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Gareth von Kallenbach (971 KP) rated In Time (2011) in Movies
Aug 7, 2019
t is said that time is money and in the new film “In Time” this statement takes on an entirely new meaning. In the future we learn that humans have been genetically created to stop aging at the age of 25. Once they reach this selected age, a clock starts to count down from one year. People can obtain more time via work, stealing it from others, or being gifted more time but once their clock hits zero, they expire or “Time Out” as it is called.
As the film opens, we are introduced to Will Salas (Justin Timberlake), a man who is three years past twenty five who lives at home with his mother (Olivia Wilde). Will starts each day with barely enough time on his clock for another day, so he dutifully heads off to work each day to earn more time. As does his mother and everyone he knows since workers are paid at the end of their shifts by having more time added to their accounts. Many need to work daily in order to see the next day. To stop working is to die and since everything from food to rent and clothing is paid for in time from an individual’s account, they often have to make the choice between a transaction or more hours of life.
One evening after work, Will encounters a man named Henry (Matt Bomer), with over 100 years remaining on his clock and cautions the man that in this area he is likely to attract thieves. Will’s warnings go unheeded and soon a group of thugs arrive forcing Will to whisk the man away to safety. During their night in hiding, the man tells Will that after living for over a century, he is tired of the way the system is and how the rich can live forever while the working poor suffer just to live another day.
Will awakens the next morning to find the man gone and that his clock has now been credited the 100 years. Will locates the man just in time to watch him time out with a smile as he watches the sun rise. Flush with new wealth, Will plans to move his mother out of the slums and into a better life but when tragedy strikes, Will decides to move to where the wealth is as to take them for all he can.
Will soon finds himself in a high stakes card game at a casino and in a desperate move finds himself wealthier than he ever imagined. His actions impress very wealthy banking magnet Philippie Weiss (Vincent Kartheiser), who introduces him to his daughter Sylvia (Amanda Seyfried). Will and Sylvia hit it off as she is intrigued by someone who came into money rather than being born with it and imagines what life would be like with some excitement.
Will and Sylvia soon have their worlds turned upside down when Will is suspected in the death of Henry and find themselves on the run from a Timekeeper named Raymond (Cillian Murphy), who wants to bring Will to justice. In a rapid series of events, Will and Sylvia must contend with Raymond, criminals, and a series of unsavory characters to regain their lost time before it is to late so they can implement their master plan to truly make a difference.
The film has some great social commentary and a great cast but is hindered by trying to be too many things. It works well as a science fiction film with elements of action and romance. Sadly the film goes off course by having Will and Sylvia act as a modern day Robin Hood duo taking on the powers-that-be to save the downtrodden masses. While it is a noble effort it derailed the momentum of the story as much of the tension and mystery of the story was lost. If one is wanted by thugs and the authorities, I would think that knocking over one high profile time bank after another would not be the way to keep a low profile.
That being said, despite the flaws, the film works and I found myself thinking about the characters and the setting they lived in days after the I screened the film. I had been concerned that the film would be nothing more than a knockoff of “Logan’s Run” but thankfully the film had enough new content to keep it fresh and interesting. In many ways, “In Time” is science fiction at its best as it allows for timely social commentary and provides a disturbing look at many age old debates on society’s endless quests for wealth, power, and youth.
As the film opens, we are introduced to Will Salas (Justin Timberlake), a man who is three years past twenty five who lives at home with his mother (Olivia Wilde). Will starts each day with barely enough time on his clock for another day, so he dutifully heads off to work each day to earn more time. As does his mother and everyone he knows since workers are paid at the end of their shifts by having more time added to their accounts. Many need to work daily in order to see the next day. To stop working is to die and since everything from food to rent and clothing is paid for in time from an individual’s account, they often have to make the choice between a transaction or more hours of life.
One evening after work, Will encounters a man named Henry (Matt Bomer), with over 100 years remaining on his clock and cautions the man that in this area he is likely to attract thieves. Will’s warnings go unheeded and soon a group of thugs arrive forcing Will to whisk the man away to safety. During their night in hiding, the man tells Will that after living for over a century, he is tired of the way the system is and how the rich can live forever while the working poor suffer just to live another day.
Will awakens the next morning to find the man gone and that his clock has now been credited the 100 years. Will locates the man just in time to watch him time out with a smile as he watches the sun rise. Flush with new wealth, Will plans to move his mother out of the slums and into a better life but when tragedy strikes, Will decides to move to where the wealth is as to take them for all he can.
Will soon finds himself in a high stakes card game at a casino and in a desperate move finds himself wealthier than he ever imagined. His actions impress very wealthy banking magnet Philippie Weiss (Vincent Kartheiser), who introduces him to his daughter Sylvia (Amanda Seyfried). Will and Sylvia hit it off as she is intrigued by someone who came into money rather than being born with it and imagines what life would be like with some excitement.
Will and Sylvia soon have their worlds turned upside down when Will is suspected in the death of Henry and find themselves on the run from a Timekeeper named Raymond (Cillian Murphy), who wants to bring Will to justice. In a rapid series of events, Will and Sylvia must contend with Raymond, criminals, and a series of unsavory characters to regain their lost time before it is to late so they can implement their master plan to truly make a difference.
The film has some great social commentary and a great cast but is hindered by trying to be too many things. It works well as a science fiction film with elements of action and romance. Sadly the film goes off course by having Will and Sylvia act as a modern day Robin Hood duo taking on the powers-that-be to save the downtrodden masses. While it is a noble effort it derailed the momentum of the story as much of the tension and mystery of the story was lost. If one is wanted by thugs and the authorities, I would think that knocking over one high profile time bank after another would not be the way to keep a low profile.
That being said, despite the flaws, the film works and I found myself thinking about the characters and the setting they lived in days after the I screened the film. I had been concerned that the film would be nothing more than a knockoff of “Logan’s Run” but thankfully the film had enough new content to keep it fresh and interesting. In many ways, “In Time” is science fiction at its best as it allows for timely social commentary and provides a disturbing look at many age old debates on society’s endless quests for wealth, power, and youth.
Darren (1599 KP) rated 400 Days (2016) in Movies
Jun 20, 2019
Story: 400 Days starts with our four main characters Captain Theo (Routh), Emily (Lotz), Cole (Cook) and Bug (Feldman) being put in a social simulation for 400 days to show what it will be like to travel through space over long periods of time. We follow the four as they get put hiccups as the learn to manage them after losing connect to mission control early on but it is dealing with the psychological side of the mission that will test them the most.
