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Veronica Pena (690 KP) rated The Rainmaker (1997) in Movies
Apr 21, 2020
As a CJUS major and a future lawyer, this movie made me nerd out. Obviously, Matt Damon is a hottie and the film is worth watching for him alone, but Danny DeVito and Jon Voight too? This cast is phenomenal. The story was so good too! Johnny Whitworth's performance, though short, was super incredible, heartbreaking, and solid. He roped you in so well and just made you feel for him - even though it wasn't that hard.
I could watch this a million times over and even though there were definitely mistakes (the legal ones), it was worth overlooking and still an enjoyable film, no doubt.
I could watch this a million times over and even though there were definitely mistakes (the legal ones), it was worth overlooking and still an enjoyable film, no doubt.
Matthew Krueger (10051 KP) rated The Departed (2006) in Movies
Jan 13, 2021
Two Sided Coin
The Departed- is a excellent film. The cast, the plot, the mystery, the thrills, the suspense and the crime are all excellent.
The plot: South Boston cop Billy Costigan (Leonardo DiCaprio) goes under cover to infiltrate the organization of gangland chief Frank Costello (Jack Nicholson). As Billy gains the mobster's trust, a career criminal named Colin Sullivan (Matt Damon) infiltrates the police department and reports on its activities to his syndicate bosses. When both organizations learn they have a mole in their midst, Billy and Colin must figure out each other's identities to save their own lives.
Its a excellent film and a must watch.
The plot: South Boston cop Billy Costigan (Leonardo DiCaprio) goes under cover to infiltrate the organization of gangland chief Frank Costello (Jack Nicholson). As Billy gains the mobster's trust, a career criminal named Colin Sullivan (Matt Damon) infiltrates the police department and reports on its activities to his syndicate bosses. When both organizations learn they have a mole in their midst, Billy and Colin must figure out each other's identities to save their own lives.
Its a excellent film and a must watch.
Gareth von Kallenbach (965 KP) rated The Great Wall (2016) in Movies
Jul 12, 2019
Universal Studios and Legendary’s latest monster film is from the brilliant mind of Zhang Yimou. I must say that though this was a Yimou film I was not really intrigued with the trailer and almost skipped it however I’m glad that I didn’t!
William (Matt Damon) and Toval (Pedro Pascal) are mercenaries trying to make it rich. They are on a mission in China on the lookout for legendary exploding black powder. Instead they find a huge Great Wall and are mystified as to why it was built and what it is trying to keep out. The Tao Tei, are prehistoric looking monsters who are a danger to all of humanity and the only thing stopping them is the wall. William is a skilled archer and Toval a witty fighter. With their help they might be able to save humanity from the onslaught of the Tao Tei.
I thoroughly enjoyed this film and found it extremely entertaining. The action and unexpected humor is what sold it for me. The casting of Matt Damon and Pedro Pascal was brilliantly thought out and kept the audience laughing with the duos chemistry and how well they played off of each other.
Despite all of the controversy about having Matt Damon as the lead in a Chinese film is crazy and I think Zhang has made the right choice in doing so. To be successful in the American film industry sometimes you have to use a big star to bring in big results. Though the story and script are basic and easy to follow the action, scenery, costumes and humor are fantastic and what makes the film great. This film should definitely be viewed with the 3D option as it fully immerses the audience into and becomes a part of the story. A lot of CGI was used and though normally I am not a fan of a lot of CGI, it works with the film rather than against it. I would definitely recommend this film but the monsters might be too much for kids to handle in 3D.
William (Matt Damon) and Toval (Pedro Pascal) are mercenaries trying to make it rich. They are on a mission in China on the lookout for legendary exploding black powder. Instead they find a huge Great Wall and are mystified as to why it was built and what it is trying to keep out. The Tao Tei, are prehistoric looking monsters who are a danger to all of humanity and the only thing stopping them is the wall. William is a skilled archer and Toval a witty fighter. With their help they might be able to save humanity from the onslaught of the Tao Tei.
I thoroughly enjoyed this film and found it extremely entertaining. The action and unexpected humor is what sold it for me. The casting of Matt Damon and Pedro Pascal was brilliantly thought out and kept the audience laughing with the duos chemistry and how well they played off of each other.
Despite all of the controversy about having Matt Damon as the lead in a Chinese film is crazy and I think Zhang has made the right choice in doing so. To be successful in the American film industry sometimes you have to use a big star to bring in big results. Though the story and script are basic and easy to follow the action, scenery, costumes and humor are fantastic and what makes the film great. This film should definitely be viewed with the 3D option as it fully immerses the audience into and becomes a part of the story. A lot of CGI was used and though normally I am not a fan of a lot of CGI, it works with the film rather than against it. I would definitely recommend this film but the monsters might be too much for kids to handle in 3D.
