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What a City is for: Remaking the Politics of Displacement
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Portland, Oregon, is one of the most beautiful, livable cities in the United States. It has walkable...
Gareth von Kallenbach (968 KP) rated Live Free or Die Hard (2007) in Movies
Aug 14, 2019
Computers have become such a mainstay of modern life that few of us even stop to imagine just how much of our lives are affected by them. In the course of a standard day, everything from the lights at the corner, offices, banks, and even the cars we drive are all governed in some ways by computers.
In the latest chapter in the Die Hard series, “Live Free or Die Hard”, audiences are given a glimpse of what could happen should a massive attack on our nation’s computer network occur, and shown how life as we know it could be severely altered without our digital creations monitoring the numerous tasks to which they have been assigned.
For Detective John McClane, (Bruce Willis), being in the wrong place at the right time has become par for the course, when his routine transportation of a suspected hacker named Matt Farrell (Justin Long), soon has him in a heated shootout, he realizes this is not going to be just another day at the office.
The nations computer network has come under attack by a cyber terrorist named Thomas Gabriel (Timothy Olyphant), and in short order everything has shut down, and the cities of the country are in total chaos.
Since the bad guys have been so intent on silencing Matt, John becomes his guardian as the two try to unravel the master plan behind the attacks, and stay one step ahead of the legion of hired goons.
This is no easy task as seemingly every step of the way the duo are under attack from all fronts from an unseen enemy that can strike anywhere, and often without warning which results in some truly inspired and impressive action sequences.
In a race against time, old school cop McClane must rely on the tech fluent Matt as he once again finds himself the only man who can save the day before the world as we know it is lost.
This “Die Hard” is a real treat as it is the rare summer offering that not only lives up to the hype and promise, but surpasses it. Willis reportedly waited to find the write script and director (Len Wiseman of the “Underworld” films); to bring the next chapter to the series and it is a dynamic and effective pairing.
Wiseman is a fan of the series and as a teen was influenced by the earlier films in the series. His love and understanding of the characters and subject matter is clear as he stages very clever and entertaining action sequences that while thrilling, never take the place of the human elements of the film.
The film is clearly about McClane and his reluctant heroics as he laments that being a hero is not all that it is cracked up to be, and the aftermath of such actions often make for a life filled with baggage.
Willis is in top form, as he comfortably steps back into the familiar role and throws himself physically into a very demanding role, where he insisted upon doing the majority of his stunt work. His gritty approach to the character pays off, as McClane is not some super-powered character; he is a normal man, with faults who is driven to do his part when needed.
The film does take a brief pause about 80 minutes into the nearly two hour run time to expand on some of the characters and the plot, but ramps up for an amazing finale that has some of the best action and stunt work in recent memory.
It was reported that Wiseman kept CGI effects to a minimum for many sequences in order to give them a more realistic look, and in doing so, has crafted a true gem.
Some people have complained about the film being “toned down” to PG-13 but I can tell you that there is just as much action, violence, and body count as any film in the series; they were just not overly gratuitous with the use of blood. That being said, at no point did I get the impression I was watching a sanitized film, I was too busy enjoying a solid action film that takes the audience on one hell of a thrilling ride.
In the latest chapter in the Die Hard series, “Live Free or Die Hard”, audiences are given a glimpse of what could happen should a massive attack on our nation’s computer network occur, and shown how life as we know it could be severely altered without our digital creations monitoring the numerous tasks to which they have been assigned.
For Detective John McClane, (Bruce Willis), being in the wrong place at the right time has become par for the course, when his routine transportation of a suspected hacker named Matt Farrell (Justin Long), soon has him in a heated shootout, he realizes this is not going to be just another day at the office.
The nations computer network has come under attack by a cyber terrorist named Thomas Gabriel (Timothy Olyphant), and in short order everything has shut down, and the cities of the country are in total chaos.
Since the bad guys have been so intent on silencing Matt, John becomes his guardian as the two try to unravel the master plan behind the attacks, and stay one step ahead of the legion of hired goons.