When they open the hatch they find themselves questioning what happened but more worrying where they are now.
400 days really seems to be a film that is two different incomplete films, the first half is all psychological but when they leave the hatch it turns into a post-apocalyptic film that never really ends up being dealt with. Each side of the story works well as a single film but both don’t have enough time to really pull off what is really happen. As for the ending it is all left up to you what you think happens which doesn’t help and what happens to two of the character never really gets answered either. This has problems but really could have been great.
Actor Review
Caity Lotz: Emily is the medical officers who is also the former partner of Theo who has to make sure the crew remains sane over the course of the mission as well as keeping the medication up to date. Caity gives us a solid performance but really doesn’t get a chance shine.
Brandon Routh: Theo is the captain of the mission; he has to make the big decision with the information provided by his crew. He doesn’t want to be on the mission and has been on a four-day bender before the mission. Brandon continued to show why he is struggling to live up to the hype he once had early in his career.
Dane Cook: Cole is the engineer on the mission, he is easily the most unpopular on the crew and his cocky attitude leads him to become distant to the rest of the crew. Dane is another actor in this film who hasn’t made much of his career and even with this choice because he tries to do something different.
Ben Feldman: Bug is the brains of the crew making all the hard decisions and is clearly the smartest of the four crew members on the ship. He had to leave his young family behind for the mission which haunts him every day of the mission. Ben does a good job even if he does end up being a very generic character for the genre.
Support Cast: 400 days has a supporting you only see half way through the film but they end up being very generic.
Director Review: Matt Osterman – Matt brings us a great idea that doesn’t quite get pulled off effectively.
Mystery: 400 days keep you guessing what is actually happening to our characters.
Sci-Fi: 400 days puts our character in the experiment which would include space travel and a post-apocalyptic world.
Thriller: 400 days does keep us guessing from start to finish.
Settings: 400 days has two good settings the space ship which creates the isolation and the town the end up in that shocks.
Special Effects: 400 days uses the effects for certain moments but tries to keep everything need to the minimum.
Suggestion: 400 days is one to try, it does have a few flaws but you can see a couple of good points. (Try It)
Best Part: The ideas are good.
Worst Part: Not enough time for each story, both sides could have been short to increase the second one.
Believability: No
Chances of Tears: No
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Runtime: 1 Hour 31 Minutes
Overall: Something Missing but good ideas being created.
https://moviesreview101.com/2015/11/02/400-days-2015/
When they open the hatch they find themselves questioning what happened but more worrying where they are now.
400 days really seems to be a film that is two different incomplete films, the first half is all psychological but when they leave the hatch it turns into a post-apocalyptic film that never really ends up being dealt with. Each side of the story works well as a single film but both don’t have enough time to really pull off what is really happen. As for the ending it is all left up to you what you think happens which doesn’t help and what happens to two of the character never really gets answered either. This has problems but really could have been great.
Actor Review
Caity Lotz: Emily is the medical officers who is also the former partner of Theo who has to make sure the crew remains sane over the course of the mission as well as keeping the medication up to date. Caity gives us a solid performance but really doesn’t get a chance shine.
Brandon Routh: Theo is the captain of the mission; he has to make the big decision with the information provided by his crew. He doesn’t want to be on the mission and has been on a four-day bender before the mission. Brandon continued to show why he is struggling to live up to the hype he once had early in his career.
Dane Cook: Cole is the engineer on the mission, he is easily the most unpopular on the crew and his cocky attitude leads him to become distant to the rest of the crew. Dane is another actor in this film who hasn’t made much of his career and even with this choice because he tries to do something different.
Ben Feldman: Bug is the brains of the crew making all the hard decisions and is clearly the smartest of the four crew members on the ship. He had to leave his young family behind for the mission which haunts him every day of the mission. Ben does a good job even if he does end up being a very generic character for the genre.
Support Cast: 400 days has a supporting you only see half way through the film but they end up being very generic.
Director Review: Matt Osterman – Matt brings us a great idea that doesn’t quite get pulled off effectively.
Mystery: 400 days keep you guessing what is actually happening to our characters.
Sci-Fi: 400 days puts our character in the experiment which would include space travel and a post-apocalyptic world.
Thriller: 400 days does keep us guessing from start to finish.
Settings: 400 days has two good settings the space ship which creates the isolation and the town the end up in that shocks.
Special Effects: 400 days uses the effects for certain moments but tries to keep everything need to the minimum.
Suggestion: 400 days is one to try, it does have a few flaws but you can see a couple of good points. (Try It)
Best Part: The ideas are good.
Worst Part: Not enough time for each story, both sides could have been short to increase the second one.
Believability: No
Chances of Tears: No
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Runtime: 1 Hour 31 Minutes
Overall: Something Missing but good ideas being created.
https://moviesreview101.com/2015/11/02/400-days-2015/
Gareth von Kallenbach (971 KP) rated Red Dawn (2012) in Movies
Aug 7, 2019
Back in 1984 in the late stages of the Cold War, the movie named “Red Dawn” was released. It starred several young actors and actresses who went on to a variety of success including Patrick Swayze, Charlie Sheen, Jennifer Grey, and Lea Thompson. The film follows a group of high school students who fight to defend their town, families, and country after an invasion of Soviet and Cuban forces occupies mainland America.
Despite being delayed for nearly 3 years due to financial issues, the new version of “Red Dawn” has arrived and also features an impressive young cast of future stars. Chris Hemsworth has gone on to find fame as Thor while Josh Hutcherson has found fame playing Peeta in “The Hunger Games”. The fact that this movie was filmed before either of those actors appeared in their signature roles allows the studio to now benefit from the increased name recognition of the cast.
Instead of a California town, the new film is set in Spokane, Washington where thanks to news clip segments at the beginning of the film, we understand that the country is involved in numerous conflicts around the globe and some question whether or not we have enough forces to secure our borders. Enter Jed Eckert (Hemsworth), who’s just returned home on leave after serving combat duty in the Middle East. His younger brother Matt (Josh Peck), is a quarterback at the local high school team and he bears resentment toward his brother for leaving shortly after the death of their mother. Their father is a well-respected member of the force and does his best to ensure harmony between the brothers as well as their local community.
The brothers are literally shaken awake by an airborne assault as North Korea lands troops throughout their community. Unsure what is happening, Jed, Matt, and several of their friends managed to escape into the wilderness and devise a plan for survival. Further complicating matters is the fact that Matt’s girlfriend Erica (Isabel Lucas), has been taken prisoner. Jed, with his military background quickly assumes control of the group, but Matt finds himself distracted from following orders and missions whenever he sees an opportunity to pursue Erica’s freedom.