Dean (6921 KP) rated The Adjustment Bureau (2011) in Movies
Feb 10, 2018
This was a good entertaining film, with some great actors, cool SFX and a decent story. However personally I feel the comparisons of Bourne Identity crossed with Inception is very misleading. If anything this is a romantic film with a bit of Sci-Fi and witty dialogue thrown in. The SFX towards the end is a tiny bit similar to Inception and other than Matt Damon starring and being on the run that's all it has in common with the Bourne Identity. If anything it reminded more of Serendipity, a film about fate, chance and destiny when it comes to love. Still a very good film to watch but it's not all out action or a thriller.
Awix (3310 KP) rated Suburbicon (2017) in Movies
Feb 12, 2018
Period-set black comedy-thriller with Matt Damon as a pillar of the titular planned community, struggling to recover from the death of his wife in a burglary-gone-wrong. (Or is he...?) Actually based on a script set aside by the Coen brothers decades ago; it's tempting but fruitless to speculate as to how much of their work remains.
Quite well directed by Clooney, and the plotting is very smart, but a subplot about toxic racism feels intrusive and disconnected from the rest of the film - as a result what could have been a clever and understated film just feels like it's indulging in clumsy virtue-signalling. Would have been much better without the preachiness.
Quite well directed by Clooney, and the plotting is very smart, but a subplot about toxic racism feels intrusive and disconnected from the rest of the film - as a result what could have been a clever and understated film just feels like it's indulging in clumsy virtue-signalling. Would have been much better without the preachiness.
Kevin Phillipson (9928 KP) rated Jay and Silent Bob Reboot (2019) in Movies
Feb 10, 2020
Kevin Smith (3 more)
Jason mewes
Harley Quinn Smith
Cameos
Just watched this film is seriously funny I like some Kevin Smith films like chasing amy and red state definitely put this up there with those films. Any film that breaks the third wall and pokes fun at it self and even Kevin Smith makes fun of himself which was funny. Love the cameos especially Matt Damon and Chris Hemsworth who I thought would never do something like this. But lastly not forgetting Harley Quinn Smith daughter of Kevin Smith star of the future who manages to steal the movie from her dad chip off the old block anyway good movie worth a rewatch.
Sarah Betts (103 KP) rated Shadow Souls (The Vampire Diaries: The Return, #2) in Books
Dec 30, 2019
This is my review on Amazon.com:
I have to be honest. This book was actually better than The Return: Nightfall (Vampire Diaries). Sadly, this does not prevent it from being a horrible book.
This book was all over the place and the plot was barely coherent.
Here's the deal: Damon was possessed at the behest of Hot Topic rejects, Misao and Shinichi. This led him to tricking Stefan into going into a place called the Dark Dimension. Elena gets over floating like a balloon to team up with Damon to get him back.
Caroline is still possessed and trying to have Matt arrested for assaulting her. I have to say that the parts with Caroline were the only things remotely interesting about the book. Unfortunately the Matt/Caroline?Mrs Flowers scenes were shoved aside in favor of feeble attempts at eroticism with Damon and Elena.
Stefan and Elena bored me. Every time Elena had an out-of-body experience, I grit my teeth at the insipid dialogue and promised my brain Milk Duds to soothe the loss of brain cells.
Bonnie and Meredith? Strictly on the sidelines and BORING. Meredith was one of my favorite characters and now she's been reduced to generic friend. Ugh.
Another thing that bothered me was the unhealthy obsession with the ideas of purity and virginity. Elena is a virgin. Uh, okay and this is a secret WHY?
Also, readers do not need it pounded into their heads how hot Elena is. Seriously, it seemed like every five pages I was subjected to how awesomely and mind-blowingly hot she is. COMPLETELY UNNECESSARY!
Oh, and THE END *deep breath*... This could have been a shocking and heart-wrenching development, but for some reason LJS decided to play it for comedy. This left me feeling overtly hostile to the book and not at all looking forward to the next installation.
The thing is, LJS did better. I expect better of her. Come on! This is the woman who wrote Secret Vampire (Night World)!
I have to be honest. This book was actually better than The Return: Nightfall (Vampire Diaries). Sadly, this does not prevent it from being a horrible book.
This book was all over the place and the plot was barely coherent.
Here's the deal: Damon was possessed at the behest of Hot Topic rejects, Misao and Shinichi. This led him to tricking Stefan into going into a place called the Dark Dimension. Elena gets over floating like a balloon to team up with Damon to get him back.
Caroline is still possessed and trying to have Matt arrested for assaulting her. I have to say that the parts with Caroline were the only things remotely interesting about the book. Unfortunately the Matt/Caroline?Mrs Flowers scenes were shoved aside in favor of feeble attempts at eroticism with Damon and Elena.