This is no easy task as seemingly every step of the way the duo are under attack from all fronts from an unseen enemy that can strike anywhere, and often without warning which results in some truly inspired and impressive action sequences.
In a race against time, old school cop McClane must rely on the tech fluent Matt as he once again finds himself the only man who can save the day before the world as we know it is lost.
This “Die Hard” is a real treat as it is the rare summer offering that not only lives up to the hype and promise, but surpasses it. Willis reportedly waited to find the write script and director (Len Wiseman of the “Underworld” films); to bring the next chapter to the series and it is a dynamic and effective pairing.
Wiseman is a fan of the series and as a teen was influenced by the earlier films in the series. His love and understanding of the characters and subject matter is clear as he stages very clever and entertaining action sequences that while thrilling, never take the place of the human elements of the film.
The film is clearly about McClane and his reluctant heroics as he laments that being a hero is not all that it is cracked up to be, and the aftermath of such actions often make for a life filled with baggage.
Willis is in top form, as he comfortably steps back into the familiar role and throws himself physically into a very demanding role, where he insisted upon doing the majority of his stunt work. His gritty approach to the character pays off, as McClane is not some super-powered character; he is a normal man, with faults who is driven to do his part when needed.
The film does take a brief pause about 80 minutes into the nearly two hour run time to expand on some of the characters and the plot, but ramps up for an amazing finale that has some of the best action and stunt work in recent memory.
It was reported that Wiseman kept CGI effects to a minimum for many sequences in order to give them a more realistic look, and in doing so, has crafted a true gem.
Some people have complained about the film being “toned down” to PG-13 but I can tell you that there is just as much action, violence, and body count as any film in the series; they were just not overly gratuitous with the use of blood. That being said, at no point did I get the impression I was watching a sanitized film, I was too busy enjoying a solid action film that takes the audience on one hell of a thrilling ride.
Whatchareadin (174 KP) rated Don't Go in Books
May 10, 2018
Dr. Matt Scanlon is on tour in Afghanistan when he receives the call that his wife, Chloe, has died in an unfortunate household accident. He rushes home to take care of her funeral arrangements and get care for their 7 month old daughter, Emily. When he returns home, nothing seems the same. And it's not only because Chloe is no longer there. Going through her things, he makes a startling discovery that will cloud his mind for a long time. Leaving the care of his daughter to his in-laws, Bob and Danielle, he returns to finish his tour of duty and try to make sense of all that he has learned about his wife.
This book really had me intrigued from the very beginning. I gasped out loud several times while listening to this book. Just when you think you know what is going to happen next, you are pulled in the completely opposite direction. There are a lot of twists and turns throughout this book. A man on mission trying to find out what was really going on with his wife while he was away. He is trying to build a bond with his daughter who doesn't know him at all, and with him being away, it doesn't help. Trying to find out who his wife had become after she had become a mother and a military wife.
This book will keep you on your toes and you will never know what is going to happen next. You think you do, as I thought I did, but you will soon find out that you are wrong. The surprises keep coming straight on until the end. I think this is a book everyone should grab. This is the first I have read by Lisa Scottoline, and she has been on my radar for a while. I will continue to read and enjoy her books.
This book really had me intrigued from the very beginning. I gasped out loud several times while listening to this book. Just when you think you know what is going to happen next, you are pulled in the completely opposite direction. There are a lot of twists and turns throughout this book. A man on mission trying to find out what was really going on with his wife while he was away. He is trying to build a bond with his daughter who doesn't know him at all, and with him being away, it doesn't help. Trying to find out who his wife had become after she had become a mother and a military wife.
This book will keep you on your toes and you will never know what is going to happen next. You think you do, as I thought I did, but you will soon find out that you are wrong. The surprises keep coming straight on until the end. I think this is a book everyone should grab. This is the first I have read by Lisa Scottoline, and she has been on my radar for a while. I will continue to read and enjoy her books.