The group calls itself “The Wolverines” after the local football team, and engages in a series of hit-and-run tactics against the invading forces. The plan is to make the occupation so costly that they will eventually give up. While they do have initial success, they soon realize that they are fighting against substantial odds not the least of which is their own internal conflicts and agendas as well as diminishing supplies.
When a recon group from the military under the command of Col. Andy Tanner (Jeffrey Dean Morgan), arrives and tells the Wolverines about a device that may hold the key to their victory. The two sides must team up in an all-out assault on enemy headquarters in an effort to save the day.
While the film has plenty of action, the leaps of logic and common sense it requires the audience to take are astronomical. I understand that for a film of this type you must suspend a lot of reality in order for it to work. I’m not supposed asked questions about the logistics of the enemy’s plan and their actions. Suffice it to say that I could think of at least a dozen factors that were not brought into play. While the enemy may indeed have the ability to shut down various electronics and defensive capabilities which enabled the invasion. That does not explain where the military outside of the combat zone is, why our allies and remaining military are not dropping bombs and nukes on North Korea in retaliation, and scores of other inconsistencies. It is essentially left to our imaginations as to why this is not happening and we’re just supposed to accept on blind faith that there’s a good reason for this even though the recon unit manages to infiltrate Spokane in a helicopter and makes mentions of Missouri to Arizona as being free of any enemy influence.
The best thing I can say about the film said if you are willing to overlook the abundance of plot holes and logic gaps, as well as some at times stiff acting and dialogue, there are some enjoyable action seems to be found. The young cast works well with one another and often gave a very energetic and physical performance.
If you are a fan of the original, you may enjoy this film from a nostalgia standpoint, otherwise leave your common sense behind, sit back and enjoy the ride.
Despite being delayed for nearly 3 years due to financial issues, the new version of “Red Dawn” has arrived and also features an impressive young cast of future stars. Chris Hemsworth has gone on to find fame as Thor while Josh Hutcherson has found fame playing Peeta in “The Hunger Games”. The fact that this movie was filmed before either of those actors appeared in their signature roles allows the studio to now benefit from the increased name recognition of the cast.
Instead of a California town, the new film is set in Spokane, Washington where thanks to news clip segments at the beginning of the film, we understand that the country is involved in numerous conflicts around the globe and some question whether or not we have enough forces to secure our borders. Enter Jed Eckert (Hemsworth), who’s just returned home on leave after serving combat duty in the Middle East. His younger brother Matt (Josh Peck), is a quarterback at the local high school team and he bears resentment toward his brother for leaving shortly after the death of their mother. Their father is a well-respected member of the force and does his best to ensure harmony between the brothers as well as their local community.
The brothers are literally shaken awake by an airborne assault as North Korea lands troops throughout their community. Unsure what is happening, Jed, Matt, and several of their friends managed to escape into the wilderness and devise a plan for survival. Further complicating matters is the fact that Matt’s girlfriend Erica (Isabel Lucas), has been taken prisoner. Jed, with his military background quickly assumes control of the group, but Matt finds himself distracted from following orders and missions whenever he sees an opportunity to pursue Erica’s freedom.
The group calls itself “The Wolverines” after the local football team, and engages in a series of hit-and-run tactics against the invading forces. The plan is to make the occupation so costly that they will eventually give up. While they do have initial success, they soon realize that they are fighting against substantial odds not the least of which is their own internal conflicts and agendas as well as diminishing supplies.
When a recon group from the military under the command of Col. Andy Tanner (Jeffrey Dean Morgan), arrives and tells the Wolverines about a device that may hold the key to their victory. The two sides must team up in an all-out assault on enemy headquarters in an effort to save the day.
While the film has plenty of action, the leaps of logic and common sense it requires the audience to take are astronomical. I understand that for a film of this type you must suspend a lot of reality in order for it to work. I’m not supposed asked questions about the logistics of the enemy’s plan and their actions. Suffice it to say that I could think of at least a dozen factors that were not brought into play. While the enemy may indeed have the ability to shut down various electronics and defensive capabilities which enabled the invasion. That does not explain where the military outside of the combat zone is, why our allies and remaining military are not dropping bombs and nukes on North Korea in retaliation, and scores of other inconsistencies. It is essentially left to our imaginations as to why this is not happening and we’re just supposed to accept on blind faith that there’s a good reason for this even though the recon unit manages to infiltrate Spokane in a helicopter and makes mentions of Missouri to Arizona as being free of any enemy influence.
The best thing I can say about the film said if you are willing to overlook the abundance of plot holes and logic gaps, as well as some at times stiff acting and dialogue, there are some enjoyable action seems to be found. The young cast works well with one another and often gave a very energetic and physical performance.
If you are a fan of the original, you may enjoy this film from a nostalgia standpoint, otherwise leave your common sense behind, sit back and enjoy the ride.
Gareth von Kallenbach (971 KP) rated Suburbicon (2017) in Movies
Jul 11, 2019
Suburbicon is a picturesque community built to free families from all the hustle and bustle of the big city but with all the amenities a community will need. For all intents in purposes Suburbicon is the ideal place to raise a family in the 1950s. That is exactly what the Lodge family is doing. That is until the night Nicky (Noah Jupe) is awoken by his father, Gardner (Matt Damon), and told that there are two men in the house. The two criminals, Sloan and Louis (Glenn Fleshler and Alex Hassell), move the family to the kitchen and tie Nicky, Gardner, Nicky’s mother Rose (Julianne Moore) and Rose’s sister Margaret (also Julianne Moore) to chairs and put them to sleep using chloroform. When Nicky awakens in the hospital his father and aunt are waiting for him but sadly his mother was overdosed with chloroform and died. After the funeral it is decided by Gardner that Aunt Margaret should come stay with them. When officer Hightower (Jack Conley) calls to let them know they have found two possible suspects Gardner rushes to the police station to look at a lineup. Gardner arrives and is surprised to find Margaret and Nicky there. He asks that Nicky be left outside to save him from the trauma. After a line of potential criminals are paraded in front of Gardner and Margaret both agree that the perpetrators are not there. When they turn around they are surprised to see Nicky with a shocked look on his face as he is staring directly at Sloan and Louis. Nicky now knows that something is going on with his mother’s death and he may be trapped in a house with the two people who are responsible. He is not the only one that thinks something is amiss an insurance investigator, Bud Cooper (Oscar Isaac), shows up with questions about the policy. Is the Suburbicon truly the sanctuary that it looks like from the outside or is there something sinister happening behind closed doors?
