments about the size of Donald’s (big) hands being one of the things that attracted her to him.
The problems really start when Melania and the Queen decided it will be a good idea to breed their respective corgis. Melania's Corgi, Mitzi, who is made up in heave eye shadow and lipstick is instantly judged and disliked by all the Queens corgis (both Male and female). Melania's Corgi then passes judgment on all the corgis until she comes to Rex who she decided she wants. The two dogs are then left in a room together after being told by Trump to grab him by the pups.
Now I just want to make the following clear:
1) I've seen plenty of movies where the (normally timid/nerdy) male character is hit on by the strong scary bully female and this normally for comedy value. Although these scenes could be seen as problematic they are normally played for laughs.
2) I understand that dog breeders do choose dogs and put them together to mate. However, as the animals in this film are given human personality's the situation is different.
So when the two dogs are left in the room we are treated to long scene where Mitzi tries to get Rex to mate with her, because Rex wants none of it Mitzi chases him around the room, grabs him, stops him from leaving and generally won’t take no for an answer. This is not done playfully.
Later in the film, Rex is in a dog pound, one of his cell mates starts listing the rules of the pound, rule one, there is no fight club. Now, this may have been ok if it was a one time throw away line, kids films often have little jokes for adults. However, it's not a throw away line, it's used more than once, including the first time the dogs are at a fight club. Yes, the top dog, called Butch, keeps order by making any dog he doesn't like fight. We see a dog carried off on stretcher, Rex is almost thrown into a fire and is only saved when Butch is knock out in one punch which also knocks out half his teeth.
Of course Rex and his new friends make it back to the palace and beat the main villain who is sent off with Trump and Mitzi. Remember non of the palace dogs liked Mitzi and she has all already said she doesn't understand the word no so this has implications for Charlie’s futures. It's ok though because he's the bad guy (not).
So we have a children's film with dog fights, attempted rape, implied rape, judging on appearance and a dull story, that seem find the line between children’s jokes and the adult ones the only reason I'm giving this one star is because it avoids getting political with Trump.
Daniel Boyd (1066 KP) rated Mass Effect Trilogy in Video Games
Jul 25, 2017
An Example Of Why Dialogue Options In Video Games Are More Trouble Than They Are Worth
The first Mass Effect game was released 10 years ago this year and it pioneered many RPG mechanics that are still being used in RPG’s today. Like any pioneer, it spawned many clones that tried to emulate the cover based shooting mechanics that the game used, the romance situations that took place between the characters and the infamous dialogue options that the player could choose from during conversation cutscenes.
Mass Effect wasn’t the first game to do it, there are plenty of earlier examples of the mechanic being used before in games, such as the Fallout series. Bioware actually included the mechanic themselves in their earlier game in Knights Of The Old Republic, but its inclusion Mass Effect is what brought it to the mainstream and soon every developer was wanting a piece of the dialogue tree pie.
I never owned the original Mass Effect, the most exposure I got of it was through a few mates that owned the game at the time, but eventually the mechanic did end up creeping into games that I did own including; Alpha Protocall, Deus Ex, any Telltale game, The Amazing Spiderman 2, (for some reason,) and even in Uncharted 4.
As much as I enjoy a good ‘choose your own adventure,’ story and as much as I appreciate the trust that developers put in gamers to be able to tell their own story; whether that be through dialogue options, moral choices or customization options, I want you to tell me your story. I didn’t pay 50 quid to get given a setting and a bunch of characters to tell my own story. You guys get paid to craft amazingly immersive works of fiction, so do your job and suck me in. Whenever I’m playing a game with dialogue options and I am starting to get invested in the story and the characters, the inevitable dialogue tree pops up and takes me right out of the experience.
Sure, there are some movies that I watch and wonder why a writer or a director made a certain creative choice, but even if I don’t agree with the decision, it is the creator’s job to make those tough choices and that is what makes great art. One of my favorite movies of the last decade is Nicolas Winding Refn’s ‘Drive’ and that is purely because of the creative choices that the cast and crew made on that movie. I know people that hate Drive and I’m sure if given the option they would change it to be a less daring, more cookie cutter action thriller, but that wouldn’t have earned my respect like it has. Sometimes creators need to stop handholding the audience and make a tough call, even if it could potentially be a polarizing one.
In fact, when I think about it, all of my favorite stories are adored so much because of the definitive, drastic calls that they dare to make. I already spoke about Drive, Fight Club’s twist took some balls to pull off, the ambitious non linear storytelling of Pulp Fiction makes it iconic, Breaking Bad was consistently shocking and yet brilliant, MGS is insanely unconventional and I love it for it and The Last Of Us delivers a divisive finishing blow that we have no choice but to partake in.
That is how you tell a great story and that is how you stand out as a creator, by doing something that no one else could do, especially not your audience. When I come home after a long day at work, I don’t want to do much thinking. I want to relax and be told a story by the folks that are best at doing so. Personally, I think that you should believe in the story you are telling enough to make a definitive decision and if you don’t, is it really a story that’s worth telling?
Mass Effect wasn’t the first game to do it, there are plenty of earlier examples of the mechanic being used before in games, such as the Fallout series. Bioware actually included the mechanic themselves in their earlier game in Knights Of The Old Republic, but its inclusion Mass Effect is what brought it to the mainstream and soon every developer was wanting a piece of the dialogue tree pie.
I never owned the original Mass Effect, the most exposure I got of it was through a few mates that owned the game at the time, but eventually the mechanic did end up creeping into games that I did own including; Alpha Protocall, Deus Ex, any Telltale game, The Amazing Spiderman 2, (for some reason,) and even in Uncharted 4.
As much as I enjoy a good ‘choose your own adventure,’ story and as much as I appreciate the trust that developers put in gamers to be able to tell their own story; whether that be through dialogue options, moral choices or customization options, I want you to tell me your story. I didn’t pay 50 quid to get given a setting and a bunch of characters to tell my own story. You guys get paid to craft amazingly immersive works of fiction, so do your job and suck me in. Whenever I’m playing a game with dialogue options and I am starting to get invested in the story and the characters, the inevitable dialogue tree pops up and takes me right out of the experience.
Sure, there are some movies that I watch and wonder why a writer or a director made a certain creative choice, but even if I don’t agree with the decision, it is the creator’s job to make those tough choices and that is what makes great art. One of my favorite movies of the last decade is Nicolas Winding Refn’s ‘Drive’ and that is purely because of the creative choices that the cast and crew made on that movie. I know people that hate Drive and I’m sure if given the option they would change it to be a less daring, more cookie cutter action thriller, but that wouldn’t have earned my respect like it has. Sometimes creators need to stop handholding the audience and make a tough call, even if it could potentially be a polarizing one.
In fact, when I think about it, all of my favorite stories are adored so much because of the definitive, drastic calls that they dare to make. I already spoke about Drive, Fight Club’s twist took some balls to pull off, the ambitious non linear storytelling of Pulp Fiction makes it iconic, Breaking Bad was consistently shocking and yet brilliant, MGS is insanely unconventional and I love it for it and The Last Of Us delivers a divisive finishing blow that we have no choice but to partake in.
That is how you tell a great story and that is how you stand out as a creator, by doing something that no one else could do, especially not your audience. When I come home after a long day at work, I don’t want to do much thinking. I want to relax and be told a story by the folks that are best at doing so. Personally, I think that you should believe in the story you are telling enough to make a definitive decision and if you don’t, is it really a story that’s worth telling?