Charlie Cobra Reviews (1840 KP) rated Ready or Not (2019) in Movies
Jul 7, 2020
Bloody Good Fun
Ready Or Not is a 2019 black comedy/horror movie directed by Matt Bettinelli-Olphin and Tyler Gillett from a screenplay by Gus Busick and R. Christopher Murphy. Producers on the film included Tripp Vinson, James Vanderbilt, Willem Sherak, and Bradley J. Fischer. It was produced by Fox Searchlight Pictures, Mythology Entertainment, Vinson Films and distributed by Walt Disney Studios Motion Pictures. The film stars Samara Weaving, Adam Brody, Mark O'Brien, Henry Czerny and Andie MacDowell.
Grace couldn't be happier after she marries the man of her dreams at his family's luxurious estate. There's just one catch -- at midnight on the wedding night, the wealthy Le Domas family hosts a generations long tradition of playing a game with each new addition to the family. Tony, her new father-in-law explains that Grace must participate in a session where she must draw a card from a mysterious wooden box and play the game to be a full-fledged member of the family. She must now hide from midnight until dawn while her new in-laws hunt her down with guns, crossbows, and other weapons s she desperately tries to survive the night,
This movie was great. I liked it quite a bit. It was a fresh take on one of my favorite genres. The movie was also pretty funny and had a good way of mixing the horror with comedy. The acting was also really good with Samara Weaving doing a great job and a solid performance from Adam Brody too. The script and plot could have been a little more solid but it's a enjoyable ride. There were some inconsistencies with the plot and some humor that fell flat but overall a good mashup of genres and fresh take on some stereotypes and cliches. I give this movie a 8/10. Not necessarily a horror movie but more aligned with survival horror, I recommend it for people who like movies like that.
Grace couldn't be happier after she marries the man of her dreams at his family's luxurious estate. There's just one catch -- at midnight on the wedding night, the wealthy Le Domas family hosts a generations long tradition of playing a game with each new addition to the family. Tony, her new father-in-law explains that Grace must participate in a session where she must draw a card from a mysterious wooden box and play the game to be a full-fledged member of the family. She must now hide from midnight until dawn while her new in-laws hunt her down with guns, crossbows, and other weapons s she desperately tries to survive the night,
This movie was great. I liked it quite a bit. It was a fresh take on one of my favorite genres. The movie was also pretty funny and had a good way of mixing the horror with comedy. The acting was also really good with Samara Weaving doing a great job and a solid performance from Adam Brody too. The script and plot could have been a little more solid but it's a enjoyable ride. There were some inconsistencies with the plot and some humor that fell flat but overall a good mashup of genres and fresh take on some stereotypes and cliches. I give this movie a 8/10. Not necessarily a horror movie but more aligned with survival horror, I recommend it for people who like movies like that.
Sarah (7798 KP) rated The Departed (2006) in Movies
Feb 20, 2021
The best gangster flick made to date
Film #15 on the 100 Movies List: The Departed
The Departed is Martin Scorcese’s Oscar winning Irish gangster film released in 2006, a remake of the 2002 Hong Kong film Infernal Affairs, and loosely based around the real life Boston Hill Gang led by Whitey Bulger. It’s a film I remember watching when it was first released when I was at university, and I was blown away. It centres around Irish gang boss Frank Costello (Jack Nicholson) and his relationships with police detective mole Colin Sullivan (Matt Damon) and undercover state trooper Billy Costigan (Leonardo DiCaprio), as the latter two attempt to uncover each other’s identities.
Colin Sullivan was introduced to Costello as a young boy, groomed into joining the Massachusetts State Police and soon rises to the ranks of detective in the Special Investigation Unit, led by Captain Ellerby (Alec Baldwin)and responsible for bringing down Costello and his gang. Conversely Billy Costigan suffered a troubled youth with numerous members of his family involved in Costello’s gang. He trains as a state trooper and due to his family’s criminal ties, is turned into an undercover agent by Captain Queenan (Martin Sheen) and Staff Sergeant Dignam (Mark Wahlberg), his role to infiltrate Costello’s gang. Soon suspicions are raised and the net begins to close in on everyone involved, with dire consequences.