This dark comedy, thriller, and mystery is directed by George Clooney (The Monuments Men, Leatherheads) and written by Joel and Ethan Coen (Fargo, The Big Lebowski). The film has some fun moments and interesting twists. I enjoyed how they made the film authentic to the 1950s era. The scenery and sets all give you the feel of the time period. The performances were are mostly well done. Julianne Moore’s performance was really good in both roles but especially as the out there Margaret. She was at times very innocent and loving and the next moment really scary in a deranged kind of way. The supporting cast was large and all were fun, especially the dry Hightower (Conley) and the lovable Uncle Mitch (Gary Basaraba). Matt Damon is part scary and funny but sometimes over the top.
Where this film lost me was on parts of the story really that felt disjointed from other parts of the film. For instance another story line that is playing out during the film is that the Mayers’ family moves to Suburbicon on the same day that the break in at the Lodge’s. The Mayers are the first African American family to move into the area and they are instantly judged and discriminated against. As the movie continues and more craziness is happing at the Lodge home, which shares a back yard with the Mayers, there is an escalation in the persecution of the Mayers. I totally understand what point the film was attempting to make about how people were up in arms about a single family that just moving the town and ignoring, or rather too busy to even notice, the evil deeds being committed so close. I just believe that two stories never felt like they were truly tied together and in some points even part of the same film. I really believe an opportunity was missed. Also the comedy was at times really good but also times where it felt forced. When Matt Damon is riding a child bike with a blood soaked shirt down suburban streets you would think that would be funny, and it looked funny in the trailer, but it felt forced when put into the context of the scene.
Overall this is a film was good but really left me feeling like I just didn’t get it. It was definitely original and I would encourage people to watch it and come to their own conclusions.
This dark comedy, thriller, and mystery is directed by George Clooney (The Monuments Men, Leatherheads) and written by Joel and Ethan Coen (Fargo, The Big Lebowski). The film has some fun moments and interesting twists. I enjoyed how they made the film authentic to the 1950s era. The scenery and sets all give you the feel of the time period. The performances were are mostly well done. Julianne Moore’s performance was really good in both roles but especially as the out there Margaret. She was at times very innocent and loving and the next moment really scary in a deranged kind of way. The supporting cast was large and all were fun, especially the dry Hightower (Conley) and the lovable Uncle Mitch (Gary Basaraba). Matt Damon is part scary and funny but sometimes over the top.
Where this film lost me was on parts of the story really that felt disjointed from other parts of the film. For instance another story line that is playing out during the film is that the Mayers’ family moves to Suburbicon on the same day that the break in at the Lodge’s. The Mayers are the first African American family to move into the area and they are instantly judged and discriminated against. As the movie continues and more craziness is happing at the Lodge home, which shares a back yard with the Mayers, there is an escalation in the persecution of the Mayers. I totally understand what point the film was attempting to make about how people were up in arms about a single family that just moving the town and ignoring, or rather too busy to even notice, the evil deeds being committed so close. I just believe that two stories never felt like they were truly tied together and in some points even part of the same film. I really believe an opportunity was missed. Also the comedy was at times really good but also times where it felt forced. When Matt Damon is riding a child bike with a blood soaked shirt down suburban streets you would think that would be funny, and it looked funny in the trailer, but it felt forced when put into the context of the scene.
Overall this is a film was good but really left me feeling like I just didn’t get it. It was definitely original and I would encourage people to watch it and come to their own conclusions.
Lee (2222 KP) rated Sicario: Day of the Soldado (2018) in Movies
Jul 3, 2018
Not quite as good as the original
Before watching Sicario 2, I really wanted to try and watch the original movie again, but never got a chance. I remember it being brutal and intense, with outstanding performances from Emily Blunt and Benicio Del Toro. I remember it gripping me from beginning to end. But, strangely, I couldn't remember very much about it at all other than basic plot details. I know I would recommend it in a heartbeat though, so I was excited for what the sequel would bring.
In Sicario: Day of the Solado (or just Sicario 2: Soldado here in the UK...), the brutal intensity is introduced right from the start. A suicide bomber blows himself up at the U.S. - Mexican border. Then, in a Kansas supermarket, terrorists enter and detonate two bombs, followed by a third which is detonated while a woman and child plead to be set free. It's shocking, upsetting, and sticks with you uncomfortably for a while, serving as a push to get you behind federal agent Matt Graver (Josh Brolin) as he's brought in to start a war between the Mexican drug cartels. The plan has something to do with securing the border from terrorists, which kind of doesn't make much sense, but after the events in the opening scenes, you just want somebody to get out there and kick some ass. And with the promise that he's allowed to play things "dirty", you know that Josh Brolin is more than capable. He locates and recruits Alejandro (Benicio Del Toro) to help him out, with the promise of getting revenge against the family responsible for the death of his own family. They kidnap the daughter of a top gang boss, and attempt to blame it on a rival gang. But things don't go according to plan.
Like the original, there are plenty of intense, well executed scenes, but this just didn't grip me in the same way as the first movie did. Benicio Del Toro is just brilliant, but the lack of Emily Blunt was noticeable. Still a very enjoyable movie though.
In Sicario: Day of the Solado (or just Sicario 2: Soldado here in the UK...), the brutal intensity is introduced right from the start. A suicide bomber blows himself up at the U.S. - Mexican border. Then, in a Kansas supermarket, terrorists enter and detonate two bombs, followed by a third which is detonated while a woman and child plead to be set free. It's shocking, upsetting, and sticks with you uncomfortably for a while, serving as a push to get you behind federal agent Matt Graver (Josh Brolin) as he's brought in to start a war between the Mexican drug cartels. The plan has something to do with securing the border from terrorists, which kind of doesn't make much sense, but after the events in the opening scenes, you just want somebody to get out there and kick some ass. And with the promise that he's allowed to play things "dirty", you know that Josh Brolin is more than capable. He locates and recruits Alejandro (Benicio Del Toro) to help him out, with the promise of getting revenge against the family responsible for the death of his own family. They kidnap the daughter of a top gang boss, and attempt to blame it on a rival gang. But things don't go according to plan.
Like the original, there are plenty of intense, well executed scenes, but this just didn't grip me in the same way as the first movie did. Benicio Del Toro is just brilliant, but the lack of Emily Blunt was noticeable. Still a very enjoyable movie though.