Stefan and Elena bored me. Every time Elena had an out-of-body experience, I grit my teeth at the insipid dialogue and promised my brain Milk Duds to soothe the loss of brain cells.
Bonnie and Meredith? Strictly on the sidelines and BORING. Meredith was one of my favorite characters and now she's been reduced to generic friend. Ugh.
Another thing that bothered me was the unhealthy obsession with the ideas of purity and virginity. Elena is a virgin. Uh, okay and this is a secret WHY?
Also, readers do not need it pounded into their heads how hot Elena is. Seriously, it seemed like every five pages I was subjected to how awesomely and mind-blowingly hot she is. COMPLETELY UNNECESSARY!
Oh, and THE END *deep breath*... This could have been a shocking and heart-wrenching development, but for some reason LJS decided to play it for comedy. This left me feeling overtly hostile to the book and not at all looking forward to the next installation.
The thing is, LJS did better. I expect better of her. Come on! This is the woman who wrote Secret Vampire (Night World)!
David McK (3180 KP) rated The Bourne Identity (2002) in Movies
Sep 30, 2020
The first Jason Bourne film, in which Matt Damon plays the titular character who is discovered floating in the sea off France, with no memory of how he came to be there or of his previous life, but with a very particular set of skills (to steal a phrase from another actioner).
As he struggles to regain his identity, he finds himself pursued by shadowy government operatives, who believe that he has gone rogue from his post as an elite government agent.
The film is full of some bruising action and car chases; it's just a pity that it is also full of 'shaky cam' work that led to certain members of my family feeling car sick watching it!
(The sequels even more so!)
As he struggles to regain his identity, he finds himself pursued by shadowy government operatives, who believe that he has gone rogue from his post as an elite government agent.
The film is full of some bruising action and car chases; it's just a pity that it is also full of 'shaky cam' work that led to certain members of my family feeling car sick watching it!
(The sequels even more so!)
Bob Mann (459 KP) rated The Last Duel (2021) in Movies
Oct 28, 2021
Three nuanced perspectives on a winter’s tale.
In Ridley Scott’s new movie “The Last Duel” we are in the late 14th century in France. And – apart from in one scene – it appears to be perpetual winter!
Plot Summary:
Widowed Jean de Carrouges (Matt Damon) is a battle-hardened warrior, loyal to King Charles VI of France (Alex Lawther). He is becoming progressively estranged from his one-time friend Jacques Le Gris (Adam Driver), a personal favourite of Normandy ruler Pierre d’Alençon (Ben Affleck).
But Carrouges’ lovely new wife Marguerite (Jodie Comer) accuses Le Gris of a terrible crime. But who is telling the truth? Only God can decide, as Carrouges and Le Gris must duel to the death.
Certification:
US: R. UK: 18.
Talent:
Starring: Jodie Comer, Matt Damon, Adam Driver, Ben Affleck.
Directed by: Ridley Scott.
Written by: Matt Damon, Ben Affleck and Nicole Holofcener.
“The Last Duel” Review: Positives:
It’s an intriguing script – the first collaboration between Damon and Affleck since their Oscar-winning “Good Will Hunting” from 25 years ago. It presents 3 different versions of “the truth” from three different perspectives. (One of these – Marguerite’s version – is suggested as being the ‘actual’ truth through a clever delayed fade of the chapter title). Many of the same scenes are repeated in each variant: sometimes with obvious differences in fact; sometimes with the slightest nuance of tone or expression; and sometimes with no change to the visuals, but with the benefit of hearing the dialogue being spoken. Very clever.
“Killing Eve”‘s Jodie Comer is just brilliant here. She is the master of nuanced expression, and she genuinely deserves an Oscar nomination for this work. Combined with her great and fun role in the surprise summer hit “Free Guy“, Comer is surely on a path to movie acting greatness.
Damon, Driver and Affleck also have great fun with their roles: they are all eminently watchable and this is a study in acting greatness. But I particularly loved Alex Lawther’s turn as the king: all excitable childish power in the body of a young adult.
Battle scenes and the final duel are delivered in visceral nature reminiscent of Ridley Scott’s famous battle and arena scenes in “Gladiator”.
Excellent production design and special effects on show here. Another Oscar nomination perhaps? The movie was filmed in the Dordogne region of France and also – after a 2020 Covid lockdown – in Ireland.
Negatives:
At two and a half hours it’s another long film (is October 2021 designated long film month??). And although the nuances between the different versions of reality are fascinating, there’s a degree of tedium involved in rehashing the same scenes (in some cases) for the third time. Arguably I think a few of these re-versions could have been omitted to reduce the bladder-testing run time.
Summary Thoughts on “The Last Duel”
This is Ridley Scott back on top form again. I found this a gripping watch. As the film opens, we are teased with the start of the ‘boss level’ duel between Damon and Driver. But these final dramatic scenes are the emotional lynchpin of the movie since only then do you understand the background and the ramifications of the fight.