Personally, I think this is one of the best gangster films I’ve ever seen, if not the best. It’s everything you’d expect and more from a film in this genre, and I’m not sure anyone other than Scorcese could pull off a crime thriller that manages to feature such prominent Celtic music with such flair. It has a whip smart, often funny script that features some cracking one liners and quips, especially from Mark Wahlberg’s Dignam. Yes it is a little crude and some of the dialogue could be considered as offensive by some, but to me this just makes it more realistic as you can’t exactly expect gangsters and police to talk politely. Of course the script is brought to life by a truly phenomenal cast, and arguably one of the best ensembles in a gangster film in terms of talent. Leonardo DiCaprio is no longer the fresh faced youngster he was in the days of Titanic, although he puts in a terrific performance as Billy. This is also one of the few films I’ve seen of Matt Damon’s where he doesn’t play a nice guy, and he really fits this surprisingly well. But it’s Nicholson who steals the show as Costello and he definitely gets the biggest share of the witty script, bringing some light humour to an otherwise menacing criminal figure. You can’t keep your eyes off him whenever he’s on screen, and I don’t believe anyone else could pull this off without seeming like an over the top caricature.
However it isn’t perfect. The relationship between police psychiatrist Madolyn Madden (Vera Farmiga) and both Sullivan and Costigan is a little unnecessary and not important to the main plot, but fortunately the performances from all involved mean this isn’t a major issue. And again, the film is rather long but fortunately the tense scenes and great acting, alongside a few well placed action scenes, mean it never feels too drawn out.
This is a shining example of how to do a gangster film, and one I’d wholeheartedly recommend. It’s an intelligent, performance driven masterpiece and entirely deserving of it’s Best Picture Academy Award win.
The Departed is Martin Scorcese’s Oscar winning Irish gangster film released in 2006, a remake of the 2002 Hong Kong film Infernal Affairs, and loosely based around the real life Boston Hill Gang led by Whitey Bulger. It’s a film I remember watching when it was first released when I was at university, and I was blown away. It centres around Irish gang boss Frank Costello (Jack Nicholson) and his relationships with police detective mole Colin Sullivan (Matt Damon) and undercover state trooper Billy Costigan (Leonardo DiCaprio), as the latter two attempt to uncover each other’s identities.
Colin Sullivan was introduced to Costello as a young boy, groomed into joining the Massachusetts State Police and soon rises to the ranks of detective in the Special Investigation Unit, led by Captain Ellerby (Alec Baldwin)and responsible for bringing down Costello and his gang. Conversely Billy Costigan suffered a troubled youth with numerous members of his family involved in Costello’s gang. He trains as a state trooper and due to his family’s criminal ties, is turned into an undercover agent by Captain Queenan (Martin Sheen) and Staff Sergeant Dignam (Mark Wahlberg), his role to infiltrate Costello’s gang. Soon suspicions are raised and the net begins to close in on everyone involved, with dire consequences.
Personally, I think this is one of the best gangster films I’ve ever seen, if not the best. It’s everything you’d expect and more from a film in this genre, and I’m not sure anyone other than Scorcese could pull off a crime thriller that manages to feature such prominent Celtic music with such flair. It has a whip smart, often funny script that features some cracking one liners and quips, especially from Mark Wahlberg’s Dignam. Yes it is a little crude and some of the dialogue could be considered as offensive by some, but to me this just makes it more realistic as you can’t exactly expect gangsters and police to talk politely. Of course the script is brought to life by a truly phenomenal cast, and arguably one of the best ensembles in a gangster film in terms of talent. Leonardo DiCaprio is no longer the fresh faced youngster he was in the days of Titanic, although he puts in a terrific performance as Billy. This is also one of the few films I’ve seen of Matt Damon’s where he doesn’t play a nice guy, and he really fits this surprisingly well. But it’s Nicholson who steals the show as Costello and he definitely gets the biggest share of the witty script, bringing some light humour to an otherwise menacing criminal figure. You can’t keep your eyes off him whenever he’s on screen, and I don’t believe anyone else could pull this off without seeming like an over the top caricature.