Gareth von Kallenbach (971 KP) rated Contagion (2011) in Movies
Aug 7, 2019
A couple of years ago, news and health agencies the world over were concerned about a possible pandemic stemming from bird flu and swine flu. Thankfully like SARS a few years earlier, the outbreaks were rather small thanks to a wealth of precautionary information and measures. In the new film “Contagion” director Steven Soderbergh paints a frighteningly realistic look at a worldwide pandemic that spread without warning, and its devastating aftermath.
When businesswoman Beth Emhoff (Gwyneth Paltrow), returns from a business trip to Hong Kong with what appears to be a simple case of the flu, her husband Mitch (Matt Damon), figures it’s nothing to be overly concerned about. When Beth all of a sudden begins to convulse and later dies unexpectedly, doctors are at a loss to explain what happened.
Over the next few days, more and more people become sick and die including Mitch’s young stepson, which gets the national and international disease control organizations working overtime to try to trace, identify and treat this mysterious ailment that sweeping the globe. Dr. Ellis Cheever (Laurence Fishburne) leads the investigation in the United States and calls in Dr. Erin Mears (Kate Winslet), to track who may have come into contact with Beth upon her return to the Minneapolis. The World Health Organization sends Dr. Leonora Orantes (Marion Cotillard) to Hong Kong trace possible origins.
As the first week passes more and more people become sick worldwide, cities start fighting a losing battle against frenzy and panic. In time the virus is identified but due to its unique nature, finding a vaccine and producing it can take several months with thousands of lives lost with each passing day. With chaos breaking loose and the bodies piling up, the authorities find themselves unable to deal with the threat they are facing and go to extreme measures such as closing the state borders to try to contain the spread of the virus.
Adding to the confusion is a freelance blogger named Alan (Jude Law), who has amassed a large audience with his conspiracy claims that there are indeed cures available for the mysterious virus. He contends the government elite and the pharmaceutical companies are exploiting the situation in order to milk maximum profit from the inevitable release of a vaccine.
The film deftly moves around the world showing the victims, scientists and investigators and how the crisis is affecting them. It also shows how quickly society can break down as scene after shocking scene of chaos and devastation are introduced juxtaposed with the number of days since the outbreak of the virus.
Soderbergh keeps you on the edge of your seat and doesn’t give you a moment’s rest. Characters are introduced and given just enough of a back story so that you understand their place in the film. Most heartbreaking is Matt Damon’s role as a father who’s left watching over his only remaining child, going to great measures to keep her safe while also dealing with the death of his wife and the unfolding secret of the last days of her life.
There is truly an impressive array of stars in the film, some of whom play brief but significant parts in the overall story. However, the movie’s strength is also its weakness in that with so many primary characters,there were some diverging storylines that did not get fully fleshed out.
While “Contagion” is not the first film to deal with viral outbreak, it is perhaps the most realistic as it doesn’t resort to any Hollywood standards such as car chases, explosions, starcrossed lovers and so on to tell its story. Instead it focuses on stark, somber scenarios and the struggles of each character is very easy to relate to.
Kudos has to be given to many of the stars of the film for their understated but pitch perfect work in very unglamorous roles. Their subtle & poignant acting underscore the dire situations that their characters find themselves in. It was refreshing to see leading men and women looking quite ordinary and letting the story carry the picture rather than focusing on one individual to save the day.
All throughout the film I found myself captivated and never once did I lose interest in the scenarios or characters nor did I find anything in the film impossible to believe. The film doesn’t go overboard on pointing fingers instead it gives an honest and unflinching look at a scenario that we can only hope will never happen. But as the film points out, viral outbreaks have occurred all throughout history. Hardly an encouraging message, but thanks to the stellar cast and gripping subject matter “Contagion” is a film you will not want to miss.
When businesswoman Beth Emhoff (Gwyneth Paltrow), returns from a business trip to Hong Kong with what appears to be a simple case of the flu, her husband Mitch (Matt Damon), figures it’s nothing to be overly concerned about. When Beth all of a sudden begins to convulse and later dies unexpectedly, doctors are at a loss to explain what happened.
Over the next few days, more and more people become sick and die including Mitch’s young stepson, which gets the national and international disease control organizations working overtime to try to trace, identify and treat this mysterious ailment that sweeping the globe. Dr. Ellis Cheever (Laurence Fishburne) leads the investigation in the United States and calls in Dr. Erin Mears (Kate Winslet), to track who may have come into contact with Beth upon her return to the Minneapolis. The World Health Organization sends Dr. Leonora Orantes (Marion Cotillard) to Hong Kong trace possible origins.
As the first week passes more and more people become sick worldwide, cities start fighting a losing battle against frenzy and panic. In time the virus is identified but due to its unique nature, finding a vaccine and producing it can take several months with thousands of lives lost with each passing day. With chaos breaking loose and the bodies piling up, the authorities find themselves unable to deal with the threat they are facing and go to extreme measures such as closing the state borders to try to contain the spread of the virus.
Adding to the confusion is a freelance blogger named Alan (Jude Law), who has amassed a large audience with his conspiracy claims that there are indeed cures available for the mysterious virus. He contends the government elite and the pharmaceutical companies are exploiting the situation in order to milk maximum profit from the inevitable release of a vaccine.
The film deftly moves around the world showing the victims, scientists and investigators and how the crisis is affecting them. It also shows how quickly society can break down as scene after shocking scene of chaos and devastation are introduced juxtaposed with the number of days since the outbreak of the virus.
Soderbergh keeps you on the edge of your seat and doesn’t give you a moment’s rest. Characters are introduced and given just enough of a back story so that you understand their place in the film. Most heartbreaking is Matt Damon’s role as a father who’s left watching over his only remaining child, going to great measures to keep her safe while also dealing with the death of his wife and the unfolding secret of the last days of her life.
There is truly an impressive array of stars in the film, some of whom play brief but significant parts in the overall story. However, the movie’s strength is also its weakness in that with so many primary characters,there were some diverging storylines that did not get fully fleshed out.
While “Contagion” is not the first film to deal with viral outbreak, it is perhaps the most realistic as it doesn’t resort to any Hollywood standards such as car chases, explosions, starcrossed lovers and so on to tell its story. Instead it focuses on stark, somber scenarios and the struggles of each character is very easy to relate to.
Kudos has to be given to many of the stars of the film for their understated but pitch perfect work in very unglamorous roles. Their subtle & poignant acting underscore the dire situations that their characters find themselves in. It was refreshing to see leading men and women looking quite ordinary and letting the story carry the picture rather than focusing on one individual to save the day.