Evidently, 14th Century France was NOT a great time for sexual equality. Women were merely chattels, denied not only fair play and self-determination, but also the bedroom niceties of foreplay and, in most cases, orgasms. As the story was based on real events, the courage and determination of Marguerite of Carrouges were extraordinary. And Jodie Comer’s portrayal of her wonderfully demonstrates, yet again, why she is the UK’s most exciting acting export for many years.
Plot Summary:
Widowed Jean de Carrouges (Matt Damon) is a battle-hardened warrior, loyal to King Charles VI of France (Alex Lawther). He is becoming progressively estranged from his one-time friend Jacques Le Gris (Adam Driver), a personal favourite of Normandy ruler Pierre d’Alençon (Ben Affleck).
But Carrouges’ lovely new wife Marguerite (Jodie Comer) accuses Le Gris of a terrible crime. But who is telling the truth? Only God can decide, as Carrouges and Le Gris must duel to the death.
Certification:
US: R. UK: 18.
Talent:
Starring: Jodie Comer, Matt Damon, Adam Driver, Ben Affleck.
Directed by: Ridley Scott.
Written by: Matt Damon, Ben Affleck and Nicole Holofcener.
“The Last Duel” Review: Positives:
It’s an intriguing script – the first collaboration between Damon and Affleck since their Oscar-winning “Good Will Hunting” from 25 years ago. It presents 3 different versions of “the truth” from three different perspectives. (One of these – Marguerite’s version – is suggested as being the ‘actual’ truth through a clever delayed fade of the chapter title). Many of the same scenes are repeated in each variant: sometimes with obvious differences in fact; sometimes with the slightest nuance of tone or expression; and sometimes with no change to the visuals, but with the benefit of hearing the dialogue being spoken. Very clever.
“Killing Eve”‘s Jodie Comer is just brilliant here. She is the master of nuanced expression, and she genuinely deserves an Oscar nomination for this work. Combined with her great and fun role in the surprise summer hit “Free Guy“, Comer is surely on a path to movie acting greatness.
Damon, Driver and Affleck also have great fun with their roles: they are all eminently watchable and this is a study in acting greatness. But I particularly loved Alex Lawther’s turn as the king: all excitable childish power in the body of a young adult.
Battle scenes and the final duel are delivered in visceral nature reminiscent of Ridley Scott’s famous battle and arena scenes in “Gladiator”.
Excellent production design and special effects on show here. Another Oscar nomination perhaps? The movie was filmed in the Dordogne region of France and also – after a 2020 Covid lockdown – in Ireland.
Negatives:
At two and a half hours it’s another long film (is October 2021 designated long film month??). And although the nuances between the different versions of reality are fascinating, there’s a degree of tedium involved in rehashing the same scenes (in some cases) for the third time. Arguably I think a few of these re-versions could have been omitted to reduce the bladder-testing run time.
Summary Thoughts on “The Last Duel”
This is Ridley Scott back on top form again. I found this a gripping watch. As the film opens, we are teased with the start of the ‘boss level’ duel between Damon and Driver. But these final dramatic scenes are the emotional lynchpin of the movie since only then do you understand the background and the ramifications of the fight.
Evidently, 14th Century France was NOT a great time for sexual equality. Women were merely chattels, denied not only fair play and self-determination, but also the bedroom niceties of foreplay and, in most cases, orgasms. As the story was based on real events, the courage and determination of Marguerite of Carrouges were extraordinary. And Jodie Comer’s portrayal of her wonderfully demonstrates, yet again, why she is the UK’s most exciting acting export for many years.
Awix (3310 KP) rated Downsizing (2017) in Movies
Feb 13, 2018 (Updated Mar 30, 2018)
Rather charming SF comedy-drama in which Matt Damon has himself shrunk down to ickle-wickle size in the hopes of starting a new and idyllic life but discovers things are not so straightforward.
Ignore the deeply suspect science (even Ant-Man was more accurate) and the lack of strict narrative control and this is a thoughtful and quietly rather witty film that's more interested in exploring the ramifications of its central idea than hitting particular plot points. Eventually reveals itself to be something of a meditation on what it means to live well; poses many questions, doesn't thrust particular solutions upon the audience.
Well cast, full of ideas, made me think differently about the world (for a while, anyway). Meanders about a bit but is never actually dull.
Ignore the deeply suspect science (even Ant-Man was more accurate) and the lack of strict narrative control and this is a thoughtful and quietly rather witty film that's more interested in exploring the ramifications of its central idea than hitting particular plot points. Eventually reveals itself to be something of a meditation on what it means to live well; poses many questions, doesn't thrust particular solutions upon the audience.
Well cast, full of ideas, made me think differently about the world (for a while, anyway). Meanders about a bit but is never actually dull.