However it isn’t perfect. The relationship between police psychiatrist Madolyn Madden (Vera Farmiga) and both Sullivan and Costigan is a little unnecessary and not important to the main plot, but fortunately the performances from all involved mean this isn’t a major issue. And again, the film is rather long but fortunately the tense scenes and great acting, alongside a few well placed action scenes, mean it never feels too drawn out.
This is a shining example of how to do a gangster film, and one I’d wholeheartedly recommend. It’s an intelligent, performance driven masterpiece and entirely deserving of it’s Best Picture Academy Award win.
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Used by beginners through Major Championship winners on the PGA Tour, and validated by an...
Gareth von Kallenbach (968 KP) rated Jason Bourne (2016) in Movies
Jun 19, 2019
It is hard to believe that 2007 was the last time Matt Damon portrayed Jason Bourne. The series continued with Jeremy Renner playing a character set in the same universe in the 2012 release “The Bourne Legacy”, but fans have longed for more from the series originator.
Thankfully Writer/Director Paul Greengrass has returned with Damon to in the new film “Jason Bourne” The film opens with Bourne in hiding and living off the grid in Greece. He sustains himself by taking part in full contact matches and has regained more of the memories he has forgotten since the events prior to the first film.
His former associate Nicky Parsons (Julia Stiles) has managed to hack into the government and has obtained numerous files about covert operations including a new and greater program as well as information about Bourne and his father.
The leak catches the attention of Director Robert Dewey (Tommy Lee Jones) and he tasks ambitious Agent Heather Lee (Alicia Vikander) to find and stop Bourne and Parsons.
At the same time, Dewey is working with a software developer to ensure that the government has unlimited access to all the users of his software in order to maintain surveillance upon them. Uncomfortable with this arrangement the developer (Aaron Kalloor) threatens to expose what the government has been up to at a big software expo in Las Vegas before a worldwide audience.
With this new threat and Bourne resurfaced, a cold and deadly assassin is dispatched and in locales ranging from Greece, Berlin, London, and Las Vegas as Bourne attempts to get the answers he wants and to settle some old scores with danger all around him.
The film takes a bit to get up to speed but once it does it delivers the action and political intrigue that fans of the series have come to expect. Naturally it does at times require a few leaps of faith but in the end, Bourne is back better than ever and Damon reminds us of how much he owns this character with her performance. Here is hoping we do not have as long a wait for him to return in a new Bourne adventure.
http://sknr.net/2016/07/29/84102/
Thankfully Writer/Director Paul Greengrass has returned with Damon to in the new film “Jason Bourne” The film opens with Bourne in hiding and living off the grid in Greece. He sustains himself by taking part in full contact matches and has regained more of the memories he has forgotten since the events prior to the first film.
His former associate Nicky Parsons (Julia Stiles) has managed to hack into the government and has obtained numerous files about covert operations including a new and greater program as well as information about Bourne and his father.
The leak catches the attention of Director Robert Dewey (Tommy Lee Jones) and he tasks ambitious Agent Heather Lee (Alicia Vikander) to find and stop Bourne and Parsons.
At the same time, Dewey is working with a software developer to ensure that the government has unlimited access to all the users of his software in order to maintain surveillance upon them. Uncomfortable with this arrangement the developer (Aaron Kalloor) threatens to expose what the government has been up to at a big software expo in Las Vegas before a worldwide audience.
With this new threat and Bourne resurfaced, a cold and deadly assassin is dispatched and in locales ranging from Greece, Berlin, London, and Las Vegas as Bourne attempts to get the answers he wants and to settle some old scores with danger all around him.
The film takes a bit to get up to speed but once it does it delivers the action and political intrigue that fans of the series have come to expect. Naturally it does at times require a few leaps of faith but in the end, Bourne is back better than ever and Damon reminds us of how much he owns this character with her performance. Here is hoping we do not have as long a wait for him to return in a new Bourne adventure.
http://sknr.net/2016/07/29/84102/
1000 Ultimate Adventures: A Lifetime of Intrepid Travel Inspiration
Book
Lonely Planet: The world's leading travel guide publisher* Hankering to tackle a long-distance trek,...