All throughout the film I found myself captivated and never once did I lose interest in the scenarios or characters nor did I find anything in the film impossible to believe. The film doesn’t go overboard on pointing fingers instead it gives an honest and unflinching look at a scenario that we can only hope will never happen. But as the film points out, viral outbreaks have occurred all throughout history. Hardly an encouraging message, but thanks to the stellar cast and gripping subject matter “Contagion” is a film you will not want to miss.
Kristy H (1252 KP) rated The Jetsetters in Books
Mar 19, 2020
Charlotte Perkins is 71, and her best friend has just died. Long single, she longs to be touched and loved again, so she writes an essay (a rather racy one at that) to the "Become a Jetsetter" contest to win a trip for her entire family (and to perhaps meet someone). Charlotte is shocked and elated when she actually wins, earning the the chance to take her three children to Athens, Greece and on a nine-day cruise to Barcelona, Spain. Lee, a struggling actress who has just returned home on a "break" from acting (and from her famous ex-boyfriend) figures she has nothing better to do. Cord, her son, a wealthy New Yorker, isn't thrilled about being trapped on a ship while he struggles with his sobriety. And Regan, an exhausted mother of two daughters, can't believe it when her irritating husband Matt joins the group. This will be a particularly fun trip since Lee and Regan haven't spoken in ten years. Trapped on this adventure together, secrets come out and the Perkins family suddenly learns more than they ever wanted to know about each one another.
It took me a while to process this one. I really enjoy Amanda Eyre Ward's writing, and I have such a soft spot for her book, The Same Sky, which is one of my absolute favorite novels. This book is very different from that one, and it took me some time to warm to the pacing and the characters. Charlotte turned me off in the beginning, and I was just slow to get into the book. We learn that the Perkins kids had a rough childhood, but one that also bonded them together. Yet when the book opens, none of them are particularly close to each other--or their mother.
"This day, and the two more excruciating days that followed--days of sand and beer-scented misery--would be the last time Lee went on vacation with her mother and siblings. Until thirty-two years later, when they became jetsetters."
The book presents the story from not only Charlotte's point of view, but that of each of her wayward children. None of the kids are easy to like at first, but Ward's prose makes them come to life before our eyes. They are fallible, for sure, and it's hard not to feel a bit sorry for everyone. I for one am not sure I could handle being trapped on a cruise ship with a group of unhappy family members.
"Oh. Charlotte's children. To her great sadness and bewilderment, Charlotte's three adult children were lost to her, and perhaps to themselves."
The novel does an excellent job at portraying all the difficult relationships in the book, giving us an in-depth portrait of a complicated family. While the story is told solely over the span of their trip, we learn all about Charlotte's life--much of it hidden away from her children--and the lives of her three kids, even bits and pieces of their childhood and backstories. No one has had an easy go of it, for sure. How much do parents, and their actions, affect their kids, the book asks. How do families in general influence the people we become. They have so much power: both to help and to hurt.
It's funny, this wasn't always a story I enjoyed, even though there are humorous and touching moments, but I recognized its powerful parts too. Overall, I would rate this at 3.75 stars, rounded up to 4 stars here. It's worth a read.
It took me a while to process this one. I really enjoy Amanda Eyre Ward's writing, and I have such a soft spot for her book, The Same Sky, which is one of my absolute favorite novels. This book is very different from that one, and it took me some time to warm to the pacing and the characters. Charlotte turned me off in the beginning, and I was just slow to get into the book. We learn that the Perkins kids had a rough childhood, but one that also bonded them together. Yet when the book opens, none of them are particularly close to each other--or their mother.
"This day, and the two more excruciating days that followed--days of sand and beer-scented misery--would be the last time Lee went on vacation with her mother and siblings. Until thirty-two years later, when they became jetsetters."
The book presents the story from not only Charlotte's point of view, but that of each of her wayward children. None of the kids are easy to like at first, but Ward's prose makes them come to life before our eyes. They are fallible, for sure, and it's hard not to feel a bit sorry for everyone. I for one am not sure I could handle being trapped on a cruise ship with a group of unhappy family members.
"Oh. Charlotte's children. To her great sadness and bewilderment, Charlotte's three adult children were lost to her, and perhaps to themselves."
The novel does an excellent job at portraying all the difficult relationships in the book, giving us an in-depth portrait of a complicated family. While the story is told solely over the span of their trip, we learn all about Charlotte's life--much of it hidden away from her children--and the lives of her three kids, even bits and pieces of their childhood and backstories. No one has had an easy go of it, for sure. How much do parents, and their actions, affect their kids, the book asks. How do families in general influence the people we become. They have so much power: both to help and to hurt.
It's funny, this wasn't always a story I enjoyed, even though there are humorous and touching moments, but I recognized its powerful parts too. Overall, I would rate this at 3.75 stars, rounded up to 4 stars here. It's worth a read.
Emma @ The Movies (1786 KP) rated Once Upon A Deadpool (Deadpool 2 PG-13 Version) (2018) in Movies
Sep 25, 2019
So you want to see a family friendly version of Deadpool 2? Well you're out of luck because after all their editing it didn't make it past the 12A certificate criteria and had to be released as a 15 again. It still deserved that 15, it wasn't exactly hiding it's sweary side very well, and the violence is still there, you just don't get splattered with as much blood.
The editing unfortunately leaves you with some obvious continuity errors. The one that bugged me the most was the scene where DP is shot through the hand. They've left out the CGI for the gaping hole but it appears later in the film.
But lets look at the extra content you get.
Fred Savage and DP cut into the film in a homage to The Princess Bride. It's an amusing addition and I really did enjoy the Matt Damon skit.
They also edited the Stan Lee mural to say RIP, it definitely made it stick out more as I completely missed it the first time I saw DP2 at the cinema.
We also got an extra three credit scenes. One before the existing ones and two after. I nearly left... I was convinced that the fourth one was the end and I stood up to leave just as the fifth one started, and someone shouted at me to sit down. I'm not even mad, I was shouting internally at myself too. I was so glad to have seen it. The end Stan Lee montage brought a tear to my eye and was horribly poignant footage.
Is it in any way an improvement on the original? Absolutely not. Was it worth watching at the cinema? Definitely, yes. The screen was packed with people who knew what they were getting and were just there to have fun. (Apart from the two people who left after about ten minutes... spoil-sports.) We laughed together like it was the first time we'd seen the film and it was a great experience. With tickets in our cinema currently £5 of free with your Unlimited card it was well worth seeing on the big screen for the experience.
I'm left actively annoyed now though because it'll probably be another DVD I have to buy. Really there is no way to make Deadpool family friendly without taking everything away that makes him so fun. The ideal scenario would have been to have the Fred Savage bits edited together with the relevant snippets of the film and had it as a 20 minutes extra when they released it to buy. That or create a MST3K style commentary track for the film where you just see DP silently miming actions to Savage while he's telling him the story and we're watching the film, then having DP physically pause the film when Savage asks him questions so that they can do the scenes. Okay, I'm calm again now.
What you should do
I don't know if they're going to release it to buy or stream, and it was a one hit wonder at the cinema so I'm not really sure what you'll be able to do about seeing it. Ultimately though it's probably just worth watching the original again in all it's sweary and bloody glory.
Movie thing you wish you could take home
From this adaptation I think I'd like to have the bleeping buzzer that Deadpool uses in the added scenes. That would really come in handy on a day to day basis.
The editing unfortunately leaves you with some obvious continuity errors. The one that bugged me the most was the scene where DP is shot through the hand. They've left out the CGI for the gaping hole but it appears later in the film.
But lets look at the extra content you get.
Fred Savage and DP cut into the film in a homage to The Princess Bride. It's an amusing addition and I really did enjoy the Matt Damon skit.
They also edited the Stan Lee mural to say RIP, it definitely made it stick out more as I completely missed it the first time I saw DP2 at the cinema.
We also got an extra three credit scenes. One before the existing ones and two after. I nearly left... I was convinced that the fourth one was the end and I stood up to leave just as the fifth one started, and someone shouted at me to sit down. I'm not even mad, I was shouting internally at myself too. I was so glad to have seen it. The end Stan Lee montage brought a tear to my eye and was horribly poignant footage.
Is it in any way an improvement on the original? Absolutely not. Was it worth watching at the cinema? Definitely, yes. The screen was packed with people who knew what they were getting and were just there to have fun. (Apart from the two people who left after about ten minutes... spoil-sports.) We laughed together like it was the first time we'd seen the film and it was a great experience. With tickets in our cinema currently £5 of free with your Unlimited card it was well worth seeing on the big screen for the experience.
I'm left actively annoyed now though because it'll probably be another DVD I have to buy. Really there is no way to make Deadpool family friendly without taking everything away that makes him so fun. The ideal scenario would have been to have the Fred Savage bits edited together with the relevant snippets of the film and had it as a 20 minutes extra when they released it to buy. That or create a MST3K style commentary track for the film where you just see DP silently miming actions to Savage while he's telling him the story and we're watching the film, then having DP physically pause the film when Savage asks him questions so that they can do the scenes. Okay, I'm calm again now.
What you should do
I don't know if they're going to release it to buy or stream, and it was a one hit wonder at the cinema so I'm not really sure what you'll be able to do about seeing it. Ultimately though it's probably just worth watching the original again in all it's sweary and bloody glory.
Movie thing you wish you could take home
From this adaptation I think I'd like to have the bleeping buzzer that Deadpool uses in the added scenes. That would really come in handy on a day to day basis.
Charlie Cobra Reviews (1840 KP) rated Pet Sematary (2019) in Movies
Jul 7, 2020 (Updated Nov 1, 2020)
A Really Good Remake
Pet Semetary is a 2019 supernatural horror movie directed by Kevin Kolsch and Dennis Widmyer. The movie was written by Jeff Buhler with screen story by Matt Greenberg. It is a remake/reboot of the original 1989 film adaptation of the 1983 Stephen King novel. Starring Jason Clarke, Amy Seimetz, and John Lithgow.
Moving to the small town of Ludlow, Maine with his family: wife, Rachel (Amy Seimetz), children, Ellie (Jete Laurence) and Gage (Hugo & Lucas Lavoie), and Church, Ellie's cat, Louis Creed takes a job at the university's hospital. Ellie stumbles upon a procession of children, while exploring the nearby woods of their new home, who are taking a dead dog to a pet cemetery. Their neighbor, Jud Crandall (John Lithgow), finds Ellie climbing a large stack of branches forming a wall and warns Rachel and Ellie not to venture out alone as the woods can be dangerous.. The following day, Louis fails to save a student Victor Pascow (Obssa Ahmed) fatally injured from a car accident, and is left shaken. That night Louis meets Pascow in a vivid dream, where he is lead to the pet cemetery and warned not to "venture beyond". When Louis awakens he is disturbed to find his bed sheets and feet, muddy and dirty suggesting his "vision" could be more than just a bad dream.
As far as remakes go this one was really good. Especially for the horror genre. I mean I can't tell you how many remakes/reboots I've seen that just bomb and don't do the original justice. This one however seemed to keep the original in mind, while still making changes to keep it fresh and relatively different. That being said I do feel it was a bit over-hyped and didn't live up to certain expectations. To me it was a very creepy movie and had me wanting to cover my eyes in one part as memories from the original played back in my head. The sounds of the character Rachel's sister calling out to her got goosebumps on my forearms. Those parts were very unsettling to me but I didn't feel enough was "scary". I really enjoyed the twists and changes or differences from the original. They were welcome and kept it from being an exact replica and a copy of the original. As another critic stated, Jeffrey M. Anderson-Common Sense Media, the film was "...effectively unsettling, focusing on the characters and their understandable emotions rather than on overt gore and FX." I give it a 7/10.
Moving to the small town of Ludlow, Maine with his family: wife, Rachel (Amy Seimetz), children, Ellie (Jete Laurence) and Gage (Hugo & Lucas Lavoie), and Church, Ellie's cat, Louis Creed takes a job at the university's hospital. Ellie stumbles upon a procession of children, while exploring the nearby woods of their new home, who are taking a dead dog to a pet cemetery. Their neighbor, Jud Crandall (John Lithgow), finds Ellie climbing a large stack of branches forming a wall and warns Rachel and Ellie not to venture out alone as the woods can be dangerous.. The following day, Louis fails to save a student Victor Pascow (Obssa Ahmed) fatally injured from a car accident, and is left shaken. That night Louis meets Pascow in a vivid dream, where he is lead to the pet cemetery and warned not to "venture beyond". When Louis awakens he is disturbed to find his bed sheets and feet, muddy and dirty suggesting his "vision" could be more than just a bad dream.
As far as remakes go this one was really good. Especially for the horror genre. I mean I can't tell you how many remakes/reboots I've seen that just bomb and don't do the original justice. This one however seemed to keep the original in mind, while still making changes to keep it fresh and relatively different. That being said I do feel it was a bit over-hyped and didn't live up to certain expectations. To me it was a very creepy movie and had me wanting to cover my eyes in one part as memories from the original played back in my head. The sounds of the character Rachel's sister calling out to her got goosebumps on my forearms. Those parts were very unsettling to me but I didn't feel enough was "scary". I really enjoyed the twists and changes or differences from the original. They were welcome and kept it from being an exact replica and a copy of the original. As another critic stated, Jeffrey M. Anderson-Common Sense Media, the film was "...effectively unsettling, focusing on the characters and their understandable emotions rather than on overt gore and FX." I give it a 7/10.
Emma @ The Movies (1786 KP) rated Last Night in Soho (2021) in Movies
Oct 15, 2021
I was on the fence about this one. On the one hand, Edgar Wright, on the other, a cast that didn’t inspire confidence. But, if nothing else, it was going to be a spectacle.
Eloise dreams of being a fashion designer, and when she gets accepted to study fashion in London she thinks her dreams have come true. But London life isn’t quite what she hoped. When life in halls becomes too much, she finds herself an attic room to rent. Noisy roommates might have been the easier option when suddenly, every night, Eloise is transported to the 60s where the life of Sandie unfolds in front of her. Swept away in the glamour, the tables turn when Sandie’s life beings to twist into a new stark reality.
The start of Last Night in Soho pulled me in, the music had me, if nothing else I knew I’d be able to enjoy myself with the soundtrack. It’s a very nostalgic bit of listening for me having been brought up in a household that’s listening was a little more retro.
As the story develops, and Eloise along with it, you’re eager for answers. But that process feels drawn out and at some point it’s easy to see where it’s going to go before it’s properly alluded to, which took away some of the impact for me.
Our main character Eloise (played by Thomasin McKenzie), definitely has the right look and demeanour for this part. While in the end it’s a good performance though, I feel like the role would have been better suited to someone a little less on the nose. They've conveyed the mental health portion of the role nicely (the depiction of her mother felt a little Harry Potter but did get the point across), and she managed to encapsulate some of the terror, but again, it felt… cheesy? Maybe not the right word, but it was close to not giving it enough impact in the story, and I could see this working more on the horror side of things with some changes.
Ahh, Anya. Another from my list of people on the credits that make me go “meh”. I was sold with this performance though. I'm not fully on the Joy train, but I very much enjoyed this performance. Her attitude and behaviour the whole way through sold the character and… that’s it… really great. (So many things I want to say and so many that constitute spoilers.)
The supporting cast has some big names. Diana Rigg in her last performance gave a much needed edge to the scenes she was in. Matt Smith was cockney Matt Smith. My only particular call out would be for the character rather than the actor. The role of Eloise’s “boyfriend” was verging on problematic, both from a boyfriend and a writing point of view. A wet blanket of a character that seemed to be too close to comic relief without committing one way or the other. Even allowing for some sort of “support” for Eloise, this role could have been divvied out to a selection of other characters.
Last Night in Soho is stylish. The homely naive Eloise meeting glam forward Sandie really came together, and seeing Sandie’s influence seeping into the present day in the fashion and demeanour was interesting. The colours, the sets, the costumes, you can’t fault any of it.
Not being an expert in cinematic mastery behind the scenes, some of these things can escape me, but even I couldn’t miss the stunning editing and effects. Everything is seamless, and when you see some of those scenes I’m sure you’ll be blown away too.
On the technical side, this film is probably very close to a 5 star film, but with the character issues I had and the feeling that there was something missing from the ending, I’m even now not sure what my score for Last Night in Soho is going to be...
Originally posted on: https://emmaatthemovies.blogspot.com/2021/10/last-night-in-soho-movie-review.html
Eloise dreams of being a fashion designer, and when she gets accepted to study fashion in London she thinks her dreams have come true. But London life isn’t quite what she hoped. When life in halls becomes too much, she finds herself an attic room to rent. Noisy roommates might have been the easier option when suddenly, every night, Eloise is transported to the 60s where the life of Sandie unfolds in front of her. Swept away in the glamour, the tables turn when Sandie’s life beings to twist into a new stark reality.
The start of Last Night in Soho pulled me in, the music had me, if nothing else I knew I’d be able to enjoy myself with the soundtrack. It’s a very nostalgic bit of listening for me having been brought up in a household that’s listening was a little more retro.
As the story develops, and Eloise along with it, you’re eager for answers. But that process feels drawn out and at some point it’s easy to see where it’s going to go before it’s properly alluded to, which took away some of the impact for me.
Our main character Eloise (played by Thomasin McKenzie), definitely has the right look and demeanour for this part. While in the end it’s a good performance though, I feel like the role would have been better suited to someone a little less on the nose. They've conveyed the mental health portion of the role nicely (the depiction of her mother felt a little Harry Potter but did get the point across), and she managed to encapsulate some of the terror, but again, it felt… cheesy? Maybe not the right word, but it was close to not giving it enough impact in the story, and I could see this working more on the horror side of things with some changes.
Ahh, Anya. Another from my list of people on the credits that make me go “meh”. I was sold with this performance though. I'm not fully on the Joy train, but I very much enjoyed this performance. Her attitude and behaviour the whole way through sold the character and… that’s it… really great. (So many things I want to say and so many that constitute spoilers.)
The supporting cast has some big names. Diana Rigg in her last performance gave a much needed edge to the scenes she was in. Matt Smith was cockney Matt Smith. My only particular call out would be for the character rather than the actor. The role of Eloise’s “boyfriend” was verging on problematic, both from a boyfriend and a writing point of view. A wet blanket of a character that seemed to be too close to comic relief without committing one way or the other. Even allowing for some sort of “support” for Eloise, this role could have been divvied out to a selection of other characters.
Last Night in Soho is stylish. The homely naive Eloise meeting glam forward Sandie really came together, and seeing Sandie’s influence seeping into the present day in the fashion and demeanour was interesting. The colours, the sets, the costumes, you can’t fault any of it.
Not being an expert in cinematic mastery behind the scenes, some of these things can escape me, but even I couldn’t miss the stunning editing and effects. Everything is seamless, and when you see some of those scenes I’m sure you’ll be blown away too.
On the technical side, this film is probably very close to a 5 star film, but with the character issues I had and the feeling that there was something missing from the ending, I’m even now not sure what my score for Last Night in Soho is going to be...
Originally posted on: https://emmaatthemovies.blogspot.com/2021/10/last-night-in-soho-movie-review.html